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      <title>Landscape🐑 by </title>
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      <pubDate>2025-10-15 09:06:08 UTC</pubDate>
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         <description><![CDATA[<p>实物 手工 </p>]]></description>
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         <pubDate>2025-10-15 09:18:56 UTC</pubDate>
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         <title>storytelling</title>
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         <pubDate>2025-10-15 09:27:49 UTC</pubDate>
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         <title>tips</title>
         <author>yzhuang0320251_2</author>
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         <description><![CDATA[<p>非传统方法</p><p>未经加工的羊毛</p>]]></description>
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         <pubDate>2025-10-15 09:28:34 UTC</pubDate>
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         <title>概括</title>
         <author>yzhuang0320251_2</author>
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         <description><![CDATA[<p>《穿着景观》项目提案框架</p><p>1. 项目背景</p><p>• 由可持续时尚中心（CSF）与英格兰东南部、西南部纤维产区合作发起</p><p>• 连接设计师与本地羊毛生产者（原生/稀有品种）</p><p>• 目标：通过创意实践重新评估英国生物区域羊毛的价值</p><p>2. 核心概念</p><p>• “穿着”不仅是使用衣物，而是与本地景观的具身体验</p><p>• 从“开采景观”到“与景观共创”的思维转变</p><p>• 结合保护性放牧、再生农业与创意设计</p><p>3. 研究方向</p><p>1. 创意实践</p><p>◦ 展示本地羊毛的独特美感</p><p>◦ 开发商业与艺术兼具的原型与系列</p><p>◦ 不同价位产品策略</p><p>2. 材料创新</p><p>◦ 打破“英国羊毛粗糙不适”的偏见</p><p>◦ 探索针织、机织以外的新用法</p><p>◦ 开发原毛阶段的创新应用，降低农民加工成本</p><p>3. 叙事传播</p><p>◦ 讲述与本地景观共生的穿着体验</p><p>◦ 通过设计呈现土地、物种与人类的关系</p><p>◦ 建立农场、人物、羊毛、景观的独特品牌故事</p><p>4. 可持续生计</p><p>◦ 提升羊毛经济价值</p><p>◦ 帮助农民获得体面收入</p><p>◦ 构建生物区域羊毛供应链网络</p><p>4. 预期成果</p><p>• 创新设计原型与样品</p><p>• 景观—材料—穿着体验的传播案例</p><p>• 可推广的商业模式与供应链方案</p>]]></description>
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         <pubDate>2025-10-15 09:33:07 UTC</pubDate>
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         <description><![CDATA[<p>不同材料融合、腐蚀</p>]]></description>
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         <pubDate>2025-10-15 09:52:09 UTC</pubDate>
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         <pubDate>2025-10-15 09:56:41 UTC</pubDate>
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         <title></title>
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         <description><![CDATA[<p>调研现代生活、牧羊生活的最不同点</p>]]></description>
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         <pubDate>2025-10-15 09:58:20 UTC</pubDate>
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         <title></title>
         <author>yzhuang0320251_2</author>
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         <pubDate>2025-10-15 09:59:51 UTC</pubDate>
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         <title>中西方“羊”的意义冲突</title>
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         <pubDate>2025-10-15 10:12:31 UTC</pubDate>
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         <title>WOOL</title>
         <author>yzhuang0320251_2</author>
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         <pubDate>2025-10-19 23:00:32 UTC</pubDate>
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         <title>Culture</title>
         <author>yzhuang0320251_2</author>
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         <pubDate>2025-10-19 23:01:50 UTC</pubDate>
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         <title>East</title>
         <author>yzhuang0320251_2</author>
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         <pubDate>2025-10-19 23:02:38 UTC</pubDate>
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         <title>West</title>
         <author>yzhuang0320251_2</author>
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         <pubDate>2025-10-19 23:03:41 UTC</pubDate>
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         <title>Conflict of the Meanings of “Sheep”</title>
         <author>yzhuang0320251_2</author>
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         <pubDate>2025-10-19 23:05:40 UTC</pubDate>
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         <title>替罪羊*Scapegoat</title>
         <author>yzhuang0320251_2</author>
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         <pubDate>2025-10-19 23:10:55 UTC</pubDate>
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         <title>The greatest difference: The Middle Ages</title>
         <author>yzhuang0320251_2</author>
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         <description><![CDATA[<p><br></p><p>The Western Middle Ages (c. 5th–15th centuries) </p><p>China:</p><p>• Early Middle Ages (5th–10th centuries): Southern and Northern Dynasties → Sui and Tang dynasties</p><p>• High Middle Ages (10th–13th centuries): Five Dynasties and Ten Kingdoms → Song, Liao, and Jin dynasties</p><p>• Late Middle Ages (13th–late 15th centuries): Yuan dynasty → early Ming dynasty</p>]]></description>
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         <pubDate>2025-10-19 23:23:33 UTC</pubDate>
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         <title>Focus on China</title>
         <author>yzhuang0320251_2</author>
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         <description><![CDATA[<p>The perception of sheep as吉祥 (lucky, auspicious) was mainly concentrated in East Asian regions influenced by Chinese culture. </p>]]></description>
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         <pubDate>2025-10-19 23:31:26 UTC</pubDate>
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         <title>Symbolic Meaning </title>
         <author>yzhuang0320251_2</author>
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         <pubDate>2025-10-19 23:47:20 UTC</pubDate>
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         <title></title>
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         <description><![CDATA[<p>Auspicious, gentle, and kind.  </p><p>The character '羊 (yáng, sheep)' is homophonic with '祥 (xiáng, auspicious)', so it is often regarded as an animal that brings wealth, prosperity, and serves as a sacrificial offering to worship deities.</p>]]></description>
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         <pubDate>2025-10-19 23:49:00 UTC</pubDate>
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         <title></title>
         <author>yzhuang0320251_2</author>
         <link>https://padlet.com/yzhuang0320251_2/5ybwy4tszwyzlecv/wish/3639834125</link>
         <description><![CDATA[<p>Sheep symbolize kindness and obedience, representing good people; Goats symbolize lechery, evil, and brutality, representing bad people and being a symbol of demons.</p>]]></description>
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         <pubDate>2025-10-19 23:51:38 UTC</pubDate>
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         <title>Artistic Expression</title>
         <author>yzhuang0320251_2</author>
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         <pubDate>2025-10-19 23:52:33 UTC</pubDate>
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         <title></title>
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         <description><![CDATA[<p>In artworks, the image of sheep is mostly gentle and beautiful. For example, the sheep images on bronze wares like the Four-goat Square Zun demonstrate the beautiful implications of sheep.</p>]]></description>
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         <pubDate>2025-10-19 23:53:08 UTC</pubDate>
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         <description><![CDATA[<p>In medieval artworks, goats are often associated with demons. For example, Satan is often depicted as a terrifying figure with goat horns and hooves.</p>]]></description>
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         <pubDate>2025-10-19 23:53:51 UTC</pubDate>
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         <description><![CDATA[<p>西方的“替罪羊”概念直接源于<strong>希伯来-基督教传统</strong>。</p><ol><li><p><strong>《圣经·利未记》的原始仪式</strong></p><ul><li><p>在古犹太教的“赎罪日”仪式中，大祭司会取两只公山羊。</p></li><li><p>一只山羊被献给上帝，通过献祭（杀死）来赎罪。</p></li><li><p>另一只山羊则被视为承载了所有以色列人的罪恶，大祭司手按羊头，将全民的罪过“转嫁”于它，然后派人将其驱赶到旷野之中，让它把罪恶带到无人之地。这只羊就是&nbsp;<strong>“归与阿撒泻勒的羊”</strong>，也就是&nbsp;<strong>“scapegoat”</strong>&nbsp;的直接来源。</p></li><li><p><strong>象征意义</strong>：这个仪式充满了象征性。羊的死亡与放逐，代表了<strong>罪的转移与清除</strong>。通过这个仪式，社群与上帝破裂的关系得以修复，社会秩序得到重申。</p></li></ul></li><li><p><strong>基督教的升华</strong></p><ul><li><p>在基督教神学中，<strong>耶稣基督</strong>被解释为终极的、完美的“替罪羊”。他作为“神的羔羊”，通过自己在十字架上的牺牲，一次性且永久地承担了全人类的罪孽。这使得基督教意义上的“替罪羊”从<strong>一种周期性的仪式，转变为一次性的、具有救赎论意义的终极事件</strong>。</p></li></ul></li><li><p><strong>现代的引申与批判</strong></p><ul><li><p>在现代英语中，“scapegoat”完全脱离了宗教仪式，成为一个纯粹的<strong>社会心理学和政治学术语</strong>，且带有强烈的负面批判色彩。</p></li><li><p>它指代那些<strong>被不公正地指责，用以转移公众注意力、为真正问题背黑锅的个人、群体或国家</strong>。</p></li></ul></li></ol>]]></description>
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         <pubDate>2025-10-21 17:47:51 UTC</pubDate>
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         <description><![CDATA[<p>中国的“替罪羊”概念来源更偏向<strong>历史传说和政治实践</strong>，其宗教仪式色彩较淡。</p><ol><li><p><strong>“替罪羊”一词的典故</strong></p><ul><li><p>这个词最直接的典故来自于《孟子·梁惠王上》，其中记载了齐宣王的一个故事：</p></li></ul><blockquote><p>“王坐于堂上，有牵牛而过堂下者……曰：‘何可废也？以羊易之。’”</p></blockquote><ul><li><p>齐宣王看到有人牵牛去祭钟（一种祭祀仪式），不忍心牛恐惧发抖的样子，就下令“用羊替换掉它”。孟子借此劝导齐宣王要有“仁心”。这个故事本身并无“替罪”之意，但&nbsp;<strong>“以羊易牛”</strong>&nbsp;的行为，奠定了“羊”作为<strong>替代品、牺牲品</strong>的文化意象。后世文人用“替罪羊”来指代那个无辜被拉去顶罪的“羊”。</p></li></ul></li><li><p><strong>更古老的原型：堲谗言</strong></p><ul><li><p>在中国上古时期，有一种名为&nbsp;<strong>“堲”或“磔禳”</strong>&nbsp;的仪式。在发生瘟疫或灾难时，人们会将一种象征邪恶的动物（有时是羊）分裂肢体，埋在路口或四方，以驱除灾祸，保佑城池。这与“替罪羊”的逻辑非常相似。</p></li></ul></li><li><p><strong>政治与文化中的“替罪羊”逻辑</strong></p><ul><li><p>在中国漫长的历史中，“替罪羊”机制在政治上表现得淋漓尽致，即&nbsp;<strong>“弃车保帅”</strong>。</p></li><li><p>当王朝出现重大危机（如天灾、叛乱、政治失败）时，皇帝常常需要下“<strong>罪己诏</strong>”，但更多时候，会寻找一个<strong>具体的官员来承担责任</strong>，将其罢黜甚至处死，以平息天怒人怨，维持统治的合法性。这个被抛出的官员，就是典型的政治“替罪羊”。</p></li></ul></li></ol>]]></description>
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         <pubDate>2025-10-21 17:49:19 UTC</pubDate>
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         <pubDate>2025-10-21 17:58:51 UTC</pubDate>
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         <title>替罪羊</title>
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         <title>女巫安息日</title>
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         <pubDate>2025-10-21 20:49:42 UTC</pubDate>
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</rss>
