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      <title>U3 Padlet: Chapter&#39;s 6 &amp; 7 Response! by John Mizer</title>
      <link>https://padlet.com/mizerj1/5ok5m06dszo8</link>
      <description>Made with a bold sensibility</description>
      <language>en-us</language>
      <pubDate>2017-11-17 02:13:50 UTC</pubDate>
      <lastBuildDate>2020-12-08 17:20:23 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Niko Burton</title>
         <author></author>
         <link>https://padlet.com/mizerj1/5ok5m06dszo8/wish/958123685</link>
         <description><![CDATA[<div><strong>Chapter 6</strong> <br><br>1. In this chapter, I got to learn more about the packaging process! One example is to understand how many products will fit into one package! That's a concept that got to me! I wonder how many dog treats will be placed into one package!<br><br>2. The next comment involves the economic relationships between clients and graphic designers! Clients may request the specific resources for graphic designers to create! In fact, both clients and graphic designers will see benefits of using ecological consideration to make package designing more important!  <br><br><strong>Chapter 7 <br><br></strong>1. From this chapter, what got to me was the consumer concept: "The Sale Begins with Eye Contact"! Eye Contact is the key to making both sales and relationships! With eye contact, the specific packaging products and company logos will rise up into popularity!<br><br>2. Customers are obliviously keys to making both graphic designs and companies strong and stable! However, using a process known as P.O.P.S, designers can create selling packages to separate from competition! </div>]]></description>
         <enclosure url="" />
         <pubDate>2020-11-24 23:14:43 UTC</pubDate>
         <guid>https://padlet.com/mizerj1/5ok5m06dszo8/wish/958123685</guid>
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         <title>Ashtin Navarro </title>
         <author></author>
         <link>https://padlet.com/mizerj1/5ok5m06dszo8/wish/968837217</link>
         <description><![CDATA[<div><strong>Chapter 6&amp;7<br><br></strong>What I learned from chapters is the eye level. Based on the product. Usually cereal will put their product on the level of a little kids eyes to make them want it more because its at there eye level. Also there will be cards that will draw your attention to the product maybe having a sale or advertising the product. The use of templates to make sure the box or package is correct before building. That's what I learned from the chapters. <strong><br><br><br><br></strong><br></div>]]></description>
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         <pubDate>2020-11-29 15:18:28 UTC</pubDate>
         <guid>https://padlet.com/mizerj1/5ok5m06dszo8/wish/968837217</guid>
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         <title>Austin Navarro </title>
         <author></author>
         <link>https://padlet.com/mizerj1/5ok5m06dszo8/wish/969197875</link>
         <description><![CDATA[<div>Chapter 6&amp;7<br><br>One big thing I learned that the eye contact of the product and where its located on the shelf. Eye contact for your project is very important. Designing a display for your product and people to interact with it. The box layout is important to because of where the fold marks have to be and how this will fit the whole layout.  </div>]]></description>
         <enclosure url="" />
         <pubDate>2020-11-29 19:26:01 UTC</pubDate>
         <guid>https://padlet.com/mizerj1/5ok5m06dszo8/wish/969197875</guid>
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         <title>Abbegail Maurer</title>
         <author></author>
         <link>https://padlet.com/mizerj1/5ok5m06dszo8/wish/974465439</link>
         <description><![CDATA[<div>Chapter 6 and 7<br>The thing I learned about in this chapter is that the size and style of the packaging is just as important as to where the box is on the shelves. You want to stand out but also fit a large amount of product in the small space you are given to sell it. You want to be at the eye level of your client. Lower if it is a child and eye level of women or men. All come down to what the designer  picks for the shape and color of the packaging while designing for the product.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-12-01 05:49:19 UTC</pubDate>
         <guid>https://padlet.com/mizerj1/5ok5m06dszo8/wish/974465439</guid>
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         <title>Erin Soldner</title>
         <author></author>
         <link>https://padlet.com/mizerj1/5ok5m06dszo8/wish/977866043</link>
         <description><![CDATA[<div>Ch. 6- I found it interesting when they discussed the most commonly used packaging form. I was surprised that pyramid is used at all because theres very little product you can fit in a pyramid shape than a cube. Then again I suppose that depends on the product in the container. <br>Ch.7- reading about eye contact and point of purchase was informative. It was helpful in  better understanding what products are placed where and who they're targeting by placing them there. Cool packaging and design can be the selling factor in an impulse buy. </div>]]></description>
         <enclosure url="" />
         <pubDate>2020-12-01 22:11:08 UTC</pubDate>
         <guid>https://padlet.com/mizerj1/5ok5m06dszo8/wish/977866043</guid>
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         <title>Adam Noppe</title>
         <author></author>
         <link>https://padlet.com/mizerj1/5ok5m06dszo8/wish/977989154</link>
         <description><![CDATA[<div>In chapter 6 it really emphasized the importance of thinking in 3-d when designing a package. This helps to visualize the package as a whole and where to place the most important pieces.<br>In chapter 7 it hits home the importance of what you want the consumer to see (because typically the consumer only spends a few seconds on one product)</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-12-01 23:17:24 UTC</pubDate>
         <guid>https://padlet.com/mizerj1/5ok5m06dszo8/wish/977989154</guid>
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         <title>Jordyn Sjolander</title>
         <author></author>
         <link>https://padlet.com/mizerj1/5ok5m06dszo8/wish/978189464</link>
         <description><![CDATA[<div>I like that chapter 6 explains the different types of boxes and how they fold up into their 3D models. It helps give a lot of ideas on how to present a package in different shapes and sizes.<br><br>Something that I found interesting about chapter 7 is that it points out that the position of your product is key to the design, it helps you determine how big the logo should be and how big your type should be to allow the customer to properly view your package.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-12-02 00:59:16 UTC</pubDate>
         <guid>https://padlet.com/mizerj1/5ok5m06dszo8/wish/978189464</guid>
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         <title>Roman Murawski</title>
         <author></author>
         <link>https://padlet.com/mizerj1/5ok5m06dszo8/wish/990524723</link>
         <description><![CDATA[<div>I learned a lot more about the packaging process in chapter 6;  I had never thought to consider the volume of the packaging in order to know how much will fit. <br><br>I had spent time as a manager for Journeys, and product placement and the "eye level" rule was something I lived for years. However, I never really correlated the design of the packing further dictating the choice in placement.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-12-05 19:27:39 UTC</pubDate>
         <guid>https://padlet.com/mizerj1/5ok5m06dszo8/wish/990524723</guid>
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      <item>
         <title>Nathaniel Zimmermann </title>
         <author></author>
         <link>https://padlet.com/mizerj1/5ok5m06dszo8/wish/999089109</link>
         <description><![CDATA[<div>I understood everything from chapter 6. Due to my job i know how packaging works for transfers or online orders but i also learned a lot about layout.<br><br>I learned the design of a product is the most important in terms of branding. </div>]]></description>
         <enclosure url="" />
         <pubDate>2020-12-08 17:17:51 UTC</pubDate>
         <guid>https://padlet.com/mizerj1/5ok5m06dszo8/wish/999089109</guid>
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