https://padlet.com/nadaj_albadan/5l8jnglv1sbe en-us 2017-11-12 17:36:17 UTC 2017-11-12 18:07:00 UTC hello@padlet.com nadaj_albadan https://padlet.com/nadaj_albadan/5l8jnglv1sbe/wish/206008062 Two or more performers, or melodic components, acting in the purest coordination tends to elude us since we can’t see it. In singing or in playing, it gives the audience a secure, jacketed feeling. Closeness is created over time, and its esteem to the ear is absolute (Ratliff, 193).]]> 2017-11-12 17:37:29 UTC https://padlet.com/nadaj_albadan/5l8jnglv1sbe/wish/206008062 nadaj_albadan https://padlet.com/nadaj_albadan/5l8jnglv1sbe/wish/206010407 The song Evil has the greatest rhythm in popular music it was build with simple sequence, whereas when he was with Wolf he was less involved of the establishment than a brace for it, or indeed an add-on to a work in progress.]]> 2017-11-12 17:53:49 UTC https://padlet.com/nadaj_albadan/5l8jnglv1sbe/wish/206010407 nadaj_albadan https://padlet.com/nadaj_albadan/5l8jnglv1sbe/wish/206011394 It sounds delicate and upside down, full of quiet spaces, and its charm is like the small plunge, or break, in the Antillean move step, the accentuation on the two-and-a-half: one-and-two-[and]-three-and-four-and.. (Ratliff, 194)]]> 2017-11-12 18:01:32 UTC https://padlet.com/nadaj_albadan/5l8jnglv1sbe/wish/206011394 nadaj_albadan https://padlet.com/nadaj_albadan/5l8jnglv1sbe/wish/206012167 the execution of music come about in more prominent positive feeling, proposing one pathway through which individuals feel closer to one another when playing music together]]> 2017-11-12 18:06:56 UTC https://padlet.com/nadaj_albadan/5l8jnglv1sbe/wish/206012167