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      <title>Week 11: Avant-Garde shorts by Jake Wilson</title>
      <link>https://padlet.com/jwilson404_1/5d56lr4s1bw778c3</link>
      <description>
Here is where to post your tenth draft journal entry, on two or more of the avant-garde shorts viewed.  Aim for 200-250 words -- although it&#39;s fine if you want to go on for longer -- and use one of the prompt questions below as a starting point. This should be posted by Monday Apr 11 at latest, although the sooner the better, so others have a chance to respond. (Remember, this is just a first draft -- you will have a chance to revise before you submit for assessment.)</description>
      <language>en-us</language>
      <pubDate>2021-04-10 10:19:04 UTC</pubDate>
      <lastBuildDate>2025-09-24 17:07:20 UTC</lastBuildDate>
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         <title>Rainbow Dance, Mothlight and Posthaste Perennial Pattern do not tell stories in any usual sense. Can you suggest another way of describing how these films are structured -- that is, what appears to shift or evolve from the beginning of the film to the end?</title>
         <author>jwilson404_1</author>
         <link>https://padlet.com/jwilson404_1/5d56lr4s1bw778c3/wish/1402308664</link>
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         <pubDate>2021-04-10 10:21:28 UTC</pubDate>
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         <title>At Land has been described as a &quot;psychodrama&quot; -- that is, a visualisation of the inner, emotional landscape of the central figure (&quot;played&quot; by the filmmaker). What does the film suggest about this figure?</title>
         <author>jwilson404_1</author>
         <link>https://padlet.com/jwilson404_1/5d56lr4s1bw778c3/wish/1402309840</link>
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         <pubDate>2021-04-10 10:22:28 UTC</pubDate>
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         <title>In Very Nice Very Nice and Scorpio Rising, what attitude does the film appear to take towards the people on camera? How is this attitude conveyed in each case?</title>
         <author>jwilson404_1</author>
         <link>https://padlet.com/jwilson404_1/5d56lr4s1bw778c3/wish/1402311579</link>
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         <pubDate>2021-04-10 10:24:02 UTC</pubDate>
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         <title>Can Peggy and Fred in Kansas or Outer Space be plausibly classified as part of a genre other than avant-garde or experimental film? If so, what would the genre be in each case?</title>
         <author>jwilson404_1</author>
         <link>https://padlet.com/jwilson404_1/5d56lr4s1bw778c3/wish/1402312585</link>
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         <pubDate>2021-04-10 10:24:53 UTC</pubDate>
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