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      <title>Chapther II by alexa castillo</title>
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      <language>en-us</language>
      <pubDate>2023-02-03 00:15:47 UTC</pubDate>
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         <title>Poetry</title>
         <author>racc6461</author>
         <link>https://padlet.com/racc6461/4uynk56dhuexclni/wish/2466905018</link>
         <description><![CDATA[<div>Metre: When you read a line of poetry you will almost certainly place more accent or stress on some syllables than on others.<br><br>Verse form: Verse is language that has been turned over or around and can also be used to mean a group of lines.<br><br>Rhyme: For many people, rhyme is the most fundamental feature of poetry. As it<br>happens, poems do not always rhyme.<br><br></div>]]></description>
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         <pubDate>2023-02-03 00:22:27 UTC</pubDate>
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         <title>The thing which is not</title>
         <author>racc6461</author>
         <link>https://padlet.com/racc6461/4uynk56dhuexclni/wish/2466905522</link>
         <description><![CDATA[<div>Irony: If anyone is famous for being ironic in English-language literature, it has to be<br>Jane Austen (1775–1817).<br><br>Metaphor: The relation between literature and telling the truth has been debated for millennia.<br><br>Personification and allegory: The way in which a character develops and obtains symbolic meaning in literature.<br><br><br></div>]]></description>
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         <pubDate>2023-02-03 00:23:10 UTC</pubDate>
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         <title>Prose fiction</title>
         <author>racc6461</author>
         <link>https://padlet.com/racc6461/4uynk56dhuexclni/wish/2466905749</link>
         <description><![CDATA[<div>It is a narrative that is imagined by the writer, not reported as fact.<br>Prose meaning oral or written, not subject to the rules of verse. Prose fiction is any creative, imaginary writing that is written in sentences and paragraphs<br><br></div><div><br></div>]]></description>
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         <pubDate>2023-02-03 00:23:28 UTC</pubDate>
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         <title>Plays and Films</title>
         <author>racc6461</author>
         <link>https://padlet.com/racc6461/4uynk56dhuexclni/wish/2466905962</link>
         <description><![CDATA[<div><strong>Drama and the dramatic</strong><br>The ‘dramatic’ can be an element in almost all kinds of literature,<br>including prose fiction and poetry.<br><br></div>]]></description>
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         <pubDate>2023-02-03 00:23:44 UTC</pubDate>
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         <title></title>
         <author>racc6461</author>
         <link>https://padlet.com/racc6461/4uynk56dhuexclni/wish/2466938216</link>
         <description><![CDATA[<div><strong>Dialogue, diegesis and description<br></strong>Most novels contain plenty of dialogue, but only rarely does dialogue make up the whole of a novel (if it did, we would be looking at a novel that was also a type of closet drama).<br><br></div>]]></description>
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         <pubDate>2023-02-03 01:02:18 UTC</pubDate>
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         <title></title>
         <author>racc6461</author>
         <link>https://padlet.com/racc6461/4uynk56dhuexclni/wish/2466938553</link>
         <description><![CDATA[<div><strong>Metatheatre<br></strong>Just like writing a novel, putting together a play or film is a funny thing to do,<br>not least because it involves fiction, as well as (more obviously than a novel)<br>illusion and disguise.<strong><br></strong><br></div>]]></description>
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         <pubDate>2023-02-03 01:02:45 UTC</pubDate>
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         <title></title>
         <author>racc6461</author>
         <link>https://padlet.com/racc6461/4uynk56dhuexclni/wish/2466938833</link>
         <description><![CDATA[<div><strong>Real people and the uncanny<br></strong>There has been a good deal already in this book about the structural interactions between different persons involved in a literary experience or event: characters, narrators, authors and readers.<strong><br>Performance and gender<br></strong>The question of the witches’ gender is particularly pertinent here, and takes us<br>back to the historical reality of the theatre.<strong><br>Narration and point of view<br></strong>Different characters use these images in ways that<br>reinforce one another, even though they have obviously not had the opportunity to confer and plan what they will say.<strong><br>Reading and seeing<br></strong>A sustained analysis of a film is often referred to as a ‘reading’. For that matter,<br>we can talk about ‘reading’ a painting or a building or – even more commonly – a situation or a real person’s character. When we read a written text we are usually ‘reading’ both in a literal sense, and in the metaphorical one suggested by these other applications.<strong><br>Cinema and transcendence<br></strong>A basic course in either theatre or film studies would include many topics that<br>this chapter has not touched upon, and many terms that I have not used.</div>]]></description>
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         <pubDate>2023-02-03 01:03:10 UTC</pubDate>
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