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      <title>Theodor Seuss Geisel, Dr. Seuss  by NATALIE HUYNH</title>
      <link>https://padlet.com/huynhnat0001/4qihg1pql00f</link>
      <description>A biography of Theodor Seuss Geisel, Dr. Seuss</description>
      <language>en-us</language>
      <pubDate>2019-11-12 22:08:36 UTC</pubDate>
      <lastBuildDate>2025-12-26 12:39:17 UTC</lastBuildDate>
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         <title>Bibliography </title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/425538917</link>
         <description><![CDATA[<div>Morgan, Judith, and Neil Morgan. <em>Dr. Seuss &amp; Mr. Geisel: a Biography</em>. Random House, 1995. </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-12-18 16:30:09 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/425538917</guid>
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         <title>Springfield 1900-1915(1) with quote(1) and source(1) </title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427408916</link>
         <description><![CDATA[<div>With Springfield being a city of a mood with robust swagger, citizens considered themselves uniquely energetic, optimistic and self-reliant. Two young German immigrants, Christian Kalmbach and Theodor Geisel began business in 1876. Having served in the German army cavalry before coming to America, at the age of 27, their business would be the best brewery in Boston and the largest in New England. In 1906 the brewer's son, Theodor Robert Geisel and his wife, the former Henrietta Seuss, settled with their four year old daughter, Margaretha Christine and their two year old son, Theodor Seuss Geisel, who they called Ted. <br><del>--<br></del><strong>"Within fifteen years this brewery vied with Boston's best as the largest in New England, marketing seventy-five thousand barrels a year of lager, ale and the dark brown beer called porter." </strong><strong><em>(4)<br></em></strong><del>--<br></del><em>Another Source:</em></div>]]></description>
         <enclosure url="https://www.massmoments.org/moment-details/springfield-dedicates-memorial-to-dr-seuss.html" />
         <pubDate>2020-01-02 23:44:34 UTC</pubDate>
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         <title>Springfield 1915-1921(2) with quote(2) </title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427410654</link>
         <description><![CDATA[<div>On Saturday nights, at the dinner table, Ted ate Boston baked beans with wurst of all kinds. Adulthood was assumed at the age of fourteen and therefore, beer was always present. By 1915, German Americans had grown to twelve hundred adults and about five hundred children with at least one German parent, in the Springfield community. In the community, most Germans weren't accepted as well as Dietrich Sievers, who had bought the Highland Hotel from Ted's grandfather in 1910. When Ted turned 13, two prospects clouded the Geisel household, where their growing belief that America would enter the war against their ancestral homeland and that the momentum for banning alcohol would result in nationwide Prohibition. Sales from the Geisel brewery had grown to three hundred thousands barrels a year, among the largest in New England and the economic ruin loomed with the proposed Eighteenth Amendment. In years, Ted grew into his teenage years, where he'd become tall, gawky and darkly handsome. Ted hated physical activities but he continued to be involved in them, dropping out of art class, saying that a heavy weight on his shoulders disappeared. The Great War ended when Ted was a sophomore on November 11, 1918 and he began to draw and write short stories. <br><del>--<br></del><strong>"In his teenage years Ted grew tall, gawky and darkly handsome. He was developing strong likes and dislikes. He preferred to avoid athletics, but his father decreed that he take fencing lessons from the coach, Chris Neubauer, at the Turnverein, and he suffered through seventeen "hour-long agonies"". </strong><strong><em>(20)</em></strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-01-03 00:15:40 UTC</pubDate>
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         <title>Dartmouth 1921-1925(3) with quote(3)</title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427414046</link>
         <description><![CDATA[<div>Ted and a dozen other young men, from Springfield, entered Dartmouth College in September 1921, where they suffered a four-hour trip by train and jitney up the Connecticut River Valley to Hanover. Ted saw Dartmouth as his initiation but into what he had no idea. What caught Ted's attention was Dartmouth's president Ernest Martin Hopkins, a champion of human rights. Ted fit the bill of what Hopkins was seeking for, a more diverse student body. Ted listed his father's occupation as "Temporarily retired, Brewer", whereas it would've been seen as a sly wink and a joke, when Prohibition was in its second year as a law of the land. Though it wasn't any joke, prohibition had sent the Geisels' security tottering and a family crisis was adverted only by an inheritance from Grandfather Geisel and his Springfield real estate. From there, Ted decided he was going to major in English and began to publish some lines and illustrations. One of his very first cartoons, signed "Ted.G.," showed a woman's bulbous leg beneath the hem of a fashionably short skirt, laughter was evoked as the magazine was seen around the campus and Ted enjoyed it. During this time, bow ties became a trademark of Ted and he decided to take on Jacko, for a humor magazine. To earn money, Ted took on odd jobs but he also preferred to sit down and doodle all day, he begin to draw and brought his sketchbooks to every class. On May 15, 1924, Ted was elected editor in chief of Jacko, he also soon later sailed from Boston on the steamship, "Cedric", on August 24, 1925, not knowing what was ahead. <br><del>--<br></del><strong>"He also intended to study but also to draw, and he carried his sketchbook to class. Pete Blodgett sat beside Ted and watched him pass the time sketching flowers or animals." </strong><strong><em>(29) </em></strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-01-03 00:57:46 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427414046</guid>
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         <title>Oxford 1925-1926(4) with source(2)</title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427574361</link>
         <description><![CDATA[<div>Ted Geisel ended up in the High street, turning at half timbered inn known as Mitre and eased along Turl Street, where Ted enrolled at Oxford, more specifically Lincoln College. In 1925, Oxford was still trying to recover from the bloodbath of the World War, where many of their students had marched off to the trenches of France. When Ted arrived, Lincoln College was about to mark its five hundredth year. Lincoln College, and the traits of their students, all fit Ted in every way, which was perfect for him. Ted was beginning to feel, "appealingly ignorant", where he'd go from sketching to reading required books and treasuring the eccentricities of Oxford above its academic life. After the war happened, Ted began to feel wary of his German background, hanging out with mostly "other outsiders", making friends with one exception, Joseph Sagmaster and a small group of "untitled foreigners". Ted met a American girl named, Helen Marion Palmer, who shared a class with him and would watch him doodle and draw, over his shoulder., praising him as he drew She was also known as Helen Marion Palmer Geisel later in life, being his first wife. Ted was intrigued in her energetic behavior and he loved praise, so he stuck around her. When they met back at Oxford, after a vacation, they made a machine, to which they both traveled all over the country-side together. Ted began to fall in love with Helen and soon he was set on marrying her, she also returned his feelings. <br><del>--<br></del><em>Another source:</em></div>]]></description>
         <enclosure url="https://www.lincoln.ox.ac.uk/Famous-AlumniDr-Seuss-1904---1991" />
         <pubDate>2020-01-04 01:27:20 UTC</pubDate>
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         <title>Helen Palmer Geisel 1927-1928(5) with source(3)</title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427579968</link>
         <description><![CDATA[<div>Helen Palmer returned from Europe in January of 1927. She went to New York where Ted set up his drawing board and typewriter at his father's desk and began bombarding New York editors with humor pieces and cartoons. He sent samples to Dartmouth classmates, who are already established in New York. When April came, Ted brought his portfolio to Manhattan and had lunch with five classmates, where he realized they were all ahead of him in launching their careers. He dedicated a week to selling his stories but nothing was sold, so he retreated to Springfield. While touring around Europe, Ted drew and drew, to the point where he'd finally finish multiple projects and show <em>Life</em>, a humor magazine, founded in 1881, who gave him  no response. He saw New York as his mecca, seeing as how the city was full of wit, art, and humor. One day, he received a letter from <em>The Saturday Evening</em>, where he found a check for twenty-five dollars for a cartoon of two American tourists riding on camels and blithely comparing their journey to that of Lawrence of Arabia. He packed his bags and traveled to New York, hoping for his sales to become bigger. He moved in with John C. Rose, who had worked on the Jacko art staff. Rose knew someone at <em>Judge </em>and he set Ted up for a interview with the editor, Norman Anthony, who offered him a job as writer and artist, where his salary was seventy-five dollars a week. Ted took Helen for a spaghetti dinner at a midtown speakeasy later, they agreed to get married as soon as it can be arranged, in the Westfield, New Jersey, home to Helen's brother, Robert and his wife, Gladys. The first wedding date was postponed when Ted's sister, Marnie and her husband, Llyod Dahmen, were expecting their first child. Four weeks later, on the afternoon of November 29, Ted and Helen got married. Later on, Ted debuted in <em>Judge </em>on October 22, 1927 and launched a cartoon series, called "being ye inside dope on King Arthur's Court translated from Merlin's Memoirs." Among Ted's first fan letters was a curt note from a condemned murderer on death row in Huntsville. "If your stuff is kind of thing they're publishing nowadays, I don't mind so much leaving." Ted kept that letter in his desk throughout his long life. <br><del>--<br></del><em>Another source:</em></div>]]></description>
         <enclosure url="https://www.geni.com/people/Helen-Marion-Geisel/5529234267960061064" />
         <pubDate>2020-01-04 02:58:53 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427579968</guid>
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      <item>
         <title>New York 1928-1935(6)</title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427648088</link>
         <description><![CDATA[<div>With the Flit advertising campaign gearing to begin summer bug season, Ted finished his work by Spring and took off with Helen on elaborate travels. 1928, touring Greece and then sailing to New York, where they talked about bettering their lives. By September they managed to leave Chelsea and join the trendy exodus to large apartment houses uptown. They lived in their new home, on the fourteenth floor of 292 West End Avenue. Trying to perfect his career, Ted worked into nights and couldn't decide on being a writer or cartoonist, so he chose both. He fired off cartoons and parodies, which earned him an impressive $300 per page, being able to collaborate with other humorists, such as Corey Ford. To mark their first wedding anniversary, the Geisels boarded a train to Southern Carolina, hoping to go on their honeymoon until limited finances forced a delay. Ted's first break into books came as a total surprise as editor at Viking Press telephoned and offered him a contract to illustrate a collection of children's sayings called <em>Boners. </em>Later on Ted and Helen moved to a larger apartment at 17 East 96th street, where they considered more convenient to publishing offices and friends, beginning to entertain at small dinner parties. </div>]]></description>
         <enclosure url="" />
         <pubDate>2020-01-04 21:46:15 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427648088</guid>
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      <item>
         <title>Mulberry Street 1936-1938(7) with quote(4)</title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427662450</link>
         <description><![CDATA[<div>After nine years of marriage, Ted and Helen counted thirty nations to which they traveled to, in Europe, the Middle East and Latin America. They still had no children but Ted was inspired and got more creative as they went on their travels. Summer of 1936, both Ted and Helen boarded the new Swedish American luxury liner, the M.S. <em>Kungsholm</em>, to sail for Europe. Rumors about the Germans and Nazis made people wary of them but it didn't affect them that much. Ted became inspired to write and draw books, that would make young readers "turn page after page", until there was nothing left. Ted turned in his work for it to be published, for many magazine brands, but after his 27th rejection, he grew angry and fought back frustration and anger. After going back to his apartment in frustration, planning to burn his book, he met Mike McClintock on the way, who took him to meet James Henle, president of the vanguard Press and Evelyn Shrifte, an editor who later succeeded him. Henle agreed to publish the book but made Ted change the title into a much more snappier one, so Ted changed it to <em>And to Think I Saw It on Mulberry Street</em>. Many people enjoyed it, especially McClintock and his wife. After publishing it, Ted was recognized for his talent and his books, slowly being put on the face of magazines and his books being sold in bookstores, he became known as Dr. Seuss. <br><del>--<br></del><strong>"On the blustery day he learned of his twenty-seventh rejection, Ted fought back frustration and anger and decided to return to his apartment, stage a ceremonial burning of the now tattered manuscript, and get back to cartooning for adults. As he waled grimly along Madison A venue, he was hailed by Mike McClintock, who had been a year behind him at Dartmouth." </strong><strong><em>(82)</em></strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-01-05 01:40:22 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427662450</guid>
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      <item>
         <title>Horton Hatches the Egg 1938-1940(8) with quote(5)</title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427663664</link>
         <description><![CDATA[<div>On November 29, 1938, Helen and Ted celebrated the success of the second Dr. Seuss book over dinner, marking their 11th wedding anniversary. Ted had invented an imaginary child and discussed about the child at every opportunity, Chrysanthemum-Pearl. Learning that his magazine income wouldn't help him survive, Ted and a partner named Raplh Warren, a Wall Streeter who had been "unstreeted by the Depression", incorporated and patented a dual-lens camera intended to photography a man and a woman simultaneously and superimpose their features on the outline of a baby's face. They made a small job with it, putting up a sign on the midway at the World's Fair: IF YOU MARRIED THAT GAL YOU'RE WALKING WITH, WHAT WOULD YOUR CHILDREN LOOK LIKE? COME IN AND HAVE YOUR INFANTOGRAPHY TAKEN!. Warren had some expertise with cameras, they rented space in an unheated Bronx warehouse and within six months, a rudimentary camera was ready and Ted's friends were enlisted to pose with their heads immobilized by wooden collars. The whole system didn't last long. Before <em>The 500 Hats </em>was published, Ted received a summons from the ebulliet young publisher Bennett Cerf of Random House, who with Donald Klopfer had won renown five years earlier by overturning the ban on United States publication of James Joyce's Ulysses. Bennett had a scant interest in or experience with children's book and wanted to steal Dr. Seuss away from Vanguard, admiring Ted's work and him as a whole. Eventually, after a few meetings between the two men, Ted left Vanguard for Random, hoping that they'd support him like Vanguard did. Ted began sketching and drawing again, soon he'd end with Horton Hatches the Egg, an elephant persuaded to sit on an egg by a shiftless bird. The book hit off and several booksellers invited Ted for autographs but Ted was haunted by the war in Europe, meaning that there would not be another Dr. Seuss book for 7 years. <br><del>--<br></del><strong>"Bennett was a canny gambler who acted on hunches. He had scant interest in or experience with children's book, but he wanted to steal Dr. Seuss away from Vanguard. He admired what he had seen of Ted's work and what he had heard about him as a person, and that day in the cozy downstairs dining room at "21" he liked Ted instantly." </strong><strong><em>(93)</em></strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-01-05 02:01:19 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427663664</guid>
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      <item>
         <title>World War II 1941-1946(9)</title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427664981</link>
         <description><![CDATA[<div>One morning, as the Geisels were having breakfast, the radio blared the voice of Senator Gerald P. Nye of North Dakota. Four months after the United States declared war against Japan, Germany and Italy. Ted went all-out as a cartoonist for the PM, finding it natural ally for his fervent if sometimes simplistic persuasions. One morning Ted drew a circus horse, labeling its parts various American firsters, with the back end bore Senator Nye, to which Helen warned him that he was going to be in big trouble for it. Ted didn't necessarily care, continuing to draw things like that and having both Helen and Ingersoll warning him. One day, he got a letter from Nye, asking him to mail him the original of the carried cartoon. Ted drew Adolf Hilter as a arrogant, incorrigible infant in diapers for the PM. He continued before being stunned by the backlash from isolationists, causing him and Helen to pack up their stuff and drive to California. On January 7th, 1943, his serial number was inducted into the army and within weeks he joined the Caapra unit at the Hollywood studio known to its wartime occupants as Fort Fox. While in there, Ted was trained and toughened up, describing this as a learning experience. </div>]]></description>
         <enclosure url="" />
         <pubDate>2020-01-05 02:21:22 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427664981</guid>
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      <item>
         <title>Hollywood 1946-1950(10) </title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427666065</link>
         <description><![CDATA[<div>Ted had gone to Hollywood in uniform but now Hollywood has come to him. Flamboyant producer, Jerry Wald, telephoned Warner Brothers to inform them that he heard good things about Ted's work on a wartime film, helping Jack Warner win the 1946 Academy Award for best documentary short subject. Reaching out to Ted, a $500/week contract was made and Ted went in to meet his new boss. At first Wald forgot about Ted but reached out to him several days later, to try again. Wald gave Ted a challenge, to write a screen treatment, to which he begin researching about hyponanalysis. Wald scolded him on the littlest and biggest things, like not adding a girl Amy in his draft, saying that she was, "the most fascinating character in the whole book." At this time, Ted also accepted a RKO offer, dragging Helen in to be a collaborator and the film won both of them an Oscar. The film and scripts were disappearing throughout the years, none of it surviving and some expected it to be under government orders. Each year, a Dr. Seuss book was released and Ted 's royalties were growing. This was the time where Ted's urges to write for children grew strong, spending weeks researching and making extensive lecture notes for himself. Ted led lectures and six workshops, earning him more money but usually taking a break by slipping into the lecture hall and filling the forty feet of blackboard space with faint sketches. Ted and Helen moved to California, seeming as Helen's earnings grew and had enough money to move to a more comfortable condition.   </div>]]></description>
         <enclosure url="" />
         <pubDate>2020-01-05 02:37:25 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427666065</guid>
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      <item>
         <title>The 5,000 Fingers of Dr. T 1951-1953(11)</title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427791359</link>
         <description><![CDATA[<div>The story of <em>Gerald McBoing-Boing </em>brought a check of $500 from UPA, making Ted fascinated with it and going to the studio, to see how the animation artists were bringing their characters to life. Ted's books rolled on, appearing in 1950 and written in the Tower at La Jolla was <em>If I Ran the Zoo</em>. Random House sold out the first printing of <em>If I ran the Zoo</em> more rapidly than expected and it disappeared from stores weeks before Christmas. Later on Ted sent a story idea to Columbia Studios and Hollywood called him again. He was immediately interested with the $35,000 advance in February 1951 and began working with Producer Stanley Kramer, in a feature-length fantasy, <em>The 5,000 Fingers of Dr. T. </em>Ted seeing it as his classic Hollywood break, wasted no times on doing things his way. Production was postponed from July to December, giving Ted more time to work on ideas for the movie and working with other people such as Kelvin and Elin Vanderlip. Late fall, production was postponed again. By New Years of 1952, Ted was finally recognizing the chaos within the company and felt completely dejecting, announcing that he was withdrawing from the film. Stanley Kramer was astonished and talked to Ted and his problems, promising to get rid of vulgar scenes in the film. by March, shooting finally began. Shooting was over in mid-April and late nights, Ted continued working on <em>Scrambled Eggs Super! </em>First sneak preview of the film started in suburban Los Angeles theater in January 1953. 15 minutes into the preview, people finally started filling in, making Ted feel a lot of humiliation. </div>]]></description>
         <enclosure url="" />
         <pubDate>2020-01-06 02:28:08 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427791359</guid>
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      <item>
         <title>La Jolla 1951-1953(12) with source(4)</title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427792638</link>
         <description><![CDATA[<div>At this time Ted decided that he would stay in La Jolla and write children's books. Ted had tried to make many deals with people but Helen cut them off, simply because she was "conservative." At this time, Ted's niece, Peggy, came and gave them a visit, with them taking care of her and giving her counseling, because of her mother dying when Peggy was at the age of 17. Fall of 1953, Ted began working on another book, involving the elephant Horton. Later, Ted outlined a script for the <em>Godivas</em> musical and wrote lyrics for two or three songs before setting the project aside. Ted also seemed busy with Helen, who's health was getting worse everyday and finally he took her to a clinic, where she was diagnosed with Guillain-Barre syndrome, a rare but rapidly ascending paralysis that had often been fatal before the iron lung was developed for polio. Ted was in shock because of this and spent his days acting like a robot before it was announced, officially, that Helen was getting better. Ted visited her everyday and helped her try to do everyday things, such as chewing and swallowing. Reviews of <em>Horton Hears a Who</em>, brought smiles to both Helen and Ted's faces. <br><del>--</del><br><em>Another Source: </em></div>]]></description>
         <enclosure url="https://www.history.com/news/9-things-you-may-not-know-about-dr-seuss" />
         <pubDate>2020-01-06 02:41:42 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427792638</guid>
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      <item>
         <title>The Cat in the Hat 1955-1960(13) with quote(6)</title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427794462</link>
         <description><![CDATA[<div>Because of thinking in scenes, Ted believed that <em>The Cat in the Hat</em> was born in the scarred brass cage of an ancient elevator at the Houghton Mifflin publishing house in Boston. Son of a Yale dean of education, William Spaulding offered Ted a challenge, to write a book for 6 and 7 year-olds, who had mastered the basic mechanics of reading. Ted agreed. Ted struggled with verses but he got over it as he begin to doodle sketches of the Cat. The book appeared in spring of 1957, with relatively little fanfare but with swift and heady reviews. Critics agreed that this book was a fascination to be seen and Clifton Fadiman, the first prominent reviewer to have recognized Ted's talent in 1937, calling it "probably the most influential first grade reader since McGuffey." Orders and sales for <em>The Cat in the Hat</em> went quickly and in big stocks. Ted was given an office in the Random House.<em> The Grinch</em> appeared in fall of 1957, selling as fast and as large at <em>The Cat in the Hat</em>. Promotional ideas such as "Cat's Pajamas" in all sizes were rejected by Ted, in fear of it cheapening the Dr. Seuss image. <br><del>--</del><br><strong>"The irrepressible Bernstein was full of promotional ideas, including "Cat's pajamas" in all sizes, but Ted resisted. He was wary of anything, product franchising, most of all, that might cheapen the Dr. Seuss image." </strong><strong><em>(161)</em></strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-01-06 02:58:50 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427794462</guid>
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      <item>
         <title>Green Eggs and Ham 1960-1963(14) with quote(7)</title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427796246</link>
         <description><![CDATA[<div>Ted met Phyllis Cerf, challenge, seeming as no other has ever dominated the market, with <em>Green Eggs and Ham</em>. With his popularity rising and his books dominating the market and selling rapidly and in large stocks, he was interviewed, Helen describing that he was "absolutely dry and absolutely flat." Ted was interviewed 4 more times after his first interview. His fame grew and it grew harder for Helen to insulate him. Early October 1961, the Geisels boarded to London, where the British had not warmed up to Dr. Seuss and Ted was known as the creator of <em>Gerald McBoing-Boing</em>. British didn't acknowledge Ted as a children's book writer but British parents still bought his books because it made reading "fun." Ted would soon focus on beginner books, rather than a big book. Ted clams himself by beginning to paint each day, using watercolors, gouache, ink and casein. <br><del>--</del><br><strong>"Five of the top sixteen were Ted's; booksellers could not remember when a single author had so dominated the market. The quirky Green Eggs and Ham was about to join the list and go on to sell tens of millions of copies, becoming the most popular of all Dr. Seuss books." (170) </strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-01-06 03:14:07 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427796246</guid>
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      <item>
         <title>Fox in Socks 1964-1967(15)</title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427798036</link>
         <description><![CDATA[<div>The Geisel's financial success was long assumed, becoming a matter of public record for the first time in summer, when Business Week estimated Dr. Seuss's annual book royalties in excess of $200,000. Ted estimated himself that he had 20 more years left work, both Helen and Ted worked 7 days a week, always partying or chatting with other people in the community. Ted had helped Fred Phleger write his first children's book, <em>The Whales Go By,</em> which sold almost 100,000 copies in one year. Bookstores and retail stores were filled with Dr. Seuss and Helen's books, which they didn't complain about, to the Geisel's surprise. With Helen's illness, Ted was met with the kindness of both friends and strangers. 1966, he approved a Dr. Seuss theme for the Charity Ball, an annual benefit for the San Diego Children's Hospital and helped to create countless Cats as decor for the lofty old ballroom for Hotel del Coronado. After voting to disband the Citizens united, Ted became an angry PM activist, drawing a cartoon of protest that later provided a rallying cry. 1966, Helen was elected president of the La Jolla Art Museum and Ted became a familiar figure at openings, promising to return his painting so that the museum could mount his one-man show. 1966, Ted declined an offering of turning on one of his books into a television show, remembering the, <em>The 5,000 Fingers of Dr. T </em>incident. He decided to make <em>The Grinch</em> into a film and contacted Phyllis Jackson at International Creative Management and to Bob Berstein, though both seemed wary of it. Production of<em> The Grinch</em> was difficult and long, deciding how he was going to look like, the amount of money being put into it and writing songs. It became a huge hit. October 23, 1967, Helen was found dead. The cause of death was overdose, a bottle that indicated the contents were sodium pentobarbital capsules, with 1,000 capsules originally and on that day, 760 capsules remained. A note was clutched in her hand, with the following: <br><br><em>Dear Ted, <br>What has happened to us? <br>I don't know. <br>I feel myself in a spiral, going down down down, into a black hole from which there is no escape, no brightness. And loud in my ears from every side I hear, "failure, failure, failure....." <br>I love you so much...I am to old and enmeshed in everything you do and are, that I cannot conceive of life without you...My going will leave quite a rumor but you can say I was overworked and overwrought. Your reputation with your friends and fans will not be harmed...Sometimes, think of the fun we had all thru the years...</em></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-01-06 03:29:27 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427798036</guid>
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      <item>
         <title>The Lorax 1967-1971(16) with source(5)</title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427803086</link>
         <description><![CDATA[<div>Many people came around and comforted Ted, after Helen's death. People said that it seemed to take a toll on him, seeing as his face grew grim and no longer shined. Ted stopped communicating with other people, his friends had to drag him out and communicate with other people. Sales went up but nothing could affect Ted's attitude after the major event. Audrey Dimond met up with Ted, stuck by his side until he got better and soon the two would be married. Ted went into court, demanding that he'd have the right to control Dr. Seuss productions again but it was overruled as Judge William B. Herland said that he had sold the complete rights to his work in 1932 for $300 per page. Ted was angry and his attorney fees exceeded $100,000 but he went back to work otherwise. Ted began working on the project <em>The Lorax</em> and decided to name the protagonist Lorax, creating his character. <em>The Lorax</em> was a polemic about pollution, impassioned and bristling with confrontation and name-calling. It begin to appear in bookstores in fall of 1971. <br><del>--</del><br><em>Another source:</em></div>]]></description>
         <enclosure url="https://www.publishersweekly.com/pw/by-topic/childrens/childrens-industry-news/article/78905-obituary-audrey-stone-geisel.html" />
         <pubDate>2020-01-06 04:13:11 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427803086</guid>
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      <item>
         <title>Audrey Stone Geisel 1971-1974(17) with quote(8)</title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427807027</link>
         <description><![CDATA[<div>By 1971, <em>The Lorax</em> appeared to help save the environment and expose corporate greed. Dr. Seuss was hailed as one of the cornerstones of children's literature. Bennett Cerf was in retirement and dying, Ted gave him a visit and telephoned him on his hospital bed. Cerf was a true friend of Ted and Ted had a very good relationship him. Cerf died on August 27th. Ted grew more open to editorial suggestions when he submitted his own books, Retan becoming a trusted sounding board. Ted's health and spirit were buoyant, he lavished sentimental notes and Cat in the Hat drawings on Audrey, with more elaborate ones appearing on Valentine's Day and their anniversary. Though he did not always write as Dr. Seuss and published books as Dr. Seuss, he also wrote in the name of Theo. LeSiee, releasing books such as <em>I Wish That I Had Duck Feet.</em> Art Buchwald gave Ted a autographed copy of his latest book of columns, <em>I Never Danced at the White House</em>, and dared him to write a political book. Buchwald phoned Ted for permission to print it and Ted agreed. Nine days later after publication, August 8th, 1974, Nixon announced his resignation. Buchwald claimed full while Ted claimed full intent and both were widely cheered. From there on, Art's and Ted's relationships grew stronger. A television version of <em>The Lorax</em> appeared early in 1972. He earned a Yugoslav award, to put on the studio shelf, that held the Peabody Awards he had received a year earlier for television adaptations of <em>Horton Hears a Who!</em> and <em>The Grinch. </em><br><del>--</del><br><strong>"Ted's response was swift and Seussian. He grabbed a copy of Marvin K. Mooney and, with a few strokes of a pen, deleted each mention of that name and substituted the name of the president. Buchwald phoned Ted for permission to print it. Ted agreed but called back in an hour." </strong><strong><em>(220) </em></strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-01-06 04:47:28 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427807027</guid>
      </item>
      <item>
         <title>I Can Read with My Eyes Shut! (1975-1980)      </title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427808347</link>
         <description><![CDATA[<div>               Not Included in This Padlet </div>]]></description>
         <enclosure url="" />
         <pubDate>2020-01-06 05:03:59 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427808347</guid>
      </item>
      <item>
         <title>The Butter Battle Book 1981-1984(18) with quote(9)</title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427808656</link>
         <description><![CDATA[<div>Cathy Goldsmith was given advice from Ted, who she found to be inspiring. Ted was picky and very professional about coloring in cartoons. Many critics described his words as magic of his books and put down his drawings as cartoonery. While on the other hand, people praised him for his drawings. Ted was insecure about his paintings, refusing to feel hurt again from not selling his paintings. He continued to draw in a way to appeal to children, perfect for his children books. Ted was given medicine and treated many times, he finished his book of nonsense, <em>Hunches in Bunches</em>. After <em>Hunches in Bunches </em>was accepted in autumn of 1982, Ted joined the children's author Maurice Sendak onstage at San Diego Museum of Art during an exhibition of Sendak illustrations. There had been Dr. Seuss characters as toys and video games over the ten years, having Ted's approval on selling them. On a routinely dental appointment, Ted was brought terrifying news; a dentist detected a small lesion on the floor of his mouth at the base of the tongue, confirming a cancer linked to smoking and drinking. Doctors offered to perform a surgery on him and get rid of it but Ted refused, afraid of never speaking again. Later, on his mind was message about the Soviet Union and the war. Planning to write a book about it and having an impact, like <em>The Lorax</em>, Ted began working. Cancer had spread to lymph node in Ted's neck and on December 16th, 1983, he underwent a radical neck dissection and a deep biopsy of the implanted area. After suffering from pain of the surgery and other problems, his book <em>The Butter Battle Book </em>soon led juvenile best-seller lists and also <em>The New York Times Book Review</em> fiction list, selling heavily in Britain and Japan; Israel soon followed. An Associated Press reporter telephoned him, giving the news of him winning a Pulitzer Prize. <br><del>--</del><br><strong>"It had been twelve years since the environmental plea of The Lorax, and another message was on his mind. He was brooding over the mounting cold war with the Soviet Union and believed that under Ronald Reagan the nuclear arms race was beyond control."</strong><strong><em> (249) </em></strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-01-06 05:06:52 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427808656</guid>
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      <item>
         <title>You&#39;re Only Old Once! 1985-1986(19) with quote(10)</title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427810414</link>
         <description><![CDATA[<div>Members of Princeton University's Class of 1985 had no reason to know that Ted had spent many months in pain. Due to this, Ted wrote a book based on his illness, <em>You're Only Old Once!</em> In this Ted was less a storyteller or narrator than a memoirist. The book was his unexpected lamentation about the infirmities of age and the indignities of the health-care system. Random House agreed that the book wasn't a children's book but more of a adult's book, Ted argued that it was still a Dr. Seuss book, with the style of drawing and wording. Soon, he compromised to allow the adult trade book department to market his book. The book earned many mixed reactions, some people saying that no one wants to think about when they're old and others saying that it was a sentimental book. The book became a popular gift for older Americans. The bandwagon for Dr. Seuss still rolled on and the first printing of 200,000 copies sold out promptly. Ted spent his days on guard, wanting to show to trace a single Dr. Seuss book through all its phases. A art museum showed his work but Ted wasn't pleased with the outcome. Soon, an interview was set but as soon as Helen's death was mentioned, Ted refused to make it a topic of television chat and broke off negotiations. Many Dr. Seuss museums and walk abouts were scheduled and Ted promised to appear to one of them. 200 school pupils gathered with teachers and parents, shouting "We love you, Doctor Seuss!" Ted was brought to tears and his voice broke when speaking. <br>--<br><strong>"On Mulberry Street, two hundred school pupils, gathered with teachers and parents, roared their welcome as he stepped from the bus: "We love you, Doctor Seuss!" AND TO THINK, their banner read, THAT I SAW HIM ON MULBERRY STREET! Ted walked among the children, squeezing small hands that clutched at him. As he stepped back aboard the bus, they chanted lines from Green Eggs and Ham. His voice breaking, Ted wiped away tears." </strong><strong><em>(269) </em></strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-01-06 05:25:07 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427810414</guid>
      </item>
      <item>
         <title>Oh, the Places You&#39;ll Go! 1987-1991(20)</title>
         <author>huynhnat0001</author>
         <link>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427811495</link>
         <description><![CDATA[<div>Ted hasn't been seen in public for months, refusing to use social media but urging Audrey to keep hers. A new La Jolla restaurant opened wintry night and Ted was persuaded to go with friends. Despite refusing to go out in public, the world decided to pursue Dr. Seuss. His friend, Herb Klein, asked him to serve as honorary chairman of the season's Holiday football game in San Diego, Ted accepted as Audrey told him to do it. His books were celebrated as they turned a specific age, for example, Cat being 30. Ted began to think back and about his books, drowning in memories. He declined most requests from academicians for interviews, he had lived long enough to make sport of critics and scholars who probed his words for hidden meaning. Though there was one exception, Terry Cronan, a young psychology professor at San Diego State University, who wrote him about her project Primer, a literary program in which student tutors, most black or Hispanic, visited low-income families to read books to preschool children. He phoned Cronan regularly after shipping hundreds of books to Project Primer. His health wasn't improving, though, his jaw wasn't healing as doctors tried to control raging infections with heavy doses of antibiotics. He attended a chamber for 8 people at University Medical Center in San Diego and the doctor at the door explained how the benefits of oxygenation of the blood and described the otherwise inevitable bone death. On his last final project, Ted considered <em>Oh, the Places You'll Go!</em> as his farewell salute. Ted grabbed all of his drawings and put them in a 20-20-4 inche film box and handed it to Cathy, who took it with tears in her eyes.<em> Oh, the Places You'll Go!</em> appeared in 1990. The book sold greatly and many people found that it was unusual at how Ted was so happy and quirky rather than sad and sentimental in his final years. He signed a contract with Tri-Star Productions or turning <em>Oh the Places You'll Go!</em> into a full-length film feature, his first and last since the disastrous 5,000 Fingers almost 40 years ago. Later, Ted was in his studio, going over memories and gathering mementos. He recalled the old years and how he could've been a better person. On September 24, 1991, Theodor Seuss Geisel passed away at the age of 87, dozens of steps away from the drawing board where he had planned out so many books. </div>]]></description>
         <enclosure url="" />
         <pubDate>2020-01-06 05:40:44 UTC</pubDate>
         <guid>https://padlet.com/huynhnat0001/4qihg1pql00f/wish/427811495</guid>
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