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      <title>Race and Ethnicity in Literature: Modern American Drama, group 2 by </title>
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      <pubDate>2021-04-27 20:19:58 UTC</pubDate>
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         <author>megansnell4</author>
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         <description><![CDATA[<div><strong>Lorraine Hansberry's <br></strong><strong><em>A Raisin in the Sun</em></strong></div>]]></description>
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         <pubDate>2021-04-27 20:19:58 UTC</pubDate>
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         <description><![CDATA[<div><strong>August Wilson's <br></strong><strong><em>Fences</em></strong>&nbsp;</div>]]></description>
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         <pubDate>2021-04-27 20:19:58 UTC</pubDate>
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         <title></title>
         <author>megansnell4</author>
         <link>https://padlet.com/megansnell4/4q0e456va64c8r5s/wish/1466332171</link>
         <description><![CDATA[<div><strong>Suzan-Lori Parks's </strong><strong><em>Topdog/Underdog</em></strong></div>]]></description>
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         <pubDate>2021-04-27 20:19:58 UTC</pubDate>
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         <title></title>
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         <description><![CDATA[<div><strong>Suzan-Lori Parks's<br></strong><strong><em>Father Comes Home from the Wars,&nbsp;Part 2</em></strong></div>]]></description>
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         <pubDate>2021-04-27 20:19:58 UTC</pubDate>
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         <description><![CDATA[<div><strong>Branden Jacobs-Jenkins’s <br></strong><strong><em>Appropriate</em></strong></div>]]></description>
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         <pubDate>2021-04-27 20:19:58 UTC</pubDate>
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         <title></title>
         <author>megansnell4</author>
         <link>https://padlet.com/megansnell4/4q0e456va64c8r5s/wish/1466332179</link>
         <description><![CDATA[<div><strong>Sam Shepard's <br></strong><strong><em>True West</em></strong></div>]]></description>
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         <pubDate>2021-04-27 20:19:58 UTC</pubDate>
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         <title></title>
         <author>megansnell4</author>
         <link>https://padlet.com/megansnell4/4q0e456va64c8r5s/wish/1466332180</link>
         <description><![CDATA[<div><strong>David Henry Hwang's </strong><strong><em>Yellow Face&nbsp;</em></strong></div>]]></description>
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         <pubDate>2021-04-27 20:19:58 UTC</pubDate>
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         <title></title>
         <author>megansnell4</author>
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         <description><![CDATA[<div><strong>Lin-Manuel Miranda's </strong><strong><em>Hamilton&nbsp;</em></strong></div>]]></description>
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         <pubDate>2021-04-27 20:19:58 UTC</pubDate>
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         <title></title>
         <author>megansnell4</author>
         <link>https://padlet.com/megansnell4/4q0e456va64c8r5s/wish/1466332183</link>
         <description><![CDATA[<div><strong>Kristoffer Diaz's <br></strong><strong><em>The Elaborate Entrance of Chad Deity</em></strong></div>]]></description>
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         <pubDate>2021-04-27 20:19:58 UTC</pubDate>
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         <title></title>
         <author>megansnell4</author>
         <link>https://padlet.com/megansnell4/4q0e456va64c8r5s/wish/1466332185</link>
         <description><![CDATA[<div><strong>Lynn Nottage's <br></strong><strong><em>Sweat</em></strong></div>]]></description>
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         <pubDate>2021-04-27 20:19:58 UTC</pubDate>
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         <title>Selected Secondary Readings</title>
         <author>megansnell4</author>
         <link>https://padlet.com/megansnell4/4q0e456va64c8r5s/wish/1466332188</link>
         <description><![CDATA[<ul><li>Ta-Nehisi Coates’s “The Case for Reparations"</li><li>W.E.B. DuBois’s “The Souls of Black Folks”</li><li>James Baldwin’s “My Dungeon Shook: Letter to my Nephew on the One Hundredth Anniversary of Emancipation”</li><li>Suzan-Lori Parks’s “Elements of Style,”&nbsp; “An Equation for Black People Onstage,” and “New Black Math”</li><li>Saidiya Hartman’s “Innocent Amusements: The Stage of Sufferance”&nbsp;</li><li>Linda Schlossberg’s introduction to "Passing: Identity and Interpretation in Sexuality, Race, and Religion"</li><li>Toni Morrison’s "Playing in the Dark: Whiteness and the Literary Imagination"</li><li>Sara Ahmed’s “A Phenomenology of Whiteness”&nbsp;</li><li>Richard Dyer’s intro to "White: Essays on Race and Culture"</li><li>Angela C. Pao’s “Re-casting Race: Nontraditional Casting and Racial Formation”&nbsp;</li><li>Marvin McAllister’s “Toward a More Perfect Hamilton”</li><li>Noe Montez's "The Heavy Lifting: Resisting the Obama Presidency’s Neoliberalist Conceptions of the American Dream in Kristoffer Diaz’s The Elaborate Entrance of Chad Deity"</li><li>Kimberlé W. Crenshaw’s “Demarginalizing the Intersection of Race and Sex”</li></ul>]]></description>
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         <pubDate>2021-04-27 20:19:58 UTC</pubDate>
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         <title>Instructions</title>
         <author>megansnell4</author>
         <link>https://padlet.com/megansnell4/4q0e456va64c8r5s/wish/1466332189</link>
         <description><![CDATA[<div>With your group for a few minutes, drag around the tiles into different groupings and arrangements&nbsp; to talk about intriguing similarities and differences between these plays (or even the secondary readings)<br><strong>Think about: what are some of your larger takeaways from these texts, perhaps in relation to any of the terms in our course title ("Race and Ethnicity in Literature: Modern American Drama")? Thinking about your classmates contributions and the secondary readings, what insights from discussion gave you an "aha" moment?<br><br></strong>--if you want--when you hover your cursor over a tile, if you then click the "..." you can then "connect to a post" and even label that connection. There is also an option to delete your connections by clicking the "..." and selecting "disconnect"</div>]]></description>
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         <pubDate>2021-04-27 20:19:58 UTC</pubDate>
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