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      <title>&quot;To Be Or Not to Be&quot; Hamlet by Shakespeare 1599- 1602  by Ben Kratz</title>
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      <description>A Padlet dedicated to the world renowned play, Hamlet. It explorers the biographical, critical, cultural, historical context of the play. </description>
      <language>en-us</language>
      <pubDate>2017-04-25 16:51:51 UTC</pubDate>
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         <title>Ben Kratz </title>
         <author>bkratz10</author>
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         <pubDate>2017-04-25 17:11:30 UTC</pubDate>
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         <title>Cody Crum</title>
         <author>bkratz10</author>
         <link>https://padlet.com/bkratz10/4ojdcl4pso54/wish/168176447</link>
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         <pubDate>2017-04-25 17:15:12 UTC</pubDate>
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         <title>Their Hours Upon the Stage: Performing ‘Hamlet’ Around the World</title>
         <author>bkratz10</author>
         <link>https://padlet.com/bkratz10/4ojdcl4pso54/wish/168184407</link>
         <description><![CDATA[<div> Shakespeare’s Globe production company performs "Hamlet" in every country in the world. </div>]]></description>
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         <pubDate>2017-04-25 17:38:17 UTC</pubDate>
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         <title>Shakespeare&#39;s hometown to be rebuilt in China</title>
         <author>bkratz10</author>
         <link>https://padlet.com/bkratz10/4ojdcl4pso54/wish/168695683</link>
         <description><![CDATA[<div>Chinese town of Fuzho will build a replica house, church, and theater </div>]]></description>
         <enclosure url="http://metro.co.uk/2016/09/23/shakespeares-hometown-to-be-rebuilt-in-china-6149114/" />
         <pubDate>2017-04-27 16:53:05 UTC</pubDate>
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         <title>&quot;To Be or Not To Be&quot; Monologue</title>
         <author>crum_cody92</author>
         <link>https://padlet.com/bkratz10/4ojdcl4pso54/wish/168695938</link>
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         <pubDate>2017-04-27 16:54:08 UTC</pubDate>
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         <author>bkratz10</author>
         <link>https://padlet.com/bkratz10/4ojdcl4pso54/wish/168698606</link>
         <description><![CDATA[<div>Photo Credit: Adam Cuerden</div>]]></description>
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         <pubDate>2017-04-27 17:03:04 UTC</pubDate>
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         <title>Hamlet, Shakespeare&#39;s masterpiece</title>
         <author>bkratz10</author>
         <link>https://padlet.com/bkratz10/4ojdcl4pso54/wish/168706407</link>
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         <pubDate>2017-04-27 17:26:45 UTC</pubDate>
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         <title></title>
         <author>bkratz10</author>
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         <pubDate>2017-04-27 17:29:59 UTC</pubDate>
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         <title>Hamlet </title>
         <author>bkratz10</author>
         <link>https://padlet.com/bkratz10/4ojdcl4pso54/wish/168708799</link>
         <description><![CDATA[<div>Full reading </div>]]></description>
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         <pubDate>2017-04-27 17:33:37 UTC</pubDate>
         <guid>https://padlet.com/bkratz10/4ojdcl4pso54/wish/168708799</guid>
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         <title>The Hamlet Effect</title>
         <author>bkratz10</author>
         <link>https://padlet.com/bkratz10/4ojdcl4pso54/wish/168711164</link>
         <description><![CDATA[<div>Michelle Jia</div>]]></description>
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         <pubDate>2017-04-27 17:40:55 UTC</pubDate>
         <guid>https://padlet.com/bkratz10/4ojdcl4pso54/wish/168711164</guid>
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         <title>A Narrative Case Study of Hamlet</title>
         <author>crum_cody92</author>
         <link>https://padlet.com/bkratz10/4ojdcl4pso54/wish/169335760</link>
         <description><![CDATA[<div>J. Christopher Hall</div>]]></description>
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         <pubDate>2017-05-02 05:30:34 UTC</pubDate>
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         <title>Critical Context</title>
         <author>crum_cody92</author>
         <link>https://padlet.com/bkratz10/4ojdcl4pso54/wish/169336359</link>
         <description><![CDATA[<div>"In writing of Hamlet's spiritual isolation and agony, G. Wilson Knight used a phrase which rings resoundingly true: the "knowledge of death."' It is a potently catalytic phrase, crystallizing the elusive and Protean melancholy through which Hamlet relates to the world around him. But it is also only a starting point. On the one hand, human experience comprehends infinite ways and degrees of knowing; on the other, death ultimately lies outside that experience: it can only be known indirectly, through imagination. We need then to focus on Hamlet's imaginative encounter with death if we wish to use Knight's insight as a tool of analysis."<br>Richard Hillman</div>]]></description>
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         <pubDate>2017-05-02 05:37:48 UTC</pubDate>
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         <title>&quot;Hamlet Play Scene&quot;</title>
         <author>crum_cody92</author>
         <link>https://padlet.com/bkratz10/4ojdcl4pso54/wish/169337267</link>
         <description><![CDATA[<div>Oil Painting by: <br>Edwin Austen Abbey</div>]]></description>
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         <pubDate>2017-05-02 05:48:24 UTC</pubDate>
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         <title>Critical Context</title>
         <author>crum_cody92</author>
         <link>https://padlet.com/bkratz10/4ojdcl4pso54/wish/169343145</link>
         <description><![CDATA[<div>"Contending with unknown powers within his own self, the prince seems to struggle also with the spirit of evil in heavenly places. …Hamlet … is not going to heaven, hell, purgatory, or limbo, or to any other theological fantasy. He has been there, done that, in his exhaustive drama. … For Hamlet himself, death is not tragic but an apotheosis. The enigma of Hamlet is that so many are moved to identify with him, and he does not want or need such identification. Yet he urges Horatio to stay alive to retell the play's story lest the prince bear a wounded name forever. Why does Hamlet still care? Why do any of us care whether our name will be remembered and how?"<br>Harold Bloom</div>]]></description>
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         <pubDate>2017-05-02 06:47:55 UTC</pubDate>
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         <title>Cody Crum</title>
         <author>crum_cody92</author>
         <link>https://padlet.com/bkratz10/4ojdcl4pso54/wish/169354901</link>
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         <pubDate>2017-05-02 08:08:49 UTC</pubDate>
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         <title>Ben Kratz</title>
         <author>bkratz10</author>
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         <pubDate>2017-05-02 14:38:58 UTC</pubDate>
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