Honours Phys Term 2 Presentations by Alan Parker https://padlet.com/aparker82/4nqc8p3gxtm9s0e1 Term 2 - The Body as Archive - 23 May 2022 en-us 2021-04-30 07:59:47 UTC 2025-04-10 19:58:13 UTC hello@padlet.com Click on the PLUS sign to add a resource - either an image or a quote or a link to a video aparker82 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2177162020 2022-05-10 07:46:46 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2177162020 please don't upload a powerpoint - this is in place of a powerpoint... aparker82 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2177163440 2022-05-10 07:47:54 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2177163440 aparker82 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2177166053 "You can also put key quotations here that you maybe want to refer to in your presentation but please remember to reference as you would in a written submission" (Parker, 2022, p.1)]]> 2022-05-10 07:50:03 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2177166053 Reference list aparker82 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2177167190 Lastly - please remember to provide a list of all your sources in the last block so your peers can explore further if they want to...

Lepecki, A. (2010). The Body as Archive: Will to re-enact and the afterlives of dances. Dance Research Journal. 42(2): 28-47

]]> 2022-05-10 07:50:56 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2177167190 Snippet of Uncles & Angels (2011) broadcasted on eNCA. https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194687999 2022-05-22 18:02:33 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194687999 A silent video montage that I edited to give some more insight in the video archive style. https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194694779 The content comes from snippets from the full video: “‘Uncles & Angels’ by Mocke J Van Vueren and Nelisiwe Xaba” uploaded by between10and5 on YouTube.]]> 2022-05-22 18:13:32 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194694779 A snippet of how Nelisiwe Xaba interacts with the archive in Uncles & Angels (2011). https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194697615 2022-05-22 18:17:21 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194697615 A picture capturing the Reed dance in Uncles & Angels (2011). https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194701861 2022-05-22 18:23:56 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194701861 A picture capturing the reed stick, high heel and video multiplication in Uncles & Angels (2011). https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194703777 2022-05-22 18:26:52 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194703777 Quote on Xaba’s style. https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194713033 “Sometimes I find dance can be limiting in how I want to get a message across. That’s why I use dance combined with other art forms, like video installations, costumes and props, which give me the chance to be more direct” (Xaba, as cited in Piccirillo, p. 71).]]> 2022-05-22 18:39:35 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194713033 Quote on the re-dance. https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194714296 In a more local vision, the act of re-dancing stereotypes is understood as the act of elaborating a new image for the South African female and black identities. (Piccirillo, 2011, p. 68).]]> 2022-05-22 18:41:50 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194714296 Quote on the archive being a critical point. https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194716715 “That is to say, because it is a system of transformation, the archive is in itself a critical point, a singularity …” (Lapecki, p. 37)]]> 2022-05-22 18:45:54 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194716715 Quote on the archive and choreography being closely tied. https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194717994 “For if choreography knows something, it is that an archive does not store: it acts” (Lapecki, p. 38). ]]> 2022-05-22 18:47:55 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194717994 Reference List https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194722280 between10and5 (2013, September 6). 'Uncles & Angels' by Mocke J Van Vueren and Nelisiwe Xaba [video]. Youtube. https://www.youtube.com/watch?v=dTNleTCi5Yg&t=28s

eNCA (2018, August 22). #TonightWithJaneDutton : Uncles and Angels back UJ at Art Centre. Part 4 [video]. Youtube. https://www.youtube.com/watch?v=iW14bA932mE 

Lepecki, A. (2010). The body as archive: Will to re-enact and the afterlives of dances. Dance Research Journal, 42(2), 28-48. https://www.cambridge.org/core/services/aop-cambridge-core/content/view/7E6BC285346C2DD023627D8480DD7B09/S0149767700001029a.pdf/div-class-title-the-body-as-archive-will-to-re-enact-and-the-afterlives-of-dances-div.pdf 

Manning, S. (2020). Nelisiwe Xaba: Dancing between South Africa and the global North. TDR/The Drama Review, 64(2), 8-15. https://www.muse.jhu.edu/article/755365 . 

Piccirillo, A. (2011). Speaking with Nelisiwe Xaba. Anglistica AION: An Intersciplinary Journal, 15(1), 67-77. http://www.serena.unina.it/index.php/anglistica-aion/article/download/8372/9091

SABC News (2018, August 19). Uncles & Angels staged at the UJ Art Centre [video]. Youtube. https://www.youtube.com/watch?v=P-ec4hoPdlY

Siwani, B. (2016). Imfihlo (Master's thesis). University of Cape Town, Cape Town.  https://open.uct.ac.za/bitstream/handle/11427/20623/thesis_hum_2016_siwani_buhlebezwe.pdf?sequence=1&isAllowed=y 

Sondiyaz, N (2014, March 19). UNCLES & ANGELS [video]. Youtube. https://www.youtube.com/watch?v=T5HdVNZE5oo 

van Veuren, M. J. (2014). The Rhythms of Minutes and Uncles & Angels - Two projects. Research As Practice: Faculty of Art, Design and Architecture, University of Johannesburg, 1, 34-39. https://www.researchgate.net/publication/279536423_The_Rhythms_of_Minutes_and_Uncles_Angels_-_Two_projects 

Xaba, N (2017, April 19). Uncles and Angels (EXCERPT) [video]. Youtube. https://www.youtube.com/watch?v=YsDs6i4ib00 










]]> 2022-05-22 18:54:13 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194722280 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194775719 2022-05-22 20:20:07 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194775719 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194776665 2022-05-22 20:20:59 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194776665 Kazuo Ohno https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194779920 2022-05-22 20:26:00 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194779920 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194782183 2022-05-22 20:29:55 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194782183 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194782707 2022-05-22 20:30:59 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194782707 Vincent Sekwati Koko Mantsoe https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194783004 2022-05-22 20:31:32 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194783004 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194783337 2022-05-22 20:32:11 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194783337 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194783398 2022-05-22 20:32:18 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194783398 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194783710 2022-05-22 20:32:54 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194783710 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194783955 2022-05-22 20:33:24 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194783955 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194784370 2022-05-22 20:34:06 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194784370 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194784762 2022-05-22 20:34:44 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194784762 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194785338 2022-05-22 20:35:44 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194785338 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194785344 2022-05-22 20:35:44 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194785344 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194786182 2022-05-22 20:37:14 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194786182 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194786522 2022-05-22 20:37:55 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194786522 quote by Debra Levine in "How Do You Archive the Sky?" https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194786924 “Archive … the term has become so productively elastic.”

– Debra Levine (2015)

]]> 2022-05-22 20:38:47 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194786924 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194787090 2022-05-22 20:39:03 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194787090 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194787177 2022-05-22 20:39:14 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194787177 quote by Morten Søndergaard in "How do you Archive the Sky?" https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194787825 “The archive has become the battleground of a cultural war between those who see culture as based on identity and those who see it based on difference.”

– Morten Søndergaard


]]> 2022-05-22 20:40:26 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194787825 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194788034 2022-05-22 20:40:51 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194788034 Quote by Julie Tolentino in "How Do you Archive the Sky?" https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194788574 “This always-departing body presents too its own history and timeframe, its delimiters and politics, but also a somatic reflection of this information, to allow work to remain present, in a moving changing shifting vehicle.”

– Julie Tolentino


]]> 2022-05-22 20:41:50 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194788574 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194788694 2022-05-22 20:42:04 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194788694 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194789192 2022-05-22 20:43:07 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194789192 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194789307 2022-05-22 20:43:22 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194789307 References https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194789687 About Julie Tolentino: American artist and dancer | Biography, Facts, Career, Life. (2022). Retrieved 22 May 2022, from https://peoplepill.com/people/julie-tolentino

"Her Body is an Archive" Julie Tolentino's "The Sky Remains the Same". (2022). Retrieved 21 May 2022, from https://pad.ma/DYP/info. 

 Julie Tolentino THE SKY REMAINS THE SAME – Art Blart. (2022). Retrieved 22 May 2022, from https://artblart.com/tag/julie-tolentino-the-sky-remains-the-same/

Tolentino, J. (2022). TOLENTINO PROJECTS •ART •PERFORMANCE •INSTALLATION•WRiting. Retrieved 22 May 2022, from https://julietolentino.com/biography

Hart, T. (2015). How Do You Archive the Sky? - Archive Journal. Retrieved 22 May 2022, from https://www.archivejournal.net/essays/how-do-you-archive-the-sky/



]]> 2022-05-22 20:44:11 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194789687 Butoh dance form https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194791919 2022-05-22 20:48:22 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194791919 Butoh https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194792610 2022-05-22 20:49:50 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194792610 Butoh https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194793263 2022-05-22 20:50:59 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194793263 Nguyễn Thanh Thủy https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194793587 2022-05-22 20:51:41 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194793587 Vincent Sekwati Koko Mantsoe https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194793724 2022-05-22 20:51:56 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194793724 My Mother https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194793896 2022-05-22 20:52:17 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194793896 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194794085 Quote on the Body as an Archive 

“I am proposing “Will to archive “ as referring to a capacity to identify in a past work still non-exhausted creative fields of “impalpable possibilities” [Massumi 2002,91]]]> 2022-05-22 20:52:42 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194794085 More on the body https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194794771 “Our experience of the body can be understood from the perspectives of the body image and body schema, where the former is related to our perception of the body and the latter to action (Pitron & de Vignemont, 2017, p. 115)”]]> 2022-05-22 20:54:14 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194794771 A comment Thúy had https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194795634 "I think a lot about a many-layered body, and that they exist within oneself, not hierarchically, but as an archive where one can move back and forth between experiences of how one has been, that which is contained within who we are now. Within this archive there are deformations of the body, and maybe that is the only thing that exists. The “what we do” deforms us, or forms us, and through, and in, that body we meet new phases in life which in turn deforms us, so in the end we’re a walking archive (Fahlin, 2014, personal conversation)."]]> 2022-05-22 20:56:08 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194795634 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194796521 2022-05-22 20:57:48 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194796521 Quote by Kazuo Ohno in "Kazuo Ohno Doesn't Commute: An Interview" https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194796547  "I see, yes. My mother was my director. She was the one I thought about. The movement motifs of My Mother came from what I thought I was doing in my mother's womb. I was in her-what was I doing there? Then came the costume-how to wear the costume. I feel that the costume is the cosmos. I must wear the cosmos and move within it"(Schechner & Ohno, 2014,p3).

]]> 2022-05-22 20:57:53 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194796547 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194797001 2022-05-22 20:58:49 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194797001 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194797367 2022-05-22 20:59:23 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194797367 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194799095 2022-05-22 21:02:30 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194799095 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194799705 2022-05-22 21:03:38 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194799705 Kazuo Ohno https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194800338 Choreographed by Kazuo Ohno.

Butoh (which is a dance step/ancient dance) was founded in 1959, which was against Western contemporary dance. It was purely conceptual, driven by movements that are slow, hyper & controlled motion. Mainly against Western perfection & beauty. Known for being grotesque.]]> 2022-05-22 21:04:59 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194800338 "My Mother" https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194801372 2022-05-22 21:07:23 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194801372 References https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194801572 Maurissens, M. (2016). The body as Archive. Documentation film. Accessed 6 March 2020. http://www.thebodyasarchive.com/

Thanh Thủy, N. (2020). Rewriting the body archive through performance. Archive(S), (1). doi: 10.47041/ymwt1748


Thuy, N. (2020). Excerpt from Vodou Vibrations [Video]. Retrieved from https://youtu.be/fnmcIo2__YY

Warr, T. & Jones, A. (2000). The artist’s body. New York, NY: Phaidon. 


]]> 2022-05-22 21:07:50 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194801572 Quote by Kazuo Ohno on "A Child of All Time: Butoh Dancer Ohno Kazuo at 98" https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194801574 “Alive, in each and every one of us, are countless individuals whose lifetime experiences, joys, sorrows, angers, doubts, and so forth have been successively passed down from one generation to the next. The physical form I assume now is but the fruit of what I’ve inherited from those who have existed before me. What, you might ask, has become of our ancestors’ ideas and emotions? Where do you suppose our creativity springs from? There’s no way that it springs forth from our finite and limited knowledge of life. I’m not the only one who has ever existed; our ancestors haven’t just died and vanished into oblivion. We’re not the fountainhead of our creative powers. Down through the ages our ancestors’ emotions and ideas have accrued and ingrained themselves in the imaginations of each successive generation"
(Barrett, 2019, n.p.) 
]]> 2022-05-22 21:07:50 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194801574 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194801974 2022-05-22 21:08:42 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194801974 Reference list https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194804194 Barrett, J. (2019). A Child of All Time: Butoh Dancer Ohno Kazuo at 98 . Kyoto Journal.

McElhinney, D. (2022, January 14). Butoh: 5 Things to Know About the Japanese Dance of Darkness. Retrieved May 22, 2022, from https://japanobjects.com/features/butoh

Schechner, R., & Ohno, K. (2014). Kazuo Ohno Doesn’t Commute: An interview. THE MIT PRESS, 30(2), 163–169.


Sankai Juku Kinkan Shonen. (n.d.). [Photograph]. Sadlerswells. https://www.sadlerswells.com/discover-dance/more-about-dance/butoh/
Sankai JukuToki. (n.d.). [Photograph]. Sadlerswells. https://www.sadlerswells.com/discover-dance/more-about-dance/butoh/
Sankai Juku. (2022, January 14). Butoh Dance Troupe [Photograph]. Japan Objects. https://japanobjects.com/features/butoh
Butoh. (2022, January 14). Kazuo Ohno [Photograph]. Japan Objects. https://japanobjects.com/features/butoh
Ohno, K. (1995, November 24). My Mother [Flyer]. Https://Www.Enpaku-Jdta.Jp/En/Detail/03541-03-1995-01. https://www.enpaku-jdta.jp/en/detail/03541-03-1995-01
Ohno, K. (n.d.). Butoh performance art [Photograph]. Pinterest. https://pin.it/4zZS3Ie
In Memory of Kazuo Ohno. (2010, September 5). [Photograph]. Rice Paper Magazine. https://ricepapermagazine.ca/2010/09/columns-and-commentary-in-memory-of-kazuo-ohno-15-3/
 

]]> 2022-05-22 21:13:02 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194804194 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194805047 "I want to trace my life back to its most distant origins."
- Kazuo Ohno]]> 2022-05-22 21:14:52 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194805047 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194807009 2022-05-22 21:18:17 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194807009 Vincent Mantsoe https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194807017 2022-05-22 21:18:18 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194807017 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194807909 2022-05-22 21:20:10 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194807909 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194809188 2022-05-22 21:23:06 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194809188 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194811431 2022-05-22 21:28:13 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194811431 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194811686 2022-05-22 21:28:49 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194811686 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194811877 "Kazuo Ohno engaged in a danced conversation with his mother's spirit."

Anderson, J. (1996). Dance Review; Honoring a Beloved Mother. https://www.nytimes.com/1996/02/09/arts/dance-review-honoring-a-beloved-mother.html]]> 2022-05-22 21:29:17 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194811877 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194812323 2022-05-22 21:30:04 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194812323 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194812709 https://www.youtube.com/watch?v=doZYtpySkmU]]> 2022-05-22 21:30:58 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194812709 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194813041 "Although he wore blouses, skirts & robes, he made no attempt to persuade the audiencee that he actually was a woman... this was Kazuo Ohno searching so deeply into his memories of his mother that he felt her presence take momentary possession of him." (Anderson, 1996)]]> 2022-05-22 21:31:45 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194813041 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194814081 2022-05-22 21:33:33 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194814081 Quote from the Guardian on Vincent Mantsoe https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194816343  "he is a magnetic soloist. Even at the start, as he emerges from the shadows, you sense the contained power of his presence. When he moves, he is compelling: nervy twitches cut across the sweeps of his arms; feather-light steps alternate with big, flinging jumps" (Roy, 2009). ]]> 2022-05-22 21:38:29 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194816343 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194819505 2022-05-22 21:45:15 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194819505 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194822302 2022-05-22 21:51:34 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194822302 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194822443 2022-05-22 21:51:56 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194822443 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194822598 2022-05-22 21:52:19 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194822598 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194824457 Lepecki argues that, similarly, “choreography is also a dynamic system of transmission and of transformation, an archival-corporeal system that also turns statements into corporeal events and kinetic things” (Lepecki, 2010, p. 37). To Lepecki, the performer’s body is not a closed archive, but rather as site for transformation, a site for rewriting experience, through performance."]]> 2022-05-22 21:56:19 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194824457 bibliography https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194825428 Roy, S. (2009). Vincent Mantsoe | Dance review. the Guardian. Retrieved 22 May 2022, from https://www.theguardian.com/stage/2009/oct/14/dance.

Craine, D., & Mackrell, J. (2010). Vincent Mantsoe. Oxford Reference. Retrieved 22 May 2022, from https://www.oxfordreference.com/view/10.1093/oi/authority.20110803100132831.

Sum, O. (2017). Vincent Mantsoe’s “Gula” – resilient and spiritual – Seminar 1: Arts in New York City (F17). Eportfolios.macaulay.cuny.edu. Retrieved 22 May 2022, from https://eportfolios.macaulay.cuny.edu/eversleyartfall2017/vincent-mantsoes-gula-resilient-and-spiritual/.

Lepecki, A. (2010). The Body as Archive: Will to Re-Enact and the Afterlives of Dances. Dance Research Journal, 42(2), 28-48. https://doi.org/10.1017/s0149767700001029

]]> 2022-05-22 21:58:30 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194825428 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194832784 2022-05-22 22:13:57 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194832784 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194833199 2022-05-22 22:15:05 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194833199 Reference List https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194839571 Anderson, J. (1996). Dance Review; Honoring a Beloved Mother. New York Times. https://www.nytimes.com/1996/02/09/arts/dance-review-honoring-a-beloved-mother.html

Kim, J. (2019). Butoh, Explained. University of Michigan. https://ums.org/2019/10/17/butoh-explained/

Lepecki, A. (2010). The body as archive: Will to re-enact and the afterlives of dances. Dance Research Journal, 42(2), 28-48.

Slavutzky, B. (2020, January 16). Kazuo Ohno - My mother (1998) [Video]. Youtube. https://www.youtube.com/watch?v=hzmkYu0d8rM


]]> 2022-05-22 22:28:55 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194839571 This is the full video of Vincent Montsoe performing Kon Koriti https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194851311 2022-05-22 22:51:39 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2194851311 Reference List https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2195124467 Lepecki, A. (2010). The body as archive: Will to re-enact and the afterlives of dances. Dance Research Journal, 42(2), 28-48.

Farber, G. (2016, August 18) Kon Koriti [Video file]. Retrieved from https://youtu.be/sw0JKIAD0d0


Mtshali, M. (2020). Interrogating the synthesis of African traditional rituals and spirituality in contemporary South African dance: critical reflections on the dance work of Vincent Mantsoe, Moeketsi Koena, and my own work (Doctoral dissertation).
https://researchspace.ukzn.ac.za/handle/10413/19842

]]> 2022-05-23 03:13:14 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2195124467 Lepecki on the archival process https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2195265132 "Is archiving a paranoiac process about connecting with the past or is it, as Foucault so beautifully suggests in The Archaeology of Knowledge (1972), a system of transforming simultaneously past, present, and future—that is, a system for recreating a whole economy of the temporal?"
(Lepecki, 2010, p.30)
]]> 2022-05-23 05:16:48 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2195265132 How Mantsoe engages with the archive https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2195270751 [...] his discussion of archive includes moments where more embodied practices make an appearance, and where identity and subjectivity are clearly invoked as central to the archival system of transformation. 
(Lepecki, 2010,p.38)

]]> 2022-05-23 05:21:06 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2195270751 https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2195278055  And, as an attractor—that is, a critical point—he started to be treated by them as an archive. Just as with Tolentino, a body was picked to serve as archive. Just as with Tolentino, it was clear that dance can only find its proper archival site onto/into a body—the body understood as an affective system of formation, transformation, incorporation, and dispersion.
(Lepecki, 2010, p.43)

]]> 2022-05-23 05:26:22 UTC https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2195278055 Reference List https://padlet.com/aparker82/4nqc8p3gxtm9s0e1/wish/2195348875 1. Cie Vincent Mantsoe (n.d.) Photos [Facebook Page] Facebook. Retrieved May 22, 2022, from https://www.facebook.com/profile.php?id=100063715081153&sk=photos_of
2. Günter Faber. (2016, August 18). Vincent Mantsoe Kon Koriti. [Video]. Youtube. https://youtu.be/sw0JKIAD0d0
3. Lepecki, A. (2010). The body as archive: Will to re-enact and the afterlives of dances. Dance Research Journal, 42(2), 28-48.
4. Lockhart, J. (2014, July 31). “Big Talk, 7/31/2014” [Radio Broadcast] Digital Commons. https://digitalcommons.usm.maine.edu/wmpg_bigtalk/121
5.Numeridanse (2014, March). Men-Jaro. CND - Centre national de la danse. https://www.numeridanse.tv/en/dance-videotheque/men-jaro 
6.Vincent Mantsoe. (2014, December 19). Extrait Skwatta.[Video]. Youtube. https://youtu.be/MzKiqMCKVFY
7. Wikipedia (2022, April 27) Vincent Mantsoe. https://en.wikipedia.org/wiki/Vincent_Mantsoe


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