The official poster is appropriately nostalgic, featuring a high-contrast serif typeface called Pistilli Roman which was designed in the 1960s. This type complements the vintage-style imagery perfectly. 

Those guidelines were not followed in this poster. It almost seems like the designer did not care about readability at all and paid no attention to properly aligning the text blocks.

The font used for the film title in the poster is Sabon Roman, which is an elegant old-style serif typeface designed by the German-born typographer and designer Jan Tschichold in the 1960s. The title “Sully” used with a Semi-Bold, and for the sans serif setting “Tom Hanks”, it is Gotham Light by Tobias Frere-Jones that indicate the aim of designer for contrast and compatibility when pairing fonts with different weights, ensuring that the overall typography is cohesive and visually balanced.

The Cosmopolitan magazine logo uses a sans serif font called Franklin Gothic Extra Condensed. It was created by a designer named Morris Fuller Benton back in 1902 for a group called American Type Founders.

This font works great for both big titles and logos. It has a strong and fresh look that makes it stand out. Plus, its bold style means it can be used for all kinds of magazines, including those about beauty, celebrity gossip, or news.

This font is also great for creating attention-grabbing titles and headings, as well as adding a touch of sophistication to the overall design. It's a versatile font that can be used in various sizes and weights, making it suitable for both print and digital media.

Colour:

The main title - Heading:

The spacing on the sub header "BTS", leaves it feeling relaxed, not competing with the dazzling main header, as it should. The space contrasts nicely with how tight and firm the main. It's also not as spaced out where the words having a good align, making it pleasant to look at.

The word “blame” is solid red and is outlined with black. It is also much larger than the other text and is placed at the center of the image. All of this draws the viewers attention to the center.

he Two Vertical Bars (Doors)

• The logo features two vertical bars, which resemble an open door or gate. These bars symbolize the opening of new opportunities and the breaking of barriers. The doors are also interpreted as a metaphor for a pathway to the future or a world of limitless potential, aligning with the band’s themes of self-expression, empowerment, and dreams.

The Purple Gradient

• A gradient effect is used in the logo, often shifting from purple to blue or pink shades. Purple is a significant color for BTS fans (known as ARMY), as it was chosen by the band’s leader, RM, to represent love and trust. The gradient can symbolize BTS's growth and evolution over time, as well as the diversity of their music and the global reach of their fanbase.

The Minimalistic and Modern Style

• The clean, minimalist design of the logo reflects BTS's contemporary and global appeal, while also keeping the focus on their message and the connection with their fans. It evokes a sense of modernity, simplicity, and sophistication, aligning with the image the group has cultivated.

The Wordmark ("The New York Times"):

• The most prominent feature of the New York Times logo is the distinctive serif font used for the newspaper's name. The font, known as "Imperial," is an elegant and classical typeface, which evokes a sense of history, authority, and trust. The font's bold, capitalized letters convey a sense of seriousness and respectability, reinforcing the idea of a publication dedicated to providing accurate and thoughtful reporting.

The Classic Serif Typeface:

• The serif typeface used in the logo is one of the most notable design choices. Serifs (the small lines or strokes regularly attached to the end of a larger stroke in a letter) are often associated with tradition and formality, making the New York Times logo appear authoritative, professional, and grounded in history. The use of this classic style further enhances the paper’s image as a long-standing and trusted institution in journalism.

The Color:

• The logo is usually presented in black or dark gray. The simplicity of this color choice is important for conveying seriousness, professionalism, and neutrality—key attributes of good journalism. It also ensures that the logo is easily visible across various platforms and formats, from print editions to digital displays.