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      <title>Embodied Observation by Sanne B</title>
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      <pubDate>2022-10-05 18:04:39 UTC</pubDate>
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         <title></title>
         <author>SanneBee</author>
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         <pubDate>2022-10-05 18:06:49 UTC</pubDate>
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         <title></title>
         <author>SanneBee</author>
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         <pubDate>2022-10-05 18:08:10 UTC</pubDate>
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         <title></title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2328076982</link>
         <description><![CDATA[<div>Skin, physical entry points, damaging the body for pleasure/pretty&nbsp;<br><br></div>]]></description>
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         <pubDate>2022-10-05 18:08:54 UTC</pubDate>
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         <title></title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2328077366</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-10-05 18:09:10 UTC</pubDate>
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         <title>TORTURE</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2335278131</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-10-11 13:29:10 UTC</pubDate>
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         <title>Saints Alive, Michael Landy</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2335332829</link>
         <description><![CDATA[<div><em>The comparison of Landy’s creations to medieval relics and reliquaries could be pursued in other directions. Is there a parallel, for example, between contact with a saint that makes an object a relic, and Landy’s transformation of junk into art? (..) But the comparison bears most pressingly upon the tension in Landy’s work between </em><strong><em>presence embodied in material things and renunciation or loss</em></strong><em>. The medieval cult of relics and the use of reliquaries developed in large part as an answer to worshippers’ </em><strong><em>yearnings for close contact with the sacred and divine</em></strong><em>. Even as these relics and reliquaries established the </em><strong><em>presence</em></strong><em> of a holy person, however, they confronted viewers with </em><strong><em>absence</em></strong><em>. Medieval saints were embodied primarily as fragments: relics themselves were almost always bits of matter, and many reliquaries took the form of a body part, usually a head or arm. Encountering St. Yrieix’s gleaming face makes him present, but also makes us aware that the rest of his body is not here, just as his shining angelic visage reminds us that he now resides in heaven, not on earth. Landy’s saints, too, are fragmented material presences. Powerfully manifest through their scale and animation, they are also patently absent in their incomplete, mechanical nature.</em></div>]]></description>
         <enclosure url="https://www.west86th.bgc.bard.edu/exhibitionreviews/michael-landy-saints-alive/" />
         <pubDate>2022-10-11 13:55:42 UTC</pubDate>
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         <title>Jean-Jacques Lebel&#39;s AbuGhraib maze at Berlin Biennale</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2335352971</link>
         <description><![CDATA[<div><strong><em>Victims not asked for permission</em></strong></div><div><em>Rijin Sahakian, who had loaned out one of the works showcased at the exhibition, is a signatory to the open letter that criticizes the Biennale's exhibition of the work for using "photographs of unlawfully imprisoned and brutally treated </em><strong><em>Iraqi bodies</em></strong><em>" under US occupation. They were used, the letter argues, for commercial purposes without the consent of the victims and without the feedback of the Iraqi artists participating in the art show, whose works were installed next to the controversial work without their knowledge.</em></div>]]></description>
         <enclosure url="https://www.dw.com/en/controversy-over-abu-ghraib-torture-photos-at-berlin-biennale/a-62719485" />
         <pubDate>2022-10-11 14:05:18 UTC</pubDate>
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         <title>Torture in Art according to a Anna Danielson</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2335365070</link>
         <description><![CDATA[<div><em>This </em><strong><em>difference between the bodies of the innocent, repentant, and guilty</em></strong><em> can be clearly seen in Lucas Cranach’s woodcut, The Crucifixion (Please refer to Figure 2, p. 203). The middle figure, J</em><strong><em>esus Christ, is in a serene position and seems to be unaffected by the pain</em></strong><em> he should be enduring. Jesus’ lack of emotion can be r</em><strong><em>elated back to his decision to use his suffering as a tool to create salvation and redemption</em></strong><em> for the children of God. The two thieves that flank Jesus’ sides on the other hand show varying amounts of distress and agony. While both of t</em><strong><em>he thieves display the pain they are feeling in their faces and bodies, the one on Jesus’s right hand side is depicted in a more tranquil form because, according to Luke 23:39-43, one of the thieves repented for his sins while the other simply hurled insults at Jesus</em></strong><em>. Many early depictions of Jesus’ crucifixion draw attention to the positive message of resurrection instead of the physical realities of execution but in recent artistic portrayals, such as Mel Gibson’s The Passion of the Christ, they focus more on Jesus being human and capable of suffering. This allows people to relate better to the sacrifice he endured for them.</em> SB: this focus on suffering stems from the middle ages.&nbsp;</div>]]></description>
         <enclosure url="https://minds.wisconsin.edu/bitstream/handle/1793/77665/Torture%20in%20Art.pdf?sequence=1&amp;isAllowed=y" />
         <pubDate>2022-10-11 14:11:10 UTC</pubDate>
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         <title>Abu Ghraib transcended by Iraqi artists</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2336626196</link>
         <description><![CDATA[<div>led by&nbsp;Qasim Alsabti&nbsp;</div>]]></description>
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         <pubDate>2022-10-12 08:11:07 UTC</pubDate>
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         <title>Understanding Bodies, Pain and Torture in Renaissance Art</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2336633159</link>
         <description><![CDATA[<div>Helena Guzik</div>]]></description>
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         <pubDate>2022-10-12 08:17:18 UTC</pubDate>
         <guid>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2336633159</guid>
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         <title>DIY sensation</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339292104</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-10-13 18:49:32 UTC</pubDate>
         <guid>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339292104</guid>
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         <title>Grapfruit illegal download</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339295325</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-10-13 18:52:18 UTC</pubDate>
         <guid>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339295325</guid>
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         <title>One Minute Sculptures WURM</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339304918</link>
         <description><![CDATA[<div>It's been done. Next step?</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=1p2BhoM6r5s" />
         <pubDate>2022-10-13 19:00:06 UTC</pubDate>
         <guid>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339304918</guid>
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         <title>FOOD AND IMAGINATION &quot;It’s all you need. Two of the most basic things connect magically and because everybody understands food and imagination we can all relate to it.&quot;</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339310464</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.marijevogelzang.nl/lickit/live-training/" />
         <pubDate>2022-10-13 19:04:58 UTC</pubDate>
         <guid>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339310464</guid>
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         <title>&quot;One of the things that&#39;s unsettling about listening to music on the sound track that doesn&#39;t seem appropriate is that it blows the audience&#39;s boundaries away. You just don&#39;t know where or how far it will go. It heightens and twists the scene, making it funny or exciting -- or both -- when it really shouldn&#39;t be. So you should feel uncomfortable about it -- in a unique sort of way.&quot;</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339321381</link>
         <description><![CDATA[<div>It's Got a Nice Beat, You Can Torture to It&nbsp;</div>]]></description>
         <enclosure url="https://www.nytimes.com/1994/02/20/movies/film-it-s-got-a-nice-beat-you-can-torture-to-it.html" />
         <pubDate>2022-10-13 19:14:05 UTC</pubDate>
         <guid>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339321381</guid>
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         <title>Seemingly harmless, stain free - Chinese Water Torture</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339324789</link>
         <description><![CDATA[<div>It's been done: "In 2012, Australian artist, Lottie Consalvo,<a href="https://en.wikipedia.org/wiki/Chinese_water_torture#cite_note-7"><sup>[7]</sup></a> performed the Chinese Water Torture for an art project, Steer a Steady Ship,<a href="https://en.wikipedia.org/wiki/Chinese_water_torture#cite_note-8"><sup>[8]</sup></a> to represent her emotions after her sister's passing. Whilst lying under the drips of water, she felt the presence of her deceased sister lying beside her. In the article, Australian Artist Recreates Chinese Water Torture, that explains Consalvo's experience during the performance, the author states, ‘She came to the idea of Chinese water torture, which can cause psychosis, through its association with <strong>the head, which for her represents the physicality of the mind - something she believes is "more physical than anything in life.</strong>” <a href="https://en.wikipedia.org/wiki/Chinese_water_torture#cite_note-9"><sup>[9]</sup></a><sup>"</sup></div>]]></description>
         <enclosure url="https://en.wikipedia.org/wiki/Chinese_water_torture" />
         <pubDate>2022-10-13 19:16:59 UTC</pubDate>
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         <title>En revanche, elle cultive un gout particulier pour les petits plaisirs</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339341891</link>
         <description><![CDATA[<div>On the other side is the man with bones as brittle as chrystal. </div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=mmllotLUU38" />
         <pubDate>2022-10-13 19:31:21 UTC</pubDate>
         <guid>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339341891</guid>
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         <title>ASMR - brain to body - tingly ASMR about torture?</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339352209</link>
         <description><![CDATA[<div>Could be used in reverse? Alternating? Or is this a cheap trick? P.S.: ASMR stands for Autonomous Sensory Meridian Response<br><br></div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=8aVsN4eqFTQ" />
         <pubDate>2022-10-13 19:40:53 UTC</pubDate>
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         <title>Get out of my mind/get out of this room Nauman</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339362109</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=a5lqH40YoqM" />
         <pubDate>2022-10-13 19:51:12 UTC</pubDate>
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         <title>8 ways from pain to pleasure</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339380206</link>
         <description><![CDATA[<div>hot/cold, restriction, lashing, scratching, pinching - but is this not more about a lack of control over the body as the self? Incontinence. Vomiting. </div>]]></description>
         <enclosure url="https://www.bustle.com/articles/103253-pain-during-sex-bdsm-can-be-a-lot-of-fun-so-here-are-8" />
         <pubDate>2022-10-13 20:11:04 UTC</pubDate>
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         <title>Birender Yadav, DONKEY WORKER, 2015, thumbprints of workers on Canson paper, 101,6 × 152,4 cm © Birender Yadav</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339386857</link>
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         <pubDate>2022-10-13 20:18:09 UTC</pubDate>
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         <title>Pirvi Porkola&#39;s Performance Artist&#39;s Workbook</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339391596</link>
         <description><![CDATA[<div>With interesting exercises</div>]]></description>
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         <pubDate>2022-10-13 20:23:51 UTC</pubDate>
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         <title>Hanne Lippard She Sells Seashells at the Seashore</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339409547</link>
         <description><![CDATA[<div>Surely. Idea for an installation - simple, mildly effective</div>]]></description>
         <enclosure url="https://www.gallerytalk.net/hanne-lippard-cca-berlin/" />
         <pubDate>2022-10-13 20:45:56 UTC</pubDate>
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         <title>Lottie Consalvo, Steer A Steady Ship</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2339415529</link>
         <description><![CDATA[<div>Chinese Water Method / Ink torture</div>]]></description>
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         <pubDate>2022-10-13 20:53:34 UTC</pubDate>
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         <title>electric</title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2360279986</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://vimeo.com/21691870" />
         <pubDate>2022-10-28 07:27:10 UTC</pubDate>
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         <title></title>
         <author>SanneBee</author>
         <link>https://padlet.com/SanneBee/49osablaaaatxsxy/wish/2490834640</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.tate.org.uk/art/artists/bill-viola-2333/bill-viola-martyrs-earth-air-fire-water" />
         <pubDate>2023-02-22 08:43:10 UTC</pubDate>
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