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      <title>The Awakening - Period 1 by Ann Marie Taormina</title>
      <link>https://padlet.com/taorminaan1/3qza4j66lqkt</link>
      <description>How do &quot;institutional and personal voices&quot; emerge and inform the narrative? </description>
      <language>en-us</language>
      <pubDate>2019-10-07 22:40:05 UTC</pubDate>
      <lastBuildDate>2025-11-05 10:14:59 UTC</lastBuildDate>
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         <title>Group 1 - Pages 14-15</title>
         <author>taorminaan1</author>
         <link>https://padlet.com/taorminaan1/3qza4j66lqkt/wish/394751820</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-10-07 22:43:17 UTC</pubDate>
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         <title>Group 2 - Pages 16-17</title>
         <author>taorminaan1</author>
         <link>https://padlet.com/taorminaan1/3qza4j66lqkt/wish/394751896</link>
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         <pubDate>2019-10-07 22:43:36 UTC</pubDate>
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         <title>Group 3 - Pages 18-19</title>
         <author>taorminaan1</author>
         <link>https://padlet.com/taorminaan1/3qza4j66lqkt/wish/394751955</link>
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         <pubDate>2019-10-07 22:43:59 UTC</pubDate>
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         <title>Group 4 - Pages 25-26</title>
         <author>taorminaan1</author>
         <link>https://padlet.com/taorminaan1/3qza4j66lqkt/wish/394752073</link>
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         <pubDate>2019-10-07 22:44:36 UTC</pubDate>
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         <title>Group 5 &quot;The Swim&quot; Chap X</title>
         <author>taorminaan1</author>
         <link>https://padlet.com/taorminaan1/3qza4j66lqkt/wish/394752144</link>
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         <pubDate>2019-10-07 22:45:05 UTC</pubDate>
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         <title>Group 6 - Chap XI</title>
         <author>taorminaan1</author>
         <link>https://padlet.com/taorminaan1/3qza4j66lqkt/wish/394752230</link>
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         <pubDate>2019-10-07 22:45:34 UTC</pubDate>
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         <link>https://padlet.com/taorminaan1/3qza4j66lqkt/wish/394959096</link>
         <description><![CDATA[<div>The institutional voice can be seen through Edna’s internal conflict when Mr.Pontellier demanded Edna come in for bed and leave the hammock. “Another time she would have gone in at his request. She would, through habit, have yielded to his desire; not with any sense of submission or obedience to his compelling wishes...” Edna mentally processes that as a wife she is supposed to do what her husband says. Edna’s personal voice, however, can be seen when she decides to rebel against what her husband demands of her. “Léonce, go to bed. I mean to stay out here. I don’t wish to go in, and I don’t intend to. Don’t speak to me like that again; I shall not answer you.” Edna’s personal voice is shown through her rebellion against her husbands wishes as she asserts her own authority over his wishes. </div>]]></description>
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         <pubDate>2019-10-08 12:13:16 UTC</pubDate>
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         <description><![CDATA[<div>Institutional Voice: Edna is expected to get married to a well established man, have children, and put her marriage and her children above everything else in her life. Ex. “As the devoted wife of a man who worshipped her, she felt she would take her place with a certain dignity in the world of reality, closing the portals forever behind her upon the realm of romance and dreams.” (Page 18) <br>Personal Voice: Ex. “Their absence was a sort of relief, though she did not admit this, even to herself. It seemed to free her of a responsibility which she had blindly assumed and for which Fate had not fitted her.” (Page 18) Edna can not even admit to herself that she is not the mother woman that she is expected to be. She feels relief when her children are not around, and does not want to be a mother who gives up her life for her children. </div>]]></description>
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         <pubDate>2019-10-08 12:16:14 UTC</pubDate>
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         <title>Group 2</title>
         <author></author>
         <link>https://padlet.com/taorminaan1/3qza4j66lqkt/wish/394962419</link>
         <description><![CDATA[<div>institutional voice:<br>“ I was a little unthinking child in those days, just following a misleading impulse without question. On the contrary, during one period of my life religion took a firm hold upon me...”<br>-religion is important and enforced where Edna has grown up and have pressured many ideas of traditional values in her<br>Personal voice:<br>“ the action was at first a little confusing to Edna, but she soon lent herself readily to the Creole’s gentle caress. She was not accustomed to an outward and spoken expression of affection “<br>-At first she was uncomfortable with the affection displayed by the Creoles and soon changed her mindset and appreciated it.</div>]]></description>
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         <pubDate>2019-10-08 12:19:36 UTC</pubDate>
         <guid>https://padlet.com/taorminaan1/3qza4j66lqkt/wish/394962419</guid>
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         <title></title>
         <author>vansluytman_victoria</author>
         <link>https://padlet.com/taorminaan1/3qza4j66lqkt/wish/394963344</link>
         <description><![CDATA[<div>Personal voice was Edna trying to convince Madame Ratignolle to let go of her motherhood for just a minute. She was attached.Individual Voice is Madame Ratignolle’s attachment to her children. Too in depth in her motherhood, no time for herself. <br>She reinforces the standard for women in society-women of the house (conventional)<br>Mrs. Pontellier wants to break away from this “lifestyle” and believes that women should have their own. Another Conventional voice is used to show that their society is very superficial and care much about their appearances, it is parallel in that is shoes what Edna wore and as well as madam Ratignolle who were only going to the beach. “She wore a cool Muslin <br>——Madame Ratignolle more careful of her complexion......</div><div><br></div>]]></description>
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         <pubDate>2019-10-08 12:21:16 UTC</pubDate>
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