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      <title>Project 2- Initial research by Gabrielle Brooks</title>
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      <language>en-us</language>
      <pubDate>2023-07-05 00:09:38 UTC</pubDate>
      <lastBuildDate>2023-07-22 10:00:45 UTC</lastBuildDate>
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         <title>&quot;Although the events of Coraline can be interpreted in a number of ways, arguably the most prevalent and justified reading is that the story is about abuse and generational trauma.&quot;                                               &quot;The father essentially has no time for his daughter and Coraline is left to turn to her mother, who Ranker notes is cold and dismissive towards her, refusing to give her the time and attention she needs.&quot;  </title>
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         <description><![CDATA[<div>https://www.hitc.com/en-gb/2022/03/30/what-is-the-meaning-behind-coraline/ </div>]]></description>
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         <pubDate>2023-07-05 00:28:11 UTC</pubDate>
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         <title>The characters are especially &quot;important to analyze here &quot;because there are two of almost every character except Coraline. In the “real world” that Coraline actually lives in, all of the characters are static and don’t have much of a personality.&quot; </title>
         <author>10306773</author>
         <link>https://padlet.com/10306773/3de30rse9pe6fit2/wish/2638264693</link>
         <description><![CDATA[<div>https://blogs.longwood.edu/engl301rhetoricalcriticism17/2020/02/03/post-3-narrative-analysis-of-coraline-2009/&nbsp;<br><br>"Some key characters in the film are:&nbsp; &nbsp;&nbsp;<br>Mel and Charlie Jones (Coraline’s parents)&nbsp; &nbsp; Mr. Bobinsky, Miss Forcible and Miss Spink (Her neighbors)&nbsp; &nbsp;&nbsp;<br>Wybie Lovat and his grandmother (The apartment owners who allow the Jones family to stay there)<br>These characters in the other world are the exact kind of people that Coraline wants them to be – they interact with her, they keep her entertained, and they give her love. None of these things are happening for her in her reality."</div>]]></description>
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         <pubDate>2023-07-05 00:37:11 UTC</pubDate>
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         <title>&quot;Produced by Oregon-based Laika Ent., Coraline is an unusual movie in several respects. Bucking the CG toon trend, Coraline combines old-fashioned stop-motion animation techniques with the newfangled wonders of modern 3-D. All this under the direction of James and the Giant Peach, and filming in a surprisingly nondescript industrial park office complex just outside the lush green environs of Portland.&quot;</title>
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         <description><![CDATA[<div>https://www.awn.com/animationworld/set-coraline-where-motion-doesnt-stop </div>]]></description>
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         <pubDate>2023-07-05 00:40:03 UTC</pubDate>
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         <title>&#39;Each puppet is then cast in a silicone substance to create the skin, then painted and given hair -- which also must be animatable. Selick says Susan Multon, head of the hair department, has created for Coraline the best-looking hair ever seen in a stop-motion movie. &quot;Susan came along with this technique of actually animating hair and has perfected it with each character,&quot; Hayns adds. &quot;She&#39;s designed all the armatures that go inside to make it work, and worked with the armature team.&quot; &#39;</title>
         <author>10306773</author>
         <link>https://padlet.com/10306773/3de30rse9pe6fit2/wish/2638270402</link>
         <description><![CDATA[<div>https://www.awn.com/animationworld/set-coraline-where-motion-doesnt-stop </div>]]></description>
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         <pubDate>2023-07-05 00:42:48 UTC</pubDate>
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         <title>&quot;it was also the fact that Coraline told a scary story about a smart tween named Coraline (voiced by Dakota Fanning) who&#39;s unhappy about the new town where she and her parents (Teri Hatcher and John Hodgman) have just moved, discovering a surreal universe through a doorway in the spooky house they now call home.&quot;</title>
         <author>10306773</author>
         <link>https://padlet.com/10306773/3de30rse9pe6fit2/wish/2638277347</link>
         <description><![CDATA[<div>https://www.syfy.com/syfy-wire/this-week-in-genre-history-coraline-animation</div>]]></description>
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         <pubDate>2023-07-05 00:50:11 UTC</pubDate>
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         <title></title>
         <author>10306773</author>
         <link>https://padlet.com/10306773/3de30rse9pe6fit2/wish/2638288242</link>
         <description><![CDATA[<div>https://scholar.google.com.au/scholar?hl=en&amp;as_sdt=0%2C5&amp;q=coraline+movie&amp;btnG= </div>]]></description>
         <enclosure url="https://scholar.google.com.au/scholar?hl=en&amp;as_sdt=0%2C5&amp;q=coraline+movie&amp;btnG=" />
         <pubDate>2023-07-05 01:01:52 UTC</pubDate>
         <guid>https://padlet.com/10306773/3de30rse9pe6fit2/wish/2638288242</guid>
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         <title>2 Worlds in 3 Dimensions - Pete Kozachik, ASC details his strategies for the 3-D stop-motion movie Coraline</title>
         <author>10306773</author>
         <link>https://padlet.com/10306773/3de30rse9pe6fit2/wish/2638301046</link>
         <description><![CDATA[<div>https://www.proquest.com/docview/196341208/fulltextPDF/350E2E1FFD7F4239PQ/1?accountid=145504 <br><br>Exciting events tend to happen as soon as conditions are right, and Henry Selick's stop-motion feature Coraline, based on Neil Gaiman's supernatural novella, rides in on a host of new innovations, including advanced machinevision cameras and the emergence of practical 3-D. Most instrumental was the birth of Laika Entertainment, Phil Knight's startup animation company in Oregon, fresh and eager to try something new.</div>]]></description>
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         <pubDate>2023-07-05 01:14:35 UTC</pubDate>
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