https://padlet.com/camille_g_araujo/3cx75y7hvlya By Camille en-us 2017-11-17 14:26:31 UTC 2018-02-01 14:49:39 UTC hello@padlet.com https://padlet-assets.s3.amazonaws.com/icons/Lightdecrease.png camille_g_araujo https://padlet.com/camille_g_araujo/3cx75y7hvlya/wish/208118500 "I will wear my heart upon my sleeve for daws to peck at; I am not what I am." (Act I, Scene I, lines 64-65)
Iago is revealing an important fact about himself; he will manipulate and act deceptively if it suits his motives. The audience should understand that Iago is not to be trusted. This scene also shows how naive Roderigo can be.]]> 2017-11-17 14:33:56 UTC https://padlet.com/camille_g_araujo/3cx75y7hvlya/wish/208118500 camille_g_araujo https://padlet.com/camille_g_araujo/3cx75y7hvlya/wish/208120798 "That I did love the Moor to live with him, My downright violence and storm of fortunes May trumpet to the world." (Act I,Scene 3, lines 250)

Over the course of the play, it becomes clear that these two different ways of describing women don't actually apply to real women. Instead, they are male fantasies imposed on women—ideals that men want woman to fulfill, and roles that women therefore purposefully play for men. For instance, Desdemona often describes her devotion to Orthello in front of other people, underscoring that, even though she does love him very deeply, she is to a certain extent playing the role of the virtuous wife.]]> 2017-11-17 14:37:49 UTC https://padlet.com/camille_g_araujo/3cx75y7hvlya/wish/208120798 camille_g_araujo https://padlet.com/camille_g_araujo/3cx75y7hvlya/wish/208128216 "(...) with this more stubborn and boist'rous expedition."  (Act I,Scene 3, lines 225)
Based on the Duke's regard for him in 1.3, it is clear that Othello has attained political power through his military might. 

"reputation, reputation, reputation." In fact, Cassio asserts that reputation is all that makes you human ("I have lost the immortal part of myself, and what remains is bestial" [2.3.252-3]). Iago asserts—however genuinely or disingenuously—that reputation is]]> 2017-11-17 14:49:51 UTC https://padlet.com/camille_g_araujo/3cx75y7hvlya/wish/208128216 camille_g_araujo https://padlet.com/camille_g_araujo/3cx75y7hvlya/wish/208133319 "(...) an old black ram is tupping your white ewe." (Act I, Scene I, lines 90)
Brabantio thinks little of Roderigo. Iago, however, rallies the white Brabantio on their side by using prejudice as a tool, describing Othello as an animal and sex with Desdoma as bestial. ]]> 2017-11-17 14:58:31 UTC https://padlet.com/camille_g_araujo/3cx75y7hvlya/wish/208133319 camille_g_araujo https://padlet.com/camille_g_araujo/3cx75y7hvlya/wish/208136206 The language of "dreams" plays into the theme of appearance vs. reality. As does Iago's slipping away without giving away his identity, so he can continue to plot against Othello.]]> 2017-11-17 15:04:01 UTC https://padlet.com/camille_g_araujo/3cx75y7hvlya/wish/208136206 camille_g_araujo https://padlet.com/camille_g_araujo/3cx75y7hvlya/wish/208137015 "And so much duty as my mother showed to you, preferring you before her father, so much I challange that i may profess due to the Moor my Lord." (Act I,Scene 3, lines 188)
She will go against her fathers wishes to suit Orthello's.]]> 2017-11-17 15:05:25 UTC https://padlet.com/camille_g_araujo/3cx75y7hvlya/wish/208137015 camille_g_araujo https://padlet.com/camille_g_araujo/3cx75y7hvlya/wish/209146736 One Michael Cassio, a Florentine,
A fellow almost damned in a fair wife,
That never set a squadron in the field,
Nor the division of a battle knows
More than a spinster—unless the bookish theoric,
Wherein the togèd consuls can propose
act 1 scene 1 line 25
Here, Iago claims he hates Othello because Othello passed him, Iago, over for a promotion, giving "one Michael Cassio" the job as his military lieutenant instead. Iago claims he's far more qualified than Cassio, who lacks Iago's experience on the field of battle.
https://www.litcharts.com/lit/othello/themes/manhood-and-honor

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