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      <title>Pete Doherty by Aaliyah Ismail</title>
      <link>https://padlet.com/201113416/3ajik91s4pmx</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2019-03-27 23:26:12 UTC</pubDate>
      <lastBuildDate>2019-03-28 13:04:53 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Rock and roll or rock and fall? Gendered framing of the rock and roll lifestyles of Amy Winehouse and Pete Doherty in British broadsheets</title>
         <author>201113416</author>
         <link>https://padlet.com/201113416/3ajik91s4pmx/wish/346048250</link>
         <description><![CDATA[<div>This article discusses how Pete Doherty's rebellious rock and roll persona is framed positively in comparison to Amy Winehouse's. His excessive drug use, sexual escapades and issues with the law are hailed as 'intriguing' and even 'poetic' by journalists as he is consistently framed as heroic and something to aspire to. This is exemplar of hegemonic masculinity in comparison to Winehouse's media image as she is victimised where Doherty is admired. News articles are comparatively analysed within this article, finding that Doherty's hedonistic lifestyle is naturalised as masculine and courageous. His star image as a rebellious rock and roll star is constructed as something to fantasise about and aspire to due to his gender.</div>]]></description>
         <enclosure url="https://www.tandfonline.com/doi/full/10.1080/09589236.2012.754347?scroll=top&amp;needAccess=true&amp;instName=University+of+Liverpool" />
         <pubDate>2019-03-28 10:03:51 UTC</pubDate>
         <guid>https://padlet.com/201113416/3ajik91s4pmx/wish/346048250</guid>
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         <title>From Glam Rock to Cock Rock: Revis(it)ing Rock Masculinities in Recent Feature Films</title>
         <author>201113416</author>
         <link>https://padlet.com/201113416/3ajik91s4pmx/wish/346058309</link>
         <description><![CDATA[<div>This chapter discusses the representation of masculinity in rock music in several films. The spirit of rebelliousness is idealised and attitudes towards the rock lifestyle are celebratory across numerous Hollywood movies. It discusses rock music as a predominately male industry and associates the lifestyle with an “archaic image of man” with an emphasis on sexual dominance and a self-destructive lifestyle as a performance of masculinity. The sensationalism that comes from the rock and roll star persona means that the characters within these movies performing this form of masculinity are not met with critique but instead admiration from audiences. These archetypal rock and roll stars in film can be applied to the construction of Pete Doherty’s persona in the media. He is performing a type of masculinity and authentic rebelliousness specific to rock stars.</div>]]></description>
         <enclosure url="https://link.springer.com/book/10.1057/9780230276086" />
         <pubDate>2019-03-28 10:41:45 UTC</pubDate>
         <guid>https://padlet.com/201113416/3ajik91s4pmx/wish/346058309</guid>
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         <title>He went into the cells a pop star: he may come out a poet</title>
         <author>201113416</author>
         <link>https://padlet.com/201113416/3ajik91s4pmx/wish/346060334</link>
         <description><![CDATA[<div>This article framed Doherty as a tortured and troubled genius rather than a criminal. Though jailed for a brawl with a documentary maker, the journalist discusses how he is set to "emerge as a poet". His violent, drug fuelled behaviour is not condemned but described as a "scuffle". While his actions that led him to jail are briefly discussed, the media hype surrounding his excitement to become a published poets are the focal point of the article. The consequences of his actions are not critiqued and he is framed as an independent, wayward artist and, above all, a rock star who is above consequences.</div>]]></description>
         <enclosure url="https://www.independent.co.uk/arts-entertainment/music/news/he-went-into-the-cells-a-pop-star-he-may-come-out-a-poet-485641.html" />
         <pubDate>2019-03-28 10:48:29 UTC</pubDate>
         <guid>https://padlet.com/201113416/3ajik91s4pmx/wish/346060334</guid>
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         <title>Pete Doherty released from prison</title>
         <author>201113416</author>
         <link>https://padlet.com/201113416/3ajik91s4pmx/wish/346064143</link>
         <description><![CDATA[<div>This video shows Doherty being released from prison. Instead of being condemned for his actions, he is being followed by paparazzi. This is an example of journalists sensationalising his rebellious image. The media is not condemning his actions but instead constructing his image as admirable whilst releasing from prison. </div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=q1v8i2Pv290" />
         <pubDate>2019-03-28 11:02:55 UTC</pubDate>
         <guid>https://padlet.com/201113416/3ajik91s4pmx/wish/346064143</guid>
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      <item>
         <title>Wasted</title>
         <author>201113416</author>
         <link>https://padlet.com/201113416/3ajik91s4pmx/wish/346081250</link>
         <description><![CDATA[<div>This interview with Doherty does not delve into the consequences of hedonism but instead praises and admires Doherty's lifestyle of drugs and promiscuity. There is an emphasis of "living in the moment" and being unapologetic for the underlying theme of the interview being drugs. His self-destruction is a performance of his rock identity and masculinity and is something for onlookers to aspire to.</div>]]></description>
         <enclosure url="https://www.theguardian.com/music/2005/nov/04/popandrock.babyshambles" />
         <pubDate>2019-03-28 11:58:35 UTC</pubDate>
         <guid>https://padlet.com/201113416/3ajik91s4pmx/wish/346081250</guid>
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         <title>The Wright Stuff</title>
         <author>201113416</author>
         <link>https://padlet.com/201113416/3ajik91s4pmx/wish/346095377</link>
         <description><![CDATA[<div>This British chat show discusses the matter of whether or not Doherty should be imprisoned. Whether he should be held accountable for his actions or treated for his drug addiction is a heated point of contention. It is argued that the fact that he exemplifies the rebellious, dangerous rock and roll image and sensationalised by the media means he is untouchable by the law.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=gmRxibMI3To" />
         <pubDate>2019-03-28 12:32:39 UTC</pubDate>
         <guid>https://padlet.com/201113416/3ajik91s4pmx/wish/346095377</guid>
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         <title>Brit Crit: Turning Points in British Rock Criticism, 1960–1990</title>
         <author>201113416</author>
         <link>https://padlet.com/201113416/3ajik91s4pmx/wish/346104640</link>
         <description><![CDATA[<div>This article describes how male journalists are a reason male rock musicians are held to such an unattainable standard. Doherty's 'authentic Britishness' is an expression of individuality that the journalists themselves seek to obtain. They relate to him and see themselves as 'enlightened fans', portraying him as heroic and thereby masculine.</div>]]></description>
         <enclosure url="https://www.academia.edu/1953988/Brit_Crit_Turning_Points_in_British_Rock_Criticism_1960_1990" />
         <pubDate>2019-03-28 12:51:10 UTC</pubDate>
         <guid>https://padlet.com/201113416/3ajik91s4pmx/wish/346104640</guid>
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      <item>
         <title>The life of a Libertine</title>
         <author>201113416</author>
         <link>https://padlet.com/201113416/3ajik91s4pmx/wish/346110818</link>
         <description><![CDATA[<div>This article idolises Doherty's lifestyle as it writes about him in an adoring tone. An example of a journalist performing the role of an 'enlightened fan', the article helps construct Doherty's identity by positively framing his lifestyle as unattainable and something to respect.</div>]]></description>
         <enclosure url="https://www.theguardian.com/music/2005/feb/25/popandrock1" />
         <pubDate>2019-03-28 13:02:19 UTC</pubDate>
         <guid>https://padlet.com/201113416/3ajik91s4pmx/wish/346110818</guid>
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