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      <title> Week 11- Friday 11.30 am Tutorial  by Georgina Walker</title>
      <link>https://padlet.com/walker_g/AHIS20018_wk11_fri1130am</link>
      <description>From ‘Bad Risk’ to ‘Solid Investment’: criticism and the cultivation of reputation.</description>
      <language>en-us</language>
      <pubDate>2017-10-10 23:09:27 UTC</pubDate>
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         <title>Pro Hart Memorial&amp;nbsp;</title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk11_fri1130am/wish/195836393</link>
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         <pubDate>2017-10-10 23:09:27 UTC</pubDate>
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         <title>Pro Hart</title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk11_fri1130am/wish/195836394</link>
         <description><![CDATA[]]></description>
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         <pubDate>2017-10-10 23:09:27 UTC</pubDate>
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         <title></title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk11_fri1130am/wish/195836395</link>
         <description><![CDATA[]]></description>
         <enclosure url="http://www.kendone.com.au" />
         <pubDate>2017-10-10 23:09:27 UTC</pubDate>
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         <title>4. Is it realistic to think critics can remain independent of the art market? And is it such a bad thing if the influence of the market spreads beyond advertising and into editorials and critical writing? (Lawrence Alloway)</title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk11_fri1130am/wish/195836396</link>
         <description><![CDATA[]]></description>
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         <pubDate>2017-10-10 23:09:27 UTC</pubDate>
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         <title>3. How can a powerful group of individuals - artist, dealers, art advisers, private collectors and critics - influence Damien Hirst’s reputation, career and sale of his art?</title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk11_fri1130am/wish/195836397</link>
         <description><![CDATA[]]></description>
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         <pubDate>2017-10-10 23:09:27 UTC</pubDate>
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         <title></title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk11_fri1130am/wish/195836398</link>
         <description><![CDATA[]]></description>
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         <pubDate>2017-10-10 23:09:27 UTC</pubDate>
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         <title>2. Can artists influence their own career paths? How has Damien Hirst and Ken Done gone about managing and promoting their respective careers? </title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk11_fri1130am/wish/195836399</link>
         <description><![CDATA[]]></description>
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         <pubDate>2017-10-10 23:09:27 UTC</pubDate>
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         <title>1. What do the careers of artists like Ken Done and Damien Hirst tell us about the influence of critics, dealers, art advisers and private collectors?                                                                                                     Were Done’s and Hirst’ unfavourable reviews owing to the fact that they are ‘not good artists’ or because their work, with its strong market sensibility, challenges the various assumptions about artists and their careers? (Peter Anderson, ‘Ken Done’s image problem’, Art Monthly Australia, 1995, pp.4-6 )                                </title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk11_fri1130am/wish/195836400</link>
         <description><![CDATA[<div><a href="http://www.dailymail.co.uk/news/article-2239504/As-prices-Damien-Hirsts-works-plummet-pity-credulous-saps-spent-fortunes-tosh.html">http://www.dailymail.co.uk/news/article-2239504/As-prices-Damien-Hirsts-works-plummet-pity-credulous-saps-spent-fortunes-tosh.html</a><br><br></div>]]></description>
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         <pubDate>2017-10-10 23:09:27 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk11_fri1130am/wish/195836400</guid>
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         <title>5. What role has François Pinault and his private museums - Punta della Dogana and Palazzo Grassi, Venice - played in rebuilding and repositioning Damien Hirst&#39;s reputation and value within the market? </title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk11_fri1130am/wish/195859927</link>
         <description><![CDATA[<div>Consider this within the context of the exhibition entitled “Treasures of the Wreck of the Unbelievable.” <br><a href="http://www.artnews.com/2017/05/08/a-disastrous-damien-hirst-show-in-venice/">http://www.artnews.com/2017/05/08/a-disastrous-damien-hirst-show-in-venice/</a><br><br><a href="http://www.artnews.com/2017/04/21/one-mans-trash-is-damien-hirsts-treasure-in-venice-the-artist-offers-his-grandest-work-yet/">http://www.artnews.com/2017/04/21/one-mans-trash-is-damien-hirsts-treasure-in-venice-the-artist-offers-his-grandest-work-yet/</a><br><br><a href="https://www.theguardian.com/artanddesign/2017/apr/16/damien-hirst-treasures-from-the-wreck-of-the-unbelievable-review-venice">https://www.theguardian.com/artanddesign/2017/apr/16/damien-hirst-treasures-from-the-wreck-of-the-unbelievable-review-venice</a><br><br></div>]]></description>
         <enclosure url="http://www.palazzograssi.it/en/exhibitions/current/damien-hirst-at-palazzo-grassi-and-punta-della-dogana-in-2017-1/" />
         <pubDate>2017-10-11 02:12:49 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk11_fri1130am/wish/195859927</guid>
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      <item>
         <title>The Ken Done Code</title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk11_fri1130am/wish/195876102</link>
         <description><![CDATA[<div>'The Chaser's War on Everything'</div>]]></description>
         <enclosure url="https://vimeo.com/16552515" />
         <pubDate>2017-10-11 04:31:06 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk11_fri1130am/wish/195876102</guid>
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         <title>Interview with Zeng Fanzhi</title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk11_fri1130am/wish/197644253</link>
         <description><![CDATA[]]></description>
         <enclosure url="http://www.abc.net.au/news/2016-10-17/zeng-fanzhi-china-art/7939656" />
         <pubDate>2017-10-17 04:49:24 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk11_fri1130am/wish/197644253</guid>
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      <item>
         <title>Zeng Fanzhi&#39;s Last Supper sells for Asian record $24.7m</title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk11_fri1130am/wish/197644263</link>
         <description><![CDATA[<div><a href="http://www.sothebys.com/en/news-video/blogs/all-blogs/eye-on-asia/2013/11/zeng-fanzhi-the-last-supper.html">http://www.sothebys.com/en/news-video/blogs/all-blogs/eye-on-asia/2013/11/zeng-fanzhi-the-last-supper.html</a><br><br><br></div>]]></description>
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         <pubDate>2017-10-17 04:49:33 UTC</pubDate>
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