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      <title>Formalistic Approach - Lady Lazarus (Sylvia Plath) by Natalie Prus</title>
      <link>https://padlet.com/natalieprusphotography/2vjmgl063m0zwtoo</link>
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      <language>en-us</language>
      <pubDate>2020-12-03 13:58:00 UTC</pubDate>
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         <title>Lady Lazarus</title>
         <author>natalieprusphotography</author>
         <link>https://padlet.com/natalieprusphotography/2vjmgl063m0zwtoo/wish/983674722</link>
         <description><![CDATA[<div>I have done it again.</div><div>One year in every ten</div><div>I manage it--</div><div> </div><div> </div><div>A sort of walking miracle, my skin</div><div>Bright as a Nazi lampshade,</div><div>My right foot</div><div> </div><div> </div><div>A paperweight,</div><div>My face a featureless, fine</div><div>Jew linen.</div><div> </div><div> </div><div>Peel off the napkin</div><div>O my enemy.</div><div>Do I terrify?--</div><div> </div><div> </div><div>The nose, the eye pits, the full set of teeth?</div><div>The sour breath</div><div>Will vanish in a day.</div><div> </div><div> </div><div>Soon, soon the flesh</div><div>The grave cave ate will be</div><div>At home on me</div><div> </div><div> </div><div>And I a smiling woman.</div><div>I am only thirty.</div><div>And like the cat I have nine times to die.</div><div> </div><div> </div><div>This is Number Three.</div><div>What a trash</div><div>To annihilate each decade.</div><div> </div><div> </div><div>What a million filaments.</div><div>The peanut-crunching crowd</div><div>Shoves in to see</div><div> </div><div>Them unwrap me hand and foot--</div><div>The big strip tease.</div><div>Gentlemen, ladies</div><div> </div><div> </div><div>These are my hands</div><div>My knees.</div><div>I may be skin and bone,</div><div> </div><div> </div><div>Nevertheless, I am the same, identical woman.</div><div>The first time it happened I was ten.</div><div>It was an accident.</div><div> </div><div> </div><div>The second time I meant</div><div>To last it out and not come back at all.</div><div>I rocked shut</div><div> </div><div> </div><div>As a seashell.</div><div>They had to call and call</div><div>And pick the worms off me like sticky pearls.</div><div> </div><div> </div><div>Dying</div><div>Is an art, like everything else.</div><div>I do it exceptionally well.</div><div> </div><div> </div><div>I do it so it feels like hell.</div><div>I do it so it feels real.</div><div>I guess you could say I've a call.</div><div> </div><div> </div><div>It's easy enough to do it in a cell.</div><div>It's easy enough to do it and stay put.</div><div>It's the theatrical</div><div> </div><div> </div><div>Comeback in broad day</div><div>To the same place, the same face, the same brute</div><div>Amused shout:</div><div> </div><div> </div><div> </div><div>'A miracle!'</div><div>That knocks me out.</div><div>There is a charge</div><div> </div><div> </div><div>For the eyeing of my scars, there is a charge</div><div>For the hearing of my heart--</div><div>It really goes.</div><div> </div><div> </div><div>And there is a charge, a very large charge</div><div>For a word or a touch</div><div>Or a bit of blood</div><div> </div><div> </div><div>Or a piece of my hair or my clothes.</div><div>So, so, Herr Doktor.</div><div>So, Herr Enemy.</div><div> </div><div> </div><div>I am your opus,</div><div>I am your valuable,</div><div>The pure gold baby</div><div> </div><div>That melts to a shriek.</div><div>I turn and burn.</div><div>Do not think I underestimate your great concern.</div><div> </div><div> </div><div>Ash, ash--</div><div>You poke and stir.</div><div>Flesh, bone, there is nothing there—</div><div> </div><div> </div><div>A cake of soap,</div><div>A wedding ring,</div><div>A gold filling.</div><div> </div><div> </div><div>Herr God, Herr Lucifer</div><div>Beware</div><div>Beware.</div><div> </div><div>Out of the ash</div><div>I rise with my red hair</div><div>And I eat men like air.<br><br><br><br><br><br><br><br><br><br><br><br><br></div>]]></description>
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         <pubDate>2020-12-03 13:58:00 UTC</pubDate>
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