Core Techniques1 by Adele Inglis https://padlet.com/adelemaureeninglis/2p4mj8eu341l en-us 2017-06-06 12:38:39 UTC 2025-11-25 12:34:31 UTC hello@padlet.com Emer Walsh Commercial Class (Middle, black top & grey bottoms) adelemaureeninglis https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175376292 This footage was taken towards the end of semester. Looking back I can see the transferred skills from technique class such as musicality, performance, lines and body isolations. Overall I am pleased with how I executed Emer's choreography and the improvement which has been made proving that commercial dancers also need technique.]]> 2017-06-06 12:42:01 UTC https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175376292 Eric Carpenter Jazz Class (front centre) adelemaureeninglis https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175383278 This footage is from November 2016 - 3 months into my training at Shockout Arts. Something which I notice when looking back at this is my arms. When I don't think about them they get messy and I over extend them. At the time I had no idea I was doing this but I feel like as my body has strengthened this has improved because the problem is not just from lack of strength in my arms but my back also. I can also tell from my facial expressions that I was thinking about what was coming next. I used to struggle picking up Eric's choreography but the more I have learned from him the more I feel this has improved as I feel less anxious within the choreography aspects of his lessons.]]> 2017-06-06 13:17:09 UTC https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175383278 Chad Taylor Commercial Class (front, wearing all black) adelemaureeninglis https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175383415 Here is where I started to notice my improvement in terms of lines within my commercial work.]]> 2017-06-06 13:17:44 UTC https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175383415 My Choreography adelemaureeninglis https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175383618 Recently I have tried to experiment with my choreography by adding some of the skills I have learned throughout the semester. Instead of doing hip hop/commercial I tried to choreograph using jazz elements focusing on lines and body isolations as well as using jazz funk/soul music. My piece was mainly inspired by jazz funk choreographer Tovaris Wilson. I would not have been able to create a piece like this without my jazz training from this semester.]]> 2017-06-06 13:18:44 UTC https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175383618 Jasmine Salou Contemporary Class adelemaureeninglis https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175383969 Watching back I feel a lot happier in terms of my up keeping of technical ability. I usually feel a lot more comfortable when the tempo of the music is slow so this could possibly be the reason to why. I feel very messy when it gets to the floor as make it looker harder than it actually is - which is the opposite of what I am trying to achieve. When doing this choreography I feel like I achieved the musicality in which Jasmine was looking for and this is something that is a strength of mine throughout all of my styles of dance.]]> 2017-06-06 13:20:08 UTC https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175383969 Andrew Shuttleworth Jazz/Commercial class. (centre) adelemaureeninglis https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175384177 Here I feel is an example where when the choreography sped up I lost control of my technique. As you can see I fell out of both turns and did not manage to hit the correct line for the arabesque. Despite this I still managed to put both the stylistic quality and performance into the routine as well as keeping with the timing. Therefore my next step is to achieve the performance and technique aspects together.]]> 2017-06-06 13:21:08 UTC https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175384177 Tovaris Wilson Choreography adelemaureeninglis https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175394327 An example of Tovaris Wilson's work. (the choreographer in which inspired my own personal choreography).]]> 2017-06-06 14:04:05 UTC https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175394327 Annotated Bibliography adelemaureeninglis https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175395302
  • Youtube, (2014) Tovaris Wilson -That Girl. Availabe at: https://www.youtube.com/watch?v=Tth_QwyDxUY 
  • Schrock, M. 2015, Perk Up Your Port de Bras, Dance Media LLC, dba Macfadden Performing Arts Media, LLC, New York.
  • Legg, J. 2007, Focus: Modern: Horton Technique, Macfadden Performing Arts Media, LLC, New York, N.Y.
  • Liebhard, E. 2015, "It Don’t Mean a Thing if It Ain’t Got Musicality: A Music-First Method for Teaching Historically Rooted Jazz Dance", Journal of Dance Education, vol. 15, no. 4, pp. 159-163.
  • Galili, D.F. 2015, "Gaga: Moving beyond Technique with Ohad Naharin in the Twenty-First Century", Dance Chronicle - Studies in Dance and the Related Arts, vol. 38, no. 3, pp. 360-392.
    • ]]>     2017-06-06 14:08:21 UTC https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175395302     "Just because the majority of ballet port de bras happens to the side or front of the body doesn't mean your back isn't working, too. In fact a simple sweeping of the arms from en bas through second to fifth position utilizes a host of muscles throughout the upper back and shoulders, including the trapezius and deltoids. When these muscles aren't engaged, otherwise pristine port de bras can appear droopy and weak." adelemaureeninglis https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175399766 Often in ballet, jazz and contemporary we are reminded that our arm strength comes from our back. After my back injury occurred I noticed a significant difference with the lack of arm strength which I obtain. This compromised my ability within dance yet has now made me more aware of my positioning as I have began to recover. Watching back on my videos I can now see the improvement and this is why.]]> 2017-06-06 14:29:30 UTC https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175399766 "Dancers coming to their first Horton class can prepare by drawing on their experience with jazz dance. "Many jazz teachers incorporate some of Horton's ideas in their warm-ups," adelemaureeninglis https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175408160 The first time I learned the technique was intact within a jazz warm up therefore I was surprised to be doing the same moves in a contemporary technique class.]]> 2017-06-06 15:11:14 UTC https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175408160 "When people explore kinesthetic embodiment of the auditory, communication lines open and information is developed and exchanged. This positions dancing to music as a powerful and important carrier of cultural knowledge. Jazz and American vernacular dance forms in particular give people rhythmically specific, individual, groove-driven, and expressive yet cool ways to generate and transmit ideas. Additionally, study of these forms encourages complex musicality, a valuable skill for dancers and programs that wish to develop versatile performers." adelemaureeninglis https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175410411 This shows how the technique of jazz can give you skill sets transferrable to all styles of dance.]]> 2017-06-06 15:23:13 UTC https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175410411 Gaga, the movement language developed by Ohad Naharin in conjunction with his work as artistic director of Israel's Batsheva Dance Company, has in the last decade been introduced as a training option for dancers. Examining Gaga's evolution, structure, and characteristics, this article suggests that Gaga's divergence from conventional models of technique allows it to address many needs of dancers working in the twenty-first century. I consider how Gaga fits into contemporary training paradigms and assert that the freedom to explore concrete directives and creative imagery in classes helps dancers develop the link between their physicality and their artistry. adelemaureeninglis https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175412429 After briefly learning about the Gaga technique with Julius I found it interesting when discovering that a lot of hip hop dancers are also now exploring the technique to expand their knowledge of movement in general.]]> 2017-06-06 15:32:39 UTC https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175412429 Word Count: 630 adelemaureeninglis https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175413188 2017-06-06 15:35:22 UTC https://padlet.com/adelemaureeninglis/2p4mj8eu341l/wish/175413188