Defined shapes within a scene can hold the viewers attention for longer and hold a an entertaining visual balance 

Relates to contrast I.E Silhouettes 

A symetrical - both sides are different, visual weight is evenly distributed but allows stability

Radial - elements around a central point

Use of specific colours/shapes

I.e supermarkets

This allows the scenes to become unified and recognisable which doesn’t create a disconnection from the story

- Mostly related to colour

- Strong colour

- Tonal contrast (light and dark)

Lack of colour in B&W films allow cinematograohers to create more visually appealing shots through contrast

Create depth in scenes

Changing the cameras placement can make something look dominant (will change a shots visual balance)

Can be shown through similar colour palettes, similar lens filters or a setting that fits with the character or story.

Usually occur in gritty films or films associated with natural elements and rural depictions 

Lighting can be used to set the mood or establish new characters

Lighting and tonal contrast link back to emphasis

Strong colours can put major emphasis on elements in a shot and also establish mood (I.e. Vibrant) as well as many different colours for visually appealing shots (more interesting)

Colour can enhance the meaning of certain films, for example, red could relate to death, violence etc, where as blue would relate to calm, sad upsetting. 

The three colours trilogy (French film trilogy) each film is called the colour of the flag and depicts the three political ideals of France.