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      <title>What Makes a Good Sentence? by Eddy Yue</title>
      <link>https://padlet.com/yueyecheng2005/2j21sy07dfne7oeu</link>
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      <pubDate>2024-02-19 22:39:08 UTC</pubDate>
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         <title>Aim for Clarity and Brevity</title>
         <author>yueyecheng2005</author>
         <link>https://padlet.com/yueyecheng2005/2j21sy07dfne7oeu/wish/2888589436</link>
         <description><![CDATA[<p>George Orwell: A common piece of writing advice is to make your sentences plain, unadorned and invisible. George Orwell gave this piece of advice its epigram: 'Good prose is like a windowpane.' A reader should notice the words no more than someone looking through glass notices the glass.</p><p><br></p><p>George Orwell's example: Perhaps he should have written: 'If you can cut a word, do.'</p>]]></description>
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         <pubDate>2024-02-19 22:50:45 UTC</pubDate>
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         <title>Pursue Purity and Precision</title>
         <author>yueyecheng2005</author>
         <link>https://padlet.com/yueyecheng2005/2j21sy07dfne7oeu/wish/2888589821</link>
         <description><![CDATA[<p>James Baldwin: "For James Baldwin, the only goal was 'to write a sentence as clean as a bone'."</p>]]></description>
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         <pubDate>2024-02-19 22:51:32 UTC</pubDate>
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         <title>Capture Complexity of Thoughts</title>
         <author>yueyecheng2005</author>
         <link>https://padlet.com/yueyecheng2005/2j21sy07dfne7oeu/wish/2888590031</link>
         <description><![CDATA[<p>Virginia Woolf: Virginia Woolf wrote that she wanted to go beyond the 'formal railway line of sentence', to show how people 'feel or think or dream … all over the place'. Her serpentine sentences, held loosely together with dashes and commas, catch the butterfly restiveness of the human mind, and the evanescence of human life.</p><p><br></p><p>Virginia Woolf's example: Her long, elastic thought refrains collide with shorter, percussive fragments. A year into the second world war, she wrote this defiant sentence in her diary: 'Thinking is my fighting.'</p>]]></description>
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         <pubDate>2024-02-19 22:52:02 UTC</pubDate>
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         <title>Balance Logic and Lyricism</title>
         <author>yueyecheng2005</author>
         <link>https://padlet.com/yueyecheng2005/2j21sy07dfne7oeu/wish/2888590180</link>
         <description><![CDATA[<p>Moran's Observation: A sentence is much more than its literal meaning. It is a living line of words where logic and lyric meet – a piece of both sense and sound, albeit the sound is only heard in the reader’s head.</p><p><br></p><p>Kate Moss's example: The model Kate Moss, once asked for her motto, replied: 'Nothing tastes as good as skinny feels' – a well-turned sentence, surely.</p>]]></description>
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         <pubDate>2024-02-19 22:52:29 UTC</pubDate>
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         <title>Ensure Sentences Unfold in Space and Time</title>
         <author>yueyecheng2005</author>
         <link>https://padlet.com/yueyecheng2005/2j21sy07dfne7oeu/wish/2888590358</link>
         <description><![CDATA[<p>Moran's Insight: A line of words should unfold in space and time, not reveal itself all at once, for the simple reason that it cannot be read all at once.</p><p><br></p><p>John Donne's example: John Donne’s sermons are full of sentences that are ever-alert and open to the world: 'And into that gate they shall enter, and in that house they shall dwell, where there shall be no Cloud nor Sun, no darkness nor dazzling, but one equal light … '.</p>]]></description>
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         <pubDate>2024-02-19 22:52:46 UTC</pubDate>
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      <item>
         <title>Value Individual Sentence Impact</title>
         <author>yueyecheng2005</author>
         <link>https://padlet.com/yueyecheng2005/2j21sy07dfne7oeu/wish/2888590675</link>
         <description><![CDATA[<p>Gary Lutz: A decade ago the American writer Gary Lutz gave a lecture to Columbia University students titled 'The sentence is a lonely place'. Lutz told them that he was drawn to writing in which 'the sentence is a complete, portable solitude, a minute immediacy of consummated language'.</p>]]></description>
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         <pubDate>2024-02-19 22:53:29 UTC</pubDate>
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         <title>Utilize Space and Silence Between Sentences</title>
         <author>yueyecheng2005</author>
         <link>https://padlet.com/yueyecheng2005/2j21sy07dfne7oeu/wish/2888590801</link>
         <description><![CDATA[<p>Contemporary Writing Trends: Contemporary writers mostly side with Lutz. They leave space and silence between their sentences, so that the reader can see the full stop and hear its click.</p><p><br></p><p>Maggie Nelson's example: Maggie Nelson leaves gravid pauses between her sentences and paragraphs, where implications sit. Her book The Argonauts tells the story of a developing romance and relationship in short paragraphs and single sentences surrounded by white space.</p>]]></description>
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         <pubDate>2024-02-19 22:53:43 UTC</pubDate>
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         <title>Craft Each Sentence to Lead into the Next</title>
         <author>yueyecheng2005</author>
         <link>https://padlet.com/yueyecheng2005/2j21sy07dfne7oeu/wish/2888590919</link>
         <description><![CDATA[<p>Moran's Advice: If a writer’s sentences have enough life and interest in them – with 'every step an arrival', as Rainer Maria Rilke put it – they will hold the reader and move the writing along. The writing finds a hidden unity that has no need of the mucilage of linking phrases.</p><p><br></p><p>Annie Dillard's example: Annie Dillard likes to start or end her paragraphs by swerving into unexpected terrain: 'Why do we concern ourselves over which side of the membrane of soil our feet poke?'</p>]]></description>
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         <pubDate>2024-02-19 22:53:59 UTC</pubDate>
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         <title>Image Citations</title>
         <author>yueyecheng2005</author>
         <link>https://padlet.com/yueyecheng2005/2j21sy07dfne7oeu/wish/2891766093</link>
         <description><![CDATA[<p><a rel="noopener noreferrer nofollow" href="https://www.citizenwatch-global.com/the-citizen/lineup/cal0100/index.html">https://www.citizenwatch-global.com/the-citizen/lineup/cal0100/index.html</a></p><p><a rel="noopener noreferrer nofollow" href="https://www.linkedin.com/pulse/capturing-complexity-valentijn-van-nieuwenhuijzen/?trk=articles_directory">https://www.linkedin.com/pulse/capturing-complexity-valentijn-van-nieuwenhuijzen/?trk=articles_directory</a></p><p><a rel="noopener noreferrer nofollow" href="https://www.space.com/time-how-it-works">https://www.space.com/time-how-it-works</a></p><p><a rel="noopener noreferrer nofollow" href="https://blog.hubspot.com/marketing/company-values">https://blog.hubspot.com/marketing/company-values</a></p><p><a rel="noopener noreferrer nofollow" href="https://www.ctpublic.org/health/2014-12-29/there-is-no-such-thing-as-silence">https://www.ctpublic.org/health/2014-12-29/there-is-no-such-thing-as-silence</a></p><p><a rel="noopener noreferrer nofollow" href="https://www.vrogue.co/post/logic-and-emotions-in-balance-pictured-as-words-logic-emotions-and">https://www.vrogue.co/post/logic-and-emotions-in-balance-pictured-as-words-logic-emotions-and</a></p><p><a rel="noopener noreferrer nofollow" href="https://diyprojects.com/diy-craft-sites/">https://diyprojects.com/diy-craft-sites/</a></p>]]></description>
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         <pubDate>2024-02-22 02:51:14 UTC</pubDate>
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