Love- Whilst this theme is conveyed between Ernesto and Baptista for a short while before their deaths in which they share romantic interactions and a passionate kiss with each other, the theme of love is derivative from Constantia's urge to search non-stop for her daughter and husband after they suddenly go missing. Another moment in which the theme of love is presented is between Ernesto and Baptista when the two of them are forming a relationship however, the couple's storyline is shortened when Ernesto is murdered and Baptista is kidnapped and tortured. For me personally, I had also viewed the theme of love at the end of the play when Constantia is still fighting to find her missing family members and this is due to the fact that whilst she is consciously aware that they have potentially been murdered, she still holds on to the memory of them both and her love for her family strives her to continue the search for Ramone and Baptista. Love is also afflicted with grief in this play, as Constantia is seen clinging onto the hope of her husband returning at the beginning of the play and whilst she holds onto fond memories to keep his spirit alive with the love that she has in her heart for him, grief begins to overcome her with her being in the first stage of grief, denial. This is presented when the daughters are laying the table and discuss whether or not they should set a place for Ramone, when hearing this Constantia is insistent that he has a place as well. By doing this, it clearly reveals to the audience members that the character is refusing to accept the face of reality where she is knowingly aware that her husband is not likely to return home.

Faith - This specific theme is mainly represented by Constantia at the beginning of the play when she is committing certain acts such as lighting a candle for her husband and setting a place for him at the table. When researching into South America, I had found out that the biggest religion that is used within the continent is Christianity/ Roman Catholicism, and this links back to the performance when the audience members view the character praying at the candle in the hope that her husband, Ramone, will return home safely. Candles are a common object that is used in Catholicism due to the fact that it is a religious belief that they represent Jesus Christ and the spiritual energy and therefore linking back to faith. This is also conveyed when the character is constantly praying, which represents her refusal to give up hope that her husband is still alive.

Social Class- In the play, Baptista reminisces about when she was younger and she had interacted with a poor eleven year-old street boy on a regular basis when she had taken the bus in the mornings. When telling this story, she had also mentioned that when a rich man's son needed a surgery to re-gain his eyesight , this is where the poor had been taken advantage of in order to benefit the upper-class society. The poor young boy had his eyes taken away and could only recognize Baptista by the sound of her voice. This story is a clear representation of how many people are treated depending on their financial income and their status within society, which is also why men in higher power are not held responsible for the cruel actions that they take against innocent members of the public for their own pure enjoyment.

A mother's voice is represented as a dreamscape in which Constantia has re-occurring dreams of what her life used to be like before her family members had disappeared. By doing this, the audience members are able to interpret how the character's persona has changed based on the surroundings that have impacted her lifestyle i.e. how Constantia had acted before her husband had gone missing in comparison to the independent woman that she has become whilst creating her own justice system. By doing this, it then establishes how impactful a mother's instinct is where beforehand she was a widower that was grieving and concerning herself on how to support her family members due to the fact that she was living in a patriarchal society and there was a severe amount of inequality as the man was known for being the main provider of the family, whereas, when it had come to her daughter missing, Constantia's body had been overtaken by the maternal instinct to stop at nothing when searching for Baptista.

This feeling is derivative from the amount of love that Constantia holds after having her first child [ it is scientifically proven that maternal instincts are formed when a woman becomes a mother from when she first meets her child, it is effectively a feeling of another part of your soul in a different person and when something is wrong, you will have a gut feeling]. This is what had allowed Constantia to strive in the search for her daughter and refuse to wallow in despair as she had for her deceased husband, Ramone. The use of dreams allows the audience members to further interpret the stage of grief that Constantia is currently in and how this then contributes to her road to recovery when finally facing reality [ her husband is gone and there is nothing that she can do to change it].

These dreams also loosely disclose the background story of the family and Ramone, which can help the audience members to gain further knowledge on how his sudden disappearance i.e. possible reasons why he was taken [ like Ernesto, Ramone was an activist]. By doing this, it clearly links back to the main purpose of the piece which was to portray facts about Los Desaparecidos and how the corrupted justice system in South America had refrained from  helping grieving family members from finding their family members and as suspicions had risen , the Madres de la playa de mayo had been created as an all-female group to take the law into their own hands by searching for their family members when the government/officials had refused to.

The play starts with three ghosts that consistently remain on-stage throughout the entire duration of the performance and these characters represent the theme of death which links directly back to the disappeared, as many of them had been missing for a long period of time and were presumed dead. Many people were aware of this from how the government had dealt with the news of the disappearance of these individuals and how officials had refused to help. This is clear from when in the plot, the author discusses the interactions that Constantia has with these higher men in power as she is searching for her daughter. An example of this is in the breakdown of the plot where the author includes: "As Constantia is pushed from office to office by faceless officials and tied up by senseless beurocracy,".This quotation conveys that there is a clear lack of humanity purely from the fact that the author uses the word 'tied up' which then suggests that Constantia is in-trapped in the corrupt justice system where she is not free to voice her human rights [ reporting a missing person and finding out any information about them]. This is also clear from when it is included that she is pushed from office to office which clearly represents the decreased empathy that each man in power had felt when hearing Constantia's story and the neglectful emotions that she had experienced when recognising that the justice system had been manipulated by these higher men in power so that they gain money and power and yet, refusing to help the population with their urgent matters. However, this ends up becoming beneficial for Constantia as it is what pushes her to become more independent when searching for her daughter, Baptista and when doing this it conveys to the audience members how it links back to the title of the play where the main character establishes that despite her being a widowed mother, she still deserves a voice to speak her mind without suffering from the consequences provided by the patriarchy.

By using faceless officials it then discloses to the audience members that there is a lack of sympathy in which both the characters and audience members are interpreting the emotional status of the official from the facial expression that is used when hearing the news of another person who has disappeared. It also portrays how the officials have one prime motive, to gain power by using forms of punishment/torture to frighten the population of the fictitious state. This then plays on the emotions of the audience members and how they have developed a specific connection with the main character, Constantia, when viewing her life story and they are then able to understand how impactful a mother's connection to her child is from the gut feeling that many mother's have which indicates to them that something id wrong [ it is scientifically referred to as a maternal instinct where the bond between a mother and her child is so strong from the moment that a child is born that a mother can sense if something is wrong].

The purpose of the three ghosts in the play was to help the dead move onto the spirit world. They represent the three deaths that are revealed to the audience and this includes:
. Ramon [ Constantia's husband]
. Baptista [ Constantia's eldest daughter]
. Ernesto [ Constantia's almost son-in-law]
I personally believe that there are only three ghosts on-stage as they are looking into the main character's life, Constantia, and as they had held personal relationships with her prior to their deaths, to the audience members it is a resemblance of how the deceased are still looking down on their loved ones. Effectively, I believe that these ghosts are a visual representation of a guardian angel where they help guide the deceased to the spirit world and ensure that Constantia is able to keep fighting for her family/herself and gain justice for her husband and daughter, alongside other mothers/grandmothers.

Despite the genre of the play being tragedy, there is a joyous event that begins to lift the saddening atmosphere that both the characters and the audience members are experiencing. However, this is also the highest moment of tension where it is perceived as a moment in which the characters can return back to their normal lives and that is until the wild village dance is finished by a person urgently calling Constantia to the river, which is where she finds her missing husband but, his body is battered and he is found dead. There is a short moment of enlightenment before the character finds her husband so that the audience members' reaction to the news  genuinely matches the character's as it is unexpected and can then immediately change the previous perception that the audience members had for the outcome of the performance. 

There are comical moments within the play, such as when there are a group of gossiping females that work at the factory and whilst there is only a short moment of humour from when they collide and are whispering, they also entail to the audience members of drastic events that are occuring. An example of this is when they are all gossiping about the blossoming relationship that is developing between Ernesto and Baptista. This is formed when Ernesto asks Baptista to attend an activist meeting with him and she agrees. This is an alarming moment in the play as it also links back to the reason behind Ramone disappearing [ he was also an activist against the justice system and higher men in power] which is why the gossiping character's stare at Constantia with disdain, as she is not paying attention to what her daughter is doing and this is because she is still grieving for Ramone and hoping that he will return soon. If Constantia was to abruptly prevent this from happening, then Ernesto could possibly be alive and Baptista would be safe but due to her involvement with the romantic activist [ Ernesto], Baptista also suffers the consequences. I personally feel that this is also what benefits Constantia's feministic approach to the search for her daughter, as she believes that her un-attentive behaviour had contributed to this event happening and due to this, Constantia challenges the extreme feeling of guilt that she has into finding her child. When she hears the news that Baptista is apparently being held at a detention centre, this is where Constantia goes to many offices to ask if there has been any information regarding Baptista in this center. 

Despite the previous themes that I have discussed when referring back to the plot of this play, the plot is deliberately based on the context of Los Desaparecidos and bringing awareness to this event in history and how it had led to more independence taken by society i.e. the all-female group Las Madres de la playa de mayo and their determination to search for missing family members and loved ones, rather than relying on higher men in power who would provoke the population by the lack of information that they had provided for these missing people and the amount of money/power/manipulation that would be used to ensure that nobody had stood against them.

. Argentina- The capital of this country is Buenos Aires and the population in this country is 45,195,785 of people. The official name for this given country is called the  ' Argentine Republic'. There are many things that the country is known for and this includes:
. Lionel Messi - This famously well-known footballer's name is similar to the sport that refers back to the Argentinian culture.
. Buenos Aires- This capital city is popular with tourist attractions in which a grand range of people from all over the world visit this city annually, which is approximately 2.36 million people. The city is known for its vibrant culture.

. Iguazu falls- This grand waterfall is located in Argentina and it is referred to as ' one of the seven natural wonders of the world' due to its picturesque views that many tourists also view annually and this is approximately 1.064.731 people.

There are many more examples of what makes this country well-known aside from these examples that have previously been listed. There are 15.1 million people that live in the capital city, Buenos Aires. Approximately 42 million speak the first language of the country, Spanish. Whilst this is the first spoken language and it is the official language of the country. However, Italian is commonly known as the second most common language that is used in Argentina.

. Venezuela- The capital of this country is called the city, Caracas and the country contains around 28,435,951 people in the country. The official name for this country is simply called 'Bolivian republic of Venezuela' and it is located on the southern coast of Argentina. The country is commonly most known for its natural habitats and sceneries. For example, Iguazu falls is based in this country and it is a grand waterfall that is located on the border of the Argentine province, Misiones [ one out of twenty-three provinces in the country, Argentina] and the second largest river in South America, that is based in Brazil called Paraná. A total of 40 languages are used to this day in this specific country. However, the three most common languages that are spoken in Argentina are:

. Chinese- approximately 400,000 people speak this language in the country.

. Portuguese- an approximate number of 254,000 habitants speak this language in the country.

. Italian- Around 200,000 people speak this language in Argentina to this modern day.

.Chile- The capital of this country is called Santiago, and the country holds 19,116,212 habitants to this day. The given name for this country is called ' Republic of Chile'. It is located in the Western South of America. It is the longest country in the world and consists of many famous landmarks/buildings/etc. In Chile, Spanish is also the most common language spoken in the country, and there is a fact of around 8,200 Chileans that speak Chilean Quechua, which is apparently identical to South Bolivian Quechua.
. Easter Island: This island is most famous for its nearly 1000-year-old monumental statues, which are called moai [monolithic human figures] which had been created by the early Rapa Nui people. The original name for this island is called Rapanui, it was named in honour of the Christian holiday, Easter, by Jacob Roggeven [a Dutch navigator].

. San Alfonso del Mar Resort: A famous hotel located in Chile that is renowned for its grand swimming pool that is as outstretched as the beach view that is viewed from each and every hotel room. Many influencers visit this location on an annual basis and therefore bring more awareness to this resort.

. Gran Torre : This is a  Great tower in the capital of Chile, Santiago, and it is a sixty-two grand tall skyscraper, which is also the second tallest tower in Santiago, Chile, after Mexico's T.Op tower. It is also often referred to as Torre Gran Costanera.

. Ecuador- The capital of this city is called Quito and it is a country that holds approximately 17,643,065 habitants. The given name for this country is called the ' Republic of Ecuador'. There are twenty-four languages that are spoken in this country and the main language that is spoken is Spanish, which an approximate percentage of the country [93%] speaks. Whilst this remains as the principle language in the country, there are also International relations to the Ecuador's nationality such as Kichwa, which was a Quechuan language that includes mixed varieties of Quecha from both Colombia and Ecuador, as well as more extensions into the country, Peru. Another international language is called Shuar, which is a language used by the indigenous civilians of Ecuador and Peru. Aside from this, there are also eleven Indigenous languages that are still used to this day and this includes Tetete, Waorani, Záparo, Colorado, Siona, Secoya, Emberá, Achwa-Shiriwa, Cha’palaach, Awa-Cuaiquer, and Cofán. To this day, the main language that is used in Ecuador is Awa-Cuaiquer, in which only 13,000 native people speak this language and within the community, it is usually men in these indigenous tribes who are bi-lingual whereas women and children only speak Awa-Cuaiquer. UNESCO had labelled this language as endangered and severely damaged. This country is most known for the flower, Orchids. In Ecuador, there are more than 6000 varieties of this flower being discovered to this day and it is referred to as the capital of the world for Orchids.

. Bolivia- The capital of Bolivia is La Paz, Sucre and the country has approximately 11,673,032 people living in this country. The given name for Bolivia is ' Plurinational state of Bolivia'. In 2012, the country had recorded that around thirty-seven languages are spoken, however, the most dominant language is called Castilian [ a form of Spanish language]. Other languages include Aymara, Uru, Leco, Kallawaya, Tupian, Arawakan, Cayubaba, Yuracaré, Araona, Puquina and, Movima. Bolivia is a landlocked country that is located in western-central South America. This country is most known for :
. Natural sceneries: Salar de Uyuni, which is one of the most famous landmarks in the world for being the largest salt pan in the entire world. It is elevated above 11,995 feet of sea level and the salt flat is approximately 4,000 square miles. It is famous for its reflective abilities.

. Lake Titicaca: This is the largest lake in South America with 12,507 feet and a square mile of 3,232 area. It is located by both Peru and Bolivia. It is acknowledged for being the highest navigable lake in the entire world. Lake Titicaca includes various islands around the lake.

. Oruru carnival: This town in Bolivia is famous for its annual festivals held that celebrate traditional and pre-Colonial dance eras. This is celebrated by more than 28,000 dancers across the entire town and 10,000 musicians. These performers show their talent in the streets when performing to the community/tourists. This festival begins with the most famous dance to the locals, the devil dance. It is attended by 400,000 people and it lasts for approximately 20 hours.

. Paraguay: The capital of this specific country is Asunción. This country has 7,132,549 habitants living in it and there are 19 languages to this day that are spoken in Paraguay, the two principal languages that are spoken are Spanish and Guarani. Spanish is spoken by 87% of the population whilst Guarani is spoken by more than 90% of the country's population. It is a bi-lingual country that has these two prominent languages to this modern day. Some of the minority languages that are spoken in this country include German, Italian, Japanese, Ukrainian, Arabic, Chinese, etc. The given name for this country is called ' the republic of Paraguay'. Paraguay is most known for being the country that has the largest navy, therefore, also having the greater amount of naval power. Aside from this, it has been consistently referred to as ' the heart of  South America' for its location between Brazil, Argentina, and Bolivia.

. Suriname: The capital of this country is Paramaribo. The country holds around 586,643 and the given name for Suriname is ' republic of Suriname'. It is well-known for being the smallest country in the entire continent, of South America. It is located in the northeast of the continent between both Guyana and French Guiana. The prominent language that is spoken in this country is Dutch, however, there are still fifteen languages that are spoken to this modern day. Suriname is most well-known for its Dutch sugar plantations and this is called ' Pepper Pot Plantations'.
It is also known for being the only country that widely speaks Dutch in South America and it has one of the most protected areas of rainforest in the world.

. Uruguay: The capital of this country is called Montevideo. Uruguay has 3,473,741 habitants currently living within this country. The official name for this country is called the 'Oriental republic of Uruguay'. Similarly to most of the countries, Uruguay's most prominent language is Spanish, alongside this other languages including English and Dutch are commonly spoken in this country. Uruguay is famous for having the longest national anthem in the world and it is approximately six minutes long. The capital of this country, Montevideo is a famous tourist attraction that is visited worldwide with an annual rate of 33.3 million individuals. This is due to the fact that it is one of the most privileged cities in this country. Marijuana is also legalized in this country, which is another main reason as to why many tourists visit this country. This had occurred in 2013 in order to make it so drug traffickers would be pushed out of the market as the drug was made more affordable.

South America was first discovered in the year, 1492 [ in the fifteenth century] and it had actually been founded by mistake by Christopher Columbus, who was a sailor. During his first voyage, Columbus had his ship attacked and this resulted in him having to swim to land in order to stay alive as pirates had set the ship alight. He is commonly well-known for being an explorer in the Americas and being the person who had founded it, whereas in true fact there were already people living there when he had found the land. However, this land had also been found purely by accident due to the fact that he had actually been searching for a way to get to the country, China, from India. Columbus was his given English name however, he was born in Italy in 1451 thus his real name being Cristoforo Colombo. He had nearly resulted in starvation on the island, of Jamaica, and this is because his crew had left him to die whilst the indigenous people of the island had also refrained from providing Columbus with any food.

I have also included the best and worst factors of each country so that I can represent how these culturally affect the stereotypes of the entire continent and also potentially refer back to the context used within the script for the play, A mother's voice. From looking into the website, Quora, I have been able to provide a simplified structure of the best and worst facts based on the continent, of South America. This includes:

. Positive:
- Families in South America normally hold close bonds as families and as a community, this is mainly due to the fact that the continent has been stereotyped as impoverished/ working class and how the social class system was corrupt in the sense of wealthier people who remained detached from their family members as they have businesses to run whereas, poorer families held closer relationships due to their involvement in keeping the household together. This refers back to the play as the main family, mainly consisting of Constantia and her daughters [ Francisca, Baptista, Maria, and Isabel] in which they all attend to their domestic duties of what women were expected to do in the eyes of society/ the patriarchy. An example of this is in the second scene: Absence and loss, where Constantia asks her daughters to lay the table, and her younger daughter, Isabel is tending to supper by cooking one of her mother's recipes. By doing this, it reveals how Constantia is abiding by what society expects of females, in which they look after the household and are able to provide for their family members.

- There are various referrals to South America being the main continent that is well-known for partying. For example, there are many contextual references to Brazil, the biggest country in South America, which put on world-renowned festivals such as, Carnaval, where up to 400,000 people worldwide attend this festival due to its vast cultural and traditional appreciation for the country, Brazil. This is represented through the vibrant colours of blue, white, green, yellow, and black that are presented on the country's flag in which performers incorporate this into their dances/songs/costumes/appearance etc, to reveal their appreciation for Brazil. This relates back to the play in the sense of the scene : The festival, in which the audience members are able to view how even in their darkest hours, the community are still able to liftin each others spirits through the use of dance and singing in an attempt to also protest against the hierarchy. Throughout this scene, whilst the main family grieve for Ramon, they are able to finally engage in an entertaining and fun atmosphere where they can finally feel a sense of joy and independence.

- South America is well known for it's scenic locations across the entire continent and whilst this does not necessarily refer back to the script itself as the play is set in a simple village to represent the social class of the cast being of a working-class standard, the contextual factors that are discreetly mentioned behind the dialogue i.e. referrals to Madres de la playa de mayo which contextually speaking, had been created in Argentina, and this is why I have researched into this country to see if there are any scenery that is commonly well-known. When doing this, I have found that the tourist attraction, Iguazu falls, is a grand waterfall that is located on the border of the Argentine province, Misiones [ one out of twenty-three provinces in Argentina] and the Brazilian state of Paraná [ a river that runs through the entirety of South America and, it is the second-largest river in South America, after the Amazon river].

- Women are normally stereotyped as warm and beautiful in Argentina. In my opinion, when viewing this fact, I had linked it back to Constantia from the research page that I had looked into regarding the cast in which it discloses that Constantia is a widowing mother to four daughters and as I was already aware of a mother's role in society from my previous research when looking into the online website about the plot. After doing this, I had found that society had expected mothers to tend to their domestic duties of consistently being grateful for their lives and being happy whilst taking care of the household and looking after the children i.e. this applies back to Constantia as the plot mentions that 'she immerses herself in her domestic duties' and of course, this then links back to the character having a warm nature as a woman [ Argentinian woman].

-Many countries are bi-lingual in South America, mainly due to the fact there is an increased amount of tourism within the continent. This applies to the performance, whilst it does not refer back to the dialogue used, it still applies to the notes by the author, Chris Owen, where he has disclosed that whilst the setting of the play is in South America, resulting in the actors using a Spanish/ Argentinian/Brazilian/Peruvian, etc accent, he didn't want to use any foreign accents in the piece as, and I quote, "I think this is a dreadfully old fashioned technique. Within a country there are regional accents and dialect is used" ( chrisowenonline, n.d.). This quote represents how my group and I will be able to perform this piece using our own accents from the justifications that the author has included in which he states that the continent, South America, is not purely based on one language, rather there are various languages used within the continent and from researching into this, I have found that English is also quite common in South America due to the amount of tourism.

- Living is cheap, depending on the area where people reside within this continent, and the cost of a person's lifestyle can be cheap with a full diversity of nutrition i.e. fruits/vegetables/etc. I was able to link this fact back to the previous research that I had looked into regarding the themes of the play, and when I had looked into social class, I was able to interpret that the main family are of a working class/ standard. When doing this, I had researched into what working-class homes had looked like across South America during the 70s [ the era that I believe the play is set in] and when doing this, I had seen how poorly constructed these homes were due to the residents living hand to mouth and potentially not being able to afford new renovations. From this, I had then applied the fact to my perspective of the staging in the play, where the author discloses that the setting is minimalistic and only consists of a table and chairs in the first scene with Constantia in it. However, I had also viewed this as the character being unable to afford any other furniture, therefore resulting in the financial issues that she has endured when her husband, the main breadwinner of the family, had suddenly disappeared, therefore her and her children living cheap [ in the concept of living from hand to mouth].

Negative:
- In South America, corruption is a big issue! When reading this note, I had immediately linked it back to the main theme of the play, which is justice/injustice, in which the patriarchy had controlled the entire community i.e. how they acted/the lifestyles that they had led. I had found this from when the author mentions in the plot "Why is Constantia bothering them - doesn't she know she can get in trouble asking these questions!". This quote clearly reveals that the higher men in power manipulate their status and authority by reusing to give Constantia any information on her missing daughter, which is why she is more intent on asking more officials and this is why she might get into 'trouble' as she is differing from her domestic duties that she had to abide by when following society's image of the 'perfect' woman, and as she is gaining her independence and striving in the sense that they believe she is protesting against what is expected of her, the officials torment her with the lack of knowledge on Baptista so that they can further control her lifestyle her and belittle the character into remaining in her place.

-Corruption brings a sense of consequences and informality in which it makes it more difficult for people to gain justice. This personally relates back to Constantia as I have previously mentioned, she is trying to gain justice for her daughter after being made aware of what had happened to her husband, Ramon [ the higher men in power torturing her husband and then dumping his battered body in the river]. At the end of the play, Constantia seems to gain a sense of independence when remaining intent on finding Baptista despite the various warnings that she had received from these exasperated men in power [ they feel threatened as there is a member of the community who is standing against their morals]. An example of this in the plot of the play, on the main website for ' A mother's voice', where the author says 'She joins with other mothers and wives and they dance alone in protest at what is happening'. This quote discloses the contextual factor of Madres de la playa de mayo, where grieving mothers would join in the town centre in a form of protest against the corrupt justice system and they would use dancing as a way to liftin their spirits in the hopes that they can keep their loved one's spirits alive/ retain faith that the mothers would be able to find these people. The use of the word 'difficult' from the fact about South America previously mentioned refers back to the harsh journey that Constantia takes to keep her faith that Baptista is still alive and her journey to find her daughter.

-Masculine pride is strong in South America and is even accepted due to traditions that have been followed throughout the years in which the male is almost always considered more dominant. This applies to the dominant men in power [ the faceless officials and gunmen in the play] and how they use manipulation/ aggression and violence in order to get what they want. For example, after Ernesto is murdered by the two gunmen, there is another brief description in the plot that says 'they assault Baptista and carry her off - tormenting her by warning her of the "fun" they are about to have.' This then reveals how the male characters result in mentioning cruel insinuations of sexual assault/rape to further frighten Baptista as she hadn't obeyed the rules of society. 

- People are extremely distrustful of others in this continent due to the increasing amount of crime that occurs on a regular basis. Whilst this is a common fact that is used in many stereotypes of film/tv when portraying the continent, of South America, this fact links back to Constantia's distrust in the corrupt justice system as whilst they apparently have no knowledge regarding the disappearance of her daughter, and forcefully encourage Constantia to stop searching, she still holds out the hope that her daughter is out there and continues the search for Baptista, which would be considered almost as dangerous as committing an illegal activity, therefore leading to the officials setting out in preventing any more people from gaining any independence. The use of street smart had first been applied to the character, Baptista, in which she had secretly attended activist meetings whilst appearing devoted to society in which she follows the average domestic duties that a woman should apparently have.

. Third photo= Mother and child: This precise photo symbolizes the bond that the Dream Mother holds with the children as in the scene, The picnic in the hills, there is a clear portrayal of the mother being slightly strict but also caring towards her four daughters [Francisca, Baptista, Maria, and Isabel] as they are all preparing for a celebratory picnic during the festival time. In this scene, she expresses her strict side when ensuring that enough food has been provided and that her children eat before attending to any other activity. By doing this, she establishes the domestic duties that a mother must provide in the patriarchal society to ensure that she follows with the idea of a 'perfect' woman where they bear and raise children whilst also keeping the home clean. This photo is also a reflection on how Constantia had lost this specific bond with her children as she had portrayed signs of emotional neglect in the play where the daughters must care for her whilst she still differs from reality and is grieving for her husband, Ramon. The Dream mother still holds a close bond with her children as well from how she entertains them, alongside Ramon in the picnic in the hills scene where they all play a game of catch and there is a high amount of energy to keep everyone happy where the Dream mother gets involved in the game with her daughters. However, this image also represents how protective the Dream mother is of her children's emotions relating back to the disappearance of their father and her husband, and whilst they grieve, both the Dream mother and Constantia assume that it is bigger than what it actually is, which is why in the scene, Dream one, my character says the line " come back to us we need you" and whilst she is mainly referring to how she personally feels about his disappearance in this scene, she feels that also by including how the rest of her family are feeling [vulnerable due to the fact that their father has disappeared and they rely on him the most as he is the man of the house] and this is done in order to convince Ramon to change his mind and return to the family.

. Fourth photo= stages of grief: I have included this photo to represent the purpose of my character's journey in the play, where she purposely represents the stages of grief in chronological order, and by doing this, it directly links to the main character, Constantia's, outcome of finally finding some independence and creating a voice for herself amongst other grieving mother's/wives/grandmothers, etc. This independence trait had been formed from each stage of grief in which there is a clear portrayal of how Constantia/ Dream Mother begins to come back into reality and notice how depraved society is from the higher men in power using violence and manipulation to gain more authority. This relates back to the Dream Mother from the first stage that she clearly reveals in the beginning scene where she is in denial. This is clear from when she says the line, " I am not in the land of the dead" and "no" in which she refuses to believe that her husband is still alive and therefore is deflecting from reality. However, the later stages such as anger are portrayed chronologically in the play, also in this scene where the Dream mother says " Get out of my dreams. You don't belong here. I don't want you here". This quote clearly reveals that the character is gradually developing a sense of frustration against the warning signs that are being inflicted on her as she still wants to remain in the mindset of believing that her husband is alive. In the next scene, Dream one, it revolves around the character forming the two stages of grief [ Bargaining and Depression] together in order to reveal her desperation to bring her husband back as her mental state also begins to decrease in the sense of her differing from reality. This is revealed when the Dream Mother says " Then let me hold you, tend to you, love and comfort you" and this clearly represents that the character is bargaining with her husband in the sense of using her domestic duty as a wife/mother to care for her family where the father would find it more difficult to resist and so she can convince him to return to reality. Whilst there is not necessarily a sign of depression written within the quote, I would approach this line of text with a high tone and pitch combined together to imply that the character is close to tearing up as she is in a state of depression where she is still grieving for her husband whilst also trying to reassure herself that he will return, which then pushes her to take a turn for the worse [ her mental state impacting her lifestyle with her children]. In the final scene, The river of death, this is where the audience members finally recognize that the Dream Mother has reached the final stage of grief, acceptance, where she says the line " I will miss you Ramon" which then implies to the audience members that she has prepared herself for his spirit moving onto the land of the dead where he can reach peace and tranquillity.

. Fifth photo= South America: This photo has been included to refer back to the site-specific area in which the performance is being portrayed and how it is revealed in the dialogue of the script and whilst my character does not necessarily mention any lines relating back to the continent, as she is technically known for being the past life of Constantia, and as this character does include references to South America, I still believe that it serves as a relevant purpose when talking about the development of my character, Dream Mother. For example, at the end of the play, Constantia says " I have met so many other women: wives, mothers, even grandmothers who have suffered as we have". This quote is a clear reference to the Madres de la playa de mayo, where it was commonly known that the all female group had been formed in South America as a form of protesting against the corrupt justice system for refraining to help grieving family members to find their loved ones [ Los Desaparecidos].

Where were you born? - Whilst the script is reluctant to mention the birthplace of Dream Mother, as she is technically a figment of the main character's, Constantia, imagination, and whilst there is also no indication of where she was born, I have assumed that she has always lived in South America from the domestic duties that both herself and Dream Mother consistently follow. As Constantia also presses these duties onto her children, from when she is teaching her youngest daughter Isabel how to cook, I believe that she does this from a personal perspective where she had been taught the same duties at her children's age. From the scene: the picnic in the hills, when Dream Mother and Ramon are dancing together to the traditional music being played in the background, this indicates that they are aware of their nationality and traditions [ historically using dancing as a form of celebration] therefore presenting their roots to their country.

Were you well off? Middle class? Impoverished?-  Whilst there are no quotes that necessarily mention the social class of the Dream Mother, I feel that my character is definitely of the working class and this is from the fact that there are various mentions of people who have been worse off in the family other than them, such as the young boy that Baptista would give food to on a daily basis. For example, when she says the line " A street boy, When I got off the bus in the mornings he would be there, playing his flute, begging for money". By using this quote, I have been able to reveal how not only Baptista, but her entire family were of a higher social class than this boy due to the fact that she had enough money/luxury to afford the bus, however, it also represents how Baptista is only just above in the social class system, the working class.

What is your life like at the moment? - Currently, my character is in a terrible state where she is trying to cope with the five stages of bereavement as she is hopeful that her husband, Ramon, will be returning back to reality with her. However, she is severely distressed to find out that he wants to remain in the land of the dead and repetitively tries to convince him to come back home. This is done by using forms of manipulation/bargaining such as " Come back to me, Come back to us. We need you". From a personal perspective when viewing this quote, I felt that the character was at the stage of grief [ bargaining] where she purposely mentions how reliant their children are on Ramon to come home so that the family is complete. By doing this, she expects him to have a feeling of guilt for abandoning his children at such young ages. At the beginning of the play, she is in a constant stage of denial and resorts to using anger when trying to prevent herself from listening to the ghosts/voices who are trying to force her to see reality and not cause herself any more pain by differing from what is clearly in front of her eyes. This is where she says the line: "it's all lies. I will not listen to the lies". This quote clearly conveys that the character is wanting to retain hope that her husband will be returning back to her and how she depends on the state of denial to prevent her from the heartbreak of reality [ her husband is dead]. My character is able to represent the true emotions that the character, Constantia, buries down so that she can focus on her domestic duties. Towards the end of the play in my character's final scene: The river of death, Dream Mother says "I will miss you Ramon". This short quote conveys that the character is at the final stage of grief in which she can accept the fact that Ramon will not be returning back to reality with her and whilst she is still grieving for him, she is no longer hesitant and in conflict with keeping him with her. This also then links to when Constantia begins to gain independence as a widower/single mother when searching for Baptista, therefore fixating on a new type of grief [ the loss of the bond between a mother and her child], in which Constantia refuses to stand down as she did with Ramon when he had gone missing. 

 Are you married, single, or in a relationship? - It is made abundantly clear from the opening scene that my character is in an affectionate marriage with her husband, Ramon. For example, when she says the line " Ramon, come home soon. I'm waiting for you. I love you Ramon. Whatever it is I will forgive you, whatever I have done I will put right, just come home soon".
From the use of the word 'home' it immediately indicates that the characters are a couple as it was highly uncommon for men and women, who weren't family members, would be living together without committing the sacrament of marriage and the house is created into a home when the characters create a family together, therefore making it seem as if the home is not complete without him there which is why Dream Mother is begging for him to come back. Of course, the other clear hint that the couple is married is from when my character says " I love you" which again, was uncommon to say unless directed at close family members and this character is truly expressing her affection for Ramon.

 What is that person’s name and occupation?- In the play, it is immediately made clear in the opening scene where my character says the line " Ramon. My sweet Ramon" that her husband's name is Ramon, and whilst it is not necessarily mentioned by my character of his occupation, the character, Catalina, says the line " she takes after her father that one" in the scene: The fishwives. This is of course in reference to Constantia's daughter and prior to this quote, the fishwives are discussing Baptista's involvement with Ernesto, who they are aware is an activist from when the character, Juanita, says " mixing with a boy from the town is not good. There will be trouble there". When Catalina discloses that Baptista takes after her father, she is speaking in the sense of how assertive she is when voicing her opinions and standing up for what is right as her father had before he had disappeared, and due to the fact that they live in a patriarchal society with a corrupt justice system, it was extremely dangerous for people to stand against what society had inflicted on them from the severe consequences that would be put into place [torture/death/other forms of punishment] so that the patriarchy can keep their power in place. This is made clear when Dolores says " He stood for what is right. But he should have been more careful". This clearly reveals how Ramon was one of these activists against the patriarchy and how he had been caught, which had led to his sudden disappearance and death.

How are things going with him or her? - At the beginning of the play, whilst my character is grieving for Ramon and wondering when he will be coming home, she is hesitant to believe what the ghosts/voices are saying as they are urging her to view reality, therefore Dream Mother forcing herself to remain in a state of denial where she is seen consistently embracing Ramon in the fear that he will be taken away from her. For example, in the opening scene: The ghosts, Dream Mother says " the whispers mean nothing. I'll not listen". This short quote resembles how intent my character is to distract herself from facing reality and in response to the end of this quote, Ramon flatly says " Constantia" and by doing this, he reveals how grateful he is to see his wife, despite slowly losing the essence of his body from the stage direction that is included [flatly] where he can barely express any emotion as his spirit is slowly departing the longer that he remains in the land of the dead. Whilst at the beginning, it is perceived as if the ghosts/voices are forcefully taking Ramon away from Dream Mother, they are trying to have his body put to rest so that he can finally feel peace. This is not represented until the scene: Dream one, where Ramon says " I have another path to tread now Constantia. A path I must tread alone". This quote clearly resembles how Ramon has finally accepted his fate and is urging Dream Mother to do the same so that, he can be in peace knowing that she is also in a state of peace knowing that his spirit has been freed.

 Where do you live now? - I believe that my character resides in a working-class village in Argentina as from my research when reading into the script [ contextual facts such as Madres de la playa de mayo- which was first created in Argentina and links back to the end of the play where Constantia mentions her plan to her eldest daughter, Francisca, to join with other grieving mothers in the town square and dance in a form of protest against the patriarchy]. I also believe that the characters live in a poorer household as whilst they are not impoverished, I personally believe that the minimalistic set of a table with a few chairs does not necessarily imply that they are of a higher social class. I believe that they are working-class from how Baptista talks about the upper social class when saying the line " A rich man in the city". From this short quote, it is clear that the family is unable to afford the luxuries of living in the city as she does not refer to it as the place in which she lives, and from the use of the adjective 'rich' , it resembles that Baptista is portraying his social class in comparison to hers as if they were of the same social class she might've said something on the lines of ' a man in the city/ or a man in the village'. When researching into the working class within South America during the 70s [ specifically Argentina], it was more common for the working class to live in villages which is what had led me to suspect that this is where my character lives / where her family lives. 

What are your physical surroundings like? Are they comfortable, safe, or dangerous? - The main surrounding that clearly makes my character feel uncomfortable is the land of the dead, in which she feels that she cannot escape reality and as the ghosts/voices are portrayed as antagonists who are frightening Dream Mother, realistically they are trying to help her but she cannot see reason and results to using the emotions of anger and despair in a hysterical aspect to forcefully push them away from her main goal, staying with Ramon. This is made clear in the opening scene when she says the line " No. I will not listen to you. Get out of my dreams. You don't belong here. I don't want you here. The whispers mean nothing. I'll not listen". This quote conveys how the character is gradually developing tension in the scene from the anger that she feels towards these characters as she believes that they are trying to take her husband away from her, whereas they want to ensure that he is put to rest and that she can face reality. 

How do you feel about the place where you are now? Is there something you are particularly attached to, or particularly repelled by, in this place? - My character is attached to the spirit of her husband mainly and throughout the play, he is the only thing that she will allow herself to prioritize and fixate on. For example, when she says the line "no stay here. Stay with me" in the scene: Dream one, where Dream Mother is intent on staying with her husband and she does not necessarily care at this point where they are, just as long as she can be with him and feel him embracing her as they haven't been able to touch since he had disappeared and she feels safe when interacting with him. Another example of this is in the scene: Dream one, where Dream Mother voices how safe and attached she is to the feeling of her husband's embrace, this is when she says " When you hold, me Ramon, I want to never let you go". This quote resembles how attached to her husband, Dream Mother is as he is seen as the only person that can stop her hysterical emotions. 

Who lives with you? - Technically as my character is in the land of the dead, Dream mother lives alone whilst she searches for Ramon. However, when finding the quote “Come back to me. Come back to us” this implies that Dream Mother is referring to Constantia's home where she lives with her and Ramon's four daughters: Francisca, Baptista, Maria, and Isabel. As my character is the past representative of Constantia this clearly links how Constantia feels towards the disappearance of Ramon, not only in the concept of how much she misses him but also in how incomplete the family is without him and how their children are coping without a male parental figure in their lives. 

 How do you get along with them? If you don’t get along, what is the source of conflict? - Dream Mother is definitely portrayed as a character that gets along with her husband and this is from the repetitive amount of times that she is embracing him and conveying her affection for him as she is fearful that he will leave her as his body is no longer functioning properly and his spirit begins to seep out of his body. My character is desperate to keep him in her life which is why at some points, mainly in the scene: Dream One, Dream Mother results to forms of bargaining/manipulation, mentioning how her children need their father in their lives and speaking on behalf of them to make him feel guilty for not being their lives, in order to have him return with Dream Mother to reality. Even when Ramon is passing, he still retains his love for Dream Mother and an example of this is in the scene: The picnic in the hills, where [ due to it being where Constantia is reminiscing about a fond memory], Ramon has more energy and is acting like himself again, the atmosphere has been lifted and the family are all together and when Ramon says " I will carry you to my castle Sweet Damsel" , he picks up my character and carries her in a playful manner which represents to the audience members that the character shares a close bond, in which my character responds with " Sweet Damsel! Put me down Ramon" and as she is saying this, the character playfully hits Ramon to further represent the banter that they share as not only husband and wife, but also as close friends.

 Do you have children?- It is clearly revealed in the scene: The picnic in the hills that Dream Mother is a parent to her four daughters Francisca, Baptista, Maria, and Isabel, and this is from when my character says the line " of course Isabel. It is not until later on. But first we eat". Here, my character establishes her domestic duties as a woman in society where she is slightly strict as a mother but it is done in a necessary way to ensure that the children are provided for and here she still remains content, also linking back to the domestic duty as a mother/wife in which women were not allowed to complain and had to be constantly grateful for the family that they had as this is the standard that society had expected women to follow.
Whilst there are indications of my character having children, aside from the word mother in her name, in the scene: Dream one she says " Come back to me. Come back to us". Whilst this quote clearly refers back to the rest of the people in the household, it does not necessarily entail that it is referring to their daughters. The scene: The picnic in the hills, however, presents the bond that my character has with these children, and this is clear from when I had looked at the stage direction ' the others follow closely behind. Isabel holding the Dream Mother's hand'. From this stage direction, and from the audience members witnessing this clear interaction being shared between the two characters, Dream Mother and Isabel, it is made clearer that she is the mother to these four girls, and whilst it is only a dream, this scene is a specific memory of Constantia's when everyone in the family was younger, which is why she is holding her youngest daughter's hand. 

Do you have love in your life right now?- Dream Mother's soulmate will always be Ramon and he is the constant love of her life as witnessed in the dialogue of the play. For example, in the final scene: The river of death, there are multiple quotes where Ramon reveals his affection for Dream Mother and this includes when he says " I love you, Constantia". Prior to this scene, it had always been Dream Mother who has expressed her affection in the marriage first i.e. when she runs to embrace him and says quotes such as I love you, first to also increase her vulnerability where she relies on Ramon's emotional support to also come back to reality with her and to comfort her as she journeys through the five stages of grief. Aside from this, there are many times in which the couple embrace, and Ramon console Dream Mother as she is acting hysterically due to the overwhelmed emotions that she is feeling from each stage of grief that is endured throughout her time onstage. For example, in the scene: Dream one, Ramon says the line " But you must Constantia, you must let me go. I cannot bear to see you in such pain. And your pain is my pain. Your despair is my anguish". This quote then implies that the characters hold such a deep connection with one another that they are physically able to feel each other's pain from the love that they hold in their marriage. Whilst Ramon wants to feel peace/tranquillity after being in pain for so long, he refrains from leaving Dream Mother until she is prepared to say her final goodbyes and this reveals how much of a supportive and devoted husband he is, even in his final hours.

How do they feel about you?- It is clear that Ramon holds strong feelings for his wife, Dream Mother/Constantia as whilst he is in pain and wants to remain in the land of the dead so that he can finally be at peace, he refuses to leave my character until she is able to accept the fact that they must depart. Ramon is viewed as playful and devoted mainly in the scene: The picnic in the hills, where the audience members view him playing with his children and establishing a fun parental role in the children's lives, and whilst doing this he picks up Dream Mother and says " I will carry you to my castle sweet damsel".  When doing this it reveals how close the two characters are and how they had still intended to have fun in their younger years. He is invested in the marriage as a devoted gentleman where whilst he is expressing how much pain he is in from continuing to force himself to live for her until she is ready to reach the final stage of grief; acceptance. He is protective of her when he says the line " You did not want to know Constantia. Your world was the house and the children. You were happy". When he says this line in the scene: The river of death, it is made clear that Ramon had always wanted to ensure that the only way to keep Dream Mother safe from danger and from being caught by the patriarchy [ as anyone who was believed to be associated with these activists, would suffer severe consequences, as portrayed when Baptista and Ernesto had been founded and Baptista had been kidnapped after Ernesto was murdered] was to keep his business as being an activist hidden from her. Ramon clearly establishes how he was always looking out for his wife and family when he mentions how Dream Mother's life was fixated on her domestic duties, therefore revealing how he was watching how she was with the children and always checking on her to make sure that they are all provided for and that they are happy.

. When is the last time you saw them?- In the scene: The river of death, it is the last time that Dream Mother and Ramon are able to embrace each other as they embrace for one final time as my character accepts the fact that Ramon wants to be laid to rest after enduring so much agony from the patriarchy as they had tortured Ramon before murdering him and dropping him in the river. It is clear that this is the last moment that the characters are together as Ramon says the line " I will not be coming home, Constantia". This quote clearly reveals that Ramon is ready to feel peace and be in a state of tranquillity, and at this moment he lets Dream Mother know of his intentions so that he can push her to see the reality that she must end up facing. At this moment, Dream Mother responds with the line " I know Ramon". This quote then entails to the audience members that the character is at the final stage of grief: acceptance, in which she is prepared to bid farewell to her soulmate.
It is also made clear that they are departing from each other when both of the characters say "goodbye" at the end of the scene and as this occurs, it also represents how Constantia has been able to finally accept the fact that her husband will not be returning and she can stop punishing herself with guilt for feeling that she was the cause for his death and move on to focus on being there for her children.

What is your religious belief currently?- It is clear that the character is Christian from the quote in the scene: Dream One " I will have faith, Ramon. I will not listen to their whispers. Come to me soon Ramon. Do not slip into their.."
This then contextually links back to the fact that approximately 90% of the population to this day in the continent, South America, are Christian. Whilst this quote resembles the character retaining her faith and abiding by her mainland of being Christian, Dream Mother is still clearly experiencing a state of denial where she proceeds to ignore the voices and ghosts, who are trying to get her to see reality where she can be aware of her husband's death and accept that he will not be returning. This then links back to the use of the prop, candles in the play where characters use candles whilst praying to ensure that their prayers are answered by God. 

 Do you still practice the religion of your youth, or have you left it behind?- It is clear that the character still practices as in the previous quote that I have mentioned regarding Dream Mother still retaining her faith when praying that Ramon will return back to reality with her. Also, as my character is still a past representative of the character, Constantia, this then links the two of their personalities together. For example, in the second scene: Absence and loss, Constantia is seen praying at the dinner table alongside her daughters and she says " Dear God, as we settle to this meal, we pray for Ramon. A good husband and father. Tend to him and comfort him. Hasten his return and give my children the strength and faith to sustain them in his absence". This quote clearly reveals that along the years, Constantia/ Dream Mother has remained faithful and used prayer to enhance the miracle of Ramon returning home safely.

  How do you handle conflict with someone else? Do you avoid fights, or are you aggressive? Or are you passive-aggressive and only give the appearance of cooperation?- As my character mainly interacts with her husband, Ramon, her emotions toward the conflict that is created between the two of them varies as she is coping with the five stages of grief and during this, she cannot accept the fact that he wants to be put to rest, which is precisely where the conflict between them begins to grow, in which Dream Mother is still respectable towards her husband, but still voices her opinions. For example, in the scene: Dream One, after Ramon expresses his intent to depart from Dream Mother and remain in the land of the dead, she responds with " no stay here. Stay with me". From the use of this short quote, it implies how assured the character is that what she thinks is best and believes that it is Ramon who is not in the right headspace to be making decisions and whilst it does not necessarily represent that the character is gradually growing frustrated at the fact that Ramon is refraining from returning home with Dream Mother, I intend on approaching this moment of the play with more of a sharp tone that reveals how the second stage of grief [ anger] is setting in along with my character's denial.

 

What is the most pressing problem you have at the moment?- My character's biggest problem at this current moment is having to cope with the loss of her husband, Ramon, as whilst in the scene: The river of death, she has accepted that he will not be returning home with her, she still says the line " my heart breaks Ramon", which conveys that she will continue to struggle mentally when coping with the fact that he will not return back to reality with her and as this is the last moment in which the audience members see Dream Mother, it could lead them to possibly wonder the outcome of this character and leads them to question if she ever actually disappears or if she returns to the land of the dead.

What was your life like when you were younger?- As Dream Mother clearly portrays the domestic duties of a woman growing up in society from when she is reliant on Ramon for most of the time that she appears onstage in certain scenes including the opening scene and Dream One, here she exemplifies how women were expected to act towards their husbands and remain respectable which is why when Ramon wants to be laid to rest, whilst my character is hesitant she refrains from causing any conflict. In scenes with Constantia and her daughters, she teaches them the domestic duties of what makes a good mother/wife, so that can prepare them for society's perspective of creating the 'perfect' woman. By doing this, it also reveals how this had been taught to her when she was of a younger age, in which she had aimed to be the 'perfect' mother/wife that she could possibly be [ due to the fact that she hadn't thought of anything else as society had inflicted this idea on women for many years].
An example of my Dream Mother's domestic duties is when she says the line " then let me hold you, tend to you, love and comfort you". This quote here conveys that my character is sticking to her domestic duty of ensuring that her family is well looked after and provided for, in the sense of comfort as well  I believe that this also links back to what Dream Mother had been taught from a young age, where she must put her family members above herself and to be compassionate when someone in her family is experiencing any pain/discomfort/emotional difficulties.

Character Biography- From researching into and creating my own perspective on the character, whilst I am aware that she is a combination of the figment of Constantia's imagination and also the past representative of what her life used to be like, Dream Mother portrays the hysterical emotions that Constantia is secretly feeling and whilst she urges for Ramon's safe return home, my character is also in despair whilst trying desperately to push reality away in a forceful manner, that is until the last scene that Dream Mother appears in, The river of Death, where she can accept that Ramon will not be returning back to reality with her and whilst she still feels grief, she is able to open her eyes to reality in confidence and allow herself to feel this pain in a healthy way. The purpose of my character's journey in the entire play is to gradually represent the five stages of grief that Constantia is suffering from as she tries to keep up with her day-to-day lifestyle and proceeds to bury her deep emotions about her husband's disappearance, there are only a few moments in which she discloses to the audience members how she is truly feeling. Dream Mother is contextually a portrayal of how women were expected to act in South America when being ruled over by the patriarchy, in which they had to tend to their domestic duties and ensure that they do not involve themselves in political issues, otherwise, they will end up with severe consequences i.e. torture/other forms of punishment/ potentially even death. From reading into the script, I have found that my character is quite younger than Constantia and this is from the description in the second scene: Absence and Loss, where Constantia and Baptista are talking about the soft skin and long flowing hair Constantia had when she was younger and what she now pictures in her dreams. 

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