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      <title>Dance Resources, Practitioners etc. by </title>
      <link>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2025-07-04 08:35:02 UTC</pubDate>
      <lastBuildDate>2026-06-30 09:02:19 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Dance Resources</title>
         <author>BSDC_DDC6</author>
         <link>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3510572869</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-07-04 08:36:54 UTC</pubDate>
         <guid>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3510572869</guid>
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      <item>
         <title>Contemporary Practitioners</title>
         <author>BSDC_DDC6</author>
         <link>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3510572995</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet.com/BSDCDDC6/contemporary-dance-practitioners-through-the-ages-tybrcfyynpnbiyfv" />
         <pubDate>2025-07-04 08:37:03 UTC</pubDate>
         <guid>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3510572995</guid>
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      <item>
         <title>Jazz Practitioners</title>
         <author>BSDC_DDC6</author>
         <link>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3510573107</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet.com/BSDCDDC6/jazz-dance-pioneers-and-practitioners-ud2z9e9v5dzpp0qd" />
         <pubDate>2025-07-04 08:37:16 UTC</pubDate>
         <guid>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3510573107</guid>
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      <item>
         <title>Commercial Evolution Timeline</title>
         <author>BSDC_DDC6</author>
         <link>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3510573202</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet.com/BSDCDDC6/street-dance-evolution-timeline-a-journey-through-urban-danc-l6ltgdr10dxzg818" />
         <pubDate>2025-07-04 08:37:26 UTC</pubDate>
         <guid>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3510573202</guid>
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      <item>
         <title>Contemporary Research Support</title>
         <author>BSDC_DDC6</author>
         <link>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3510573309</link>
         <description><![CDATA[<p><strong>📚 Books</strong></p><ol><li><p><strong><em>Staging the Ethnographic of Dance History</em></strong> – Yvonne Hardt</p></li><li><p><strong><em>Dance in Search of Its Own History</em></strong> – Explores how contemporary choreographers archive history through performance.</p></li><li><p><strong><em>The Routledge Dance Studies Reader</em></strong> – Edited by Alexandra Carter and Janet O’Shea.</p></li><li><p><strong><em>Contemporary Choreography: A Critical Reader</em></strong> – Edited by Jo Butterworth and Liesbeth Wildschut.</p></li><li><p><strong><em>The Body Eclectic: Evolving Practices in Dance Training</em></strong> – Melanie Bales and Rebecca Nettl-Fiol.</p></li><li><p><strong><em>Moving History/Dancing Cultures: A Dance History Reader</em></strong> – Edited by Ann Dils and Ann Cooper Albright.</p></li></ol><p><strong>📄 Journals &amp; Articles</strong></p><ul><li><p><strong>Dance Research Journal</strong> – Peer-reviewed journal covering contemporary dance theory and history</p><p><strong>1- </strong><a rel="noopener noreferrer nofollow" href="https://www.cambridge.org/core/journals/dance-research-journal">Dance Research Journal | Cambridge Core</a></p><p>.</p></li><li><p><strong>“Contemporary Dance on Native Land”</strong> – Alessandra Williams, <em>Dance Research Journal</em>.</p></li><li><p><strong>“Choreographing Deportation”</strong> – Juan Manuel Aldape Muñoz, <em>Dance Research Journal</em>.</p></li></ul><p><strong>🌐 Websites</strong></p><ul><li><p><a rel="noopener noreferrer nofollow" class="fui-Link ___w5et180 f2hkw1w f3rmtva f1ewtqcl fyind8e f1k6fduh f1w7gpdv f1mo0ibp fjoy568 ff5ikls f1s184ao f1mk8lai fnbmjn9 f1o700av f13mvf36 f1cmlufx f9n3di6 f1ids18y f1tx3yz7 f1deo86v f1eh06m1 f1iescvh fhgqx19 f1olyrje f1p93eir f1nev41a" href="https://www.cambridge.org/core/journals/dance-research-journal">Dance Research Journal – Cambridge Core</a></p><p><strong>1</strong></p></li><li><p><a rel="noopener noreferrer nofollow" class="fui-Link ___w5et180 f2hkw1w f3rmtva f1ewtqcl fyind8e f1k6fduh f1w7gpdv f1mo0ibp fjoy568 ff5ikls f1s184ao f1mk8lai fnbmjn9 f1o700av f13mvf36 f1cmlufx f9n3di6 f1ids18y f1tx3yz7 f1deo86v f1eh06m1 f1iescvh fhgqx19 f1olyrje f1p93eir f1nev41a" href="https://www.dancestudiesassociation.org/dance-research-journal">Dance Studies Association</a></p><p><strong>2</strong></p></li><li><p><a rel="noopener noreferrer nofollow" class="fui-Link ___w5et180 f2hkw1w f3rmtva f1ewtqcl fyind8e f1k6fduh f1w7gpdv f1mo0ibp fjoy568 ff5ikls f1s184ao f1mk8lai fnbmjn9 f1o700av f13mvf36 f1cmlufx f9n3di6 f1ids18y f1tx3yz7 f1deo86v f1eh06m1 f1iescvh fhgqx19 f1olyrje f1p93eir f1nev41a" href="https://opentextbooks.concordia.ca/oerbydiscipline2/chapter/contemporary-dance/">Concordia University OER Guide</a></p></li></ul>]]></description>
         <enclosure url="https://www.cambridge.org/core/journals/dance-research-journal" />
         <pubDate>2025-07-04 08:37:36 UTC</pubDate>
         <guid>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3510573309</guid>
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         <title>Jazz Dance</title>
         <author>BSDC_DDC6</author>
         <link>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3510573398</link>
         <description><![CDATA[<p>📚 Books</p><ul><li><p>Jazz Dance: A History of the Roots and Branches – Lindsay Guarino &amp; Wendy Oliver 3 4.</p></li><li><p>Steppin’ on the Blues – Jacqui Malone.</p></li><li><p>Dancing Many Drums – Thomas DeFrantz.</p></li><li><p>The Jazz Dance Styles and Techniques of Bob Fosse – Cheryl Mrozowski.</p></li><li><p>Jazz Dance: A Celebration of the Roots and Branches – Includes contributions from Moncell Durden.</p></li><li><p>The African Origins of Jazz Dance – Takiyah Nur Amin (chapter in Guarino &amp; Oliver).</p></li></ul><p>📄 Journals &amp; Articles</p><ul><li><p>RIPM Jazz Periodicals – Historical jazz publications archive- <a rel="noopener noreferrer nofollow" href="https://www.ebsco.com/products/research-databases/ripm-jazz-periodicals">RIPM Jazz Periodicals: Music, History, and Culture | EBSCO</a></p></li><li><p>“Jazz Dance from Emancipation to 1970” – Jill Flanders Crosby &amp; Michèle Moss.</p></li><li><p>“Jazz Dance and Racism” – Carlos Jones.</p></li></ul><p>🌐 Websites</p><ul><li><p><a rel="noopener noreferrer nofollow" href="https://academic.oup.com/florida-scholarship-online/book/15919">Oxford Academic – Florida Scholarship Online 3</a></p></li><li><p><a rel="noopener noreferrer nofollow" href="https://searchworks.stanford.edu/view/10406944">Stanford SearchWorks4</a></p></li><li><p><a rel="noopener noreferrer nofollow" href="https://danceparent101.com/jazz-dance-history-timeline-what-you-need-to-know/">Dance Parent 101 – Jazz Dance Timeline</a></p></li><li><p><a rel="noopener noreferrer nofollow" href="https://www.britannica.com/art/jazz-dance">Britannica – Jazz Dance</a></p></li><li><p><a rel="noopener noreferrer nofollow" href="https://artsintegration.com/wp-content/uploads/2015/05/History-of-Jazz.pdf">History of Jazz</a></p></li></ul>]]></description>
         <enclosure url="https://www.ebsco.com/products/research-databases/ripm-jazz-periodicals" />
         <pubDate>2025-07-04 08:37:47 UTC</pubDate>
         <guid>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3510573398</guid>
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      <item>
         <title>Commercial / Hip Hop Dance</title>
         <author>BSDC_DDC6</author>
         <link>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3510573498</link>
         <description><![CDATA[<p>📚 Books</p><ul><li><p>The Oxford Handbook of Hip Hop Dance Studies – Mary Fogarty &amp; Imani Kai Johnson.</p></li><li><p>Can't Stop, Won't Stop – Jeff Chang.</p></li><li><p>Renegade Rhythms – J. Griffith Rollefson.</p></li><li><p>Everything Remains Raw – Moncell Durden (also a documentary).</p></li><li><p>The Cambridge Companion to Hip-Hop – Includes chapters on dance.</p></li><li><p>Foundation: B-Boy Basics – Ken Swift (chapter in Oxford Handbook).</p></li></ul><p>📄 Journals &amp; Articles</p><ul><li><p><a rel="noopener noreferrer nofollow" href="https://scholarscompass.vcu.edu/jhhs/">Journal of Hip Hop Studies – Virginia Commonwealth University</a> </p></li><li><p><a rel="noopener noreferrer nofollow" href="https://www.jstor.org/stable/20063997">“Hip Hop in History: Past, Present, and Future” – JSTOR</a> </p></li><li><p>“From House Party to World Dominance” – Cassandra Chaney, JHHS.</p></li><li><p>“The Spatio-Temporality of J Dilla’s Sound Aesthetic” – Masahide T. Kato, JHHS.</p></li></ul><p>🌐 Websites</p><ul><li><p><a rel="noopener noreferrer nofollow" href="https://scholarscompass.vcu.edu/jhhs/">Journal of Hip Hop Studies | Virginia Commonwealth University</a> </p></li><li><p><a rel="noopener noreferrer nofollow" href="https://www.redbull.com/ca-en/dance-your-style-different-styles-guide">Red Bull Dance Style Guide</a></p></li><li><p><a rel="noopener noreferrer nofollow" href="https://newtypeofclass.com/hip-hop-dance-types-the-ultimate-guide-techniques-origins-video-examples/">New Type of Class – Hip Hop Styles</a></p></li><li><p><a rel="noopener noreferrer nofollow" href="https://www.slideshare.net/slideshow/street-dance-and-hiphop-dance-styles-pe/266347183">SlideShare – Street &amp; Hip Hop Styles</a></p></li><li><p><a rel="noopener noreferrer nofollow" href="https://scholar.google.com/">Google Scholar</a> – Search for academic papers on specific styles.</p></li></ul>]]></description>
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         <pubDate>2025-07-04 08:37:58 UTC</pubDate>
         <guid>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3510573498</guid>
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      <item>
         <title>Practitioners</title>
         <author>BSDC_DDC6</author>
         <link>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3510573579</link>
         <description><![CDATA[<p><strong>🔥 Breaking (B-boying/B-girling)</strong></p><p><strong>Pioneers:</strong></p><ul><li><p><strong>DJ Kool Herc</strong> – Originator of the breakbeat.</p></li><li><p><strong>Crazy Legs</strong> – Rock Steady Crew legend.</p></li><li><p><strong>Ken Swift</strong> – Innovator of foundational footwork.</p></li></ul><p><strong>Recent Practitioners:</strong></p><ul><li><p><strong>Logistx (USA)</strong> – Red Bull BC One World Champion, B-girl icon.</p></li><li><p><strong>Victor Montalvo (USA)</strong> – World champion and Olympic-level competitor.</p></li><li><p><strong>Kid Karam (UK)</strong> – Leading UK B-boy, known for power and creativity.</p></li></ul><p><br></p><p><strong>🔒 Locking</strong></p><p><strong>Pioneers:</strong></p><ul><li><p><strong>Don “Campbellock” Campbell</strong> – Creator of Locking.</p></li><li><p><strong>Toni Basil</strong> – Co-founder of The Lockers.</p></li></ul><p><strong>Recent Practitioners:</strong></p><ul><li><p><strong>Luna (France)</strong> – Red Bull Dance Your Style finalist, known for expressive locking</p></li><li><p><strong>FireLock (USA)</strong> – Modern ambassador of locking and funk styles.</p></li><li><p><strong>Locking Khan (South Korea)</strong> – International battle winner and teacher.</p></li></ul><p><br></p><p><strong>⚡ Popping</strong></p><p><strong>Pioneers:</strong></p><ul><li><p><strong>Boogaloo Sam</strong> – Creator of Popping.</p></li><li><p><strong>Popin’ Pete</strong> – Electric Boogaloos member.</p></li></ul><p><strong>Recent Practitioners:</strong></p><ul><li><p><strong>Dassy (South Korea/USA)</strong> – Known from <em>So You Think You Can Dance</em>.</p></li><li><p><strong>Greenteck (Canada)</strong> – Champion popper with a unique style.</p></li><li><p><strong>Nelson (France)</strong> – Renowned for musicality and battle wins.</p></li></ul><p><br></p><p><strong>🏠 House Dance</strong></p><p><strong>Pioneers:</strong></p><ul><li><p><strong>Marjory Smarth</strong> – NYC house dance legend.</p></li><li><p><strong>Ejoe Wilson</strong> – Known for groove and footwork.</p></li></ul><p><strong>Recent Practitioners:</strong></p><ul><li><p><strong>Frankie J (UK)</strong> – House dancer and educator.</p></li><li><p><strong>Toyin (USA)</strong> – Known for Afro-house fusion and battle presence.</p></li><li><p><strong>Hurrikane (USA)</strong> – House and hip hop fusion dancer.</p></li></ul><p><br></p><p><strong>💃 Waacking</strong></p><p><strong>Pioneers:</strong></p><ul><li><p><strong>Tyrone Proctor</strong> – Soul Train dancer and waacking pioneer.</p></li><li><p><strong>Punkin’</strong> – Original waacker.</p></li></ul><p><strong>Recent Practitioners:</strong></p><ul><li><p><strong>Princess Lockeroo (USA)</strong> – Global educator and performer.</p></li><li><p><strong>Lip J (South Korea)</strong> – Known for sharp technique and battles.</p></li><li><p><strong>Waackeisha (Canada)</strong> – Prominent in the international waacking scene.</p></li></ul><p><br></p><p><strong>🪞 Voguing</strong></p><p><strong>Pioneers:</strong></p><ul><li><p><strong>Willi Ninja</strong> – “Godfather of Voguing.”</p></li><li><p><strong>Jose Xtravaganza</strong> – Madonna’s choreographer.</p></li></ul><p><strong>Recent Practitioners:</strong></p><ul><li><p><strong>Leiomy Maldonado (USA)</strong> – Vogue Femme icon and <em>Legendary</em> judge.</p></li><li><p><strong>Dashaun Wesley (USA)</strong> – Host of <em>Legendary</em>, House of Lanvin.</p></li><li><p><strong>Honey Balenciaga (USA)</strong> – Rising star in ballroom and fashion.</p></li></ul><p><br></p><p><strong>⚡ Krumping</strong></p><p><strong>Pioneers:</strong></p><ul><li><p><strong>Tight Eyez</strong> – Co-founder of Krump.</p></li><li><p><strong>Big Mijo</strong> – Co-founder and innovator.</p></li></ul><p><strong>Recent Practitioners:</strong></p><ul><li><p><strong>Outrage (UK)</strong> – Leading UK krumper and battle organiser.</p></li><li><p><strong>Konkrete (USA)</strong> – Known for storytelling and intensity.</p></li><li><p><strong>Baby Tight Eyez (USA)</strong> – Next-gen krump leader.</p></li></ul><p><br></p><p><strong>🕶️ Old School Hip Hop</strong></p><p><strong>Pioneers:</strong></p><ul><li><p><strong>Boogaloo Shrimp</strong> – Star of <em>Breakin’</em>.</p></li><li><p><strong>Mr. Wiggles</strong> – Bridged popping and hip hop freestyle.</p></li></ul><p><strong>Recent Practitioners:</strong></p><ul><li><p><strong>Salah (France)</strong> – Known for mixing old school with animation.</p></li><li><p><strong>Poppin John (USA)</strong> – YouTube educator and performer.</p></li><li><p><strong>Buddha Stretch (USA)</strong> – Innovator of freestyle hip hop.</p></li></ul><p><br></p><p><strong>🧢 New School Hip Hop</strong></p><p><strong>Pioneers:</strong></p><ul><li><p><strong>Elite Force Crew</strong> – Defined freestyle hip hop in the 90s.</p></li></ul><p><strong>Recent Practitioners:</strong></p><ul><li><p><strong>Les Twins (France)</strong> – Global icons of freestyle and musicality.</p></li><li><p><strong>Keone &amp; Mari Madrid (USA)</strong> – Choreographers blending hip hop and storytelling.</p></li><li><p><strong>Ayo &amp; Teo (USA)</strong> – Viral dancers blending hip hop and litefeet.</p></li></ul><p><br></p><p><strong>🕺 Litefeet</strong></p><p><strong>Pioneers:</strong></p><ul><li><p><strong>Chrybaby Cozie</strong> – Founder of Litefeet Nation.</p></li><li><p><strong>Kid The Wiz</strong> – Known for hat tricks and subway fame.</p></li></ul><p><strong>Recent Practitioners:</strong></p><ul><li><p><strong>Goofy (USA)</strong> – Litefeet innovator.</p></li><li><p><strong>King Charles (USA)</strong> – Educator and battle dancer.</p></li><li><p><strong>Kidd Patt (UK)</strong> – Emerging UK litefeet dancer and teacher.</p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2025-07-04 08:38:08 UTC</pubDate>
         <guid>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3510573579</guid>
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      <item>
         <title>Parris Goebel</title>
         <author>BSDC_DDC6</author>
         <link>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3968584005</link>
         <description><![CDATA[<p>🌟 Key Works (Choreography Highlights)</p><p>Parris Goebel is best known for blending street dance with strong visual storytelling in commercial dance.</p><p>🎵 Major Music Videos</p><ul><li><p><strong>“Sorry” – Justin Bieber (2015)</strong></p><ul><li><p>Breakthrough global success using her dance crew ReQuest</p></li><li><p>Bright visuals + synchronised group choreography</p></li></ul></li><li><p><strong>“Company” – Justin Bieber (2016)</strong></p><ul><li><p>More intimate, groove-based movement</p></li><li><p>Focus on personality and performance quality</p></li></ul></li><li><p><strong>“Run the World (Girls)” – live choreography influence / style references</strong></p><ul><li><p>Not original choreographer, but her style aligns with powerful female ensemble work</p></li></ul></li><li><p><strong>“Swalla” – Jason Derulo (2017)</strong></p><ul><li><p>Combines commercial hip-hop with attitude-driven performance</p></li></ul></li></ul><p>🎤 Live Performances &amp; Tours</p><ul><li><p>Justin Bieber Purpose World Tour</p></li><li><p>Rihanna (Savage x Fenty show choreography influence)</p></li><li><p>Jennifer Lopez performances</p></li></ul><p>🎬 Film</p><ul><li><p><strong>“Born to Dance” (2015)</strong></p><ul><li><p>Goebel choreographed and acted</p></li><li><p>Showcases urban dance crew culture</p></li></ul></li></ul><p>💥 Key Features of Her Choreographic Style</p><p>1. 🔥 Strong Commercial Hip-Hop Foundation</p><ul><li><p>Rooted in <strong>hip-hop, dancehall, and urban styles</strong></p></li><li><p>Designed to be:</p><ul><li><p>visually impactful</p></li><li><p>accessible to wide audiences</p></li></ul></li></ul><p>2. 👯‍♀️ Precision and Synchronisation</p><ul><li><p>Tight, unified group work is a signature</p></li><li><p>Dancers move as one:</p><ul><li><p>clean lines</p></li><li><p>exact timing</p></li></ul></li><li><p>Creates a <strong>powerful visual effect</strong>, especially on camera</p></li></ul><p>3. 😎 Performance &amp; Attitude (Not Just Steps)</p><ul><li><p>Emphasis on:</p><ul><li><p>facial expression</p></li><li><p>confidence</p></li><li><p>“swagger”</p></li></ul></li><li><p>Dancers are performers, not just technicians</p></li></ul><p>👉 Often described as “<strong>full-out performance energy</strong>”</p><p>4. 🎶 Musicality</p><ul><li><p>Movement closely matches:</p><ul><li><p>beats</p></li><li><p>lyrics</p></li><li><p>accents in the music</p></li></ul></li><li><p>Includes:</p><ul><li><p>sharp hits</p></li><li><p>groove-based sections</p></li></ul></li></ul><p>5. 💃 Strong Use of Feminine Energy</p><ul><li><p>Celebrates:</p><ul><li><p>confidence</p></li><li><p>empowerment</p></li><li><p>individuality</p></li></ul></li><li><p>Especially visible in:</p><ul><li><p>“Sorry”</p></li><li><p>all-female dance crews</p></li></ul></li></ul><p>6. 🧍 Formation and Visual Design</p><ul><li><p>Clever use of:</p><ul><li><p>levels (floor vs standing)</p></li><li><p>spacing</p></li><li><p>formations</p></li></ul></li></ul><p>Creates:</p><ul><li><p>dynamic stage pictures</p></li><li><p>camera-friendly choreography</p></li></ul><p>7. 🔄 Repetition and Catchy Movement</p><ul><li><p>Uses repeated motifs so choreography is:</p><ul><li><p>memorable</p></li><li><p>shareable (important for social media + music videos)</p></li></ul></li></ul><p>8. 🌍 Fusion of Styles</p><ul><li><p>Blends:</p><ul><li><p>hip-hop</p></li><li><p>dancehall</p></li><li><p>street jazz</p></li><li><p>commercial dance</p></li></ul></li></ul><p>Gives her work a <strong>distinct, global appeal</strong></p><p>✏️ Quick Summary (for revision)</p><p><strong>Parris Goebel’s style =</strong></p><blockquote><p><em>Commercial hip-hop choreography characterised by precision, strong performance quality, musicality, and bold, confident group work.</em></p></blockquote>]]></description>
         <enclosure url="" />
         <pubDate>2026-06-30 08:57:04 UTC</pubDate>
         <guid>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3968584005</guid>
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      <item>
         <title>Brian Freidman</title>
         <author>BSDC_DDC6</author>
         <link>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3968585279</link>
         <description><![CDATA[<p>🌟 Key Works (Choreography Highlights)</p><p>Brian Friedman is known for bold, theatrical commercial choreography with a strong emphasis on performance.</p><p>🎵 Major Music Videos</p><ul><li><p><strong>“Toxic” – Britney Spears (2004)</strong></p><ul><li><p>Iconic, stylised choreography with sharp dynamics</p></li><li><p>Combines sensuality with precision</p></li></ul></li><li><p><strong>“Slave 4 U” – Britney Spears (Live/performances)</strong></p><ul><li><p>Highly physical, controlled and expressive style</p></li></ul></li><li><p><strong>“Fighter” – Christina Aguilera (Live performances)</strong></p><ul><li><p>Strong character-driven choreography</p></li></ul></li><li><p><strong>“Buttons” – Pussycat Dolls (live/TV work)</strong></p><ul><li><p>Fusion of jazz, burlesque, and commercial dance</p></li></ul></li></ul><p>📺 TV &amp; Commercial Work</p><ul><li><p><strong>X Factor (UK &amp; USA)</strong> – creative director and choreographer</p></li><li><p><strong>So You Think You Can Dance</strong> – guest choreographer</p></li><li><p><strong>Britain’s Got Talent</strong> – staging and performance work</p></li></ul><p>🎤 Tours &amp; Artists</p><ul><li><p>Britney Spears (extensive collaboration)</p></li><li><p>Beyoncé (early work)</p></li><li><p>Mariah Carey</p></li><li><p>Cher</p></li></ul><p>💥 Key Features of His Choreographic Style</p><p>1. 🎭 Theatrical &amp; Dramatic Style</p><ul><li><p>Strong influence from:</p><ul><li><p>jazz dance</p></li><li><p>musical theatre</p></li></ul></li><li><p>Focus on:</p><ul><li><p>storytelling</p></li><li><p>dramatic intention</p></li></ul></li></ul><p>👉 Movements often feel <strong>larger-than-life and expressive</strong></p><p>2. 🔥 Performance Quality &amp; Characterisation</p><ul><li><p>Dancers must:</p><ul><li><p>fully “embody” a role</p></li><li><p>perform with intention</p></li></ul></li><li><p>Emphasis on:</p><ul><li><p>emotion</p></li><li><p>attitude</p></li><li><p>facial expression</p></li></ul></li></ul><p>👉 Not just dancing — <strong>acting through movement</strong></p><p>3. ⚡ Sharp Dynamics &amp; Contrasts</p><ul><li><p>Frequent use of:</p><ul><li><p>fast vs slow</p></li><li><p>sharp vs fluid</p></li></ul></li><li><p>Strong accents in movement</p></li></ul><p>Creates:</p><ul><li><p>dramatic impact</p></li><li><p>high visual interest</p></li></ul><p>4. 💪 Technical Precision</p><ul><li><p>Requires:</p><ul><li><p>strong technique</p></li><li><p>control</p></li><li><p>clean execution</p></li></ul></li><li><p>Especially influenced by:</p><ul><li><p>jazz technique</p></li><li><p>lines and shapes</p></li></ul></li></ul><p>5. 💃 Stylised, Sensual Movement</p><ul><li><p>Incorporates:</p><ul><li><p>body isolations</p></li><li><p>fluid torso work</p></li><li><p>controlled, sensual movements</p></li></ul></li></ul><p>Often seen in:</p><ul><li><p>Britney Spears choreography</p></li></ul><p>6. 🧍‍♂️ Use of Shape &amp; Line</p><ul><li><p>Strong emphasis on:</p><ul><li><p>body angles</p></li><li><p>extensions</p></li><li><p>silhouettes</p></li></ul></li></ul><p>Creates:</p><ul><li><p>visually striking stage pictures</p></li></ul><p>7. 🎶 Musicality &amp; Interpretation</p><ul><li><p>Choreography closely follows:</p><ul><li><p>lyrics</p></li><li><p>mood</p></li><li><p>instrumentation</p></li></ul></li><li><p>Often interprets <strong>meaning of the song</strong>, not just the beat</p></li></ul><p>8. 🔄 Combination of Styles</p><ul><li><p>Fusion of:</p><ul><li><p>jazz</p></li><li><p>commercial dance</p></li><li><p>street elements</p></li><li><p>contemporary influences</p></li></ul></li></ul><p>👉 Gives his work a <strong>versatile and distinctive commercial feel</strong></p><p>✏️ Quick Summary (for revision)</p><p><strong>Brian Friedman’s style =</strong></p><blockquote><p><em>Theatrical commercial choreography that combines strong jazz technique, dynamic contrasts, and expressive performance to create bold, character-driven work.</em></p></blockquote>]]></description>
         <enclosure url="" />
         <pubDate>2026-06-30 08:58:33 UTC</pubDate>
         <guid>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3968585279</guid>
      </item>
      <item>
         <title>Diversity</title>
         <author>BSDC_DDC6</author>
         <link>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3968586301</link>
         <description><![CDATA[<p>🌟 Key Works (Choreography Highlights)</p><p>Diversity are known for storytelling through street dance and theatrical group performances.</p><p>📺 Major Performances</p><ul><li><p><strong>Britain’s Got Talent (2009 – Winning Performance)</strong></p><ul><li><p>Their most famous routine</p></li><li><p>Featured storytelling using different dance styles and formations</p></li></ul></li><li><p><strong>BGT Return Performance (2020)</strong></p><ul><li><p>Powerful, narrative-driven piece addressing social issues</p></li><li><p>Combined dance with spoken word and symbolism</p></li></ul></li></ul><p>🎤 Tours &amp; Stage Shows</p><ul><li><p><strong>“Born Ready” Tour (2013–2018)</strong></p></li><li><p><strong>“Connected” Tour (2021)</strong></p></li><li><p><strong>“Supernova” Tour (2023 onwards)</strong></p></li></ul><p>👉 These shows mix:</p><ul><li><p>dance</p></li><li><p>technology</p></li><li><p>narrative themes</p></li></ul><p>📺 Other Work</p><ul><li><p>TV performances (e.g. <em>Got to Dance</em>, <em>Strictly Come Dancing</em>)</p></li><li><p>Collaborations with brands and live events</p></li></ul><p>💥 Key Features of Their Choreographic Style</p><p>1. 🎭 Storytelling &amp; Narrative</p><ul><li><p>A defining feature of Diversity</p></li><li><p>Each routine often tells a clear story or theme</p></li></ul><p>Examples:</p><ul><li><p>Life journey</p></li><li><p>Society and culture</p></li><li><p>Unity and identity</p></li></ul><p>👉 Dance is used as a <strong>communication tool</strong></p><p>2. 👥 Group Synchronisation &amp; Formations</p><ul><li><p>Strong emphasis on:</p><ul><li><p>tight unison</p></li><li><p>intricate formations</p></li></ul></li><li><p>Frequent changes in:</p><ul><li><p>spacing</p></li><li><p>levels</p></li><li><p>group shapes</p></li></ul></li></ul><p>Creates:</p><ul><li><p>visually engaging routines</p></li><li><p>dynamic stage pictures</p></li></ul><p>3. 🔄 Variety of Styles (Fusion)</p><ul><li><p>Blend of:</p><ul><li><p>hip-hop</p></li><li><p>popping</p></li><li><p>locking</p></li><li><p>contemporary</p></li><li><p>breaking</p></li></ul></li></ul><p>👉 Makes their work <strong>versatile and unpredictable</strong></p><p>4. ⚡ Use of Tricks &amp; Visual Effects</p><ul><li><p>Incorporation of:</p><ul><li><p>lifts</p></li><li><p>freezes</p></li><li><p>acrobatics</p></li><li><p>illusions</p></li></ul></li></ul><p>Creates:</p><ul><li><p>“wow moments” for the audience</p></li></ul><p>5. 🎶 Musicality &amp; Sound Effects</p><ul><li><p>Strong connection to:</p><ul><li><p>beats</p></li><li><p>sound effects</p></li></ul></li><li><p>Often choreograph to:</p><ul><li><p>specific sound cues</p></li><li><p>spoken word</p></li></ul></li></ul><p>👉 Enhances storytelling and impact</p><p>6. 🧍 Levels and Transitions</p><ul><li><p>Constant use of:</p><ul><li><p>floor work</p></li><li><p>jumps</p></li><li><p>standing sections</p></li></ul></li></ul><p>Transitions are:</p><ul><li><p>smooth</p></li><li><p>creative</p></li></ul><p>7. 💡 Use of Props &amp; Staging</p><ul><li><p>Occasionally use:</p><ul><li><p>props</p></li><li><p>lighting</p></li><li><p>stage effects</p></li></ul></li></ul><p>👉 Helps build narrative and atmosphere</p><p>8. 🔥 Energy &amp; Audience Engagement</p><ul><li><p>High-energy performances</p></li><li><p>Designed to:</p><ul><li><p>entertain</p></li><li><p>surprise</p></li><li><p>emotionally connect</p></li></ul></li></ul><p>✏️ Quick Summary (for revision)</p><p><strong>Diversity’s style =</strong></p><blockquote><p><em>A fusion of street dance styles combined with storytelling, sharp group synchronisation, and creative staging to produce theatrical and visually impactful performances.</em></p></blockquote>]]></description>
         <enclosure url="" />
         <pubDate>2026-06-30 09:00:01 UTC</pubDate>
         <guid>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3968586301</guid>
      </item>
      <item>
         <title>Michael Jackson</title>
         <author>BSDC_DDC6</author>
         <link>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3968587004</link>
         <description><![CDATA[<p>🌟 Key Works (Choreography Highlights)</p><p>Michael Jackson revolutionised dance in music performance, blending street, pop, and theatrical styles.</p><p>🎵 Iconic Music Videos</p><ul><li><p><strong>“Thriller” (1983)</strong></p><ul><li><p>Choreographed with Michael Peters</p></li><li><p>Famous group zombie routine</p></li><li><p>Strong storytelling + cinematic dance</p></li></ul></li><li><p><strong>“Billie Jean” (1983 live performances)</strong></p><ul><li><p>Introduced the <strong>moonwalk</strong></p></li><li><p>Minimal but highly impactful solos</p></li></ul></li><li><p><strong>“Beat It” (1983)</strong></p><ul><li><p>Gang-style choreography</p></li><li><p>Fusion of jazz and street dance</p></li></ul></li><li><p><strong>“Smooth Criminal” (1988)</strong></p><ul><li><p>Iconic <strong>anti-gravity lean</strong></p></li><li><p>Sharp, stylised ensemble work</p></li></ul></li></ul><p>🎤 Live Performances</p><ul><li><p>Motown 25 (1983) – first moonwalk performance</p></li><li><p>Dangerous World Tour (1992–93)</p></li><li><p>HIStory World Tour (1996–97)</p></li></ul><p>💥 Key Features of His Choreographic Style</p><p>1. ⚡ Iconic Signature Moves</p><ul><li><p>Instantly recognisable movements:</p><ul><li><p>moonwalk</p></li><li><p>toe stand</p></li><li><p>spins</p></li><li><p>isolations</p></li></ul></li></ul><p>👉 Made dance moves part of <strong>global popular culture</strong></p><p>2. 🎶 Exceptional Musicality</p><ul><li><p>Deep connection to:</p><ul><li><p>rhythm</p></li><li><p>lyrics</p></li><li><p>instrumentation</p></li></ul></li><li><p>Movements precisely match subtle sounds</p></li></ul><p>👉 Often dances to <strong>every beat and accent</strong></p><p>3. 💥 Isolation and Control</p><ul><li><p>Mastery of:</p><ul><li><p>isolating body parts (e.g. shoulders, chest)</p></li></ul></li><li><p>Extremely precise and controlled movement</p></li></ul><p>Creates:</p><ul><li><p>a smooth, almost robotic effect</p></li></ul><p>4. 🎭 Storytelling &amp; Character</p><ul><li><p>Dance used to express:</p><ul><li><p>narrative</p></li><li><p>emotion</p></li><li><p>character</p></li></ul></li></ul><p>Seen clearly in:</p><ul><li><p>“Thriller” (horror theme)</p></li><li><p>“Smooth Criminal” (gangster persona)</p></li></ul><p>5. 🔄 Fusion of Styles</p><ul><li><p>Blends:</p><ul><li><p>jazz</p></li><li><p>street dance</p></li><li><p>popping &amp; locking</p></li><li><p>funk</p></li></ul></li></ul><p>👉 Created a <strong>unique hybrid style</strong></p><p>6. ⚖️ Contrast in Dynamics</p><ul><li><p>Combines:</p><ul><li><p>sharp, fast movements</p></li><li><p>smooth, fluid transitions</p></li></ul></li></ul><p>👉 Keeps performances visually engaging</p><p>7. 🧍 Minimalism vs Ensemble Work</p><ul><li><p>Could perform:</p><ul><li><p><strong>solo with minimal movement</strong> (e.g. Billie Jean)</p></li><li><p>or <strong>large group routines</strong> (e.g. Thriller)</p></li></ul></li></ul><p>👉 Both equally powerful</p><p>8. 👔 Use of Costume &amp; Visual Identity</p><ul><li><p>Costume enhances choreography:</p><ul><li><p>fedora hat</p></li><li><p>glove</p></li><li><p>sharp suits</p></li></ul></li></ul><p>👉 Movements designed to work with costume (e.g. hat tricks)</p><p>✏️ Quick Summary (for revision)</p><p><strong>Michael Jackson’s style =</strong></p><blockquote><p><em>A groundbreaking fusion of street and jazz dance characterised by precision, musicality, iconic signature moves, and powerful storytelling.</em></p></blockquote>]]></description>
         <enclosure url="" />
         <pubDate>2026-06-30 09:00:55 UTC</pubDate>
         <guid>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3968587004</guid>
      </item>
      <item>
         <title>Michael Jackson</title>
         <author>BSDC_DDC6</author>
         <link>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3968588430</link>
         <description><![CDATA[<p>🌟 Key Works (Choreography Highlights)</p><p>Michael Jackson revolutionised dance in music performance, blending street, pop, and theatrical styles.</p><p>🎵 Iconic Music Videos</p><ul><li><p><strong>“Thriller” (1983)</strong></p><ul><li><p>Choreographed with Michael Peters</p></li><li><p>Famous group zombie routine</p></li><li><p>Strong storytelling + cinematic dance</p></li></ul></li><li><p><strong>“Billie Jean” (1983 live performances)</strong></p><ul><li><p>Introduced the <strong>moonwalk</strong></p></li><li><p>Minimal but highly impactful solos</p></li></ul></li><li><p><strong>“Beat It” (1983)</strong></p><ul><li><p>Gang-style choreography</p></li><li><p>Fusion of jazz and street dance</p></li></ul></li><li><p><strong>“Smooth Criminal” (1988)</strong></p><ul><li><p>Iconic <strong>anti-gravity lean</strong></p></li><li><p>Sharp, stylised ensemble work</p></li></ul></li></ul><p>🎤 Live Performances</p><ul><li><p>Motown 25 (1983) – first moonwalk performance</p></li><li><p>Dangerous World Tour (1992–93)</p></li><li><p>HIStory World Tour (1996–97)</p></li></ul><p>💥 Key Features of His Choreographic Style</p><p>1. ⚡ Iconic Signature Moves</p><ul><li><p>Instantly recognisable movements:</p><ul><li><p>moonwalk</p></li><li><p>toe stand</p></li><li><p>spins</p></li><li><p>isolations</p></li></ul></li></ul><p>👉 Made dance moves part of <strong>global popular culture</strong></p><p>2. 🎶 Exceptional Musicality</p><ul><li><p>Deep connection to:</p><ul><li><p>rhythm</p></li><li><p>lyrics</p></li><li><p>instrumentation</p></li></ul></li><li><p>Movements precisely match subtle sounds</p></li></ul><p>👉 Often dances to <strong>every beat and accent</strong></p><p>3. 💥 Isolation and Control</p><ul><li><p>Mastery of:</p><ul><li><p>isolating body parts (e.g. shoulders, chest)</p></li></ul></li><li><p>Extremely precise and controlled movement</p></li></ul><p>Creates:</p><ul><li><p>a smooth, almost robotic effect</p></li></ul><p>4. 🎭 Storytelling &amp; Character</p><ul><li><p>Dance used to express:</p><ul><li><p>narrative</p></li><li><p>emotion</p></li><li><p>character</p></li></ul></li></ul><p>Seen clearly in:</p><ul><li><p>“Thriller” (horror theme)</p></li><li><p>“Smooth Criminal” (gangster persona)</p></li></ul><p>5. 🔄 Fusion of Styles</p><ul><li><p>Blends:</p><ul><li><p>jazz</p></li><li><p>street dance</p></li><li><p>popping &amp; locking</p></li><li><p>funk</p></li></ul></li></ul><p>👉 Created a <strong>unique hybrid style</strong></p><p>6. ⚖️ Contrast in Dynamics</p><ul><li><p>Combines:</p><ul><li><p>sharp, fast movements</p></li><li><p>smooth, fluid transitions</p></li></ul></li></ul><p>👉 Keeps performances visually engaging</p><p>7. 🧍 Minimalism vs Ensemble Work</p><ul><li><p>Could perform:</p><ul><li><p><strong>solo with minimal movement</strong> (e.g. Billie Jean)</p></li><li><p>or <strong>large group routines</strong> (e.g. Thriller)</p></li></ul></li></ul><p>👉 Both equally powerful</p><p>8. 👔 Use of Costume &amp; Visual Identity</p><ul><li><p>Costume enhances choreography:</p><ul><li><p>fedora hat</p></li><li><p>glove</p></li><li><p>sharp suits</p></li></ul></li></ul><p>👉 Movements designed to work with costume (e.g. hat tricks)</p><p>✏️ Quick Summary (for revision)</p><p><strong>Michael Jackson’s style =</strong></p><blockquote><p><em>A groundbreaking fusion of street and jazz dance characterised by precision, musicality, iconic signature moves, and powerful storytelling.</em></p></blockquote>]]></description>
         <enclosure url="" />
         <pubDate>2026-06-30 09:02:37 UTC</pubDate>
         <guid>https://padlet.com/BSDCDDC6/2fazvkqthio7c1i4/wish/3968588430</guid>
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