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      <pubDate>2020-05-08 17:35:17 UTC</pubDate>
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         <title>How the novel encompasses the genre of postmodernism </title>
         <author>masegomaphunye</author>
         <link>https://padlet.com/masegomaphunye/Bookmarks/wish/2249651172</link>
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         <pubDate>2022-07-26 02:59:18 UTC</pubDate>
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         <title></title>
         <author>masegomaphunye</author>
         <link>https://padlet.com/masegomaphunye/Bookmarks/wish/2249654018</link>
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         <pubDate>2022-07-26 03:01:35 UTC</pubDate>
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         <title>Postmodernism is a movement characterized by broad skepticism, subjectivism or relativism. It is a general suspicion of reason and an acute sensitivity to the role ideology in asserting and maintaining political and economic power.</title>
         <author>masegomaphunye</author>
         <link>https://padlet.com/masegomaphunye/Bookmarks/wish/2249669742</link>
         <description><![CDATA[<div><br><strong>Three main concepts of postmodernism&nbsp;<br>1. Intertextuality -&nbsp;</strong>The play&nbsp;<em>Hamlet&nbsp;</em>is mentioned once near the&nbsp; beginning of the novel when Pall Marshall mentions that he watched the play while he was visiting London. Marshall and Lola then go to quote the play's most notorious line "To be or not to be".&nbsp;<br>Mentioning&nbsp;<em>Hamlet&nbsp;</em>introduces the idea of identifying parallel sequences of events between&nbsp;<em>Atonement </em>and<em> Hamlet.&nbsp;<br><br></em><strong>2. Self- reecivity -&nbsp;</strong><em>Atonement&nbsp;</em>follows in the literary tradition of the self reflective novel or novel about its own writing. Within the narrative of&nbsp;<em>Atonement,&nbsp;</em>it is revealed that the novel in the reader's hands is a product of Briony's guilt over having ruined her sister's romance. <br><br><strong>3. Unreliable narration-&nbsp;</strong>Briony who is still a child, narrates parts of the novel but her narration is questioned for she might not be truthful or honest. Her being unreliable much to the novel and affects the fates of her sister Cecilia and the latter's lover, Robbie. </div>]]></description>
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         <pubDate>2022-07-26 03:29:15 UTC</pubDate>
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         <title>Atonement as a work of metafiction</title>
         <author>masegomaphunye</author>
         <link>https://padlet.com/masegomaphunye/Bookmarks/wish/2249693771</link>
         <description><![CDATA[<div><strong>*</strong>The onmiscent narrator combined with the general plot of her novel might indicate that Briony's actions, her testimony could be stated to have changed the lives of her characters, this making her power status that of a writer controlling her fictional world or even that of a "unique" got in charge of its creation.&nbsp;<br><br><strong>Three types of metafiction from the novel<br>1. Self reflexive</strong> - Atonement follows in the literary tradition of the self reflective novel or novel about its own writing. Within the narrative of the novel, it is revealed that the novel is the product of Briony's guilt over having ruined her sister's romance. <strong><br>2. Beaking the fourth wall- </strong>We get the epilogue which acts as a huge betrayal of the reader. We discover that it is actually a novel within a novel, that it's the umpteenth redraft of an account by Briony and is probably entirely fictional. This is where logic starts to tie us in knots. Of course it is fictional but there's an unspoken contract between author and reader that everything in a work of fiction is "true" in that time/ place reserved for fiction. What happens here is the book equivalent of breaking the fourth wall. <strong><br>3. Experimental- </strong>In the novel, McEwan narrates from a variety of points of view in order to create an artificial reality for the reader. But the technique is used much better than in its traditional sense. The different perspectives are connected with the novel's unique structure which is a combination of three discrete parts and an epilogue.&nbsp;</div>]]></description>
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         <pubDate>2022-07-26 04:12:14 UTC</pubDate>
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