<?xml version="1.0"?>
<rss version="2.0">
   <channel>
      <title>ANM110 Project 1: MadHouse Studio by Lucas Fernandes Telatim</title>
      <link>https://padlet.com/1033616_1/292tfp6cphz8xobh</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2024-06-17 23:20:23 UTC</pubDate>
      <lastBuildDate>2024-06-18 12:29:26 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
      <image>
         <url></url>
      </image>
      <item>
         <title>Barefoot Gen (1983)</title>
         <author>1033616_1</author>
         <link>https://padlet.com/1033616_1/292tfp6cphz8xobh/wish/3030372819</link>
         <description><![CDATA[<p>"Barefoot Gen" is a movie based on a manga of the same name written by Keiji Nakazawa, with animation directed by Mori Masaki and released in 1983. The movie is an adaptation of Nakazawa's autobiography, depicting his experiences of the horrors of the nuclear bomb dropped on Hiroshima (Nakazawa, 1972/2023). The animation begins softly with beautiful and simple hand-drawn characters, reminiscent of the Ghibli studio art style of that time. However, when the bomb explodes in the city, the art shifts to express the gruesome aftermath of the nuclear explosion. The art style remains faithful to the manga series, effectively conveying the characters' emotions. The three-minute animation sequence following the bomb's impact gained fame for its vivid and unsettling portrayal, deliberately crafted by both the director and the author to shock viewers with the horrors of war. Nakazawa also penned a book titled "I Saw It," recounting the same history he witnessed firsthand (Nakazawa, 1972/2023). "Barefoot Gen" was significant not only for the animation industry, receiving five awards including The Noburou Oofuji Award at the 38th, but also for its portrayal of the devastating effects of war. The movie illustrates the immense suffering of the Japanese people, both before and after the bomb.</p>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2540585034/32320e121d3ed81905ff6368cf37941b/BarefootGen1983NuclearbombsceneHD_ezgif_com_resize.gif" />
         <pubDate>2024-06-17 23:26:46 UTC</pubDate>
         <guid>https://padlet.com/1033616_1/292tfp6cphz8xobh/wish/3030372819</guid>
      </item>
      <item>
         <title>Perfect Blue (1997)</title>
         <author>1033616_1</author>
         <link>https://padlet.com/1033616_1/292tfp6cphz8xobh/wish/3030374923</link>
         <description><![CDATA[<p>"Perfect Blue," a psychological thriller film directed by Satoshi Kon and released in 1997, is based on a novel titled "Perfect Blue: Complete Metamorphosis." At its core, the movie delves into the story of an ex-J-pop idol's transition into acting, exploring how her decision triggers unpleasant reactions from her fandom and sets off a chain of disturbing events as she navigates the world of acting. The narrative serves as a stark critique of the entertainment industry, highlighting the consequences of obsession and the toll it takes on mental health.</p><p>Satoshi employs various techniques to immerse the audience in the protagonist Mima's deteriorating psychological state. One such technique is the use of colour theory, as the predominant blue theme gradually shifts to red throughout the movie, evoking feelings of anger and fear (Benchafi, 2023). Additionally, Kon utilises blocking and overlaying different scenes within the same frame to create a sense of hallucination and confusion experienced by the protagonist (Benchafi, 2023).</p><p>The film received acclaim both nationally and internationally, earning nine awards and establishing itself as one of the premier works in its genre. Its impact extended beyond animation, influencing live-action films such as "Black Swan" (Aronofsky, 2010). However, controversy arose when Kon accused another director of plagiarising his work in "Requiem for a Dream" by Darren Aronofsky (Obsessive, 21 C.E.).</p><p>Through "Perfect Blue," Kon masterfully follows the original idea of the light novel (Takeuchi, 2018) creating a visually stunning hand-drawn animation that not only captivates audiences but also prompts profound introspection into the human psyche.</p><p><br/></p><p><br/></p>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2540585034/cd4530a1003c0214530f6ed0bf4714a0/ThisMovieWillChangeYou_PerfectBlue_ezgif_com_video_to_gif_converter.gif" />
         <pubDate>2024-06-17 23:30:09 UTC</pubDate>
         <guid>https://padlet.com/1033616_1/292tfp6cphz8xobh/wish/3030374923</guid>
      </item>
      <item>
         <title>Millennium Actress (2001)</title>
         <author>1033616_1</author>
         <link>https://padlet.com/1033616_1/292tfp6cphz8xobh/wish/3030375832</link>
         <description><![CDATA[<p>"Millennium Actress," directed by Satoshi Kon, was released in 2001, following his previous work, "Perfect Blue." While "Perfect Blue" focused on depicting the protagonist's psychosis and hallucinations, "Millennium Actress" takes a different narrative approach, telling the story of a renowned actress named Tachibana and her life journey.</p><p>The film transports the audience through various time periods, showcasing Tachibana's performances in different settings. Satoshi Kon utilises this plot device to explore the intricate details of each era through artistic expression. Employing techniques such as cel layers for background and scene elements, the animation team painstakingly integrates hand-drawn cells to create vividly detailed scenes with vibrant colours.</p><p>One notable aspect of the animation process involves the depiction of a running scene featuring Chiyoko. The team used real-life footage of a woman running as a reference, adding further realism and detail to the animation. This innovative approach yielded remarkable results, as evidenced in the final scene. “The result is shown in the scene where Chiyoko runs to a station. We can see that. They don’t usually check how they run. They draw from their drawing experiences. I had never tried that before. To see a girl running…and to see that image we learned something new” (Maagdnmornr, 2020; The Making Of Millennium Actress (English + French Sub)).</p><p>"Millennium Actress" garnered acclaim worldwide, earning 11 awards (<a rel="noopener noreferrer nofollow" href="http://Madhouse.co.jp">Madhouse.co.jp</a>, n.d.). Its international appeal was a deliberate strategy, especially given the simultaneous release of "Spirited Away" by Hayao Miyazaki, which dominated the Japanese market. As a result, the studio actively participated in numerous international film festivals, securing several accolades along the way.</p>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2540585034/5f590d675113641de2f78301e39fee7a/MillenniumActress_OfficialTrailerEnglishDubHD_ezgif_com_video_to_gif_converter.gif" />
         <pubDate>2024-06-17 23:31:35 UTC</pubDate>
         <guid>https://padlet.com/1033616_1/292tfp6cphz8xobh/wish/3030375832</guid>
      </item>
      <item>
         <title>The Girl Who Leapt Through Time (2006)</title>
         <author>1033616_1</author>
         <link>https://padlet.com/1033616_1/292tfp6cphz8xobh/wish/3030376566</link>
         <description><![CDATA[<p>The movie "The Girl Who Leapt Through Time" was released in 2006, directed by Mamoru Hosoda and written by Satoko Okudera, produced by MadHouse studio, presenting emotional and well-developed characters. According to the official MadHouse website, the animation garnered 26 awards worldwide, ranging from best animation to art direction. The story revolves around Makoto Konno, a high school student who discovers her ability to manipulate time, and explores how she grapples with the consequences of her actions and the ripple effects of the butterfly effect in the timeline. The plot's exploration of time travel was a departure from conventional themes in Japanese animation, piquing audience interest. Character development was a standout feature, with complexity in emotions presented in an easily interpretable manner. In an interview, Mamoru Hosoda elaborated on the simplicity of character design, emphasising the importance of emotional depth, “To give the character the emotional depth required, we had to make the design very simple. In Japan, nowadays, it has become popular to make faces very decorative and complicated. It becomes hard to manipulate; there are too many surfaces. With a simple design, you can move the face and create the expressions that can communicate with the audience”&nbsp; (Mamoru Hosoda, 2007).&nbsp; Though the art style may appear unconventional at a medium distance from the camera, characters at the second planes look blurry and without details, skillful editing and intricately detailed hand-painted backgrounds contribute to the overall aesthetic appeal.</p>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2540585034/dfe600a8e050c10d07fab10d0a90566b/TheGirlWhoLeaptThroughTime_OfficialTrailer_ezgif_com_video_to_gif_converter.gif" />
         <pubDate>2024-06-17 23:33:03 UTC</pubDate>
         <guid>https://padlet.com/1033616_1/292tfp6cphz8xobh/wish/3030376566</guid>
      </item>
      <item>
         <title>Paprika (2006)</title>
         <author>1033616_1</author>
         <link>https://padlet.com/1033616_1/292tfp6cphz8xobh/wish/3030378232</link>
         <description><![CDATA[<p>"Paprika," released in 2006 and directed by Satoshi Kon, known for "Perfect Blue," stands as his last renowned work before his passing in 2010. A surrealistic sci-fi animation, it follows Dr. Atsuko Chiba, a therapist who enters her patients' dreams to aid in their psychological healing. However, when the device enabling this is stolen, dreams begin to intersect with reality. Satoshi Kon's creativity shines through hand-drawn animation, vivid colours, and CGI enhancements, imbuing the film with surrealism and a kaleidoscopic effect. Drawing on psychoanalysis inspired by Sigmund Freud (Zavaleta, 2024), the movie explores the manifestation of human behaviour through dreams, set in a futuristic Japan. Its influence can be seen in later works such as "Inception" by Christopher Nolan (Nolan, 2010). Satoshi Kon's inspiration, rooted in the mysteries of the subconscious, underscores the film's thematic depth. When asked about his inspiration he answered “<em>What fascinates me in dreams is the idea that they emanate from our subconscious. I think that there are many possibilities to interpret dreams but a great deal of mystery always remains</em>” (Satoshi Kon,&nbsp; 2006). "Paprika" received six awards, testament to Satoshi's ability to craft profound and visually stunning animations, drawing from real-life inspirations rather than solely relying on existing animation tropes.</p>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2540585034/6d411c3031ff71f36cccdd2d72bdb225/PAPRIKA2007_OfficialTrailerHD_ezgif_com_video_to_gif_converter.gif" />
         <pubDate>2024-06-17 23:35:50 UTC</pubDate>
         <guid>https://padlet.com/1033616_1/292tfp6cphz8xobh/wish/3030378232</guid>
      </item>
      <item>
         <title>Summer Wars (2009)</title>
         <author>1033616_1</author>
         <link>https://padlet.com/1033616_1/292tfp6cphz8xobh/wish/3030383581</link>
         <description><![CDATA[<p>"Summer Wars," released in 2009 and also directed by Mamoru Hosoda, received 14 awards, as per the MadHouse website. The story centres on a maths genius inadvertently releasing a malicious AI that hijacks a globally popular virtual world called Oz. Hosoda drew inspiration from the expanding influence of social media and its potential impact on families (DoctorKev, 2022b). Notably, the film blends traditional Japanese animation with CG effects, showcasing a fusion of different design elements and international influences. In an interview, Hosoda revealed that a significant portion of the movie was created using CG (Desowitz, 2023), particularly in rendering the virtual world of Oz . "Summer Wars" serves as a prime example of seamlessly integrating traditional and modern animation techniques to convey the power of a well-crafted narrative.</p>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2540585034/be6eba5f863a3d58ca4bd30233b2db52/SummerWarsOfficialUSTrailer_ezgif_com_video_to_gif_converter.gif" />
         <pubDate>2024-06-17 23:43:23 UTC</pubDate>
         <guid>https://padlet.com/1033616_1/292tfp6cphz8xobh/wish/3030383581</guid>
      </item>
   </channel>
</rss>
