Week 4 Discussion by Gianna Sasmore

Germans Expressionism

gss3f — 2025-02-14 01:28:12 UTC

Period Film

gss3f — 2025-02-14 01:29:36 UTC

Nosferatu is set in the past.

Fantasy/Horror

gss3f — 2025-02-14 01:30:12 UTC

Sci-Fi/Dystopian

gss3f — 2025-02-14 01:30:41 UTC

Distorted Perspectives

gss3f — 2025-02-14 01:31:51 UTC

A characteristic of German Expressionism. Ex/angled buildings and set deign meant to disorient. Create a sense of fantasy and exaggeration.

Score

gss3f — 2025-02-14 01:32:43 UTC

Nosferatu has a great score set to the film. There are moments of whimsy, sneaking attitude, and sweet melodies.

Color

gss3f — 2025-02-14 01:35:38 UTC

The color tints in Nosferatu are interesting. Ex/ Reds, blues, yellows, and greens tint the scenes.

Drama

gss3f — 2025-02-14 01:36:09 UTC

Metropolis - A City Of The Future

gss3f — 2025-02-14 01:37:14 UTC

Without The Workers The Machines Will Stop

gss3f — 2025-02-14 01:38:07 UTC

This made me think about society today and our relationship to modern technology.

Beware Of Count Orlok

gss3f — 2025-02-14 01:38:38 UTC

Contrast Between Light And Dark

gss3f — 2025-02-14 01:39:08 UTC

Special Effects

gss3f — 2025-02-14 01:39:52 UTC

Robot Maria in Metropolis and Count Orlok in Nosferatu

Dynamic Cam Movements VS Slow Cam Movements

gss3f — 2025-02-14 01:40:43 UTC

Both films had different camera work to convey their story.

The Ship Of Death

gss3f — 2025-02-14 01:41:44 UTC

Future VS Past

gss3f — 2025-02-14 01:42:34 UTC

Modernity VS Technology

gss3f — 2025-02-14 01:43:00 UTC

Fear

gss3f — 2025-02-14 01:43:54 UTC

Both films have a sense of fear present within them. Nosferatu for death and Count Orlok and Metropolis for technology and advancements.

The Tower Of Babel

gss3f — 2025-02-14 01:45:10 UTC

Learning From My Peers

gss3f — 2025-02-14 01:54:18 UTC

Learning From My Peers

gss3f — 2025-02-14 01:54:34 UTC