Class blog by Lyndsay MacKay

Rebecca Belmore

6273345 — 2024-04-30 23:21:43 UTC

Rebecca Belmore

6273345 — 2024-04-30 23:23:14 UTC

https://www.rebeccabelmore.com/bio/

Rebecca Belmore

6273345 — 2024-04-30 23:27:23 UTC

this is one of the paintings I choose Rebecca Belmore did you can find more one her website that gives a good inside of the different things she does.https://www.rebeccabelmore.com/bio/

some of her biography

6273345 — 2024-04-30 23:38:59 UTC

Rooted in the political and social realities of Indigenous communities, Belmore’s works make evocative connections between bodies, land and language. Solo exhibitions include: Facing the Monumental, Art Gallery of Ontario (2018); Rebecca Belmore: Kwe, Justina M.Barnicke Gallery (2014); The Named and The Unnamed, Morris and Helen Belkin Art Gallery, (2002). In 1991, Ayumee-aawach Oomama-mowan: Speaking to Their Mother was created at the Banff Centre for the Arts with a national tour in 1992 and subsequent gatherings took place across the Canada in 1996, 2008, and 2014.

https://www.rebeccabelmore.com/bio/

6273345 — 2024-04-30 23:47:13 UTC

Rebecca Belmore, visual artist (born 22 March 1960 in Upsala, Ontario). In 2004, Belmore was made a member of the Royal Canadian Academy of Arts and received the prestigious VIVA Award. She was Canada’s official representative at the 2005 Venice Biennale; that year she was also awarded an honorary doctorate from the Ontario College of Art and Design (now the Ontario College of Art and Design University). Winner of the 2013 Governor General’s Award in Visual and Media Arts and the 2016 Gershon Iskowitz Prize, Rebecca Belmore is one of Canada’s most prominent contemporary artists.

https://www.thecanadianencyclopedia.ca/en/article/rebecca-belmore

that is the link I found this information.

other things about her

6273345 — 2024-04-30 23:53:14 UTC

Elizabeth Kalbfleisch. “Women, House, and Home in Contemporary Canadian Aboriginal Art: Hannah Claus, Rebecca Belmore, and Rosalie Favell.” Frontiers: A Journal of Women Studies, vol. 33, no. 3, 2012, pp. 1–30. JSTOR, https://doi.org/10.5250/fronjwomestud.33.3.0001. Accessed 30 Apr. 2024.