https://padlet.com/karla_mckeown/1yltsnrmvj01 The tap one en-us 2017-03-08 17:41:23 UTC 2017-03-09 14:57:47 UTC hello@padlet.com https://padlet.com/karla_mckeown/1yltsnrmvj01/wish/158984464 Could you experiment with overstating the intention of the dancers. If they need to concentrate and listen hard, how can you exaggerate this through the way that they perform?]]> 2017-03-09 14:47:41 UTC https://padlet.com/karla_mckeown/1yltsnrmvj01/wish/158984464 https://padlet.com/karla_mckeown/1yltsnrmvj01/wish/158985523 Malone, J., 1996. Steppin'on the blues: The visible rhythms of African American dance (Vol. 21). University of Illinois Press.

DeFrantz, T., 2002. ‘Being Savion Glover’: Black Masculinity, Translocation, and Tap Dance. Discourses in Dance, 1(1), pp.17-28.

Willis, C., 1996. Tap Dance: Manifestation of the African Aesthetic. African Dance: An Artistic, Historical and Philosophical Inquiry. Kariamu Welsh Asante, ed, pp.145-159.]]> 2017-03-09 14:49:42 UTC https://padlet.com/karla_mckeown/1yltsnrmvj01/wish/158985523 https://padlet.com/karla_mckeown/1yltsnrmvj01/wish/158988955 Exciting 
Use the taps as the sounds and the build up 
Saskia using the taps to get hyped and use that to lock as a way to introduce her to the piece ]]> 2017-03-09 14:55:31 UTC https://padlet.com/karla_mckeown/1yltsnrmvj01/wish/158988955 https://padlet.com/karla_mckeown/1yltsnrmvj01/wish/158988962 2017-03-09 14:55:32 UTC https://padlet.com/karla_mckeown/1yltsnrmvj01/wish/158988962 https://padlet.com/karla_mckeown/1yltsnrmvj01/wish/158989107 My word: Connection ]]> 2017-03-09 14:55:46 UTC https://padlet.com/karla_mckeown/1yltsnrmvj01/wish/158989107 https://padlet.com/karla_mckeown/1yltsnrmvj01/wish/158989132 lighting to reveal saskia, think of side lights and top corner front lights.. jacks solo becomes a duet with saskia to bring her on stage ]]> 2017-03-09 14:55:48 UTC https://padlet.com/karla_mckeown/1yltsnrmvj01/wish/158989132