- explore, ask questions, fail + try again

- what else is it i'm trying to say

- if we don't identify the questions how do we move forward 

- easy subject to just tuck away and forget about

- 'design after capitalism' 

- parameters enable more informed choices 

- think of the value in the projects we've completed

- look for their potential etc

- what would complement my portfolio

- how do we set up for work we want to do, and are interested in

- ground your opinions otherwise they're just opinions

- do lots of things to externalise your thinking

- do idea projections for upcoming projects - collecting ideas and opinions and the outcomes I'd like from these projects 

- universal understanding / belief

- find group opinions + common understanding / common ground

- visualising the tensions 

- produces and celebrates outsider art

- provocative 

- posters?

- turn it on its head - starting points

- proactively exploring

- 'why is no one talking out this'

- how and why do we place value

- rick ruben

- visually showing mixed opinions 

- 20/30 briefs ( sabbatical )  

• to explore the Outsider art movement, and document its artists, critics, and emotions around the subject, in an editorial manner.

• to explore the sport of snooker, and develop an advertising campaign to appeal to the growing international audience.

• to explore the work of Enzo Mari, and his work on furniture, adopting similar practices to achieve a community-lead outcome.

• to explore darker art movements, and why non-traditional pieces don’t recieve recognition within the industry.

• to explore the tension between graphic design and capitalism, and how this tensions breeds new designs, and silences others, displayed in a poster for educational institutions - to encourage young people to question their place in the industry.

In line with Sagmeister's work, focusing on positivity rather than negativity, to drive positive change from a more happy and excited position, as opposed to a melodramatic, and pessimistic view

Unique studio, not ignoring the issues within the world and the industry, rather highlighting positives and creativity to eventually lead to a more effective outcome

Christopher Doyle Identity Guidelines 

See more character and emotion than usual

"preparing for death"

"kill me"

• Interactive furniture or sculpture, emphasizing the use the general public and viewers have on the art that can be created with as much creativity as we can find

• Watching Eraserhead and developing a piece based on my opinions of the film, and why or how it doesn't fit into the general constraints of graphic design within the bounds of capitalism - either editorial or film based - interviews etc

• Creating an interactive poll, attempting to utilise the public's opinions to draw a line and decide what defines good art and bad art, within the genre

  
  

- the willingness to try and fail

- structure to evolving ideas - to lead into freeform creativity

- communicating unknown ideas through known methods

- we're in journeys not destinations

- could be a collection of responses to different projects that give a growing sense of what I'm interested in. 

- create a lot of 'bad' paintings and explore how galleries find them and if or if not they're appreciated

- explore opinions within a more general public's opinion

- has art sold out

- questioning the value and role of art

- communicating ideas to people removed from the industry

- a deeper understanding of my own practice and comfort zone, exploring my own development

- 'define art for me' 

- series of interventions

- are we falling into the same traps as previous

- trust your interpretation of journeys is a valid one

- translate possibilities into tangible work

- trust your own development