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      <title>Object information by Vivian Ting</title>
      <link>https://padlet.com/wyvting/1lxfdzqwp1tmtnq3</link>
      <description>Please check the information of your selected object and fill in the documentation card accordingly</description>
      <language>en-us</language>
      <pubDate>2022-01-14 07:19:23 UTC</pubDate>
      <lastBuildDate>2026-03-10 03:44:37 UTC</lastBuildDate>
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         <title>WAN, Lai Kuen Annie and her work, &quot;Tung Zan Baak Fo&quot;</title>
         <author>wyvting</author>
         <link>https://padlet.com/wyvting/1lxfdzqwp1tmtnq3/wish/2880840002</link>
         <description><![CDATA[<p>"A successive work of Zan Baak Fo, Tung Zan Baak Fo (“Tung” means “children” in Cantonese), was exhibited at the Hong Kong Museum of Art as part of the Classics Remix: The Hong Kong Viewpoint exhibition.</p><p>&nbsp;</p><p>For this latest exhibition, Ms Wan transformed a range of children’s toys, from yellow rubber ducks to a Buzz Lightyear doll, into ceramic items. Through Tung Zan Baak Fo, Ms Wan aims to reveal how art pieces are monetised, and how they can be converted to deliver humanistic care. By donating to a specified charity, visitors can obtain tokens to exchange for a piece of art, demonstrating the interchangeability of artwork and social care."</p>]]></description>
         <enclosure url="https://hkburdl.com/en/media/Zan_Baak_Fo_Exploring_the_Value_of_Art/" />
         <pubDate>2024-02-12 11:25:34 UTC</pubDate>
         <guid>https://padlet.com/wyvting/1lxfdzqwp1tmtnq3/wish/2880840002</guid>
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         <title>LI, Wei Han Rosanna and her clay figures</title>
         <author>wyvting</author>
         <link>https://padlet.com/wyvting/1lxfdzqwp1tmtnq3/wish/2880840158</link>
         <description><![CDATA[<p>Rosanna Li’s work <em>Tou Tou Shi Tao&nbsp;</em>(English title: Every Head Makes a Way), translated&nbsp;literally as ‘Head (Tou) is (Shi) the Way (Tao)’, again plays with words. With 81 busts that&nbsp;embrace the chapters of the <em>Tao Te Ching</em>&nbsp;(<em>the Classics of the Way and the Virtue</em>), she&nbsp;discusses what the Tao means to us. As usual, Li’s sculptures are plump and fleshy; the form is simple, with a short stubby head that looks skyward.&nbsp;The figures appear as if they were casually modeled with squinting eyes, onion noses or dainty mouths. They look&nbsp;amused or sleepy, or are gazing around haughtily. But where is Tao? Tao is literally hidden&nbsp;in the head. For each sculpture, Li extracts a particular chapter from the <em>Tao Te Ching</em>, and copies it onto the pedestal. The full chapter is also printed on rolls of paper and kept in the bottom of the busts. However, this is the text of the Tao – the sign pertaining to Tao is not equal to the mysterious, ubiquitous, and yet indescribable&nbsp;Tao. What manner of Tao is this? How can these ‘fat-heads’&nbsp;know about&nbsp;Tao?</p><p>&nbsp;</p><p>The perplexed viewer needs only to&nbsp;return to the title of this work –&nbsp;<em>Tou Tou Shi Tao</em>, a common expression that describes&nbsp;things being done in a methodical manner.&nbsp;The fact is: this phrase originated&nbsp;from Zen&nbsp;Buddhists,&nbsp;who meant to assert that the Tao is present everywhere.&nbsp;Perhaps we do not need to look elsewhere for the Tao. It may very well be reflected in these plump, earthen heads. Looking carefully at this group of busts, they&nbsp;are of roughly equal, but the pedestals differ in shape. Some show crease-like imprints of the original package, and others a dent at&nbsp;the corner. Li’s love for her medium allows her to accept such ‘unsightly’&nbsp;imperfections. Susceptibility to damage at any stage of the process&nbsp;is as much a part of its charm as its pliability, just as the packaging and transportation is as much a part of the process as the kneading or firing. When kneading the busts, Li could not bear to casually discard any lump of clay. Whether the clay becomes a bald and bearded man, or a fat housewife who has combed her hair into buns, it is the interaction between the state of the clay and the finger movements that turns earth&nbsp;into&nbsp;these&nbsp;free-spirited busts.</p>]]></description>
         <enclosure url="https://ztylez.com/editorial-en/art-editorial-en/2023/06/28/199984/?lang=en" />
         <pubDate>2024-02-12 11:25:48 UTC</pubDate>
         <guid>https://padlet.com/wyvting/1lxfdzqwp1tmtnq3/wish/2880840158</guid>
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         <title>Denis H. Hazell </title>
         <author>wyvting</author>
         <link>https://padlet.com/wyvting/1lxfdzqwp1tmtnq3/wish/2880840326</link>
         <description><![CDATA[<p>In the 1890s, European residents, such as William Legge and R. C. Hurley, wrote travel books that introduced the beautiful landscapes of Hong Kong while arguing that colonial powers had carried out various political and social experiments, transforming this tiny island into an international trading port. In the 1920s, the business of souvenir photobooks thrived. This is an example from that era, capturing life in "this far-flung British outpost" with 25 vintage brown-tone photographic prints of Hong Kong, mounted on heavy cardstock leaves. The collection includes 25 vintage prints featuring scenes such as views from Mount Kellett, busy Queen’s Road, the Peak Tramway, the famous Hongkong Club, and a traditional Chinese New Year celebration, among others.</p><p><br/></p><p>Yuen Chi, a scholar who studies Hong Kong’s tourism history, says that the photobook, like this, shows that the European elites had a more profound sense of belonging to the city and were willing to share the many attractions with others.</p><p><br/></p>]]></description>
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         <pubDate>2024-02-12 11:26:03 UTC</pubDate>
         <guid>https://padlet.com/wyvting/1lxfdzqwp1tmtnq3/wish/2880840326</guid>
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         <title>Silver Case by Yanchang (炎昌)</title>
         <author>wyvting</author>
         <link>https://padlet.com/wyvting/1lxfdzqwp1tmtnq3/wish/2880840419</link>
         <description><![CDATA[<p>In the 1900s, the Sincere Department Store commissioned Yanchang, the silversmith from Shanghai, to make luxury items like this for their clients. </p><p><br/></p><p>The Sincere Department Store was one of the first department stores established in Hong Kong. It was founded in 1900 by Ying Piu Ma (馬應彪) (1864-1944) and his business partners.  The name ‘sincere’, with its connotation of honesty, was adopted as the company's guiding philosophy. Ying Piu Ma introduced modern Western retailing concepts to the store—it was the first store in China to employ female shop assistants and to adopt a fixed-price policy and issue receipts to customers. </p><p><br/></p><p>Ma was determined to gather highly skilled artisans to produce high-quality merchandise under his own brand, and the silver items were considered on par with the best offerings from Chinese export silver retailers.</p>]]></description>
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         <pubDate>2024-02-12 11:26:13 UTC</pubDate>
         <guid>https://padlet.com/wyvting/1lxfdzqwp1tmtnq3/wish/2880840419</guid>
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