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      <title>about my tracks by miz</title>
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      <description>mix</description>
      <language>en-us</language>
      <pubDate>2017-05-08 15:10:05 UTC</pubDate>
      <lastBuildDate>2017-05-15 21:34:13 UTC</lastBuildDate>
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         <title>for task one i doing calypso and task two will be soca. this pallet is about the genres and tracks ive chosen</title>
         <author>539886</author>
         <link>https://padlet.com/539886/1k8fzgp2h81g/wish/170535427</link>
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         <pubDate>2017-05-08 15:11:05 UTC</pubDate>
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         <title>soca   https://www.britannica.com/art/soca-music</title>
         <author>539886</author>
         <link>https://padlet.com/539886/1k8fzgp2h81g/wish/170745359</link>
         <description><![CDATA[<div><strong>Soca, </strong><a href="https://www.britannica.com/place/Trinidad-and-Tobago">Trinidadian</a> <a href="https://www.britannica.com/art/popular-music">popular music</a> that developed in the 1970s and is closely related to <a href="https://www.britannica.com/art/calypso-music">calypso</a>. Used for dancing at <a href="https://www.britannica.com/topic/Carnival-pre-Lent-festival">Carnival</a> and at fetes, soca emphasizes rhythmic energy and studio production—including synthesized sounds and electronically mixed ensemble effects—over storytelling, a quality more typical of calypso songs, which are performed for seated audiences.The term <em>soca</em> (initially spelled <em>sokah</em>) was coined in the 1970s by Trinidadian musician Lord Shorty (Garfield Blackman), who sang calypso, a type of Afro-Trinidadian song style characterized by storytelling and verbal wit. According to Lord Shorty, the new <a href="https://www.britannica.com/art/music">music</a> was meant to be a <a href="https://www.britannica.com/art/jazz-rock">fusion</a> of calypso with East Indian music, a reflection of Trinidad’s two dominant ethnic groups. Others, however, have explained the term <em>soca</em> as a contraction of “soul calypso,” emphasizing the music’s connection to <a href="https://www.britannica.com/topic/African-American">African American</a> and Trinidadian traditions. Although soca is sometimes considered to be a subgenre of calypso—owing to the historical relation between the musics and their common association with Carnival—the two traditions differ in a number of notable respects. In practical terms, soca functions primarily as music for participatory singing and Carnival dancing, while calypso is more closely linked with performances for seated audiences in “tents” (indoor theatres). Indeed, the <a href="https://www.merriam-webster.com/dictionary/genre">genre</a> names <em>calypso</em> and <em>soca</em> formalize a distinction between tent and road (where Carnival dancers parade) that dates back to the 1910s, when singers first began to perform for paying audiences during the weeks leading up to Carnival.<br><br><a href="https://www.britannica.com/art/soca-music">https://www.britannica.com/art/soca-music</a></div>]]></description>
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         <pubDate>2017-05-09 12:52:10 UTC</pubDate>
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         <title>calpyso http://artdrum.com/ESSAY_CALYPSO_MUSIC_HISTORY.htm</title>
         <author>539886</author>
         <link>https://padlet.com/539886/1k8fzgp2h81g/wish/171951913</link>
         <description><![CDATA[<div> Calypso rhythms can be traced back to the arrival of the first African slaves brought to work in the sugar plantations of Trinidad. Forbidden to talk to each other, and robbed of all links to family and home, the African slaves began to sing songs. They used calypso, which can be traced back to West African kaiso, as a means of communication and to mock the slave masters.<br><br></div><div> Trinidad was colonized by the Spanish, received large numbers of French immigrants, and was later ruled by the British. This multi-colonial past has greatly impacted the development of calypso in Trinidad. Many early calypsos were sung in a French-Creole dialect called patois ("pat-was"). These songs, usually led by one individual called a griot, helped to unite the slaves.<br><br></div><div> Calypso singing competitions, held annually at Carnival time, grew in popularity after the abolition of slavery by the British in the 1830s. (It was the French who brought the tradition of Carnival to Trinidad.) The griot later became known as the chantuelle and today as the calypsonian. <br> Contemporary calypsonians such as David Rudder have very successfully combined calypso lyrics with dance rhythms - making the music accessible to a larger audience.  Musicians and groups such as Rudder &amp; the Love Circle, as well as he annual resurgence of calypso at Carnival time lets us know that calypso is very much alive and vibrant with a bright future.<br><br></div><div> As with all great music styles Calypso strongly influences and the predecessor of serveral musical styles, including <a href="http://caribplanet.homestead.com/101_Reggae.html"> Reggae</a>, <a href="http://caribplanet.homestead.com/101_Soca.html"> Soca</a> &amp;  <a href="http://caribplanet.homestead.com/101_Rapso.html"> Rapso</a>.  Like Calypso, each of these styles employ the power of rhythm to create joyous &amp; energized music.<br><br></div><div><br><br></div>]]></description>
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         <pubDate>2017-05-15 21:03:38 UTC</pubDate>
         <guid>https://padlet.com/539886/1k8fzgp2h81g/wish/171951913</guid>
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         <title>soul limbo (cricket tune)-calypso</title>
         <author>539886</author>
         <link>https://padlet.com/539886/1k8fzgp2h81g/wish/171952902</link>
         <description><![CDATA[<div>this song is a great calpyso tune. its more or less 4 chords but is tricky and also repetative and is fantastic to compose solos for. i chose this song becuase its simple and is easier to work with considering what i want to do. i want to have a latin section and also a solo section. most focus will be on the latin section focusing on kit and also the solo secyion focusing on difficulty for the pan and also the type of notes given. i want each solo to represent a section from the song. </div>]]></description>
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         <pubDate>2017-05-15 21:11:28 UTC</pubDate>
         <guid>https://padlet.com/539886/1k8fzgp2h81g/wish/171952902</guid>
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         <title>sugar rush-soca</title>
         <author>539886</author>
         <link>https://padlet.com/539886/1k8fzgp2h81g/wish/171952951</link>
         <description><![CDATA[<div>sugar rush is a popular 2016 soca tune composed and performed by the band hypasounds. this song has 3 chords but is very interesting. the song comes across as very easy but has alot of accents. for this song i want to focus on these accents for the main tune and then recreate the verse and chorus (arranged verse and arranged chorus) and also go into a minor section at the end. this is a challenge for me becuase i often think of great parts that a good for one section of the band but then struggle to get equally good parts for the rest of the band that go well together.</div>]]></description>
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         <pubDate>2017-05-15 21:11:56 UTC</pubDate>
         <guid>https://padlet.com/539886/1k8fzgp2h81g/wish/171952951</guid>
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