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      <title>Colorito v Designo by philippa mallinson</title>
      <link>https://padlet.com/philippamallins/1aspypc93ol2lvde</link>
      <description>What do people say about Colorito and Designo? Who famously wrote about them ? What are the big arguments?</description>
      <language>en-us</language>
      <pubDate>2020-08-04 22:17:26 UTC</pubDate>
      <lastBuildDate>2022-08-15 03:26:53 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <url></url>
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      <item>
         <title>Vasari  - Disegno</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/669536630</link>
         <description><![CDATA[<div>Georgio Vasari<br><br><a href="http://en.wikipedia.org/wiki/Vasari">http://en.wikipedia.org/wiki/Vasari</a><br><br><a href="http://archive.org/stream/livesofmostemine01vasauoft#page/n7/mode/2up">http://archive.org/stream/livesofmostemine01vasauoft#page/n7/mode/2up</a><br><br><a href="https://journals.openedition.org/inha/1820">https://journals.openedition.org/inha/1820</a><br><br>What did Vasari say about Designo?<br><br>How do you know?<br><br>What is his argument?<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-04 22:18:50 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/669536630</guid>
      </item>
      <item>
         <title>Lodovico Dolce - Colorito</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/669538383</link>
         <description><![CDATA[<div>Lodovico Dolce</div><div><a href="http://en.wikipedia.org/wiki/Lodovico_Dolce">http://en.wikipedia.org/wiki/Lodovico_Dolce</a></div><div><br><a href="https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t1ck1540k&amp;view=1up&amp;seq=127">https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t1ck1540k&amp;view=1up&amp;seq=127</a><br><br></div><div><a href="http://books.google.co.nz/books?id=2aFZAAAAYAAJ&amp;printsec=frontcover&amp;source=gbs_ge_summary_r&amp;cad=0#v=onepage&amp;q&amp;f=false">http://books.google.co.nz/books?id=2aFZAAAAYAAJ&amp;printsec=frontcover&amp;source=gbs_ge_summary_r&amp;cad=0#v=onepage&amp;q&amp;f=false</a></div><div><br></div><div><a href="http://www.academia.edu/2118064/How_did_Ludovico_Dolce_go_about_attacking_the_art_of_Michelangelo_Why_did_he_think_Titian_to_be_a_supreme_painter">http://www.academia.edu/2118064/How_did_Ludovico_Dolce_go_about_attacking_the_art_of_Michelangelo_Why_did_he_think_Titian_to_be_a_supreme_painter</a><br><br>What did Dolce say about Colorito?<br><br>How do you know?<br><br>What is his argument?</div><div><br><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-04 22:22:06 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/669538383</guid>
      </item>
      <item>
         <title>Big question</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/669542474</link>
         <description><![CDATA[<div><strong>‘Florentine ‘disegno’ and Venetian ‘colorito’, are opposing artistic responses to the Italian Renaissance challenge of representing nature in art’.</strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-04 22:28:36 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/669542474</guid>
      </item>
      <item>
         <title>Agree or disagree?</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/669542645</link>
         <description><![CDATA[<div>Do you agree or disagree?<br>Why?<br>To what extent?<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-04 22:28:56 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/669542645</guid>
      </item>
      <item>
         <title>Key source and general sources</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/669545965</link>
         <description><![CDATA[<div><strong>Key source:</strong></div><div><a href="http://www.metmuseum.org/toah/hd/vefl/hd_vefl.htm">http://www.metmuseum.org/toah/hd/vefl/hd_vefl.htm</a></div><div>&nbsp;</div><div><strong>General sources:</strong></div><div><a href="https://www.theartstory.org/movement-venetian-school.htm"><strong>https://www.theartstory.org/movement-venetian-school.htm</strong></a><strong><br></strong><a href="https://www.metmuseum.org/toah/keywords/florentine-school/">https://www.metmuseum.org/toah/keywords/florentine-school/</a><strong><br></strong><a href="https://www.theartstory.org/movement/high-renaissance/">https://www.theartstory.org/movement/high-renaissance/</a></div><div><a href="http://venice11.umwblogs.org/disegno-vs-colorito/">http://venice11.umwblogs.org/disegno-vs-colorito/</a></div><div><a href="http://www.artmumble.com/2011/12/colore-verses-disegno-juxtaposition-of.html">http://www.artmumble.com/2011/12/colore-verses-disegno-juxtaposition-of.html</a></div><div><a href="http://www.visual-arts-cork.com/painting/colorito.htm">http://www.visual-arts-cork.com/painting/colorito.htm</a></div><div><a href="http://www.researchomatic.com/essay/Colore-And-Disegno-95979.aspx">http://www.researchomatic.com/essay/Colore-And-Disegno-95979.aspx</a></div><div><a href="http://udel.edu/~monicadt/ARTH218/colorito.htm">http://udel.edu/~monicadt/ARTH218/colorito.htm</a></div><div><a href="http://www.inha.fr/colloques/document.php?id=1820">http://www.inha.fr/colloques/document.php?id=1820</a></div><div><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-04 22:34:07 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/669545965</guid>
      </item>
      <item>
         <title>Vasari helped found the disegno academy</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/669650594</link>
         <description><![CDATA[<div>Accademia e Compagnia delle Arti del Disegno, or "academy and company of the arts of drawing"<br><br>It was here that the most famous artists of the renaissance were mentored or guided in their artistic production. It was a prestigious thing to belong to this academy.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-05 01:01:41 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/669650594</guid>
      </item>
      <item>
         <title>Dolce&#39;s text</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/669652474</link>
         <description><![CDATA[<div>Dolce's text l'Aretino, was written in response to Vasari's lives of artists, which did not include artists like Titian. <br><br>He has two arguments<br>-Titian was the greatest of the renaissance artists<br>-Highly critical of mannerism which he considered to be false or too 'mannered'.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-05 01:04:16 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/669652474</guid>
      </item>
      <item>
         <title>Tim</title>
         <author></author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/674006439</link>
         <description><![CDATA[<div>I don't really agree with this statement. I think that 'colorito' and 'disegno' are not opposing artistic responses, they are two different perspectives on nature. Both of these responses have traits that cross over. For instance, 'colorito' paintings still retain a sense of accurate anatomy, and 'designo' paintings still possess a range of colour. Both of these responses are going off on separate tangents from the same origin.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-10 07:46:10 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/674006439</guid>
      </item>
      <item>
         <title>Same goal, different means?</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/674814051</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2020-08-10 20:25:55 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/674814051</guid>
      </item>
      <item>
         <title>Shown to be a debate</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/674948672</link>
         <description><![CDATA[<div>I agree with Tim that there are aspects in both approaches that do cross over. However, in the eyes of the writers and artists of the time they were distinctly different approaches.<br><br>Source: <a href="https://www.oxfordartonline.com/page/renaissance-paragone-disegno-and-colore">https://www.oxfordartonline.com/page/renaissance-paragone-disegno-and-colore</a></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-10 23:07:13 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/674948672</guid>
      </item>
      <item>
         <title>Essential properties of media</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676233155</link>
         <description><![CDATA[<div>How important was the media of oil painting to Colorito?</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-11 19:50:17 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676233155</guid>
      </item>
      <item>
         <title>Essential properties of media</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676234040</link>
         <description><![CDATA[<div>How important was the media of fresco, sculpture and tempera to disegno?</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-11 19:51:03 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676234040</guid>
      </item>
      <item>
         <title>What was unique to Colorito?</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676323199</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2020-08-11 21:05:44 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676323199</guid>
      </item>
      <item>
         <title>What was unique to disegno?</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676323438</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2020-08-11 21:05:56 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676323438</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676467022</link>
         <description><![CDATA[<div>Venetian colorito artists worked out their compositions directly on the canvas, and use patches of coloured brushstrokes to define form rather than line. A high value was placed on the application of colour to achieve optimal naturalism.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-11 23:57:28 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676467022</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676498766</link>
         <description><![CDATA[<div>media was very important for creating the different effects that are signature to each style. oil paints are really easy to blend and have beautiful vibrant colors so are extremely important for the colorito style. also, because oils take a while to dry they can be reworked easily, fresco drys quickly and so you would need to have a good compositional plan as reworking already dry paint is not possible (you would have to paint over) </div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-12 00:32:03 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676498766</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676500407</link>
         <description><![CDATA[<div>Disegno often involved meticulous planning, and multiple mediums and styles of art work, such as sketching to plan the design and composition of an artwork before beginning. </div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-12 00:33:33 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676500407</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676500747</link>
         <description><![CDATA[<div>Oil paint can be layered to create a sense of richness which helps to convey a sense of psychological expression that was valued by colorise artists.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-12 00:33:54 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676500747</guid>
      </item>
      <item>
         <title>careful planning</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676500838</link>
         <description><![CDATA[<div>disegno involved painstaking planning, drawing and redrawing to get to the perfect composition. Everything was extremely considered</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-12 00:34:00 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676500838</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676504507</link>
         <description><![CDATA[<div>painting nature is not the common goal though. colorito has the goal of painting a natural reality, where disegno is more concerned with portraying a truer yet not visually graspable reality. colorito appeals to the scences in the same way the world around us does. designo however appeals to the interlect. the nature of logic and reason is the only nature i see being portrayed</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-12 00:37:51 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676504507</guid>
      </item>
      <item>
         <title>this should help</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676504565</link>
         <description><![CDATA[<div>I gave a presentation last week to introduce these. Check it out for an intor to those terms <a href="https://docs.google.com/presentation/d/1aKOaHtr1a3xFQ2-E8WrmmBfY9oy-F9aTuJuwCVotIS8/edit#slide=id.g5e0f674a05_0_1">https://docs.google.com/presentation/d/1aKOaHtr1a3xFQ2-E8WrmmBfY9oy-F9aTuJuwCVotIS8/edit#slide=id.g5e0f674a05_0_1</a></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-12 00:37:54 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676504565</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676510894</link>
         <description><![CDATA[<div>The point of disegno was to create carefully finished works appealing to line and logic. Naturalism and careful construction was the objective. Venetian artists on the other hand are far more interested in colour, texture and emotion. Colour and texture are used as tools to appeal to emotion and experience rather than logic and rationality.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-12 00:44:39 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676510894</guid>
      </item>
      <item>
         <title>In disegno </title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676511332</link>
         <description><![CDATA[<div>The arts are actually subordinate to drawing/design. The argument was that creative actions start first of all in the brain.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-12 00:45:12 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676511332</guid>
      </item>
      <item>
         <title>Disegno - The Accademia delle Arti Del Disegno</title>
         <author></author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676514566</link>
         <description><![CDATA[<div>The Accademia delle Arti Del Disegno in Florence, founded in 1563 is a home for designers (of any creative field) to collaborate, discuss and analyse art. Cristina Acidini say that drawing is the father of art, however it is the collaboration between designo and colorito that allows </div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-12 00:48:56 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/676514566</guid>
      </item>
      <item>
         <title>I need to understand the process of oil painting in the renaissance</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/684297007</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2020-08-18 05:25:49 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/684297007</guid>
      </item>
      <item>
         <title>I need to understand the process of carving carrara marble</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/684297401</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2020-08-18 05:26:15 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/684297401</guid>
      </item>
      <item>
         <title>I need to understand the process of painting with tempera</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/684297906</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2020-08-18 05:26:46 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/684297906</guid>
      </item>
      <item>
         <title>I need to understand the process of fresco painting</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/684298247</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2020-08-18 05:27:07 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/684298247</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/686304176</link>
         <description><![CDATA[<div>there are many different ways of using oil paint to create unique effects. the versatile nature of oils is also a key aspect of its ability. in terms of the way that colorito artist used it: they had the layering technique as a fundamental proses, but the use of dark paint in comparison to light paint is interesting.  dark paints would very much be added  in thin layers to get the naturalist multi toned effect. but white, especially in highlights, would be applied very thickly, also crudely, to get the full power of light within the image expressed. </div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-19 01:05:45 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/686304176</guid>
      </item>
      <item>
         <title>I need to understand: Was there any cross over or neutral ground between colorito and disegno? </title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/686304639</link>
         <description><![CDATA[<div>Did anyone fuse together the styles of the two?</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-19 01:06:12 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/686304639</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/686305414</link>
         <description><![CDATA[<div>The process of painting with tempera involved mixing egg yolk with colour pigments to form an emulsion that could be diluted with water and applied with a brush.  This paint </div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-19 01:06:55 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/686305414</guid>
      </item>
      <item>
         <title></title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/686305584</link>
         <description><![CDATA[Did any fuse together the styles of the two?]]></description>
         <enclosure url="" />
         <pubDate>2020-08-19 01:07:02 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/686305584</guid>
      </item>
      <item>
         <title>Zac.</title>
         <author></author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/686305689</link>
         <description><![CDATA[<div>I feel like I've gained a small amount of understanding about the two terms (and what they represent), but it'll take some more time before I'm fully caught up.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-19 01:07:08 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/686305689</guid>
      </item>
      <item>
         <title>Josh</title>
         <author></author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/686306914</link>
         <description><![CDATA[<div>I agree that they are contrasting ideas as designo is more restrictive and at times can lack colour or expression and only focuses on conveying an idea while Coloreto is more free and somewhat can reflect the enjoyment in Creating the artworks.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-19 01:08:25 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/686306914</guid>
      </item>
      <item>
         <title></title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/686308144</link>
         <description><![CDATA[<div>It seems to my inital research like art was very tribal, in regards to these two schools of making art.<br>e.g. pontormo built on Michelangelo's disegno technique with Mannerism and Tintoretto built on Titian's colorito approach. <a href="https://www.oxfordartonline.com/page/renaissance-paragone-disegno-and-colore">https://www.oxfordartonline.com/page/renaissance-paragone-disegno-and-colore</a></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-08-19 01:09:41 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/686308144</guid>
      </item>
      <item>
         <title>Interesting source about the development of disegno and colore/colorito</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/713338235</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.eki.ee/km/place/pdf/kp5_03_undusk.pdf" />
         <pubDate>2020-09-01 21:43:24 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/713338235</guid>
      </item>
      <item>
         <title>Mannerism influence of Disegno and Colorito</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/713371052</link>
         <description><![CDATA[<div>How did Colorito and Disegno influence mannerism?</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-09-01 22:07:31 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/713371052</guid>
      </item>
      <item>
         <title>Arguably Leonardo sat between the two?</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/713579236</link>
         <description><![CDATA[<div><em>"Especially relevant for the discussion on disegno e colore is Leonardo’s position in art history. Although a Florentine, the two technical devices he favoured, sfumato and aerial perspective, paved the way for the new colouristic sensation of space. Sfumato is a smoky rendition of contours by dint of shading colours gradually into one another, so as to avoid any kind of distinct edges in the objective world of the picture. An aerial perspective, or perspective of colour, is a concept closely related to sfumato, as it presumes that the more distant an object is, the more it loses in the distinctness of its hue"</em></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-09-02 00:43:14 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/713579236</guid>
      </item>
      <item>
         <title>Painting process</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/749839009</link>
         <description><![CDATA[<div>What was so special about the way that Venetian artists worked with oil paint (their painting technique)</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-09-15 22:42:42 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/749839009</guid>
      </item>
      <item>
         <title>Would colorito have been possible outside of venice?</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/749840098</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2020-09-15 22:43:37 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/749840098</guid>
      </item>
      <item>
         <title>How did Patrons impact on the art that was made?</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/770242780</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2020-09-22 22:45:49 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/770242780</guid>
      </item>
      <item>
         <title>How did contextual events impact on the art that was made?</title>
         <author>philippamallins</author>
         <link>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/770243210</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2020-09-22 22:46:11 UTC</pubDate>
         <guid>https://padlet.com/philippamallins/1aspypc93ol2lvde/wish/770243210</guid>
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