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      <title>Renaissance flyer by Axel Espinosa</title>
      <link>https://padlet.com/axelespinosa/17firtclm2mp</link>
      <description>By: Axel Espinosa</description>
      <language>en-us</language>
      <pubDate>2019-03-25 09:24:14 UTC</pubDate>
      <lastBuildDate>2019-04-25 20:41:12 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>1.Italian Renaissance</title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/344722912</link>
         <description><![CDATA[<div>Renaissance began in <strong>Italy </strong>and spread to the rest of Europe<br>It was divided into the <strong>Quattrocento</strong> ( 1400 ) and the <strong>Cinquecento</strong> ( 1500 )</div>]]></description>
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         <pubDate>2019-03-25 09:28:02 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/344722912</guid>
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      <item>
         <title>1.1 Architechture</title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/344723389</link>
         <description><![CDATA[<div>They wanted to create <strong>harmonious spaces with olderly elements.</strong> They icluded classical elements such as <strong>lintels, greek columns...</strong></div>]]></description>
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         <pubDate>2019-03-25 09:29:52 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/344723389</guid>
      </item>
      <item>
         <title>Painting ( Quattrocento )</title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/344724635</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-03-25 09:34:50 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/344724635</guid>
      </item>
      <item>
         <title>Painting ( Cinquecento )</title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/344730745</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://upload.wikimedia.org/wikipedia/commons/0/0d/Col_tempo_by_Giorgione.jpg" />
         <pubDate>2019-03-25 09:56:04 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/344730745</guid>
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      <item>
         <title>Sculpture ( Quattrocento )</title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/344732792</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-03-25 10:02:29 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/344732792</guid>
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      <item>
         <title>Sculpture ( Cinquecento )</title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/344733268</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-03-25 10:04:29 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/344733268</guid>
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      <item>
         <title>2.Vatican</title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/344733623</link>
         <description><![CDATA[<div>St.Peter's Basilisca in the Vatican symbolises the <strong>power of the catholic church and pope's patronage.</strong><br>Work in basilisca started in the 16 century and the <strong>cinquecento arists contributed.</strong></div>]]></description>
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         <pubDate>2019-03-25 10:05:56 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/344733623</guid>
      </item>
      <item>
         <title>3.Linear and Geometric perspective</title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/347059856</link>
         <description><![CDATA[<div>In the quattrocento, painters created a <strong>third dimension</strong> by creating an imaginary opening in the background called the <strong>vanishing point </strong>, giving like this a <strong>sense of depth</strong>. They also included <strong>architectural frameworks,</strong> which reinforced illusion.</div>]]></description>
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         <pubDate>2019-04-01 08:23:54 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/347059856</guid>
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      <item>
         <title>4.Aerial or Atmospheric perspective</title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/347060053</link>
         <description><![CDATA[<div>In the Cinquecento , some artists wanted to make the more <strong>realistic possible their works.</strong> To do it, they created the illusion of depth by <strong>painting the air. </strong><br><strong>Da Vinci</strong> was the fist exponent, using <strong>sfumato </strong>( obscure outlines and details simulating reality and areas combined into <strong>one realistic representation of light and colour.)</strong><br>Painters used also light to give volume and contrast ( <strong>chiaroscuro</strong>) using <strong>oil painting.</strong></div>]]></description>
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         <pubDate>2019-04-01 08:24:45 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/347060053</guid>
      </item>
      <item>
         <title>5.Germany Renaissance</title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/347060867</link>
         <description><![CDATA[<div>Since Lutherian Reformation, German artists worked with <strong>austere religious themes</strong> and also creating portraits, landscapes and mythology scenes.<br>The Rennaissance aesthetic was intoduced by <strong>Albretch Dürer,</strong> who focused in <strong>proportion and harmony </strong>of human body.<br><strong>Hans Holbein the Younger and Lucas Cranach the Elder</strong>, influenced also by supporting Lutheranism and painting portraits of its founder.</div>]]></description>
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         <pubDate>2019-04-01 08:27:17 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/347060867</guid>
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      <item>
         <title>6.France Renaissance</title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/347062464</link>
         <description><![CDATA[<div>Italian influence started at the end of the 15 century and solified during the reign of<strong> Francis I,</strong> great humanist and patron of arts and many Italian artists such as <strong>Da VInci</strong> worked on his court.<br>What stands out most is architecture, with new palaces such us <strong>Fontainebleu</strong>. They has classical <strong>façades</strong> and steep <strong>gabled </strong>roofs, topped with chimneys and <strong>dormers</strong>.</div>]]></description>
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         <pubDate>2019-04-01 08:32:43 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/347062464</guid>
      </item>
      <item>
         <title>7.Flemish painting</title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/347063211</link>
         <description><![CDATA[<div>Italian art wasn't as influential in <strong>Flanders</strong>, whose pictorial school had a strong influence in the 15 century in which Jan van Eyck perfected his oil painting and painted large portraits and <strong>Rogier van der Weyden </strong>produced religious works.<br>In the 16 century Flemish paining had its own style,a reflection of the burgeois society that bought works of art. It was original for its <br>-obssesion with <strong>detail and realism</strong><br>-<strong>Exclussion </strong>of mythology and religious themes<br>-<strong>depiction </strong>of landscapes, everyday life scenes anf family portraits.<br>Also in 16 century <strong>Pieter Brueghel the Elder</strong> mixed Renaissance withFlemish scenes, representing everyday life </div>]]></description>
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         <pubDate>2019-04-01 08:35:20 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/347063211</guid>
      </item>
      <item>
         <title>8.1 Renaissance in Spain: Painting </title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/347064489</link>
         <description><![CDATA[<div>In 16 century, Spanish Renaissance artist , concerned with <strong>light, colour and perspective</strong>, focused on <strong>religious themes</strong>.<br><strong>Valencia</strong> was the centre of artistic activity, and had Italian strong influences. In the second half, <strong>Castilians</strong> artists and court portrait painters influenced</div>]]></description>
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         <pubDate>2019-04-01 08:39:43 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/347064489</guid>
      </item>
      <item>
         <title>8.2 Renaissance in spain: Architecture</title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/347065219</link>
         <description><![CDATA[<div>In 16 century, architecture was separated in  three stages: <br><strong>Plateresque</strong>: Introduced new deccorative  elements to Gothic buildings . Its name comes from using <strong>reliefs, reminiscent of the work of silversmiths</strong></div>]]></description>
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         <pubDate>2019-04-01 08:42:16 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/347065219</guid>
      </item>
      <item>
         <title>8.2 Renaissance in spain: Architecture</title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/347066481</link>
         <description><![CDATA[<div><strong>Herrerian:</strong> Was caracterized by its absence of <strong>ornamentation, straight lines and cubic volumes</strong></div>]]></description>
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         <pubDate>2019-04-01 08:45:35 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/347066481</guid>
      </item>
      <item>
         <title>8.2 Renaissance in spain: Architecture</title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/347066806</link>
         <description><![CDATA[<div><strong>Classical:</strong> Was modelled on classical architecture ( <strong>columns, lintels and gables </strong>)</div>]]></description>
         <enclosure url="https://www.asturnatura.com/Imagenes/lugares/3109/1.jpg" />
         <pubDate>2019-04-01 08:46:33 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/347066806</guid>
      </item>
      <item>
         <title>8.3 Renaissance in Spain: Sculpture and Religious imagery</title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/347066944</link>
         <description><![CDATA[<div>Spanish school of sculpture wanted to capture <strong>religious sentiment</strong> and represent <strong>spirituality</strong>. It produced many alterpieces, funeral monuments and religious imagery especially in <strong>polychrome</strong></div>]]></description>
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         <pubDate>2019-04-01 08:47:05 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/347066944</guid>
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      <item>
         <title>1.2 Painting and sculpture</title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/347070213</link>
         <description><![CDATA[<div>-Painters <strong>recreated classical mythology, religious scenes and psychological portraits,</strong>and also <strong>depicted nature</strong> ( idealised)<br>They used the<strong> laws of prespective</strong><br>-Sculptors were interested in human body and tried to represent him perfectly (<strong>Proportions and Harmony</strong> )and there was a return to <strong>equestrial sculpture</strong><br>- In Quattrocento <strong>Proportion and harmony</strong> were valued<br>-I<em>n Cinquecento  </em>Their focus shifted to <strong>volume, emotions and feelings.</strong><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-01 08:58:27 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/347070213</guid>
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      <item>
         <title>8.1.1. Renaissance in Spain: Painting: El Greco</title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/347817115</link>
         <description><![CDATA[<div>Doménikos Theotokópoulos, known as <strong>El Greco</strong> was the spainish Renaissance genius. When he was young he went to Italy and learned from Italian masters, then he went to Toledo and produced masterpieces.<br>His work was caracterized by:<br>-Vivid<strong> pigmentation</strong><br>-Reddish,bluish tones and <strong>light contrasts</strong><br>-<strong>Complex </strong>compositions with elongated figures ( spirituality )</div>]]></description>
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         <pubDate>2019-04-02 19:52:59 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/347817115</guid>
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         <title></title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/347825377</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-04-02 20:17:18 UTC</pubDate>
         <guid>https://padlet.com/axelespinosa/17firtclm2mp/wish/347825377</guid>
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      <item>
         <title></title>
         <author>axelespinosa</author>
         <link>https://padlet.com/axelespinosa/17firtclm2mp/wish/347827133</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-04-02 20:22:37 UTC</pubDate>
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