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      <title>cutting edge learning journal by Adrian Khoo</title>
      <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2023-11-24 10:37:09 UTC</pubDate>
      <lastBuildDate>2024-05-20 14:57:57 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <url></url>
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      <item>
         <title>Blockade Labs</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2801770599</link>
         <description><![CDATA[<p>This program needs to be given prompts to understand the theme or style of the generated environment. </p><p><br/></p><p>It provides the ability to turn a quick sketch into a skybox,</p><p>generating complete 3d environments in order to visualise scenes and lighting quickly.</p><p><br/></p><p><br/></p>]]></description>
         <enclosure url="https://www.blockadelabs.com/" />
         <pubDate>2023-11-24 11:08:16 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2801770599</guid>
      </item>
      <item>
         <title>stereoscopic in 4d cinema</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2801770778</link>
         <description><![CDATA[<p>Stimulating more senses helps immersion but footage must to be high resolution in-sync. As opposed to 2D film, depth of field and other cues can be used to separate foreground and background.</p><p><br/></p><p>Developments in camera rigs aim to match the human visual system: </p><ul><li><p>Camera separation (IA) = Human eye separation (IO) </p></li><li><p>Camera image magnification = human magnification </p></li><li><p>Distance to imaged subject = distance to viewed subject</p></li></ul><p><br/></p><p><strong>4d exhibition:</strong></p><p><a rel="noopener noreferrer nofollow" href="https://www.gaudiexperiencia.com/en/4d-and-exhibition/">https://www.gaudiexperiencia.com/en/4d-and-exhibition/</a></p><p><br/></p><p><strong>How it works:</strong></p><p><a rel="noopener noreferrer nofollow" href="https://stereoscopy.blog/2023/06/21/the-art-of-stereoscopy-andrew-brooks/">https://stereoscopy.blog/2023/06/21/the-art-of-stereoscopy-andrew-brooks/</a></p><p><br/></p><p>Underwater Stereoscopic Technology used in Avatar 2:</p><p><a rel="noopener noreferrer nofollow" href="https://ymcinema.com/2022/10/24/the-underwater-cinematography-behind-avatar-2-3d-beam-splitter-and-nikonos-lenses/">https://ymcinema.com/2022/10/24/the-underwater-cinematography-behind-avatar-2-3d-beam-splitter-and-nikonos-lenses/</a></p><p><br/></p>]]></description>
         <enclosure url="https://www.ncl.ac.uk/media/wwwnclacuk/pressoffice/files/pressreleaseslegacy/Basic_Principles_of_Stereoscopic_3D_v1.pdf" />
         <pubDate>2023-11-24 11:08:31 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2801770778</guid>
      </item>
      <item>
         <title>Runway Gen-2 AI</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2801771537</link>
         <description><![CDATA[<p>A user plugs a photo in and the AI can generate video from the image. </p><p><br></p><p>In future Gen-2 aims to generate video from text prompts.</p><p><br></p>]]></description>
         <enclosure url="https://research.runwayml.com/gen2" />
         <pubDate>2023-11-24 11:09:25 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2801771537</guid>
      </item>
      <item>
         <title>Wonder Studio</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2801775056</link>
         <description><![CDATA[<p><strong>"An AI tool that automatically animates, lights and composes CG characters into a live-action scene" - Wonder studio</strong></p><p><br></p><p>Can generate a 3d object to replace and accurately track a subject in a video. It can also be used in order to generate a background.</p><p><br></p><p>Once the AI has produced the video, it gives 3d data for the model just created and this allows for fine tuning in a different 3d software e.g. Mya and Blender</p>]]></description>
         <enclosure url="https://wonderdynamics.com/" />
         <pubDate>2023-11-24 11:13:22 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2801775056</guid>
      </item>
      <item>
         <title>Adobe Firefly</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2801776224</link>
         <description><![CDATA[<p>A user can provide prompts to create a 3d space from a 2d image.</p><p><br></p><p>Can be useful for creatives requiring a quick mock-up to be able to quickly visualise a scene or 3d space.</p>]]></description>
         <enclosure url="https://www.adobe.com/sensei/generative-ai/firefly.html" />
         <pubDate>2023-11-24 11:14:48 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2801776224</guid>
      </item>
      <item>
         <title>AI Prompts</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2801789468</link>
         <description><![CDATA[<p>This website details how to write prompts and which AI software is best suited to a format/task.</p>]]></description>
         <enclosure url="https://blog.hootsuite.com/ai-art-prompts/" />
         <pubDate>2023-11-24 11:27:48 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2801789468</guid>
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      <item>
         <title>Extended Reality (XR) Industry</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2801797916</link>
         <description><![CDATA[<p><strong>Augmented Reality (AR)</strong> - Augmenting the real world with additional content. Typically these are experienced through ‘windows’ such as mobile phones.</p><p><br/></p><p><strong>Mixed Reality (MR)</strong> -  A blend of AR and VR where you use a headset or glasses to be shown AR content within your environment. </p><p><br/></p><p><strong>Virtual Reality (VR)</strong> - This can be computer generated or filmed, but is accessed through a VR headset or immersive environment that separates the viewer from the space they are in.</p><p><br/></p>]]></description>
         <enclosure url="https://www.statista.com/topics/6072/extended-reality-xr/" />
         <pubDate>2023-11-24 11:36:20 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2801797916</guid>
      </item>
      <item>
         <title>Week 3</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806106583</link>
         <description><![CDATA[<p>This week covered 3D Cinema and stereoscopics. This was a useful insight into the parameters required to create a 3D experience and how video can be augmented to immerse the viewer. </p><p><br/></p><p>There was also a talk given by industry professional, Jack Østergaard-Churchill. He detailed his lengthy experience with 360 video, XR technologies and AI which was useful in discerning different AI generative softwares and their uses.</p>]]></description>
         <enclosure url="" />
         <pubDate>2023-11-28 17:27:33 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806106583</guid>
      </item>
      <item>
         <title>Week 1</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806108004</link>
         <description><![CDATA[<p>In this first week we had a talk by Lauren Newport-Quinn, a graduate from the EPP course. </p><p><br/></p><p>Her presentation gave a useful insight into emerging technologies which are working closely with AI.</p>]]></description>
         <enclosure url="" />
         <pubDate>2023-11-28 17:28:38 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806108004</guid>
      </item>
      <item>
         <title>Week 2</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806108475</link>
         <description><![CDATA[<p>This week focused on 360 video/audio and its niche within industry. </p><p><br/></p><p>We explored its use as a tool to create 3D environments. This can be used in conjunction with AR and AI to create backgrounds for movie sets and immersive experiences for exhibitions and education. </p>]]></description>
         <enclosure url="" />
         <pubDate>2023-11-28 17:28:56 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806108475</guid>
      </item>
      <item>
         <title>Virtual Production</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806148420</link>
         <description><![CDATA[<p>VP combines real cinematography with specific virtual elements, usually consisting of lighting/screens that have a pre-programmed displays in order to enhance the realism of the production both during shooting and in post.</p><p><br/></p><p>“Virtual Production combines virtual and augmented reality with CGI and game-engine technologies to enable production crews to see their scenes unfold as they are composed and captured on set.” - Moving Picture Company (MPC), from The Virtual Production Field Guide presented by Epic Games</p><p><br/></p><p>VP brings post-production talent into pre-production processes, opening up new avenues for post production skills. Post-production knowledge holds a lot of value for optimizing new workflows since it is useful to know how certain effects will look once edited.</p>]]></description>
         <enclosure url="https://www.starwars.com/news/the-mandalorian-stagecraft-feature" />
         <pubDate>2023-11-28 17:57:01 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806148420</guid>
      </item>
      <item>
         <title>Immersive Experiences</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806149530</link>
         <description><![CDATA[<p>These consist of a curated selection of audio stories (accompanied by 3D scans), amalgamated into an “immersive collage” that can be watched in a projected dome space or experienced in VR. </p><p><br/></p><p>Often these technologies can be paired with AI and AR to further enhance the user experience. This opens up many new possibilities to re-use archive in new ways and tell stories in places that no longer exist.</p><p><br/></p><p>Many of these immersive technologies have been used in public spaces in conjunction with billboards, in order to promote tourism or advertise products.</p><p><br/></p><p>3D Cat promoting tourism in Shibuya, Japan:</p><p><a rel="noopener noreferrer nofollow" href="https://www.timeout.com/tokyo/things-to-do/tokyo-now-has-three-3d-billboards-with-cute-realistic-animation">https://www.timeout.com/tokyo/things-to-do/tokyo-now-has-three-3d-billboards-with-cute-realistic-animation</a></p><p><br/></p><p>AR screen spaces near Tottenham Court Road:</p><p><a rel="noopener noreferrer nofollow" href="https://www.outernet.com">https://www.outernet.com</a></p><p><br/></p><p><br/></p>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=R4oBZ0x4mgM&amp;ab_channel=MIFF" />
         <pubDate>2023-11-28 17:57:48 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806149530</guid>
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      <item>
         <title>16k Scanning for Feature Film</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806150077</link>
         <description><![CDATA[<p>The 16K scanner established an innovative, faster workflow for 65mm dailies allowing directors to view rushes faster and in more depth than ever, optimizing the time used in post-production.</p><p><br></p><p>R&amp;D scanner speed = 1.6FPS @ 16K </p><p>Previous/other scanners = 0.4FPS @ 4K </p>]]></description>
         <enclosure url="https://www.smithsonianmag.com/air-space-magazine/conversation-todd-douglas-miller-180971551/#:~:text=You%20had%20to%20develop%20a,got%20it%20in%2016k%20resolution." />
         <pubDate>2023-11-28 17:58:12 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806150077</guid>
      </item>
      <item>
         <title>AI in Industry</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806150472</link>
         <description><![CDATA[<p><strong>Pre-production:</strong></p><ul><li><p>Writers rooms to format text</p></li><li><p>Concept stages, enabling quick mock ups of lighting/costume/set</p></li></ul><p><br/></p><p><strong>Production: </strong></p><ul><li><p>Generating actors in a virtual space, utilising AR and large screens to create an immersive 3d environment</p></li></ul><p><br/></p><p><strong>Post-production:</strong></p><ul><li><p>Colourisation of archive footage</p></li><li><p>Restoration of footage that has been damaged or is missing content</p></li><li><p>Upscaling and format renewal</p></li><li><p>Audio editing (sync, ADR)</p></li></ul><p><br/></p><p><strong>Pros:</strong></p><ul><li><p>If utilized correctly we can harness this technology to work in conjunction with industry standard software, streamlining processes that require less human involvement, its output can then be evaluated with human context and QC’d.</p></li><li><p>AI can also be used to mitigate ‘budget vs schedule vs expectations’ issues by providing predictions for the length of time required for post production processes. </p></li></ul><p><br/></p><p><strong>Cons:</strong></p><ul><li><p>Consent is required for using AI to replicate actors image and likeness</p></li><li><p>Regurgitating and adapting content without original IP owner’s consent can lead to data protection/copyright issues</p></li><li><p>If used to replace too much of the creative process, jobs are put at risk and the value of creative work is diminished </p><p><br/></p></li></ul><p><br/></p>]]></description>
         <enclosure url="https://www.broadcastnow.co.uk/tech/the-creative-use-of-generative-ai-in-post-production/5181926.article" />
         <pubDate>2023-11-28 17:58:29 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806150472</guid>
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      <item>
         <title>360 Video</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806311538</link>
         <description><![CDATA[<p>360 Video Captures Video on multiple cameras and then combines the footage to be able to be viewed in VR or as a 360 immersive experience. </p><p><br/></p><p><strong>New forms of workflow required for 360 video: </strong></p><ul><li><p>AI involvement in order to make the final output more seamless and interactive.</p></li><li><p>Data management is essential to collect this much data from the different lenses and make sure it is in the correct order</p></li><li><p>Editor must perform an initial "rough stitch" to piece together footage from the lenses</p></li><li><p>Final work includes smaller changes like removing the rig to hold the cameras/mounts/drone</p></li></ul><p><br/></p><p><strong>Technology used:</strong></p><p><br/></p><p>Meta camera is one of the leading companies in the 360 video industry, capable of producing 12k footage and popularly used for sporting events and large scale VR productions.</p><p><a rel="noopener noreferrer nofollow" href="https://meta-camera.io">https://meta-camera.io</a></p><p><br/></p><p>Mistika VR is a well known program used to edit and stitch footage together to create a coherent 360 video.</p><p><a rel="noopener noreferrer nofollow" href="https://www.sgo.es/mistika-vr/">https://www.sgo.es/mistika-vr/</a></p><p><br/></p><p><strong>Las Vegas Sphere immersive experience:</strong></p><p><a rel="noopener noreferrer nofollow" href="https://pacificdomes.com/msg-sphere-las-vegas/">https://pacificdomes.com/msg-sphere-las-vegas/</a></p><p><br/></p><p><strong>Art gallery using 360 Video for virtual tours:</strong></p><p><a rel="noopener noreferrer nofollow" href="https://theninebritishart.co.uk/exhibitions/jeremy-gardiner-south-by-southwest-2020/">https://theninebritishart.co.uk/exhibitions/jeremy-gardiner-south-by-southwest-2020/</a></p><p><br/></p><p><strong>A company that generates virtual property tours from 360 video by using AI:</strong></p><p><a rel="noopener noreferrer nofollow" href="https://help.ricoh360.com/hc/en-us/articles/360061734594-AI-Video-Maker#:~:text=AI%20technology%20automates%20the%20entire%20process&amp;text=The%20AI%20is%20able%20to,and%20automatically%20generates%20a%20video">https://help.ricoh360.com/hc/en-us/articles/360061734594-AI-Video-Maker#:~:text=AI%20technology%20automates%20the%20entire%20process&amp;text=The%20AI%20is%20able%20to,and%20automatically%20generates%20a%20video</a>.</p><p><br/></p><p>"The AI is able to identify points of interest that customers like from millions of 360˚ property images and automatically generates a video." - Ricoh 360 Tours</p><p><br/></p><p><strong>Video describing current 360 post production workflow:</strong></p><p><a rel="noopener noreferrer nofollow" href="https://www.screenskills.com/starting-your-career/first-day-in-post/">https://www.screenskills.com/starting-your-career/first-day-in-post/</a></p>]]></description>
         <enclosure url="https://vimeo.com/213954770" />
         <pubDate>2023-11-28 20:04:07 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806311538</guid>
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      <item>
         <title>360 Audio</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806311923</link>
         <description><![CDATA[<p>360 audio is advancing to keep up with visual technology and it consists of arrays of microphones placed specifically to give a stereo experience that appears to be 360. Many of these microphones mimic natural ear shapes etc. so as to get the most accurate sounding audio.</p><p><br/></p><p>AI can also be used to map audio to appear as if it is generated from certain parts of a space e.g. creating a immersive surround-sound experience from a simple stereo recording.</p><p><br/></p><p><strong>Study into generating spacial audio using neural networks:</strong></p><p><a rel="noopener noreferrer nofollow" href="http://www.svcl.ucsd.edu/~morgado/spatialaudiogen/spatialaudiogen.pdf">http://www.svcl.ucsd.edu/~morgado/spatialaudiogen/spatialaudiogen.pdf</a></p><p><br/></p><p><strong>How 360 audio works:</strong></p><p><a rel="noopener noreferrer nofollow" href="https://endabates.wordpress.com/2016/03/29/360-audio-in-practice/">https://endabates.wordpress.com/2016/03/29/360-audio-in-practice/</a></p><p><br/></p><p><strong>Types of microphones for 360 audio:</strong></p><p><a rel="noopener noreferrer nofollow" href="https://www.vrtonung.de/en/360-microphone-overview/">https://www.vrtonung.de/en/360-microphone-overview/</a></p><p><br/></p><p><strong>How AI is revolutionising spacial audio:</strong></p><p><a rel="noopener noreferrer nofollow" href="https://film-sound.berlin/blog/2023/06/09/adr-in-film-with-ai-revolutionizing-audio-post-production/">https://film-sound.berlin/blog/2023/06/09/adr-in-film-with-ai-revolutionizing-audio-post-production/</a></p>]]></description>
         <enclosure url="https://www.vrtonung.de/en/360-microphone-overview/" />
         <pubDate>2023-11-28 20:04:28 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806311923</guid>
      </item>
      <item>
         <title>Stereoscopic Vision</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806330633</link>
         <description><![CDATA[<p><strong>Parameters of human eyesight:</strong></p><ul><li><p>Stereoscopic vision limited to 60°cone </p></li><li><p>Narrower 30° cone defines zone of focused detail </p></li><li><p>Wider 120° cone defines edges</p></li></ul><p><br/></p><p><strong>Common AR fields of view:</strong></p><ul><li><p>Multiplex cinema FOV is about 54° </p></li><li><p>IMAX cinema average FOV is 70° </p></li><li><p>Samsung Gear VR horizontal FOV is 96° </p></li><li><p>Oculus Rift VR headset is 100°</p></li></ul><p><br/></p><p><br/></p>]]></description>
         <enclosure url="https://novavision.com/stereoscopic-vision-how-does-it-work/" />
         <pubDate>2023-11-28 20:21:52 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2806330633</guid>
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      <item>
         <title>Week 4</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2810465562</link>
         <description><![CDATA[<p>This week we were given feedback on our work, I found this particularly helpful in deciding the question and creative direction for my essay. </p><p><br/></p><p>I have chosen to focus on AI and its impact on the industry as many of the topics we have covered in the last weeks have had relevance to the emergence of AI and how its rapid advancement will have a large impact on the creative landscape.</p><p><br/></p><p>We also had a talk by James Uren, the technical director at Mo-Sys. His company focuses in cutting-edge virtual production.</p>]]></description>
         <enclosure url="" />
         <pubDate>2023-12-01 12:47:36 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2810465562</guid>
      </item>
      <item>
         <title>Virtual Production</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2810466115</link>
         <description><![CDATA[<p>Virtual&nbsp;production&nbsp;is an umbrella term including a suite of techniques that combine live footage&nbsp;and graphics in real-time.</p><p><br/></p><p><strong>Virtual Production Uses:</strong></p><ul><li><p>Creates sets and environments quickly</p></li><li><p>Reduces the cost of traditional sets and props</p></li><li><p>Enables filmmakers to make instant adjustments</p></li><li><p>Allows for a more natural and controlled lighting setup</p></li></ul><p><br/></p><p><strong>How does it work?</strong></p><p><br/></p><p>The main process behind virtual production is the integration of different technologies. </p><p><br/></p><p>These include: CGI, motion capture, facial recognition, laser scanning, robotics, AR and AI. Most commonly, this is achieved through programs such as Unreal Engine and ILM’s Stagecraft.</p><p><br/></p><p><strong>Definition of VP:</strong></p><p><a rel="noopener noreferrer nofollow" href="https://www.studiobinder.com/blog/what-is-virtual-production-definition/#:~:text=Virtual%20production%20is%20a%20method,effects%20on%20a%20virtual%20set">https://www.studiobinder.com/blog/what-is-virtual-production-definition/#:~:text=Virtual%20production%20is%20a%20method,effects%20on%20a%20virtual%20set</a>.</p>]]></description>
         <enclosure url="https://www.mo-sys.com/" />
         <pubDate>2023-12-01 12:48:15 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2810466115</guid>
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      <item>
         <title>Popular CGI and Motion Graphics software</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2810562023</link>
         <description><![CDATA[<p><strong>Autodesk Flame:</strong></p><p><a rel="noopener noreferrer nofollow" href="https://www.autodesk.co.uk/products/flame/overview?term=1-YEAR&amp;tab=subscription">https://www.autodesk.co.uk/products/flame/overview?term=1-YEAR&amp;tab=subscription</a></p><p><br/></p><p><strong>Nuke:</strong></p><p><a rel="noopener noreferrer nofollow" href="https://www.foundry.com/products/nuke-family/nuke">https://www.foundry.com/products/nuke-family/nuke</a></p>]]></description>
         <enclosure url="https://www.autodesk.co.uk/products/maya/overview?term=1-YEAR&amp;tab=subscription&amp;plc=MAYA" />
         <pubDate>2023-12-01 14:15:02 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2810562023</guid>
      </item>
      <item>
         <title>Week 5</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2818605725</link>
         <description><![CDATA[<p>This week we had a lecture directed by Lee McQueen, focusing on virtual production.</p>]]></description>
         <enclosure url="https://amt-lab.org/blog/2023/7/ai-and-virtual-production-the-past-meets-the-future" />
         <pubDate>2023-12-08 10:45:26 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2818605725</guid>
      </item>
      <item>
         <title>Virtual Production - Lee McQueen</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2818609483</link>
         <description><![CDATA[<p><strong>Case Study:</strong></p><p>1899 was released in 2022 on Netflix and follows a group of European emigrants travelling from Southampton, UK on a steamship named Kerberos to start new lives in New York City, US. The series soon revealed itself to have more sci-fi elements embedded in the narrative.</p><p><br/></p><p><strong>This production enabled advances in:</strong></p><ul><li><p>Remote working</p></li><li><p>Carbon footprint</p></li><li><p>Atmospherics</p></li><li><p>Crowd scenes</p></li><li><p>Weather</p></li><li><p>Use of VR in location scouting</p></li><li><p>Photogrammetry</p></li></ul>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=ZMynJCgJIQk" />
         <pubDate>2023-12-08 10:50:28 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2818609483</guid>
      </item>
      <item>
         <title>Use of VP in film</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2818636967</link>
         <description><![CDATA[<p>Virtual Production is now also becoming affordable for smaller productions such as this example on Coronation street which enabled lead actors to be involved in complicated stunt work with no risk.</p><p><br/></p><p><strong>Considerations:</strong></p><ul><li><p>Lighting</p></li><li><p>Atmospherics (rain/smoke/dust)</p></li><li><p>Happy accidents</p></li><li><p>Actor and Crew experience</p></li><li><p>Actors not being present</p></li><li><p>The rise of experiential cinema (Gravity, Revenant, Fall)</p></li></ul>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=VVonjniHuBs" />
         <pubDate>2023-12-08 11:26:05 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2818636967</guid>
      </item>
      <item>
         <title>LED Screens</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2818659044</link>
         <description><![CDATA[<p>Some of the fundamentals of VP (VR scouting, camera tracking, match moving real to virtual) had already been established in productions such as Avatar and the Lion King remake. </p><p><br/></p><p>LED screens have become more and more advanced and able to be constructed in large wall mainly used in festivals and gigs.</p><p><br/></p><p>LED screen technology such as pixel pitch becomes more detailed and affordable mean that having 'Final Pixel' on screen will allow productions to have much more versatility in the set up of their shots.</p><p><br/></p><p><strong>The Silent Killer of Virtual Production:</strong></p><p><a rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=M-vtf2TpopY&amp;t=211s">https://www.youtube.com/watch?v=M-vtf2TpopY&amp;t=211s</a></p>]]></description>
         <enclosure url="https://www.roevisual.com/en/markets/virtual-stages-and-film-studios#:~:text=Virtual%20productions%3A%20How%20does%20it,as%20immersive%20as%20you%20want." />
         <pubDate>2023-12-08 11:54:52 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2818659044</guid>
      </item>
      <item>
         <title>Motion control</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2818660403</link>
         <description><![CDATA[<p>The use of computer controlled movements in cameras for visual effects has been used for over 40 years. It is now often done by robotics, however many of the same considerations remain.</p><p><br/></p><p>The movements used to be very simple and limited to dollying and jib or crane work but with cutting edge advancements in robotics mean that there is much more versatility in movement.</p><p><br/></p><p>This website shows the advancements robotics have made on camera work:</p><p><a rel="noopener noreferrer nofollow" href="https://medium.com/@adelstein/how-robotics-is-revolutionizing-film-production-eeb5e79cccd5#:~:text=By%20integrating%20robotics%20with%20Virtual,chances%20of%20post-production%20surprises">https://medium.com/@adelstein/how-robotics-is-revolutionizing-film-production-eeb5e79cccd5#:~:text=By%20integrating%20robotics%20with%20Virtual,chances%20of%20post-production%20surprises</a>.</p><p><br/></p><p><strong>Computer controlled camera movement allows adjustments for:</strong></p><ul><li><p>Multiple passes</p></li><li><p>Crowd</p></li><li><p>Scale</p></li><li><p>Atmospheres</p></li><li><p>Speed</p></li></ul>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=mIlYk7KQe-s" />
         <pubDate>2023-12-08 11:56:36 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2818660403</guid>
      </item>
      <item>
         <title>Ethics </title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2998938289</link>
         <description><![CDATA[<p>A large concern with AI is its threat to the authenticity of work in the creative industry. </p><p><br/></p><p>This ability to potentially duplicate and therefore undermine the value of artistic expression has left many concerns for the future of original online art. </p><p><br/></p><p>I applied some of the concepts mentioned in these references to highlight the importance of ethical considerations when using AI for profit and creative work:</p><p><br/></p><p><strong>How AI is affecting copyright issues:</strong></p><p><a rel="noopener noreferrer nofollow" href="https://thenewstack.io/the-power-and-ethical-dilemma-of-ai-image-generation-models/">https://thenewstack.io/the-power-and-ethical-dilemma-of-ai-image-generation-models/</a></p><p><br/></p><p><strong>An article from Harvard detailing the potential issues brought by AI's rapid advancement "Great promise but potential for peril":</strong></p><p><a rel="noopener noreferrer nofollow" href="https://news.harvard.edu/gazette/story/2020/10/ethical-concerns-mount-as-ai-takes-bigger-decision-making-role/">https://news.harvard.edu/gazette/story/2020/10/ethical-concerns-mount-as-ai-takes-bigger-decision-making-role/</a></p><p><br/></p>]]></description>
         <enclosure url="https://mediaengagement.org/research/the-ethics-of-ai-art/" />
         <pubDate>2024-05-19 17:40:14 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2998938289</guid>
      </item>
      <item>
         <title>Modern Integration of AI</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2998944027</link>
         <description><![CDATA[<p><strong>Algorithms used in Spotify help tailor your music taste:</strong></p><p><a rel="noopener noreferrer nofollow" href="https://www.theverge.com/2024/4/8/24124070/spotify-ai-playlist-music-beta-launch-premium-uk-australia">https://www.theverge.com/2024/4/8/24124070/spotify-ai-playlist-music-beta-launch-premium-uk-australia</a>.</p><p><br/></p><p><strong>Netflix machine learning:</strong></p><p><a rel="noopener noreferrer nofollow" href="https://research.netflix.com/research-area/machine-learning">https://research.netflix.com/research-area/machine-learning</a></p>]]></description>
         <enclosure url="https://www.adobe.com/uk/products/photoshop/generative-fill.html" />
         <pubDate>2024-05-19 17:52:31 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2998944027</guid>
      </item>
      <item>
         <title>AI Immersive Experience</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2998945147</link>
         <description><![CDATA[<p>This link shows how some artists are working alongside AI, providing a silver lining to the idea that AI could be detrimental for creative work.</p>]]></description>
         <enclosure url="https://www.barbican.org.uk/hire/exhibition-hire-barbican-immersive/ai-more-than-human" />
         <pubDate>2024-05-19 17:55:05 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2998945147</guid>
      </item>
      <item>
         <title>Week 6</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2999993552</link>
         <description><![CDATA[<p>This week I focused on finding relevant research to back up my essay, I even utilised AI myself in order to create a title image.</p>]]></description>
         <enclosure url="" />
         <pubDate>2024-05-20 11:41:32 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/2999993552</guid>
      </item>
      <item>
         <title>Talk by Jack Østergaard-Churchill - Immersive Creative Technologist</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/3000022863</link>
         <description><![CDATA[<p>Jack gave many examples of industry-leading AI software, often used in conjunction with his medium of 360 video.</p>]]></description>
         <enclosure url="" />
         <pubDate>2024-05-20 12:16:18 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/3000022863</guid>
      </item>
      <item>
         <title>Using AI for Image Generation</title>
         <author>adriankskhoo</author>
         <link>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/3000047703</link>
         <description><![CDATA[<p>I experimented using this free AI text-to-image generator in order to produce a title image for my essay. </p><p><br></p><p>After trying various different prompts I settled on "<em>AI in creative industry</em>" which yielded the most accurate result for my topic.</p>]]></description>
         <enclosure url="https://deepai.org/machine-learning-model/text2img" />
         <pubDate>2024-05-20 12:43:28 UTC</pubDate>
         <guid>https://padlet.com/adriankskhoo/14qlibst55yhpwdn/wish/3000047703</guid>
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