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      <title>13 Tianhong Essay by Tianhong Wang</title>
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      <pubDate>2020-07-13 08:05:36 UTC</pubDate>
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         <pubDate>2020-07-31 08:26:30 UTC</pubDate>
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         <pubDate>2020-07-31 10:00:40 UTC</pubDate>
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         <pubDate>2020-07-31 10:01:31 UTC</pubDate>
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         <title>Source</title>
         <author>twang0320201</author>
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         <description><![CDATA[<div>Wang, G. and Yeh, E. Y. (2005) ‘Globalization and hybridization in cultural products: The cases of Mulan and Crouching Tiger, Hidden Dragon’, International Journal of Cultural Studies, 8(2), pp. 175 </div><div>Kraidy, M.M. (2005) Hybridity: Or the cultural logic of globalisation. Philadelphia: Temple University Press. </div><div>Monden, M. (2008) ‘Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic &amp; Lolita Fashion’, University of Technology, Sydney </div><div>Bernal, H. and Adele, K. (2011) ‘The Lolita Complex: a Japanese fashion subculture and its paradoxes’, Auckland University of Technology </div>]]></description>
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         <pubDate>2020-07-31 10:04:31 UTC</pubDate>
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         <title>Teacher&#39;s comment</title>
         <author>twang0320201</author>
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         <description><![CDATA[<div>Fashion: Clothing. The impacts of cultural hybridization on global fashion: Lolita, Beret, Malawi How can you connect these ideas? talk to others doing Fashion who are approved.</div>]]></description>
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         <pubDate>2020-08-03 07:37:42 UTC</pubDate>
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         <title>Teacher&#39;s comment for tutorial</title>
         <author>twang0320201</author>
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         <description><![CDATA[<div>1st paragraph: The fist sentence should be more specific, give the number of year to show the period of hybridisation. Then give a short explanation of expamles.<br>2nd paragraph: Can use chinese tunic suit as an example to discribe.<br>3rd paragraph: Lolita<br>4th paragraph: Harajuku style<br>5th paragraph: Gothic Lolita</div>]]></description>
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         <pubDate>2020-08-03 07:38:45 UTC</pubDate>
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