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      <title>Fashion and Feminism by </title>
      <link>https://padlet.com/rachael_walker2/13zwdyugbi3w</link>
      <description>This week’s session explores the complicated relationship between Feminism and Fashion charting the history of the women’s movement alongside narratives of dress with examples ranging from the Suffragettes’ adoption of fashionable dress as a political tool to Chanel S/S 2015’s appropriation of women’s liberation slogans within a catwalk show.</description>
      <language>en-us</language>
      <pubDate>2016-11-02 12:21:42 UTC</pubDate>
      <lastBuildDate>2023-06-05 11:58:35 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134735345</link>
         <description><![CDATA[<div><a href="https://padlet.com/rachael_walker2/13zwdyugbi3w">https://padlet.com/rachael_walker2/13zwdyugbi3w</a></div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 12:25:58 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134735345</guid>
      </item>
      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134735589</link>
         <description><![CDATA[<div><strong>Church Gibson, P. (2014) ‘Pornostyle: Sexualized Dress and the Fracturing of Feminism’, in </strong><strong><em>Fashion Theory</em></strong><strong>, Vol. 18, No. 2, pp. 189-206.</strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 12:26:55 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134735589</guid>
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      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134735769</link>
         <description><![CDATA[<div><br>How has feminism used or rejected fashionable styles in the past?<br><br>EXAMPLES<br>Melanie Griffiths </div><div>in Working Girl (1988)</div><div>1980s  power dressing</div>]]></description>
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         <pubDate>2016-11-02 12:27:35 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134735769</guid>
      </item>
      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134736965</link>
         <description><![CDATA[<div>“The practice of dressing in a style intended to show that one holds an important position in business, politics, etc.”</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 12:31:43 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134736965</guid>
      </item>
      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134738500</link>
         <description><![CDATA[<div><br>The official colours of the Pankhursts’ organisation (the Women’s Social and Political Union, founded in 1903) were purple, white and green, which were emblematic, respectively, of dignity, purity and hope; <br><br></div><div>Suffragettes liked to be depicted as feminine, in soft blouses and with their hair pinned up softly, to counter the stereotypes put forward by opponents that they were mannish or shrieking</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 12:36:55 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134738500</guid>
      </item>
      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134742403</link>
         <description><![CDATA[<div>Coco Chanel herself, who never identified herself as a feminist, despite the fact that she designed clothes that liberated women from the strictures of corsets and hobble skirts, and in doing so, became an icon of female independence from the moment she set up her own business in 1910.<br><br></div><div>Re-wrote the rule book</div><div>Had her own ideas about how women should look</div><div>Boyish, modest clothing with classic lines. </div><div>Trousers <br>Sorter hair cuts<br>Statement jewellery</div>]]></description>
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         <pubDate>2016-11-02 12:49:16 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134742403</guid>
      </item>
      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134746253</link>
         <description><![CDATA[<div>Can Fashion and Feminism co-exist?<br><br>Pornification of fashion: Using fashion to objectify womens physical appearance.</div><div>Sexualisation of popular culture which is endorsed by celebrity</div><div>“It should be noted that this look is confined to young women; there is no masculine equivalent”</div><div>Glamour model look</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 12:58:39 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134746253</guid>
      </item>
      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134746831</link>
         <description><![CDATA[<div>But to deny fashion its right to join the discussion about feminism seems to me to be unfair (even, dare I say it, repressive). If self-expression through what we wear is part of how we represent ourselves to the outside world – whether in dungarees or pinstriped suiting or something else entirely – then why not allow for a degree of playfulness? And if clothes are a way of hiding the body, they can also be paradoxically revealing: of emotion, whimsy, insecurity, status, even subversion. Consider the political and religious inferences of wearing black – from puritanical Calvinists to Italian fascists to Left Bank intellectuals – or the myriad connotations of red (Catholic cardinals, Russian revolutionaries, fairy-tale heroines, scarlet women).” </div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 13:00:10 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134746831</guid>
      </item>
      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134747417</link>
         <description><![CDATA[<div>How do you feel about Chanel’s appropriation of feminism slogans in the S/S 2015 show?<br><br>•Is fashion in itself anti-feminist?</div><div>•Slim beautiful models all the same size, with a pressure to be thin.</div><div>•Magazines telling us what to wear and what is fashionable</div><div>•Living up to an impossible ideal if what is considered feminine</div><div>Is it just a fad,  because protesting is cool?</div><div>Are the models taking it seriously?  Look at the slogans, what do they say?</div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 13:01:36 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134747417</guid>
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      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134748086</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 13:03:17 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134748086</guid>
      </item>
      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134748647</link>
         <description><![CDATA[<div>What does feminism mean to you?<br><br>Men, while benefiting from being the dominant sex, also have a stake in overcoming the restrictive roles that deprive them of full humanity.</div><div>Recognition of  inequalities by others</div><div>“The advocacy of women's rights on the ground of the equality of the sexes.” </div><div><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 13:04:28 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134748647</guid>
      </item>
      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134751319</link>
         <description><![CDATA[<div> Why does Church Gibson call ‘Pornostyle’ the ‘fracturing of feminism’ (see essential reading)?<br><br>DISCUSS</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 13:10:20 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134751319</guid>
      </item>
      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134754046</link>
         <description><![CDATA[<div>The word feminism gets a bad press as many believe it’s about women being better than men.</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 13:15:54 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134754046</guid>
      </item>
      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134755003</link>
         <description><![CDATA[<div>Does feminism matter today?<br>What are the current issues surrounding gender equality?</div><div>•He for She</div><div>•Equal Pay</div><div>•The abuse of women</div><div>•Right to Education</div><div>•Right to Drive</div><div>•Right to vote – Saudi Arabia, Vatican City, United Arab Emirates</div><div>•Tax on sanitary products</div><div>•Difficulty in women having careers and children, prejudice.<br><br>80% of garment workers are women so can fashion be truly feminist if the clothes produced exploit a female workforce.<br>These women have no collective bargaining power. They’re often forced to work extremely long hours, with little financial compensation. This is an area the Fashion Index (a survey of most major fashion brands' practices) picked up on, reporting their surprise upon finding that 30% of companies surveyed "do not have whistleblowing or confidential complaint mechanisms" in place for workers in their supply chain, or at least none that they mention publicly. <br><br><br><br><br></div><div><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 13:17:55 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134755003</guid>
      </item>
      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134756266</link>
         <description><![CDATA[<div>Today it is arguably the “sexy” rather than the most “stylish” celebrities who have the most power within the clothing—if not the fashion— industry.&nbsp;<br><br>This new “alternative” system, the “sexy” system, has its own sources of inspiration and, significantly, its own body ideals, which are quite different from that of high fashion. The celebrity body emulated in the alternative system is curvaceous, with a pronounced bosom and long limbs, which are invariably bared and often perma-tanned;</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 13:20:31 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134756266</guid>
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      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134757306</link>
         <description><![CDATA[<div>Two points of view:</div><div>•People should be able to wear whatever they want without being judged or deemed provocative.<br><br><br></div><div>•What we often aspire to is dictated by society pressuring us to dress in a certain way in order to be accepted, deemed beautiful. </div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 13:22:29 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134757306</guid>
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      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134757748</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 13:23:20 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134757748</guid>
      </item>
      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134758047</link>
         <description><![CDATA[<div>“Porn chic” has also been analyzed in more populist volumes. American journalist Ariel Levy describes in her book Ranch Culture how she came to question her own ultra-liberal ideals around women’s right to dress and behave as they please;</div><div>Is it a rebellion of the hundreds of years women have been made to cover up, constrain themselves and be demure, pure and non sexual?"</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 13:23:53 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134758047</guid>
      </item>
      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134758542</link>
         <description><![CDATA[<div>For the protests were sparked off in 2011 by a Toronto police officer who suggested in a talk on campus rape that if young women were to remain safe, they should “avoid dressing like sluts.” The two young women who co-founded the movement instantly took up his phrase and used it against protectionist elders. Here we find yet another area of conflict around dress and display—the new use of the semi-naked female body for protest, for a different kind of “empowered” display. The Slutwalk protests saw their members scantily dressed, to make it very clear that it is </div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 13:24:54 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134758542</guid>
      </item>
      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134759214</link>
         <description><![CDATA[<div>http://www.harpersbazaar.co.uk/fashion/fashion-news/the-language-of-fashion-justine-picardie<br><br></div><div>http://thefashionactivist.tumblr.com/post/31455558388/the-suffragettes-and-their-fashion<br><br></div><div>http://www.redletterpress.org/feminism101.html<br><br></div><div>http://www.theguardian.com/fashion/2015/oct/08/suffragette-style-movement-embraced-fashion-branding </div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 13:25:56 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134759214</guid>
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      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134760440</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://youtu.be/emkZ5rVIv7Q" />
         <pubDate>2016-11-02 13:28:26 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134760440</guid>
      </item>
      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134760968</link>
         <description><![CDATA[<div>Karl Lagerfeld's Flim Flam Feminism</div>]]></description>
         <enclosure url="https://www.theguardian.com/commentisfree/2014/oct/03/karl-lagerfeld-flimflam-feminism-fashionable" />
         <pubDate>2016-11-02 13:29:44 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134760968</guid>
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      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134763366</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 13:34:29 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134763366</guid>
      </item>
      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134777680</link>
         <description><![CDATA[<div>In recent years, a body of critical scholarship has emerged that interrogates the discourses of ‘new’, ‘sexy’, and ‘girlie’ feminisms. <em>BUST</em> magazine (1993–) has become emblematic of ‘girlie’ feminism, a form of ‘third-wave’ feminist engagement that revalues activities and interests traditionally associated with femininity, such as knitting, fashion, and make-up. In 2006, the magazine's fashion issue aroused controversy for its inclusion of a fashion spread devoted to ‘fashionable feminists’. Taking <em>BUST</em>'s fashion issue as a case study, this article contextualizes <em>BUST</em>'s particular take on fashion within both a broader history of feminist perspectives on the politics of dress and the negative backlash against feminism that gained particular strength during the 1980s. It argues that <em>BUST</em>'s fashion issue is an ambivalent text that offers, on the one hand, a homage to feminism's ‘past’ and, on the other hand, a rather simplistic view of that history. Finally, this article considers the critical debate about <em>BUST</em>'s fashion issue by feminists online. It asserts that, while <em>BUST</em> may offer a simplistic version of feminism conceived of as individual lifestyle choices, the online debate demonstrates that readers frequently engage this material in complex and nuanced ways.</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 14:05:34 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134777680</guid>
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         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134783668</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2016-11-02 14:17:42 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/134783668</guid>
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         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/136717763</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2016-11-10 13:56:43 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/136717763</guid>
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         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/136720418</link>
         <description><![CDATA[<div>Feminism in its basic concept is about equality, about not being judged by your gender and not being discriminated because of it. </div><div>So what role does fashion play in highlighting gender differences, creating stereotypes or championing equality and empowerment.</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-10 14:03:36 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/136720418</guid>
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         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/136728759</link>
         <description><![CDATA[<div>Teen Vogue</div>]]></description>
         <enclosure url="http://www.teenvogue.com/gallery/feminist-clothing-brands-2016" />
         <pubDate>2016-11-10 14:21:46 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/136728759</guid>
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         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/136743404</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.shethinx.com/" />
         <pubDate>2016-11-10 14:50:46 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/136743404</guid>
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         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/136754956</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2016-11-10 15:15:36 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/136754956</guid>
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         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/136755491</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2016-11-10 15:16:48 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/136755491</guid>
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         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/136757009</link>
         <description><![CDATA[<div><a href="http://eco-age.com/create/">http://eco-age.com/create/</a></div>]]></description>
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         <pubDate>2016-11-10 15:19:39 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/136757009</guid>
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      <item>
         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/136758812</link>
         <description><![CDATA[<div>In the post-World War II excitement of mass production and being able to buy things again, we simply stopped caring who we gave our money to. We stopped being citizens and started seeing ourselves as consumers. And when it comes to compulsive shopping, this has affected women in particular. There’s a reason the bored, shopping addict housewife is such a cliché.“It comes from a void,” reasons Orsola. “If you think about it, women have been culturally subjugated for such a long time, so it tends to be the female who is more impulsive. We tend to do the over-eating of the chocolate. We have a cultural void to fill. Because ultimately we’ve been subjugated and relatively ignored and we want a way to be noticed. And we tend to do it in excess.”</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-11-10 15:23:03 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/136758812</guid>
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         <title></title>
         <author>rachael_walker2</author>
         <link>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/136760100</link>
         <description><![CDATA[<div>No Sweatshops no Photoshop</div>]]></description>
         <enclosure url="http://birdsong.london/" />
         <pubDate>2016-11-10 15:25:17 UTC</pubDate>
         <guid>https://padlet.com/rachael_walker2/13zwdyugbi3w/wish/136760100</guid>
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