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This costume is from the first season of Bridgerton, and it is a good example of space. During the early 1800s, also known as the Regency period, women were wearing empire waistline dresses. Moving the waistline up under the bust allows for a more elongated figure, and the space is used differently on the body.

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Elvis is wearing a striped shirt where four stripes are visible. The sharp, thick lines add a sense of confidence, boldness, and masculine effect to his Canadian tuxedo (denim on denim). This outfit was for the Jailhouse Rock video, so it makes sense that he's wearing a "fashionable prison suit (if that's even a thing?)." The thin lines on his denim honestly remind me of higher-class style. He's also making some fun lines with his body and dance moves!!

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I see a rectangle shape at the top half of Lady Gaga's outfit, and some circles in the opening under the "jacket dress." There are also a lot of triangles going on, with the extended shoulder pads, suit cutout, and the slit.

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In this Grammy's outfit by Michael Jackson, he's wearing a bedazzled suit jacket over a white plain-textured shirt. His gloves are bedazzled with big studs, and the rest of the suit jacket is dark blue, bumpy, studs. The gold details are detailed with a tassled texture at the top, and more threaded on the diagonal piece in the front. This all-around beady, bumpy, glittery texture captures the light really well!

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This guide demonstrates the use of space on the body by changing the position of certain elements. Each dress shape changes the figure and emphasizes things like the waistline, and this contributes to how each dress impacts space.

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Holy hat! Clearly the main part of this outfit is the hat, I'm actually not sure what celebrity this is, but she's wearing a white basic top with ruffles at the end, to emphasize the probably tan colored hat. We can tell the hat is the main piece because of the large space it's taking up!

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Blake Lively wore this dress to the Met Gala for tribute to NYC. These are complimentary colors with a blue green and red orange duo. It resembles the Lady of Liberty! Later on, she took off the gown and it revealed a monochrome copper/orange dress and sash underneath.

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I am NOT a fan of Joey King, but this dress is pretty cool! It's optical illusion inspired, and the form is very 3d, wavy, and big. You can see the 3 big waves on the sleeves of the dress, complementing the illusion stripes on the rest of her dress. It's taking up a lot of space but you can tell there isn't a whole lot of fabric going on.

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This costume is from the 2015 film Crimson Peak, and the pieceis a large dress coat that demonstrates a minimal but effective use of line. The main line in the costume is the large bow in the center of the dress that hangs down, elongating the actress's figure. There is also a creative use of line art on the shoulder ruffle that is flowing, organic, and flower-like, adding to the character's free spirit.

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Scarlett Johansson wore a complete velvet look to the 2025 oscars, and you can see how the dress absorbs light here. There is clearly a ton of lighting coming from the right side, where you can see the highlights on the train of her dress and the hanging back top. Her velvet gloves in this picture are 90% engulfed by the left side of her dress, where the light isn't shining on it as much. You tell the material is velvet because her outfit absorbs light by the highlights and shadows of her dress.

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Whenever we talked about space in relation to the stage, the first thing I thought about was Mother Ginger from The Nutcracker. Obviously, this is a huge costume, but the scale of this dress is different for every production, depending on where it is.

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This dress, designed by Zuhair Murad, a Lebanese fashion designer, is a perfect example of line. It's a combination of horizontal lines all connecting at these curved lines by the hip. I feel like this dress makes the model look smaller at the waist while exaggerating her hips. As the lines run down the dress, they become more vertical, which I feel helps exaggerate her legs and make them look longer.

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This dress demonstrated shape in design. The top of this dress is a rectangle, and the skirt of the dress is a triangle.

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This is a unique piece of Haute Couture from Iris van Herpen Haute Couture Fall/Winter 2025-2026 collection. The fabric has LED lights in it, and the fabric is a type of special organza that makes it light, flowing, and reflective. The fabric of the dress reflects light so beautifully.

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This is the amazing ball gown from Disney's 2015 live-action Cinderella. The costumes in this movie were fantastic and gorgeous, making it a top-five favorite costume for me. The costume represents color so well, because the blue color is so specifically chosen by the designer, and the dress has layers of purple, green, and dark blue underneath the main top layers. The bold color in this scene is also a good use of color isolation to make the costume and actress stand out.

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This is a piece from the Chanel Fall/Winter 2019 Ready-to-Wear collection, which was Karl Lagerfeld's last show. The main suit has this black and white gingham pattern, and the large outer jacket has a black and white houndstooth pattern, making it an iconic look from Chanel. The look obviously uses a thick fabric that is kind of fluffy, furry, coarse, or perhaps tweed-like. The pattern and the fabric clearly demonstrate a textured look.

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This is probably one of my top ten favorite costumes ever. This look is from Alice Through the Looking Glass, and this specific costume is a good demonstration of shape. There are many different shapes, such as the circles around the shoulders, large ovals for the pants, triangles, and squares for the waistcoat and tails. This costume is a 3D representation that creates an extravagant look with the volume forming the various shapes we see.

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This is an amazing piece from Iris van Herpen's Fall 2025 Haute Couture collection. The look has the special flowing fabric that makes it look like air or water. The 3D sculpture work emerging from the bodies creates a unique form around the model. I think this amazing piece is one of my favorites from Haute Couture in recent years, and for the purpose of this assignment is a great visual representation of form.

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This outfit shows division of space on the body. The bandeau top makes her upper body look smaller, thinner, and longer, while the baggy pants make her lower body appear larger, wider, and a bit shorter.

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The element of line is showed many ways in this outfit. The overalls themselves have show lines from the v shapes cuts on the sides of the body, the top straight edge, and of course the straps. The overalls also have a vertical stripe patten, lengthening her appearance.

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These costumes very clearly show the element of shape! They have a square chest area and longer rectangles for the arms and legs. These costumes were made for a dramatic and I think comedic effect, and use this element very literally.

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This dress represents the element of form through the 3D circular details. The inspiration for this look was a flower, meaning the designer took forms from the flower itself and implemented them into the dress. Her arms, waist, below the knee reflect petals where as her thighs and chest resemble the stem.

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The woman's dress in this costume shows the element of light through reflection. The bottom 3/4 of her dress has these clear but shinny streamers, to resemble water. I would assume that whenever she moves the light catches these streamers and allows her to sparkle much like water would. She also has some green sequins within the flowers.

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This look shows the element of color through a monochromatic violet color palette. Everything down to the color of her rings and nails is a shade of violet. You could also argue that the gold hardware on her bag provides a complementary contrast with the violet as well.

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This model's look greatly reflects the element of texture through the chainmail dress. The chainmail itself has its own open, sturdy, cold, and metal texture. Additionally, the details along the seams of the neck, hood, hands, and feet all have the dangling sharp metal pieces that almost look painful!

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This saree uses interesting space on the body because the skirt portion takes up 70% of the outfit while the top takes up 30%. The skirt also demonstrates the way and outfit can take up physical space in a room.

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This dress uses lines to emphasize the shape of the model. The way the lines anll come to a point ant her hip accentuates her hips and the shape of her body.

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This outfit uses triangles to and rectangles to widen and shorten the sill life of the model. The skirt is a triangle and there’s triangles cut out of the shirt, while the different fabrics of the shirt create rectangular shapes as well.

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The outfit uses form to turn the model into a peculiar shape, almost like a statue instead of a person. It uses geometric shapes the create different dimensions.

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This dress utilizes mirror ball plastic scales to reflect light. The light hits the dress and reflects different colors and tones.

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This is a red, monochromatic outfit. By wearing one singular color, the outfit feels cohesive and put together.

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This dress uses several different textures, the base fabric of the dress, the quilted patches, and the fringe. By using texture this way, the dress is made more visually interesting.

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Cinderella's dress from the Into the Woods movie utilizes reflective metallic fabric to reflect light. The two-toned shiny organza-type fabric over the skirt also uses light to create a magical, ethereal mood for her costume. But also, it is not too reflective that it distracts from the rest of the costume.

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This empire-waist dress uses space to create an uneven but pleasing division of the high waist and skirt. The longer skirt elongates the appearance of this woman's height.

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This dress from the musical Anastasia is one of my favorite Broadway costumes. The rectangle shape of the dress is reminiscent of the 1920s era the show takes place in. Square shapes are also seen in this dress with the shape of the bodice and geometric sequin patterns on the front.

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This dress utilizes both horizontal and diagonal lines. The diagonal lines in the skirt not only make the woman look taller, but they also complement the horizontal lines of the bodice, which give the illusion of the wider bust.

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This photograph represents the element of shape because the dress Rama Duwaji is wearing gives a very oval/circular silhouette due to the rounded sleeves. Overall the dress has a very round silhouette.

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This screenshot from a TikTok represents the element of Line because of the stripes all over the outfit. The direction of the stripes is mostly vertical, which elongates the silhouette, but also emphasizes the waist and hips for a cinched look.

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This photograph represents the element of Space because of how much space Lady Gaga's dress is taking up. This dress was designed to take up as much of the runway as possible in order to give her a very dramatic entrance to the Met Gala.

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How To Succeed In Fashion, According To Brandon Maxwell

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This Anastasia costume utilizes the color red to create a bold and passionate look for the show's finale. The highlights of gold and the pure white gloves also evoke images of royalty and wealth. (As you can probably tell, I really love the costumes in Anastasia :)

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This image represents the element of Form because it shows how an undergarment can be used to create a specific 3D shape for an outfit. The use of a hoop skirt creates a very large a round shape for a skirt.

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This image represents the element of Light because of the reflection of light which creates the illusion of glowing stars. This dress is covered in some kind of sparkles(likely crystals) which reflect the light to recreate the way galaxies look.

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This image represents the element of Color because of the use of a complementary color palette. The colors yellow-green and red-violet are opposite each other on the color wheel and therefore when paired together create a very pleasing contrast.

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Bonjour, мої рідненькі🫶🏻💋 _Ваш улюблений лук від @hypelabs_ua та @shur___shur ❤️_🔥

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This image represents the element of texture because of the "mossy" textures used in the outfit. The textures used in this outfit are very fuzzy and soft which is being used to represent moss in order to create a "moss fairy outfit".

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This dress is a good example of form for its structured skirt and bodice. The design of large 3D skirt with these curved waves provides a unique, sculptured look for this dress.

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I thought Anne of Cleve's costume from the musical Six would be a great example of texture. This costume is made up of both fabrics, metals, and plastic: metal spikes and studs, faux fur, chains, sequins, and vinyl. This creates a very detailed texture with many layers. Also, on the shorts and sleeves, black fishnet fabric is layered over a shinier sequin(?) fabric to create a sort of "chain-link" texture.

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This image is an example of space about how clothing breaks up the body. Even though the garment is all one color, the seam under the bust line elongates the legs.

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The outfit features pants with vertical lines. These unbroken lines make the legs appear long in contrast with the solid black tank.

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This costume is from the Willy Wonka Film. It is a circle, meant to resemble a blueberry. The circumference of the circle provided a stark contrast to other non-circular children.

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This costume is for the character Karl the Giant from the musical Big Fish. It demonstrates space, because the actor is put on stilts and the legs are elongated to make this character stand above everyone else. The legs and pants of this costume take up more space and are disproportionate to the rest of the body.

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The lines of this top help exaggerate the top part of the body and keep the bottom part less noticeable. The black lines in the shirt help keep the shoulders slimmer and less wide, while the white lines bring a more sharp look to the outfit. the change in directions of the lines from the wrist to the arms also helps create more dimension in the shirt.

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This is an outfit Janelle Monae wore on a red carpet and it really illustrates the use of shape. The sharp, boxy, oversized shoulders go up to her ears making it appear as though she is just a body and head with out a neck. The use of shape her plays with the portrayal of her body as well as creating a more avant guard piece of clothing. The big top also contrasts from the mini skirt making her legs appear longer.

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Janelle Monáe may have played it safe at the Grammys, but at the 2025 Costume Designers Guild Awards, she reminded us why she's one of fashion's most fearless risk-takers.

Honoured with the Vanguard Spotlight Award-a recognition given to artists who push creative boundaries and inspire both industry insiders and audiences-Janelle had no choice but to deliver a look as bold as her legacy. And she did not disappoint.

There was zero chance she was going to roll up in another navy suit. Instead, she stepped onto the red carpet in a Viktor & Rolf Fall 2024 Haute Couture trapezoid suit with razor-sharp, gravity-defying shoulders that could cut through any fashion debate. It was the kind of surrealist, sculptural design that demands confidence-and, of course, Janelle had it in spades.

Also, let's take a moment to appreciate her return to her signature black-and-white palette. It's been a minute since we've seen her fully embrace her trademark aesthetic, and this was a triumphant comeback.

Now, here's the thing-you're either going to love this, or you're going to see it and immediately think of those carnival cutout boards where you stick your face in for a photo op. And honestly? That just makes me love it even more. Fashion should be fun, and Janelle has always understood that better than most.

She accessorized with Nak Armstrong earrings, a Rodo Firenze bag, patent leather kate spade new york Lori heeled loafers, and a sock combo that leaned into the suit's quirky proportions. While I personally prefer the runway styling-black tights and red pumps would've added an extra punch-I respect how she made it her own.

This look was daring, divisive, and totally Janelle. And that's exactly why she deserved this award.
Stylist: Alexandra Mandelkorn.

Credit: Axelle/Bauer-Griffin/FilmMagic / Vogue.com

FTC Disclaimer: Keep in mind that I may receive commissions when you click links and make purchases. However, this does not impact my reviews.

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Janelle Monáe receives the Vanguard Spotlight Award at the Costume Designers Guild Awards

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Janelle Monáe returns to form for the Costume Designers Guild Awards.

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This is a picture of Jennifer Lawrence in the Hunger Games, Catching Fire movie. This wedding dress depicts form in an interesting way, because the torso is a more form-fitted design that hugs her body. The bottom of the dress has lots of layers creating a shape that takes up a lot of 3D space, and the wings at the top of the dress go up and out instead of just out.

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Beautiful Dress from Tex Saverio, Indonesian Designer for Katniss Everdeen in The Hunger Games : Catching Fire

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This dress that Taylor Swift wore on a red carpet is made out of reflective mirror like material that allows light to bounce off of it and illuminates spaces around her as well as makes her entire dress look exceptionally shiny. It does a great job of depicting the element of light.

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Taylor Swift is holding a mirror up to society. Quite literally actually thanks to her choice of dress for the 2018 American Music Awards red carpet. On Tuesday evening, she arrived at the Microsoft Theater in Los Angeles in a compltely mirrored ensemble courtesy of Balmain.

The futuristic look comprised a metallic figure-hugging minidress with long sleeves and a mock neck-entirely covered in tiny platinum-mirror-like squares-plus a pair of matching disco ball-esque thigh-high stiletto boots with solid black cap toes. Swift accessorized with a few dramatically oversize rings and large, sparkly rectangular hoop earrings.

The pop star wore her honey blond hair in a sleek updo, with her bangs just skimming her eyelashes and a slight bouffant in the back. Her makeup was similarly '60s-inspired: Swift sported a peachy blush on her cheeks and a shimmery highlighter along the tops of her cheekbones, a soft pinkish-nude lipstick, and a bold cat-eye flick of black liquid eyeliner along her top lash line.

Swift was among the first to walk the AMAs red carpet since she was scheduled to open the big show with her first-ever televised performance of "I Did Something Bad." In the hours leading up to the performance, many fans began to speculate that her song choice had been specifically chosen to coincide with the powerful political statement she made on Sunday in support of Democratic midterm candidates.

Swift has proved herself a big fan of designer Olivier Rousteing's Balmain looks in recent years. In May 2015 she wore a chic white cutout jumpsuit by the designer to the Billboard Music Awards. Even more recently, her Reputation album cycle has seen her sporting several more Balmain looks, including the dramatic red kimono-style dress she wore in her " Look What You Made Me Do" music video, as well as the tiger-print oversize tee she rocked in the " End Game " video. Rousteing also happens to be both a friend and a favorite of Kim Kardashian West and her husband Kanye, but a star doesn't let peripheral feuds get in the way of a statement look.

Related: Taylor Swift's Albums Race up iTunes Charts After Endorsing Democrats

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Taylor Swift's AMAs Dress Holds a Mirror Up to Society

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Dress from The Borgias(2011) worn by Lucrezia Borgia, played by Holliday Grainger

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This dress fits the context of the scene, where Lucrezia was attending a holiday party filled with reds, golds, and greens. The atmosphere in the scene was warm, and the dress was designed to represent the warm, luxurious Italian lifestyle.

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Anok Yai in custom Swarovski at the Met Gala 2024 after party 

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This dress represents light well because it was made to be receptive to flash photography in dark spaces using encrusted crystals. Anok’s deep skin tone allows for a high-contrast look.

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Wei Yingluo, played by Wu Jinyan, in Story of Yanxi Palace(2018)

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In this historical drama, the main character was dressed in clothing that utilized clean lines and simple patterns, while the other characters wore more extravagant outfits. This was done to distinguish her from the other high-born characters and highlight her humble beginnings.

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This dress represents the element of form through the sculpted details that line the bust and hips. It gives this dress a 3D look and accentuates her bust and hips.

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This dress represents light in design. The lighting is coming from in front of her, and the dress mainly reflects it on her lower stomach.

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This outfit is an example of space because of its long, flowey sleeves that creates negative space when opened. These "sleeve panels" allow for air to work with the design, emphasizing the shape and motion rather than just the clothing itself. 

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Women's blouse, trousers, and a belt. designed by Gianfranco Ferré

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Although it is a two-piece, this outfit creates a distinctly straight and clean-lined look for the wearer, using the legs, neck, and wrists to break up the outfit into sections, making the look feel evenly distributed.

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This outfit represents colors in design. The pink and green are complementary colors. They help each other stand out in the outfit.

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This outfit is an example of line in fashion because of the long pinstripes that emphasize height and structure. The sharp edges and creases of the suit tie together to exemplify sophistication and power. 

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This dress represents texture in design. The feathers on the bottom of the dress and the satin top go really well together and make it an interesting dress.

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This outfit exemplifies shape by turning architecture into a wearable silhouette, making the "house hat" more dominant than any color, texture, etc. The structure sitting on his head manipulated the overall proportions and is the clear focus of the outfit. 

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Tea Gown, designed by,  Henry van de Velde

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This dress does not section the body at the middle to bring attention to the waist but instead creates a large area of space between the neck, shoulders, and feet, which could shorten the figure wearing it.

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This outfit represent form through its padded silhouette that reshapes and rounds the natural curves of the body. The pattern emphasizes these shapes and allows for more of a 3 dimensional viewing. 

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This outfit represents light in design as the reflective nature of the material demands more attention than any other aspect. It reflects a combination of flare, spectacle, and increased visibility from further away. 

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This outfit shows multiple patterns and textures. It looks like it was made to be a living art piece and would be a bit

impractical to wear on a casual day.

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The green dress in this image represents color not only because of its vibrance, but the way it stands out against the red background alongside a partner in yellow. The outfit features green shoes and green accessories, further emphasizing the importance of color in the outfit. 

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This outfit represents texture through its long, layered fringe that creates a dynamic surface. Depending on the wearer's movement or lack thereof, the material flows and alters in appearance. 

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This blazer was made to utilize triangles and sharp edges. This gives the wearer a very edgy and sharp look. Looks like it could be worn by someone "evil" .

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On the red carpet, the hoop skirt has been left exposed. The design gave the dress a very three-dimensional feel, allowing it to be perceived from multiple different planes.

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This dress, worn by Zenday actully lit up itself and the tulle fabric of the skirt broke up the light to provide the illusion that she is glowing. This illusion is especially prominent next to the fairy godmother-inspired look to the left, where the dark fabric around the sleeves and lapel absorbs light.

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This dress from the anim,ated Anistasia film was worn to the opera. The navy blue color reads as elegant and regal, and is a color that was not previously worn by this character. The contrast with the white gloves gives this look variation and makes the silver jewelry pop.

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This look is from the Narnia film the beaded texture of the dress mirrors the icy curse thrust on Narnia. The Fur cape provided warmth while also signaling the status of the character.

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This is a picture of Penelope Featherington from the series Bridgerton. I chose this yellow dress to represent the design element-color, because throughout the first few seasons of the show, it was talked about how penelope hated her dresses because they didn't compliment her and her hair. the yellow is extremely bright on this actress, later on she starts wearing darker greens and and it matches the character better.

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The Ultimate Seafood Lover (@theultimateseafoodlover) on Threads

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In the Netflix series Bridgerton , Penelope Featherington’s yellow butterfly dress represents her growth, confidence, and emergence from her cocoon. The dress symbolizes:
💛 Transformation: Like a butterfly, Penelope is transforming from a shy, overlooked wallflower to a confident, desirable woman.
💛 Self-expression: The dress showcases Penelope’s personality, creativity, and individuality. 🦋🦋🦋🦋🦋🦋🦋

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These costumes from the musical Wicked, do a great job of using texture throughout the costumes to show that these are people who live in a world that is not our own. The texture also creates a lot of whimsy and dimension adding to the "showiness" of the emerald city.

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Wardrobe for musical a ‘Wicked’ lot of work

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There are numerous factors that make a musical spectacular onstage, such as visual and acoustic effects but, all things considered, it’s the wardrobe that adds glamour to the whole show. The wardrobe for the smash hit Broadway musical “Wicked” includ