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Calm or soothing colors. Green, blue, and violet.

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a category of artistic composition, as in music or literature, characterized by similarities in form, style, or subject matter.

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The standard photographic film format for analog single lens reflex still cameras and motion picture cameras.

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A type of camera with two objective lenses of the same focal length. One of the lenses is the photographic objective or the lens that takes the picture, while the other is used for the viewfinder system, which is usually viewed from above at waist level.

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A camera which records images in a format larger than 4 x 5 inches. The main advantage of large format cameras is their incredible image resolution.

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A monochrome imaging process based on the light sensitivity of silver halides.

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a keeper or custodian of a museum or other collection.

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a public display of works of art or items of interest, held in an art gallery or museum or at a trade fair.

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using elements of a scene to create a frame within your frame.

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a room or building for the display or sale of works of art.

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the exclusive legal right, given to an originator or an assignee to print, publish, perform, film, or record literary, artistic, or musical material, and to authorize others to do the same.

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An element of art defined by a point moving in space. Line
may be two-or three-dimensional, descriptive, implied, or
abstract.

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An element of art that is two-dimensional, flat, or limited to
height and width.

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An element of art that is three-dimensional and encloses
volume; includes height, width AND depth (as in a cube, a
sphere, a pyramid, or a cylinder). Form may also be free
flowing.

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The lightness or darkness of tones or colors. White is the
lightest value; black is the darkest. The value halfway
between these extremes is called middle gray.

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An element of art by which positive and negative areas are
defined or a sense of depth achieved in a work of art.

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An element of art made up of three properties: hue, value,
and intensity.
• Hue: name of color
• Value: hue’s lightness and darkness (a color’s value
changes when white or black is added)
• Intensity: quality of brightness and purity (high
intensity= color is strong and bright; low intensity=
color is faint and dull)

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An element of art that refers to the way things feel, or look
as if they might feel if touched.

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the distribution of the visual weight of objects, colors, texture, and space. If the design was a scale, these elements should be balanced to make a design feel stable. In symmetrical balance, the elements used on one side of the design are similar to those on the other side; in asymmetrical balance, the sides are different but still look balanced. In radial balance, the elements are arranged around a central point and may be similar.

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the use of several elements of design to hold the viewer’s attention and to guide the viewer’s eye through and around the work of art.

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the repeating of an object or symbol all over the work of art.

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the feeling of unity created when all parts (sizes, amounts, or number) relate well with each other. When drawing the human figure, proportion can refer to the size of the head compared to the rest of the body.

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the path the viewer’s eye takes through the work of art, often to focal areas. Such movement can be directed along lines, edges, shape, and color within the work of art.

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is the feeling of harmony between all parts of the work of art, which creates a sense of completeness.

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the part of the design that catches the viewer’s attention. Usually the artist will make one area stand out by contrasting it with other areas. The area could be different in size, color, texture, shape, etc.

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symmetry around a central axis, as in a starfish or a tulip flower.

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made up of exactly similar parts facing each other or around an axis; showing symmetry.

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having parts which fail to correspond to one another in shape, size, or arrangement; lacking symmetry.

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the fact of two things being seen or placed close together with contrasting effect.

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containing or using only one color.

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existing in thought or as an idea but not having a physical or concrete existence.

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Vivid or bold colors. Red, orange, yellow.

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Modern color theory uses either the RGB additive color model or the CMY subtractive color model, and in these, the complementary pairs are red–cyan, green–magenta, and blue–yellow.

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those colors to which you can't give a definite color name. These colors include beige, cream, ivory, white, grey, brown and natural wood.

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a piece should be divided into nine squares of equal size, with two horizontal lines intersecting two vertical lines.

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It helps lead the viewer's eye through the entire photo, leading to more captivating images.

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a technique of composition where the viewer of your photos attention is drawn to lines that lead to the main subject of the image.

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the main focus of a picture

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refers to the background

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an impersonal image not influenced by feelings, interpretations or prejudice.

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the creative or artistic process. The aim is to make a personal interpretation, a composition to capture and create an image with style.

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the process of offering valid and well-reasoned opinions about the work of others, usually involving both positive and negative comments, in a friendly manner rather than an oppositional one.

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relating to moral principles or the branch of knowledge dealing with these.

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a type of intellectual property consisting of a recognizable sign, design, or expression which identifies products or services of a particular source from those of others

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relating to moral principles or the branch of knowledge dealing with these.

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illumination from behind.

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a soft light with neither the intensity nor the glare of direct light.

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the light that is already present in a scene, before any additional lighting is added.

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an effect of contrasted light and shadow created by light falling unevenly or from a particular direction on something.

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the dark shape and outline of someone or something visible against a lighter background, especially in dim light.

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a painting, especially an altarpiece, on two hinged wooden panels which may be closed like a book.

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a set of three associated artistic, literary, or musical works intended to be appreciated together.

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a minute area of illumination on a display screen, one of many from which an image is composed.

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when the Sun is at a significant depth below the horizon and residual, indirect sunlight takes on a predominantly blue shade

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the first hour after the occurrence of a traumatic injury, considered the most critical for successful emergency treatment.

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a standard way that information is encoded for storage in a computer file.

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measures the sensitivity of the image sensor.

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random variation of brightness or color information in images

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a scale created by the American Standards Association, but it is no longer widely used.

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the individual silver (or other metal) particles that make up the image of a developed and fixed, possibly also toned, black and white film

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convert the light received on the camera or imaging device lens into a digital image.

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denoting or relating to a camera that combines the optics and mechanisms of a single-lens reflex camera with a digital imaging sensor, rather than photographic film.

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a set of data that describes and gives information about other data.

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a small image representation of a larger image, usually intended to make it easier and faster to look at or manage a group of larger images.

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“Straight Out Of Camera”, simply meaning that an image can be good enough to print straight from the camera without further processing.

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an image stabilization technology that minimizes blur caused by camera shake.

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a specific part of the frame where the camera is able to focus on something. When looking through the viewfinder, these points are denoted by small squares clustered around the centre of the frame.

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he general technique of taking several shots of the same subject using different camera settings.

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shows the exposure.

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a technique for adjusting the exposure indicated by a photographic exposure meter, in consideration of factors that may cause the indicated exposure to result in a less-than-optimal image.

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The f-stop is the "aperture" opening of a camera lens, which allows light to come in. It also determines how much is in focus in front of and behind the subject (see depth of field).

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The size of the diaphragm opening in a camera lens REGULATES amount of light passes through onto the film inside the camera the moment when the shutter curtain in camera opens during an exposure process.

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the effect of a soft out-of-focus background that you get when shooting a subject, using a fast lens, at the widest aperture, such as f/2.8 or wider.

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the distance between the closest and farthest objects in a photo that appears acceptably sharp

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the distance between the lens and the image sensor when the subject is in focus

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also called continuous shooting mode, sports mode or continuous high speed mode, is a shooting mode in still cameras. In burst mode, several photographs are captured in quick succession by either pressing the shutter button or holding it down.

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the length of time when the film or digital sensor inside the camera is exposed to light

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a shutter speed option that you can select in Manual mode on your camera. It allows your shutter speed to be any length you choose: one second, one minute, 17 minutes, or anything else.

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apparent streaking of moving objects in a photograph or a sequence of frames, such as a film or animation. It results when the image being recorded changes during the recording of a single exposure, due to rapid movement or long exposure.

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the act of accidentally shaking a camera during shooting due to unsteady hands, which results in blurry images.

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The monopod is used to hold the camera steady while in the field. It is not as steady as a tripod since it has only one leg. This allows movement in the horizontal plane, but prevents up and down movement.

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adjusts the color balance of light the you're shooting in so that it appears a neutral white, and it's used to counteract the orange/yellow color of artificial light

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simply to record an image using the light that exists all around us. This can be direct sunlight, reflected sunlight or ambient sunlight.

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your subject is standing in the shade so direct sunlight is not hitting him, but he is looking out of the shade toward the open sky. When it's bright and sunny out, open shade will give you the best photos.

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an overcast day gives you diffused lighting photography.

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an artificial lighting source (like a lamp or ceiling fixture) that emits heat and produce a “warmer” or reddish color.

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process that records the glow or visible light given off by certain substances when they are irradiated by ultraviolet rays.

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artificial light

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adjusting colors so that the image looks more natural. We go through the process of adjusting colors to primarily get rid of color casts, in order to match the picture with what we saw when we took it

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When talking about photography the term 'shadow' is used to describe the darkest parts of an image. ... Manipulation of the lighting and exposure of shadow within an image can be used to add or remove darkness from a scene, dramatically altering the overall feel and depth of a photograph.

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That range of tones which lie between highlights with detail and shadows with detail.

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A highlight is a bright spot in a photograph. Normally it is assumed to be one of the brightest points in the image. Highlights are normally created by a bright or intense illumination or by various forms of diffusion or reflection. Highlights are created by any bright light source.

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sepia is a form of photographic print toning – a tone added to a black and white photograph in the darkroom to “warm” up the tones (though since it is still a monochromatic image it is still considered black and white).

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Post processing is process of editing the data captured by camera while taking the photo to enhance the image. ... There are more and more camera which have come into market which can capture RAW files. Raw files has much more data at pixel level which and help in post processing and enhancing the image.

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involves using a long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements.

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denoting the photographic technique of taking a sequence of frames at set intervals to record changes that take place slowly over time. When the frames are shown at normal speed, or in quick succession, the action seems much faster.

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a photographic technique in which exposures are made by moving a hand-held light source while taking a long exposure photograph, either to illuminate a subject or to shine a point of light directly at the camera, or by moving the camera itself during exposure.

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to photograph or televise while rotating a camera on its vertical or horizontal axis in order to keep a moving person or object in view or allow the film to record a panorama: to pan from one end of the playing field to the other during the opening of the football game.

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The amount of detail that the camera can capture is called the resolution, and it is measured in pixels. The more pixels a camera has, the more detail it can capture and the larger pictures can be without becoming blurry or "grainy."

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the same size as a single frame of traditional 35mm film, measuring 36 x 24mm. This means a full-frame sensor has more than 2.5 times the surface area of an APS-C sensor.