# data[].attributes.headline
Social Landscape Photography portrays the effects of human begins on the earth. It is the photography of the human built or human altered landscape. 

# data[].attributes.subject
Social Landscape Photography portrays the effects of human begins on the earth. It is the photography of the human built or human altered landscape. 

# data[].attributes.body
on November 15, 1932, 11 photographers announced themselves as group F/64:
Ansel Adams, Imogen Cunningham, John Paul Edwards, Preston Holder, Consuelo Kanaga, Alma Levenson,Sonya Noskowiak, Henry Swift, Willard Van Dyke, Brett Weston and Edward Weston.

the group was part of the modernist movement that was looking at architecture. similar to straight photography with how they are wanting clarity in the photos.

Encyclopedia Britannica. (2019). Group f.64 | American photography group. [online] Available at: https://www.britannica.com/art/Group-f64 [Accessed 21 Nov. 2019].

# data[].attributes.body
Other artists such as Paul Strand and Alfred Stieglitz used traditional methods to photograph real life scenes and objects in ways which emphasised the abstract qualities.

Abstract Photography - Concepts & Styles. (2019). Retrieved 21 November 2019, from https://www.theartstory.org/movement/abstract-photography/history-and-concepts/#beginnings_header

# data[].attributes.headline
The Abstract photography movement is associated with Photo-Secession and Straight Photography. 

# data[].attributes.subject
The Abstract photography movement is associated with Photo-Secession and Straight Photography. 

# data[].attributes.body
One of the key ideas from this movement is that people began to realise that you didn't need a camera to make a photograph. In the early twentieth century artists such as Christian Schad and Man Ray began to experiment and create photograms which are contracted-prints created without a camera by placing objects on to photosensitive paper creating captivating images which at that time were seemed as strange because they were so abstract.

# data[].attributes.body
An art movement that formed during the First World War in negative reactions and horror towards the effects of it. It often appears satirical and nonsensical in nature.

Surrealism
A movement that started in 1917 and is known by dream like visuals and abstract appearances using symbolism.

Dada – Art Term | Tate. (2019). Retrieved 21 November 2019, from https://www.tate.org.uk/art/art-terms/d/dada

# data[].attributes.attachment_link.readable_text
Dada artists felt the war called into question every aspect of a society capable of starting and then prolonging it - including its art. Their aim was to destroy traditional values in art and to create a new art to replace the old. As the artist Hans Arp later wrote:

In addition to being anti-war, dada was also anti-bourgeois and had political affinities with the radical left.

The founder of dada was a writer, Hugo Ball. In 1916 he started a satirical night-club in Zurich, the Cabaret Voltaire, and a magazine which, wrote Ball, 'will bear the name "Dada". Dada, Dada, Dada, Dada.' This was the first of many dada publications. Dada became an international movement and eventually formed the basis of surrealism in Paris after the war.

Leading artists associated with it include Arp, Marcel Duchamp, Francis Picabia and Kurt Schwitters. Duchamp's questioning of the fundamentals of Western art had a profound subsequent influence.

# data[].attributes.attachment_link.description
Tate glossary definition for dada: Art movement formed during the First World War in Zurich in negative reaction to the horrors and folly of the war often satirical and nonsensical in nature

# data[].attributes.body
constructivism was suppressed in Russia but it was brought to the west by Naum Gabo and Antoine Pevsner. they believed that instead of being emotional and artistic, art should reflect the modern industrial world. this is why a lot of constructivism art is of industry because of the straight lines and patterns.

the art was influenced by cubism and futurism. the key themes were geometric, experimental and rarely emotional.
the movement arose fully just after World War One, which suggests a need for understanding in something that can be controlled.

Encyclopedia Britannica. (2019). Constructivism | art. [online] Available at: https://www.britannica.com/art/Constructivism-art [Accessed 21 Nov. 2019].
Arthistoryarchive.com. (2019). Russian Constructivism - The Russian Constructivism Art History Archive. [online] Available at: http://www.arthistoryarchive.com/arthistory/constructivism/ [Accessed 21 Nov. 2019].

# data[].attributes.body
Photo-Secession | Definition, History, Photographers, & Facts. (2019). Retrieved 21 November 2019, from https://www.britannica.com/topic/Photo-Secession

# data[].attributes.headline
straight photography was as early as 1904.

# data[].attributes.subject
straight photography was as early as 1904.

# data[].attributes.body
the term refers to photographs that aren't manipulated in any way.
Paul Strant and Alfred Stieglitz were the first in straight photography in New York.
straight photographers visualised their image before taking the photo.

The Art Story. (2019). Straight Photography Movement Overview. [online] Available at: https://www.theartstory.org/movement/straight-photography/ [Accessed 21 Nov. 2019].

# data[].attributes.headline
The Photo-Secession was an early 20th Century movement.

# data[].attributes.subject
The Photo-Secession was an early 20th Century movement.

# data[].attributes.body
It was founded by Alfred Stieglitz and F.Holland Day. They shared their controversial point that a photograph is not about what is in front of the camera but it is about the manipulation of the image by the photographer to achieve the vision that they want.

The group was formed in 1902 when  Stieglitz was chosen to choose the best contemporary American photography and he had a disagreement about what images should be included which is how he founded this group. He named it the Photo-Secession to give the impression that his ideas were backed by many other well known photographers.

# data[].attributes.headline
Pictorialism is an approach tp photography that focuses on the aesthetic and beauty of an image rather than the documentation of the actual reality. 

# data[].attributes.subject
Pictorialism is an approach tp photography that focuses on the aesthetic and beauty of an image rather than the documentation of the actual reality. 

# data[].attributes.body
It's the transition of it being an aspect of science to being a form of art.

Pictorialism | photography. (2019). Retrieved 21 November 2019, from https://www.britannica.com/technology/Pictorialism

# data[].attributes.attachment_link.readable_text
Pictorialism, an approach to photography that emphasizes beauty of subject matter, tonality, and composition rather than the documentation of reality.

The Pictorialist perspective was born in the late 1860s and held sway through the first decade of the 20th century. It approached the camera as a tool that, like the paintbrush and chisel, could be used to make an artistic statement. Thus photographs could have aesthetic value and be linked to the world of art expression.

The name itself derived from the thought of Henry Peach Robinson, British author of Pictorial Effect in Photography (1869). In his desire to separate photography as art from the scientific ends to which it had been applied, Robinson suggested appropriate subject matter and compositional devices, including the joining together of sections of different photographs to form a "composite" image. In the 1880s the British photographer Peter Henry Emerson also sought ways to promote personal expression in camera images. While critical of composite photographs, Emerson and his followers, looking to models provided by artists such as J.M.W. Turner, the painters of the Barbizon school, and the Impressionist painters, attempted to recreate atmospheric effects in nature through attention to focus and tonality.

Emerson's book Naturalistic Photography (1889) was immensely influential in the last years of the 19th century. American and European photographers who followed its precepts organized associations and mounted exhibitions designed to show that the medium was capable of producing works of great beauty and expressiveness. Before 1900 the Linked Ring in Great Britain, the Photo Club of Paris, the Kleeblatt in Germany and Austria and, after the turn of the century, the Photo-Secession in the United States all promoted photography as fine art. Toward this end, some photographers condoned hand-work on the negative and employed special printing methods, using-among other chemicals-gum bichromate and gum bromoil. In addition to these procedures, which insured that each print was differentiated from others from the same negative, Pictorialist photographers also favoured the inclusion of monograms and the presentation of work in tasteful frames and mats. Frederick H. Evans, Robert Demachy, and Heinrich Kühn were among the notable Europeans who participated in the movement.

Pictorialists in the United States included Alvin Langdon Coburn, F. Holland Day, Gertrude Käsebier, Edward Steichen, Alfred Stieglitz, and Clarence H. White. In the late work of Stieglitz, and that of Paul Strand and Edward Weston, American Pictorialism became less involved with atmospheric effects and beautiful subject matter, but for some years after World War I, the older ideals of pictorial beauty were retained by the group called Pictorial Photographers of America. By the late 1920s, as the aesthetics of Modernism took hold, the term Pictorialism came to describe a tired convention.

# data[].attributes.attachment_link.title
Pictorialism | History, Techniques & Examples

# data[].attributes.attachment_link.description
Pictorialism, an approach to photography that emphasizes beauty of subject matter, tonality, and composition rather than the documentation of reality. The Pictorialist perspective was born in the late 1860s and held sway through the first decade of the 20th century. It approached the camera as a

# data[].attributes.body
Joseph Nicephore Niepce contracted a wood camera.  later in 1826 he invented the heliograph, which he used to take the earliest known permanent photograph.

In 1939 Robert Cornelius took the first self portrait. he sat in front of the camera for about 1 minute before moving to cover the lens.

1861 was the first colour photograph, created by James Clerk Maxwell. He did this by photographing it three times through red, blue and yellow filters, them combining the images together to create 1 image.

Brabant, M. (2019). A brief timeline of the history of photography! — Dickerman Prints - Your San Francisco Custom Photo Lab. [online] Dickerman Prints - Your San Francisco Custom Photo Lab. Available at: https://www.dickermanprints.com/blog/a-brief-timeline-of-the-history-of-photography [Accessed 21 Nov. 2019].

PetaPixel. (2019). 20 First Photos from the History of Photography. [online] Available at: https://petapixel.com/2015/05/23/20-first-photos-from-the-history-of-photography/ [Accessed 21 Nov. 2019].