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designed to assist users in defining and refining the selected portion of the canvas.

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focuses soft edges in a photo to increase clarity or focus

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allows you to paint blur effect on specific areas of an image.

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darkens areas of an image. The more you paint over an area with the Burn tool, the darker it becomes.

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allows you to lighten specific areas of your image without affecting hue or saturation.

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works on color saturation.

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simulates a brush smearing wet paint

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removes the part of an image surrounding the selection.

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You draw it across a line that's supposed to be straight, and then Photoshop will do the actual straightening for you.

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allows you to create more advanced color fills for interesting effects and a higher degree of control.

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allows you to create gradual changes of color and light across an image with power and precision.

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allows you to add horizontal text to your images.

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allows you to move your image while you're zoomed in to more than 100% and part of the image is out of view.

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used for magnifying a selected part of the image.

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an element of the painting tool that allows you to select a brush shape (square, circle, oval and so on) and also the the thickness in pixels you want to paint on your image with

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enables you to create selections that, of course, have elliptical or even circular shapes

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 allows you to quickly and easily select one area or section of an image.

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creates selections with straight edges.

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automatically selects an object or area of your image, using machine learning to discern what you might be trying to select.

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The lasso (or "free form selection") is an editing tool available, with minor variations, in most digital image editing softwares[1] and some specific strategy games.

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A scrim is a device used in the film and television industries, as well as by photographers, to modify properties of light.

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an improvised or specialised reflective surface used to redirect light towards a given subject or scene.

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(APS-C) is an image sensor format approximately equivalent in size to the Advanced Photo System film negative in its C ("Classic") format, of 25.1×16.7 mm, an aspect ratio of 3:2 and Ø 30.15 mm field diameter.

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A full-frame camera uses a sensor that's the same size as a single frame of traditional 35mm film

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the ratio of the dimensions of a camera's imaging area compared to a reference format;

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? The last hour before sunset and the first hour after sunrise

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the period of time just before sunrise or just after sunset when the sun casts a diffuse light from below the horizon and the sky takes on a vivid blue tone.

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A triadic color scheme consists of three colors. Unlike colors that sit next to or directly across each other, triadic colors are equidistant on the color wheel. When you join these colors, they form a triangle.

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the repeated exposure of a photographic plate or film to light, often producing ghost images.

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is a technique that creates high dynamic range images by taking and combining multiple exposures of the same subject matter at different exposure levels.

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Straight Out Of Camera.” It refers to images that are shown exactly as they were captured by the camera, with no post-processing applied whatsoever.

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DPI refers to the number of printed dots contained within one inch of an image printed by a printer. PPI refers to the number of pixels contained within one inch of an image displayed on a computer monitor.

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the number of pixels that exist within that image

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a proportional relationship between an image's width and height

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the removal of unwanted outer areas from a photographic or illustrated image.

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displays the options for a selected tool.

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where you'll access different commands to use in Photoshop

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groups of tools used to edit and manipulate your image.

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where Photoshop holds the many tools we have to work with

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save a current size and position of panels as a uniquely named workspace and restore that workspace even if you move or close a panel

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an important tool for photographers to have in their arsenal.

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helps you override automatic exposure adjustments your camera makes in situations with uneven light distribution, filters, non-standard processing, or underexposure or overexposure

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hows how much your set exposure values deviate from the levels the camera believes are optimal

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bracketing is the general technique of taking several shots of the same subject using different camera settings, typically with the aim of combining the images in postprocessing.

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a specific part of the frame where the camera is able to focus on something.

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a chemical process used in photography which changes the appearance of black-and-white prints to brown.

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a darker border - sometimes as a blur or a shadow - at the periphery of photos.

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he lightest elements in an image

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The Tonal Range That Lies Between The Extreme Highlights And Shadows, Lending A Sense Of Depth, Dimension, And Naturalness To A Photograph

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a dark area where light from a light source is blocked by an object. It occupies all of the three-dimensional volume behind an object with light in front of it.

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gives its owner the exclusive right to use certain words, slogans, or images in commerce as a signifier of the source of goods.

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protects original works of authorship, including original photographs

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the creative or artistic process. The aim is to make a personal interpretation, a composition to capture and create an image with style

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an impersonal image not influenced by feelings, interpretations or prejudice

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following a set of moral principles and guidelines when taking and sharing photos.

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Copying an image from a book or the internet without citing the original source (or gaining permission of the creator when necessary

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the act of giving feedback that is supportive

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what takes your two-dimensional photograph and makes it appear life-like and three-dimensiona

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defines how light or dark a given color or hue can be

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details that visually describe how something physically feels.

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create visual contrast, direct attention, evoke mood, and more

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the act of adding visual space in front of the direction that an object is moving, looking or pointing to imply motion and direction and to lead the eye of the viewer.

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the two-dimensional appearance of objects as your camera captures them

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the use of lines to create visual interest and convey a message in an image

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mid-point between black and white on a logarithmic or exponential curve

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t takes a series of readings in zones that cover the entire frame, and then calculates the overall average exposure value.

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like using Evaluative metering with a centre AF point. It places greater emphasis on the centre area while also taking meter reading across the entire frame.

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Partial metering covers only the centre 6.2% of the frame in the viewfinder, thus providing precise metering only for the subject

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spot metering evaluates light around the chosen focus point or centre of the frame.

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a shooting mode in still cameras where several photos are captured in quick succession by either pressing the shutter button or holding it down.

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panning means swivelling a still or video camera horizontally from a fixed position. This motion is similar to the motion of a person when they turn their head on their neck from left to right.

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photographic techniques of moving a light source while taking a long-exposure photograph

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Time-lapse photography is a technique in which the frequency at which film frames are captured is much lower than the frequency used to view the sequence. When played at normal speed, time appears to be moving faster and thus lapsing.

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involves using a long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements.

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the act of accidentally shaking a camera during shooting due to unsteady hands, which results in blurry images

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three-legged or one legged stand for supporting a camera or other apparatus.

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Motion blur is the apparent streaking of moving objects ... It results when the image being recorded changes during the recording of a single exposure, due to rapid movement or long exposure

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The Bulb setting on camera shutters is a momentary-action mode that holds shutters open for as long as a photographer depresses the shutter-release button.

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the speed at which the shutter of the camera closes.

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a form of optical distortion in which straight lines along the edge of a screen or a lens bulge toward the center.

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an effect associated with wide-angle lenses and, in particular, zoom wide-angles.

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a projection of one side of the figure onto its perpendicular plane

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a picture or relief carving on three panels, typically hinged together side by side and used as an altarpiece.

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a painting, especially an altarpiece, on two hinged wooden panels which may be closed like a book.

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a design element made up of colors that gradually fade into one another.

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is composed of one color. Images using only shades of grey are called grayscale or black-and-white

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Complementary colors are pairs of colors which, when combined or mixed, cancel each other out by producing a grayscale color like white or black

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a color without much intensity or saturation—a color that's lacking in color,

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ues that give the feeling of warmth, such as red, orange, and yellow.

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hues that give the feeling of coolness, such as blue, green, and pale purple

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s the part of the design that catches the viewer’s attention. Usually the
artist will make one area stand out by contrasting it with other areas.

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the feeling of harmony between all parts of the work of art, which creates
a sense of completeness.

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the path the viewer’s eye takes through the work of art, often to focal
areas. Such movement can be directed along lines, edges, shape, and color within the
work of art.

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the feeling of unity created when all parts (sizes, amounts, or number)
relate well with each other. When drawing the human figure, proportion can refer
to the size of the head compared to the rest of the body.

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the repeating of an object or symbol all over the work of art.

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the use of several elements of design to hold the viewer’s attention and to guide the viewer’s eye through and around the work of art.

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the distribution of the visual weight of objects, colors, texture, and space.
If the design was a scale, these elements should be balanced to make a design feel
stable.

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images created using photography materials and equipment that don't have an immediate association with the physical world.

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the fact of two things being seen or placed close together with contrasting effect

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lack of equality or equivalence between parts or aspects of something; lack of symmetry.