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To spontaneously create dialogue off the top of your head.

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An actor is one who interprets a dramatic character.

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Composition in verse or prose intended to portray life or character or to tell a story usually involving conflicts and emotions through action and dialogue.

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A group of supporting entertainers, such as actors, dancers, and singers in a theatrical production. All the parts of a thing are taken together, so that each part is considered in relation to the whole.

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The personalities or parts that actors become in a play; roles played by actors in a play.

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1. The art, profession or activity of those who perform in stage

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1. an observation or remark made by a character to the audience that is not being heard by the other actors.

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1. -the clear and precise pronunciation of words

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When an actor loses concentration while performing and is not in character

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The stage movements that each character makes during the play or scene

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A division (like a chapter) of a play

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When an actor plays/faces toward the audience while conversing with another character

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An actors signals for a line, entrance, or exit

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The words spoken by actors during a play

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The action of crossing the stage

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The left side of the stage from the perspective of the actors

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The right ride of the stage from the perspective of the actors

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When an actor reads from a script for the very first time

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Rehearsing without a script (knowing all your lines)

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Rehearsing with your script (Not knowing your lines)

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Activities that the actors do on stage.

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The point or place where an actor comes in.

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The point or place where an actor leaves the stage.

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The person who is in charge of all aspects of a play.

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A practice performance shortly before the actual performance where every detail is worked out.

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A technical rehearsal during which the actors are not present. Usually a stage manager calls the cues to test the lights, props, and sound.

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Term for what drives the behavior of a character. All actors should know their motivation in any given scene, and with any given line.

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What the character is trying to achieve; what the character wants.

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When all the stage lights go out simultaneously (usually at the end of a scene or act).

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Something that stands in the way of a character getting what they want. It can be physical (can't tie shoes because hands are frozen), emotional (too scared to ask for something they want), situational (wants a job that someone else already has).

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When an actor tries out for a role by either performing a short piece or reading from a script in front of the director or casting agent

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When an actor is invited to come back for a second audition

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Selecting which actors will play characters/roles

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The solution to the conflict in a play/the wrapping up events

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Information about what has happened before the action of the play begins; the set up

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A physical, mental, or vocal activity used to prepare an actor for a performance

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An actor who is versed (skilled) in another actor’s part, ready to step in if needed

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Taking everything off the stage after the final performance

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The underlying meaning or thoughts an actor has that are not explicitly stated during their performance

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The director’s technical liaison backstage during the play

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The clothing worn by the actors who are performing characters in a show

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Holding for laughs-waiting for audience laughter to die down before continuing the play

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Lights used in the auditorium before the show, after and during intermission

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A short play with a beginning, middle and end- usually has no intermission

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Warning for actors to assume their position before a play or scene begins

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The principal character around whom the action revolves.

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The character who provides obstacles to the protagonist's objective in a play.

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What happens in a play; the order of events; the story as opposed to the theme; what happens rather than what it means.

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A speech in which an actor, usually alone on stage, speaks their inner thoughts.

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Stage picture created by the actors posing motionless.

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How fast or slow one speaks.

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How soft or loud one speaks - There's a difference between yelling and having a stage voice.

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How clear one speaks. Speech is not garbled, mumbled, or lazy.

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The actor's vocal range. Performers should experiment with using their full speaking range.

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Performers should stand up straight with weight on both feet. When holding a script, it should be held slightly above the waist line.

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Asking "How would I react if I were in this situation?" to stimulate natural, personal responses.

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Defining what the character wants in a scene (objective) and their overarching goal for the entire play (super objective).

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Thoroughly understanding the world of the play, including the time, location, and previous events.

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The hidden, unspoken meaning behind lines, which drives the actions.

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Using specific physical movements to trigger emotional responses, supported by a relaxed, focused state.