# data[].attributes.body
112012143 Marlies Kremer

109540048 王嬌媚

109AB0740 吳品儀

109540014 劉宇峻

# data[].attributes.headline
Salk Institute was designed by Luis Kahn in 1965. (background introduction)

# data[].attributes.subject
Salk Institute was designed by Luis Kahn in 1965. (background introduction)

# data[].attributes.body
The small river run through the courtyard creates a visual alignment with pacific ocean and sky at the end.

# data[].attributes.body
王瑀絢

楊鈺鈴

周詩庭

林例宜

# data[].attributes.body
The opening of building facade create a repetition of lighting shining through the hallway.

# data[].attributes.body
The building facade shows the contrast of using two different materials: wood and concrete.

# data[].attributes.body
The circulation within the building allows the users to experience the negative space formed by the structure around.

# data[].attributes.headline
The Imagination of Words was designed by Japanese graphic design master Ikko Tanaka in 1993. (background introduction)

# data[].attributes.subject
The Imagination of Words was designed by Japanese graphic design master Ikko Tanaka in 1993. (background introduction)

# data[].attributes.body
Ikko Tanaka used repetitive stroke of Japanese character to create a lively composition.

# data[].attributes.headline
江玟儀  張子妘  張芮寧  林民斌

# data[].attributes.subject
江玟儀  張子妘  張芮寧  林民斌

# data[].attributes.body
The Beethoven poster was designed in 1955 by Josef Muller-Brockmann. This poster is perhaps one of Muller-Brockmann’s most celebrated designs. This creates a clean and clinical design which is an element of the swiss style.

# data[].attributes.body
111840010

111381012

111381018

111381023

111381011

# data[].attributes.body
110840008 李愷臨

110840016 郭小瑀

110840010 楊煜霖

110840013 邱婕恩

# data[].attributes.body
109840007 張乃心

109840008 邱郁雯

109840013 鄭煒達

109840015 張祐瑄

# data[].attributes.body
112012143 Marlies Kremer

109540048 王嬌媚

109AB0740 吳品儀

# data[].attributes.body
109381027 黃慧娜

109AB0059 郭進財

# data[].attributes.body
111381025 Liaw Sheue Qi
111381026 Liew Jen Ning
111AC1018 Tse Shi Ting
111AC2020 Han Xiao Chun
111AC2031 Tee Song Yang

# data[].attributes.body
童紹恩

楊程為

凌秉森

蘇冠尹

陳大福

# data[].attributes.body
111840001 賴冠廷

111840002 王閔慈

111840005 連岑恩

111840017 盧珮瑜

111840022 黃立媗

# data[].attributes.body
109ac1029 張殷寧

109ac1028 王澤蓉

110383031 彭蜜雪

112012131 Karin Taguchi

# data[].attributes.headline
The Lockheed Lounge was designed by Australian designer Marc Newson in 1990. (background introduction)

# data[].attributes.subject
The Lockheed Lounge was designed by Australian designer Marc Newson in 1990. (background introduction)

# data[].attributes.headline
A tribute poster celebrating Ikko Tanaka (1930-2002), a revered master of Japanese graphic design.

# data[].attributes.subject
A tribute poster celebrating Ikko Tanaka (1930-2002), a revered master of Japanese graphic design.

# data[].attributes.body
Situated in Poissy, a small commune outside of Paris, Villa Savoye is one of the most significant contributions to modern architecture in the 20th century. Completed in 1929, Le Corbusier's masterpiece is a modern take on a French country house that celebrates and reacts to the new machine age.

# data[].attributes.body
layout

negative space

contrast

balance

# data[].attributes.body
111840016鍾鳴峻

111840007王宣淮

111840020劉翰謙

111A50023陳郁璇

# data[].attributes.body
By dividing the poster into a 3x4 grid, the artist create a very orderly composition

# data[].attributes.body
111840009

111840013

111840014

# data[].attributes.body
By using gradient and soft colors in the middle create a strong contrast against the simplistic shape in other areas

# data[].attributes.body
111840004林妍禛

111840021黃郁軒

# data[].attributes.body
By dividing the posters into grids and Using simple geometric shapes, artist create a symmetrical balance that is easy on the eyes

# data[].attributes.body
林頌恩

王主柔

莊正宇

謝育晴

賴俊諺

# data[].attributes.body
The shape of the building is built by rectangle and circle. It’s very obviously.

# data[].attributes.headline
IBM (Eye-Bee-M) founded in 1911, was established by Charles Ranlett Flint.

# data[].attributes.subject
IBM (Eye-Bee-M) founded in 1911, was established by Charles Ranlett Flint.

# data[].attributes.body
Larger color blocks are perfectly aligned making it looks sharp.

# data[].attributes.body
張家愷

林立

劉姸杏

# data[].attributes.body
Exhibition Poster The Children's Picture Book 1959 by Emil Ruder Edited

# data[].attributes.body
The main color of the building is the same as the color of the clouds in the sky, and then the color of the bottom is similar to the color of the grass, which gives me a sense of balance.

# data[].attributes.headline
Juicy Salif, a citrus reamer designed by Philippe Starck in 1990, is considered an icon of industrial design.

# data[].attributes.subject
Juicy Salif, a citrus reamer designed by Philippe Starck in 1990, is considered an icon of industrial design.

# data[].attributes.body
the gap between the bracket and the base and the hollow structure of the bracket, which makes the whole juicer look light and more visual effect .

# data[].attributes.body
The layout of the white and blue circle is good

# data[].attributes.body
The main color of this poster contain blue and white, which balanced really well

# data[].attributes.body
Using the emojis to represent the IBM

# data[].attributes.body
For instance, the continuous horizontal windows, repeated pillars, and beams enhance the visual impact of Villa Savoye while conveying modernism’s pursuit of functionality and simplicity.

# data[].attributes.body
By placing the emojis in the middle horizontally

# data[].attributes.body
The three legs of the bracket are evenly distributed around the circular base, which enhances the stability of the design.

# data[].attributes.body
The official poster was meant to promote not one specific sports event, but the whole of the Munich Games. It was supposed to express the specific spirit of the Games. Here, the design evokes the modern architecture of the sporting venues in a style and using colours which are purposefully simple and pure.

# data[].attributes.body
Its nose and leg are horizontal alignment. The end of ear and the connection of the ivory can be connect into a line.

# data[].attributes.body
Both the bracket and the base have similar curves and shapes, and this repetition makes the whole look more unified.

# data[].attributes.headline
Dieter Rams,Hans Gugelot SK4(Snow White's coffin)1956

# data[].attributes.subject
Dieter Rams,Hans Gugelot SK4(Snow White's coffin)1956

# data[].attributes.body
109340210 楊鈞文

111AC1008 江宇凡

111AC2007 陳芳宜

111AC2022 胡淨涵

Negative Space

Balance

Layout

Contrast

# data[].attributes.body
This poster uses a lot of pictures to present the concept. Allow viewers to quickly understand the meaning that the poster wants to convey.

# data[].attributes.body
This is the poster for the film "The Man with the Golden Arm" directed by Otto Preminger.

The image on this poster was developed by Saul Bass. Saul Bass was an American graphic designer and Oscar-winning filmmaker

# data[].attributes.body
On the right side of this building, the columns on the first floor align well with the window frames on the second floor, I find it very pleasing.

# data[].attributes.body
While the emojis placing in the middle, the other empty space formed a balance

# data[].attributes.body
Stand out the emojis by using black background color

# data[].attributes.body
The 1st floor isn’t be surrounded. It’s be created by a few pillars and a negative space, literally it’s an open space.

# data[].attributes.body
The white spot can be an elephant’s eye and the moon on sea as well. But it’s hard to see both of them at the same time.

# data[].attributes.body
From the front view, this piece looks symmetrical if you split it vertically.

# data[].attributes.body
If you divided the poster into two sides you could see equal colors on both sides.

Besides that, the hands in the middle, both sides have words, it's quite balanced.

# data[].attributes.body
The topic and date align horizontally, and the two logo are on the same vertical line.

# data[].attributes.body
The central elevated cone, representing the juicer, commands attention and establishes a visual hierarchy with the surrounding support structures .

# data[].attributes.body
This piece has a repeated pattern along its body.

# data[].attributes.body
Looking at the rectangles, you can see that there is an alignment. The middle of the blocks are aligned very well. The artist added some assymetrics in the alignment by making the outline of the rectangles a little rough. This creates some imperfections (they don’t fit perfectly) but because they all have this effect it looks quite balanced.

# data[].attributes.body
Emil Ruder used grid system to make the layout clean and neat. The composition of invisible vertical lines guides the audiences’ visual movement. Namely, he aligns the first letter of each word, ‘d’as (the), ‘k’inder (children) and ‘b’ilderbuch (storybook), with the information of date, location and daily hours.

# data[].attributes.body
There is an obvious contrast between the blue area and the white area, which is concise and clear.

# data[].attributes.body
PH 5 hang-lamp is designed by Louis Poulsen, released since 1920 till nowadays. Mr.Poulsen kept on trying ways to extend the lifecycle of product and materials.

# data[].attributes.body
The lounge shows the contrast of using two different materials:fiberglass-reinforced plastic and rubber

# data[].attributes.body
In this poster, you would see the designer use repeated colors(black, blue,purple), shapes(rectangles), and lines (rough lines).

# data[].attributes.body
It uses the arc repeatedly and add some straight line to connect the arc, making the picture more harmonious.

# data[].attributes.body
PH 5 was designed by geometry

# data[].attributes.body
In terms of color, black and white are used as contrast, and in terms of form, the internal shape contrasts with the external one.

# data[].attributes.body
Layout / composition - glass,wooden,and plastic texture

Balance -

the harmony between the product's tone,and it is in the shape of tetragon, which show its balance.

Alignment -

The 3D model's speaker was neatly arranged with rectangle holes.

Repetition -

the speaker place is arrange with a lot of rectangle,which presents the beauty of neat and tidy.

Contrast / Hierarchy -

the whole record player is array by geometry shapes, such as circle, rectangle and various shapes.

Negative space -

The innerspace can be a form of negative space.

# data[].attributes.body
The shape of 工 beam different from the large flat concrete wall.

# data[].attributes.attachment_caption
You're looking at the 1959 poster for an outdoor performance of the classical ballet, Giselle. This poster by Armin Hofmann is iconic of the Swiss design style.

The 1959 Giselle poster is primarily Ethos because it presents an image of a ballerina in upstanding and professional form, which communicates authenticity to the viewer.

# data[].attributes.body
The author uses repeating squares to make them look like piano keys.

# data[].attributes.body
We can see the contrast level of this poster in the use of color. The purple rectangular block stands out in the blue and black blocks. Along with the yellow print to highlight the name of the poster's theme.

# data[].attributes.body
This piece has different parts divided by its pattern which is placed all over its body, giving some negative spaces in its body.

# data[].attributes.body
The simple pillars cross all the building, looking stable and balance.

# data[].attributes.body
This house connects two rooms, the kitchen and the living room through the atrium, and the open design through the atrium achieves a balance in the small space.

# data[].attributes.body
The architectural arrangement is divided into three equal parts, both indoors and outdoors.

# data[].attributes.body
Hierarchy in color,a stucco outward contrast with black indoor without lights.

Hierarchy in material,It surrounded by Japanese architecture, contrast with natural materials.

# data[].attributes.body
The photographic image of the organic, soft body of the ballet dancer in motion contrasts with the stationary, sharply geometric typographic forms.The viewer becomes captivated by the expressive energy of the ethereal dancer in mid-pirouette (blurry black and white color)

# data[].attributes.body
Hofmann likely employed principles of asymmetrical balance to achieve this effect, guiding the viewer's eye smoothly across the poster.