# data[].attributes.body
http://www.aisteach.org/?author=6

# data[].attributes.attachment_link.readable_text
The Kilkenny Engagists Performance artists. A group of musicians and artists working in Kilkenny, 1973-75 approximately. The Kilkenny Engagists - known mostly...

A Brief Introduction to the Guinness Dadaists Ireland was an extremely chaotic place to live throughout the teens and 1920s. Ireland was one...

O'Ceallaigh, Sr Anselme (b Galway, 12 Dec 1940; d Galway 27 April 1988). Composer and conductor. Sr Anselme was the youngest of 7...

Pádraig Mac Giolla Mhuire (Patrick Murray) In 2009 Irish musicologist Antoinne Ó Murchú was digging through the audio archives of the Irish Folklore...

Kilbride & Malone Duo (Niall Kilbride, b Limerick, 22 Sept. 1950; d Boston 8 April 1999; Karen Malone, b Limerick 3 Oct. 1952;...

Ó Laoire, Sinéad and Fiachra (b Belfast, 11 June 1890; d Donegal 23 Aug 1958 and 27 April 1917). Composers, instrument builders, teachers....

Caoimhín Breathnach (1934-2009) Outsider artist. Irish outsider artist Caoimhín Breathnach lived in Knockvicar, Co. Roscommon, as a recluse for most of his life....

Hennessy, Billie (b Carlow, 7 Oct. 1882; d New York 21 June 1929). Painter and composer. Hennessy trained at the Metropolitan School of...

Mullen-White, Eyleif (b Limerick, 8 March 1937; d Liverpool, 17 May 1988). Composer and mathematician. Mullen-White studied mathematics and music at Trinity College...

# data[].attributes.attachment_link.description
The Kilkenny Engagists Performance artists. A group of musicians and artists working in Kilkenny, 1973-75 approximately. The Kilkenny Engagists - known mostly... A Brief Introduction to the Guinness Dadaists Ireland was an extremely chaotic place to live throughout the teens and 1920s. Ireland was one...

# data[].attributes.body
https://syriancassettearchives.wordpress.com/

# data[].attributes.headline
Paul and Eslanda Robeson: Resonating Struggles in East Berlin 

# data[].attributes.subject
Paul and Eslanda Robeson: Resonating Struggles in East Berlin 

# data[].attributes.body
https://www.adk.de/de/programm/index.htm?we_objectID=62354

# data[].attributes.attachment_link.readable_text
Zwischen antirassistischer Bewegung, Postkolonialismus und Kaltem Krieg: Der Musiker und Schauspieler Paul Robeson und die Anthropologin Eslanda Robeson waren US-Bürgerrechtsaktivist*innen, für die die Akademie der Künste der DDR ein Archiv gründete. Über den Nachklang ihres Freiheitskampfs und dekoloniale Perspektiven auf den Sozialismus sprechen Matana Roberts (Komponistin, Künstlerin), Doreen Mende (Kuratorin, Theoretikerin), Kira Thurman (Historikerin, University of Michigan) und George E. Lewis (Komponist, Prof. of American Music, Columbia University).

Doreen Mende, Kuratorin, Theoretikerin, Ausstellungsmacherin, Pädagogin, außerordentliche Professorin für Kuratorik / Politik und Leiterin des „Critical Curatorial Cybernetic Research Practice" (CCC-RP) Master- und PhD-Forum an der Abteilung für Bildende Kunst der HEAD Geneve (Genf); außerdem Leiterin des Forschungsprojekts „Decolonizing Socialism. Entangled Internationalism" (2019-2024), finanziert vom Schweizerischen Nationalfonds. Mitbegründerin des „European Forum for Advanced Practices" sowie Mitglied von „Multiple Artistic Mobilities" am Kunsthistorischen Institut der Universität Zürich. Seit 2015 Gründungsmitglied des Harun Farocki Instituts in Berlin.

Matana Roberts, Komponist*in, Bandleader*in, Saxophonist*in, Klangexperimentator*in und Mixed-Media-Künstler*in. Tätigkeit meist als Autodidakt*in in verschiedenen Kontexten, darunter Improvisation, Tanz, Lyrik und Theater. Bekannt für das vielgepriesene Coin Coin-Projekt, ein „panoramisches Klang-Quilten", das den mystischen Wurzeln der intuitiven, spirituellen Ausdruckstraditionen der amerikanischen Künste nachgeht; intensive Auseinandersetzung mit narrativen, historischen, sozialen und politischen Ausdrucksformen innerhalb der improvisierten Musik. 2019 Stipendiat*in des Berliner Künstlerprogramms des DAAD. Mit der Klanginstallation „Resonance" in der Ausstellung „Arbeit am Gedächtnis - Transforming Archives".

Kira Thurman, Historikerin und Musikwissenschaftlerin, Assistant Professor of Germanic Languages and Literatures and History an der University of Michigan; Forschungsschwerpunkt auf dem Zusammenhang von Musik, deutscher Nationalidentität und der historischen und gegenwärtigen Beziehung Zentraleuropas zur Schwarzen Diaspora. Ihr Buch Singing Like Germans: Black Musicians in the Land of Bach, Beethoven and Brahms im Erscheinen bei Cornell University Press. Zusammen mit Kolleg*innen in den USA und Europa und mit Unterstützung durch das deutsche Historische Institut in Washington, D.C. Betreiben der öffentlichen Geschichts-Website blackcentraleurope.com.

George Lewis, Edwin H. Case Professor für Amerikanische Musik an der Columbia University in New York City; Leiter des Lehrstuhls in Komposition; Fellow in der American Academy of Arts and Sciences und Corresponding Fellow in der British Academy, sowie Mitglied der Association for the Advancement of Creative Musicians (AACM) seit 1971. Preisgekröntes Schaffen in elektronischer und Computermusik, Computerbasierten Multimediainstallationen und notierter und improvisierter Formen auf mehr als 150 Aufnahmen; weithin geschätzt als Pionier der interaktiven Computermusik und Schöpfer von Programmen, die mit menschlichen Musiker*innen improvisieren. Fellow am Wissenschaftskolleg zu Berlin in 2020/21.

To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video.

# data[].attributes.attachment_link.title
Resonating Struggles: Paul and Eslanda Robeson in East Berlin

# data[].attributes.headline
Celestial Fruit on Earthly Gound Forecast V

# data[].attributes.subject
Celestial Fruit on Earthly Gound Forecast V

# data[].attributes.body
https://vimeo.com/469814042

# data[].attributes.attachment_link.title
Jonathan Reus, CELESTIAL FRUIT ON EARTHLY GROUND

# data[].attributes.attachment_link.description
As a nominee in the category Future Traditions in Music, mentored by Du Yun, Jonathan Reus proposes a multidisciplinary project that points at the cultural networks that musical instruments embody.

His work for Forecast looks at the American banjo family, beginning with the oldest existing banjo of the Americas, the Surinamese “creole bania.” This becomes a starting point for seeking out a living network of musicians, instrument-makers, and tradition-bearers.

In an interactive software experience, Reus will gather traces of these exchanges as music, text, and objects in the physical world digitized remotely. The experience will express a layered and flexible concept of heritage that validates the role of online encounters, while also recognizing their fragmentation and acknowledging the need for interpersonal exchange in building respect for the cultural histories we are entangled in, both by circumstance and by choice.

At the digital Forecast Forum, Reus will share a video that combines the online experience of the software and a collage of music sessions with his various teachers around the world.

Video by Moois

# data[].attributes.body
https://channelduyun.com/tag/future-tradition-%E6%9C%AA%E6%9D%A5%E5%82%B3%E7%B5%B1/

# data[].attributes.body
https://vimeo.com/forecastplatform

# data[].attributes.attachment_link.description
As an international mentorship program and interdisciplinary network for knowledge transfer, Forecast offers artists and creative thinkers from anywhere in the world…

# data[].attributes.body
https://celestialfruit.org/

# data[].attributes.body
https://forecast-platform.com/

# data[].attributes.attachment_link.title
Forecast - Mentorships for Audacious Minds

# data[].attributes.body
https://www.wajidyaseen.com/tape-letters/

# data[].attributes.attachment_link.readable_text
An oral history project aiming to identify, collect and archive messages sent on cassette tape in the 1960s through to the 1980s by families who migrated to the UK from Pakistan between 1950 and 1970.

The project seeks to unearth, archive and re/present a portrait of the cultural heritage of Punjabi (specifically Potwari dialect) speaking Pakistanis who settled in Britain, and will comment on family life via the informal and intimate conversations recorded and sent between families in the UK and abroad.

Go to Tape Letters website.

# data[].attributes.attachment_link.description
An oral history project aiming to identify, collect and archive messages sent on cassette tape in the 1960s through to the 1980s by families who migrated to the UK from Pakistan between 1950 and 1970.

# data[].attributes.body
https://www.a1radioonline.com/41383/meet-a-man-with-the-world-of-art-in-his-mind-in-northern-ghana/index.html

# data[].attributes.attachment_link.readable_text
Ibrahim Mahama, a Ghanaian Artist who sold his artwork for $1Million and blew the money on 6 planes.

Mr Ibrahim Mahama acquired the six used-aircrafts and converted them into classrooms for kids in Redclay studios, one of his art centres in Ghana.

Redclay Studio is an artistic project space, exhibition and research hub, cultural repository, artists' residency located in Tamale, Ghana.

It provides opportunity for locals to experience art, be artistes and showcase the evolution of art in Ghana.

The institution is dedicated to the exploration of new forms of imaginations. Redclay seeks to expand art and its experiences across society.

All programmes are completely free to the public. It opens to the public and schools for tours and educational programmes( by appointments). Redclay studio is partnered by SCSSA Tamale ( Savannah Centre for Contemporary Art ), a cultural institution dedicated to retrospectives of modern art and large group exhibitions and Nkrumah Voli-ni.

Source: A1Radioonline.com/ 101.1MHz/ Ghana

# data[].attributes.attachment_link.title
Meet a Man with the world of art in his mind in Northern Ghana - A1 Radio Bolgatanga

# data[].attributes.attachment_link.description
Ibrahim Mahama, a Ghanaian Artist who sold his artwork for $1Million and blew the money on 6 planes. Mr Ibrahim Mahama acquired the six used-aircrafts and converted them into classrooms for kids in Redclay studios, one of his art centres in Ghana. Redclay Studio is an artistic project space, exhibition and research hub, cultural repository, [...]