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The shining faces of many students beaming up at their professor, a role model and inspiration, on the stage of Voertman Hall was truly a sort of gift to be able to witness. Eric Nestler and Xiao Wang performed a magnificent concert Thursday night and the pieces they included were breathtaking. From the way the somber tones of I. Mirror Talk seemed to wail out of Nestler’s instrument with human-like empathy, to IV. Hologram’s mischievous, brilliantly maleficent-sounding melodies, the musical pair in the middle of the Voertman stage had every form of life so still it seemed as if everyone was frozen at gunpoint. Throughout the entire duration of the concert, the unity I felt in the pleasantly entertained crowd over something so fundamentally simple as notes on a page brought to life by masterful craftsman was something fairly new to me that I truly couldn’t get over. It truly intensified the meaning and emotion of the music being performed, and to say I thoroughly enjoyed this concert experience would be an understatement.

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My favorite piece of the night was Lucie Robert-Diessel's dissonant masterpiece. The jarring notes from both the saxophone and the piano accompaniment

Source: https://www.youtube.com/watch?v=pfdF_7s9qnw

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(Enregistrement live sur cassette audio en 1988, numérisée en 2013, d'où les tremblements du son dans les tenues.) Pour saxophone alto et piano de " Lucie ROBERT-DIESSEL, compositrice française, née en 1936. Travailla avec T. AUBIN, N. GALLON et H. CHALLAN.

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Source: http://www.classicfm.com/discover-music/latest/quotes-about-classical-music/plato/

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Source:
http://www.classicfm.com/discover-music/latest/quotes-about-classical-music/huxley/

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Scottish jazz saxophonist and composer

Source: http://www.londonjazznews.com/2016/08/feature-tommy-smith-and-modern-jacobite.html

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Professor of Saxophone at the University of North Texas

Source: http://music.unt.edu/faculty-and-staff/eric-nestler

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The epitome of a dynamic duo finished up its catering of a four-course musical feast with a composition slightly less conventional than others considered to be part of the Western canon. DeBoor Canfield’s Ragtime Sonata after Joplin (2013) immediately livened up the crowd from the first note of the first movement, I. Jaunting Walking Tempo.