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While attending the concert I am to use for my concert review, I came across this interesting photo in the Voertman Music Hall. The way the performers are all dressed the same, in black suits, reminds me of a discussion we had in class about the focus of performances. They are all dressed the same because the music is the most important thing, especially in the Western classical music period. They must all look the same so that no one sticks out as more important than another, and they let the music speak for them instead of their looks. It is quite interesting how these traditions have been around since the eighteenth century and are still used in the music world today.

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Chopin was one of the greatest piano composers of the Classic art music era, mainly known for his waltz pieces and concertos.
Credit: http://www.classicfm.com/composers/chopin/guides/chopin-facts/

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The victors use their dominance to suppress their adversary’s version of historical events and instill the belief that their victory was somehow inevitable.
- Sarah Haefeli, If History is Written by the Victors

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This was another piece that I heard on the classical radio station. The sound of this song is very similar to the Bach piece I heard, but the name of the composer did not sound very familiar, so I assumed it was not a classical piece. However, by the rhythm, timbre, and instrumentation being similar to what I had heard from other Classical composers, I knew this selection was from the same period. This symphony by Boccherini had a very "hum-able" melody and was definitely stuck in my head for most of Saturday. As the piece transitioned to different sections, I could hear the form change by the addition of different wind instruments, specifically a flute and oboe. Hearing the oboe incorporated made me very happy because it is my favorite instrument, especially if it is played well.

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Luigi Boccherini - Symphony in A Major Op. 21 No. 6 G498

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Luigi Boccherini (1743-1805) Symphony in A Major Op. 21 No. 6 G498 I. Allegro assai II. Andantino grazioso III. Tempo di Minuetto From "Luigi Boccherini - Complete Symphonies Vol. 5" Performed by Deutsche Kammerakademie Neus Conducted by Johannes Goritski cpo Record Label Painting by Corrado Giaquinto Title: Autumn

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The central place that the symphony and the opera held in the cultural life of the city undoubtedly shaped the emerging study of musicology.
- Sarah Haefeli, If History is Written by the Victors

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The Western classical music canon is the collection of music that embodies the classical music period. These pieces of music are the most prominent and memorable and are written to take you back to this beautifully artistic period, even when listening in the 21st century like we do now. This style and period of musical works is termed "classical" because it included some of the greatest composers in the history of the world, many of whom are globally known and recognized. This period set the foundation for future orchestral pieces and is the inspiration for composers and performers today. In the article written by Sarah Haefeli, she explains the concept of "The Work," which was a prominent theme in the classical music period. The musical canon has very little room for interpretation and replication, because these works are so "genius" that a new twist will only diminish the meaning of the pieces.

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As soon as I turned on the local classical station, I immediately heard a piece I recognized. In the last module, we read about the Baroque period, and as soon as I heard Bach I thought of our past readings. The song I heard first was "Brandenburg Concerto #5 in D," which is a heavily string-driven piece. The tempo is pretty quick, which made me feel motivated and energetic, with a light and airy feel. Also, while I cannot quite put my finger on the specific instrument, there is a string instrument in this version of the song that creates a sort of "sharp" timbre to the soft and smooth background.

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Bach, JS: Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro

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Bach, JS: Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro