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Key Movements:
Pop Art
Conceptual Art
Fluxus
Performance Art
Installation Art
Young British Artists (YBAs) started off the turner prize in 1984
Punk
Grunge
Graffiti/Street Art

Self awareness in the work,
Pushing the boundaries
Questioning what art is

Key Names:
Peter Blake
Andy Warhol
Roy Lichtenstien
Gilbert and George
Jamie Reid
David Carson
Banksy
Neville Brody

Pop Art
Pop Art is an art movement that emerged in the mind 1950s in Britain and the late 1950s in the United States.

Pop Art drew inspiration from sources in popular and commercial culture such as advertising, Hollywood Movies and Pop Music.

Some of the key artists include:
Andy Warhol,
Roy Lichtenstein,
Richard Hamilton,
Peter Blake,
David Hockney

Punk

Jamie Reid

Could relate to dada, cubism
Could argue that dada was the early punk

Concept Arts
Conceptual Art is art for which the idea (or concept) behind the work is more important that the finished art object. It emerged as an art movement in the 1960s and the term is usually refers
to art made from the mid-1960s to the mid 1970s

Some key artists include:
John Baldessari,
Joseph Beuys,
Marcel Broodthaers,
Victor Burgin,
Michael Craig-Martin,
Gilbert and George,
Mary Kelly, Yves Klein,
Joseph Kosuth,
John Latham,
Richard Long,
Piero Manzoni

Grunge
David Carson
Not Trained, uses text as image

Neville Brody

Street Art
Street art is slated to graffiti arts in that it is created in public location and is usually unsanctioned, but it covers a wider range of media and is more connected with graphic design.

There are no rules in street art, so anything goes, however common materials and techniques include fly-posting, stencilling, stickers, freehand drawing and projecting videos.

Street Artists often working in studios, hold gallery exhibition or work in other creative areas: they are not anti-art, they simply enjoy the freedom of working in public without having to worry about hat other people think.

Some well-known street artists:
Banksy,
Gordon Matta-Clark
Jenny Holzer
Barbara Kruger

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The International Typographic Style, also known as the Swiss Style, is a graphic design style developed in Switzerland in the 1950s that emphasizes cleanliness, readability and objectivity.

It is arguably one of the most if not most influential graphic design styles that was influenced by:

Bauhaus
De Stijl
Constructivism
Neue Typography

Hallmarks of the style are asymmetric layouts, use of a grid system, sans-serif typefaces and flush left, ragged right text. The style has a preference for photography. Many of the early International Typographic Style works featured typography as a primary design element and it is for this that the style is named.

Pre-cursored by Jan Tschichod Neue Typography
Josef Muller-Brockman & Krim Hoffman
Influenced by Bauhaus, Constructivism, De Stiji

Main Typefaces: Univers & Helvetica (Sans Serif Type)
Characteristics:
Grid System
Asymmetrical Layouts
Sparing use of Colour
Geometric Shapes
Mixed Photography with Typography
Reliance on Sans-Serif Typefaces

Joseph Muller-Brockman
Armin Hoffman
Max Bill
Emil Ruder

Important Schools:
Zurich School of Arts and Crafts
Basel School of Design

Charcteristics:
Clean Lines
Order or Hierarchy
Sand Serif (Gothic) Typefaces
Asymmetrical Layouts
Angular Layouts and forms
Geometry
Negative Space

Typefaces:
Linotype Univers
Akzidenz Grotesk