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history sparknotes world war i (1914–1919)

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SparkNotes: World War I (1914-1919): Overview

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A short History SparkNotes biography describes History SparkNotes's life, times, and work. Also explains the historical and literary context that influenced World War I (1914-1919).

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The war from a German Soldier's perspective

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The war from a German Soldier's perspective

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I know it's 'The Daily Mail,' but still...

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Walter Koessler took almost 1,000 images while he served in the German Army during the war

The images have been perfectly preserved by his descendants in America but were unseen by public

Walter's great-grandson Dean Putney has shared them and hopes they 'humanize the war'

Is fundraising to turn the unique collection into a photo book in time for next year's 100th anniversary

Hundreds of rare images charting one German soldier's experiences of the First World War have been made public for the first time.

The rare glimpse into life in the trenches reveals Walter Koessler's journey from the smiles and hopes of signing up to fight, to the stark the reality of war.

The poignant album begins with Walter smiling and 'playing at war' with his friends to dead soldiers lying buried in muddy trenches.

He also records for posterity the devastation that was wrought on Europe.

Walter took almost 1,000 photos while serving in the Reserve Artillery Battalion and as an aerial photographer.

While beautifully preserved by Walter's descendants, the unique window into the war has been hidden in a cupboard for almost a century.

However, Walter's great grandson Dean Putney has now launched an ambitious project to share the images and hopes to turn them into a book.

Software developer Mr Putney only discovered the album's existence during a Thanks Giving visit to his mother in 2011.

He said the day before he was due to return to his home in San Francisco, California, she 'casually' pulled it out to show him.

Mr Putney told Mail Online: 'I thought "this is incredible".

'There were hundreds of photos over a century old.

'I am in publishing and spend a lot of time looking at stuff like this. I immediately knew it was something really special that lots of people needed to see.

'Not only did lots of people need to see it, it was something that I needed to spread and share.

'I hope people can get in touch with that understanding - how different life was back then.'

Mr Putney said he immediately felt a connection to the pictures of his great-grandfather.

At 23, he is just one year younger than his ancestor was when he was conscripted into the war.

But they also look strikingly similar.

Mr Putney said the album is a 'real treasure' and especially important because it tells the personal story of a German, when most of the photographs that remain are from the Allies' side.

The negatives have also been kept and among the collection is a box of more than 100 3D stereographs from the war.

Mr Putney, who is currently sharing the images through the Walter Koessler Project Tumblr blog and on Boing Boing, has spent the past two years researching the images.

He has even visited France so he can compare some of the photos with how the sites look today.

Walter survived the war and went to have a hugely successful career in Hollywood as an art director.

He moved to Los Angeles soon after the Armistice where he worked on the Charlie Chan films and worked for Universal Studios.

The family believe he was also the set designer for the classic World War One film, All Quiet On The Western Front.

Next year is the 100th anniversary of the start of the war and Mr Putney said the images are a crucial reminder of what life was like for soldiers on both sides of the devastating conflict.

Walter had trained as an architect before being conscripted into the German Army.

As an aerial photographer, he was one of the first to chart battlefields and help create maps from the air, in biplanes and hot-air balloons.

At the beginning of the album, the photographs of him and his friends look like a picture postcard to be sent home.

But with every page turned, the reality of the war kicks in and Mr Putney said by 1918 his great-grandfather was a staunch pacifist.

Mr Putney said: 'I think that his album and his photos are humazing of this really terrible war.

'He tells a brilliant story. The first pictures are of him and his friends going off to war.

'At the beginning of the album they are almost playing at war - they are swimming in lakes and taking photos. They are almost glamour shots.

'When you reach the middle of the album the aerial shots

'There are pictures of a crashed airplane

'Towards the end of the album you really see his understanding of what they are doing.

'He stops taking photos of his friends. It is pretty much taking photos of destroyed churches, of dead men in the trenches, blown up tanks.

'It's scary stuff. The smiling faces disappear.'

Dean Putney is raising funds on Kickstarter to make a photo book. To pledge or for more information visit his .

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World War One from a German soldier's perspective: Hundreds of images give a rare insight into the side of the Great War we rarely see

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Walter Koessler took almost 1,000 images while he served in the German Army during the war The images have been perfectly preserved by his descendants in America but were unseen by public Walter's great-grandson Dean Putney has shared them and hopes they 'humanize the war' Is fundraising to turn the unique collection into a photo book in time for next year's 100th anniversary Hundreds of rare images charting one German soldier's experiences of the First World War have been made public for the first time.

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An article discussing how war affected literature and writers that were most renowned for this. (AO4) 

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An article discussing how war affected literature and writers that were most renowned for this. (AO4) 

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The 1939 war had barely completed its second year when writer Robert Graves began an article in The Listener, 'I have been asked to explain as a "war poet of the last war" why so little poetry has so far been produced by this one'. More than half a century later it seems one might equally well be asked to explain why the First World War looms so much larger in English Literature, as taught in schools and universities, than in the literatures of the other belligerents.

From the very first week, the 1914-18 war inspired enormous quantities of poetry and fiction. The claim that three million war poems were written in Germany in the first six months of hostilities is difficult to substantiate, but Catherine W. Reilly has counted 2,225 English poets of the First World War, of whom 1,808 were civilians. For example, William Watson (then an esteemed poet, today virtually forgotten) quickly decided that his war poems should be 'so much in evidence that people [would] be saying that W.W. is the real national poet in this crisis', and had sixteen different war poems printed in various newspapers in the first six weeks.

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The 1939 war had barely completed its second year when writer Robert Graves began an article in The Listener, 'I have been asked to explain as a "war poet of the last war" why so little poetry has so far been produced by this one'.

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Lots of videos/podcasts about WW1

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BBC Bitesize - KS3 History - World War One

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KS3 History World War One learning resources for adults, children, parents and teachers.

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BBC-Numerous links about WW1-Escellent Resource

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BBC-Numerous links about WW1-Escellent Resource

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The BBC presents a season of programming commemorating the centenary of World War One.

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history sparknotes world war i (1914–1919)

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SparkNotes: World War I (1914-1919): Overview

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A short History SparkNotes biography describes History SparkNotes's life, times, and work. Also explains the historical and literary context that influenced World War I (1914-1919).

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Interesting letters home from a nurse in WW1

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Interesting letters home from a nurse in WW1

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The Medical Front WWI | Medical History | World War One, The Great War, WW1 | The First World War @ www.vlib.us

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The Medical Front, WWI - all medical aspects, military and civilian, of World War One, the Great War, including the Flu Pandemic of 1918-1919.

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Historians of nursing in Britain have long been fighting for a place in the history of medicine. For example, of the 718 pages of text in Roy Porter's best-selling The Greatest Benefit to Mankind, only five are concerned with nursing, and these, inevitably, with Florence Nightingale and 19th-century hospital reform. Although nurses appear more frequently in Charles Webster's magisterial two-volume history of the British National Health Service since the Second World War, there is no sustained discussion of their role, even though they were the largest section of the trained labour force in the National Health Service. There are some excellent general histories of nursing, with seminal overviews of the development of the profession by Brian Abel-Smith, Christopher Maggs and Monica Baly complemented by the more sociological approach of authors such as Celia Davies and Anne Marie Rafferty. These are indispensable in charting the development of the nursing profession in 20th-century Britain, but the nature of the professional struggle is necessarily at the centre of their work. This contrasts with medical history, which traditionally concentrated on advances in medical knowledge, while nursing history rarely discussed the technical aspects of nursing.

In many medical histories, the nurse's functions are usually clearly limited within the Nightingale legacy. The nurse is important as the guarantor of hygiene, the dispenser of comfort, and the centre of calm in the often chaotic world of the hospital. Her actual duties are rather vaguely described, and the boundaries between the roles of doctor and nurse are not clearly defined. This is, as Celia Davies and others have pointed out, because these boundaries were always shifting. Many medical techniques, originally the province of doctors, and presented as evidence of medical skill, were passed over to nurses as the scope of medical expertise widened. Using a stethoscope, checking blood pressure, giving intravenous injections, operating a defibrillator - all regarded as highly skilled medical tasks when they were introduced - have passed into the domain of the nurse, or even further along the chain to paramedics; with the inevitable result that they are redefined as less skilled. The extent of a nurse's power to diagnose and prescribe varies from country to country, and is often hotly contested. In a state-run medical system like the British, there is always pressure to transfer tasks to nurses, since they are so much cheaper than doctors. As Davina Allen has written, 'Attempts to fix the nursing role too rigidly are doomed to fail; the content of nursing practice ... is forever changing, both historically and in daily practice, and will continue to do so.'(1) She also noted that in the modern British hospital there were pragmatic reasons for nurses taking over medical functions, since it sometimes took so long to get a doctor on to the ward that nurses ended up doing the job themselves.

Historians and nurses now tend to use the phrase 'nursing work' to define what nurses do, rather than 'nursing', with its gendered assumption of a link between nursing and feminine domestic instincts. In the mid 19th century, Florence Nightingale's admirers believed that she had transposed the female instincts for cleanliness and nurture into the hospitals. By the mid 20th century, in a neat inversion, doctors and politicians were attempting to combat the nursing shortage in the National Health Service by arguing that a girl trained in basic nursing skills would be better prepared for marriage and motherhood. 'Nursing work' moves the subject firmly out of the home and into the workplace, though as the book reviewed here clearly shows, the perceived link between the nursing and domestic ideals did not break down, even as the technical expertise of nurses was more widely acknowledged.

As a historian who is also a nurse, Christine Hallett is well qualified to take up the challenge of writing about nursing work, and what it entailed under the unforeseen strains of total war. She makes her approach clear at the beginning, arguing that although there have been many books about nurses, 'yet, remarkably, these have said very little about the work those nurses actually did' (p. xi). The First World War is a central subject in many fine histories of medicine, for, like the Napoleonic wars, it stimulated medical research and led to the development of new surgical techniques. Nurses certainly featured in histories of the Great War, but less for their importance to the medical endeavour, than for the revelation of women's endurance under extreme pressure. The books that leave the most lasting impression of wartime nurses are not histories, but the unforgettable literary accounts by Ernest Hemingway and Vera Brittain. Yet, as Hallett points out, it was nurses who were chiefly responsible for the continuing care of wounded men, and for implementing the new types of wound treatment when the doctors' initial work was done. Hallett emphasizes nurses' work in holding together both shattered bodies and shattered minds, hence the book's title. 'Containing trauma' deals with the techniques for maintaining stability while healing took place.

The book is organized around different aspects of the theme of 'containment'. Containment of physical trauma includes the grosser conditions encountered close to the front: haemorrhage, sepsis, physiological shock, the effects of toxic gas, and, because nursing work did not end when the patient was beyond hope, coping with the dying. Under the heading 'relief and restoration', Hallett describes longer-term treatments, such as the aftermath of surgery, handling pain, and rehabilitation. These two sections are focused mainly on the Western Front, and are followed by a chapter on nursing in more far-flung places, particularly in the Middle East and on hospital ships in the Mediterranean. Although the nurses' living and working conditions were hardly ideal in many of the western hospitals, they were even more basic and badly supplied in these areas, and Hallett is concerned not only with the nurses' work, but how they coped with the constant threats to their own health and efficiency. The next section deals with mental and emotional issues, including shell-shock, and the final chapter with 'self-containment', the nurses' relationship with their patients, and their own mental and physical condition.

Hallett's main sources are a very wide range of personal accounts from the nurses themselves - letters, diaries and published memoirs. She has tracked these down in a number of Commonwealth archives as well as in Britain, and so her story also draws on the experiences of Australian, New Zealand and Canadian nurses. She recognises that each type of source has its own pitfalls. Letters had to be written with the censor in mind. Memoirs might be unreliable or written for a particular audience. Hallett contends, I think rightly, that these objections are less significant when the subject is the everyday work of nurses. Descriptions of events and relationships in personal accounts may be distorted for various reasons, but the routine work of the nurse, and the techniques she employed, are less likely to be forgotten or elided. In novels written by nurses, the characters and events may be fictitious, but the descriptions of nursing work are usually rooted in experience. These accounts therefore offer cumulative, rather than individual, evidence of nursing work.

This book is engrossing and extremely readable in spite of its appalling subject matter. The tone is set in the first section with the reception of wounded from the front line into the casualty clearing stations. Here the medical team tried to revive patients suffering from physical shock so severe that death might occur before surgery could begin. In these conditions, the usual boundaries between medical and nursing broke down far more rapidly than in peacetime conditions. The medical staff struggled to cope with emergency surgery, and so the trained nursing staff took on duties that would not normally fall to them, such as triage, administration of saline drips and intravenous injections, and the dispensing of stimulant and narcotic drugs. Legally, only doctors could prescribe these, but, as Hallett notes, 'in the tense, urgent atmosphere of a CCS, details of frequency and dosage were often left to [the nurses'] discretion' (p. 32). It is interesting that a number of these techniques were returned firmly to the medical province after the war, though they moved over to nurses again in later decades.

In the conditions of the Western Front, where wounds were contaminated with mud from agricultural land, the medical staff were confronted with sepsis that was no longer common in aseptic British hospitals, together with other life-threatening infections such as tetanus and 'gas gangrene'. The nursing staff were responsible for implementing many of the new research developments aimed at combating infection. They administered the new tetanus injections (a laborious process), and the complex Carrel Dakin treatment, constantly irrigating wounds with a weak solution of sodium hypochlorite. Nurses had to care for the apparatus as well as the patient. The Carrel Dakin method involved a mass of rubber and glass tubes, all of which had to be kept sterile. Trained nurses passed on to the volunteers (VADs) the time-consuming hospital techniques of their own training, with particular emphasis on clean hands. They had also to cope with the effects of new wartime technology, using oxygen cylinders for soldiers with lungs full of mustard gas, and sodium bicarbonate lotion for their blinded eyes. Having cared for the wounded in the often primitive conditions of the clearing stations, nurses were then detailed to accompany them during their journeys to base hospitals in overcrowded hospital trains.

A number of personal accounts by wartime nurses were written by VADs like Vera Brittain. They had minimal training, though many, as a result of their war work, acquired considerable nursing skill. Some, highly literate feminists, wrote accounts of their experiences that were intended to emphasize the essential role of women in the war. While drawing on these accounts, Hallett gives more emphasis to the professional nurses who had to manage chaotic situations, while organizing teams of volunteers and orderlies. Under war conditions, even the more basic duties of nursing required exceptional administrative skills, as in the account by one nurse of taking 480 sick and wounded on a hospital train, with a junior nurse, one doctor and two orderlies. Seeing that all were fed properly was 'a stupendous business' (p. 108). VADs could cook and clean, but the overall organization of these tasks required managerial skills.

Hallett's account of nursing in the distant theatres of war is an interesting contrast to the more familiar story of the war in France. In Salonika and the Middle East, nurses worked and lived in tents, with poor supply lines for food, and difficulty in finding clean water. Nurses and patients coped with heat, flies, dust, snow, mud, enteric diseases and malaria, while those on board the hospital ships off Gallipoli came within firing range to collect the wounded. Hallett puts all this into perspective, while still concentrating on the work done by nurses in these extreme conditions. Their own diaries and letters tended to emphasize the 'travel' aspects of foreign places, but Hallett extracts much information on the types of treatment offered and the nature of nursing work in adverse conditions.

In her chapter on 'emotional containment', Hallett ventures into more difficult territory. Nurses had to deal with psychological as well as physical suffering. 'Shell shock' and the trauma of war have continued to fascinate, with Pat Barker's highly regarded fiction following the story first told by Siegfried Sassoon and Robert Graves. There were severe cases that required specialized treatment in Britain, but many wounded soldiers suffered various degrees of trauma that could be ameliorated in comfortable and orderly surroundings. Hallett argues convincingly that nurses have largely disappeared from the familiar accounts of psychological trauma, yet they were responsible for providing the environment that assisted recovery. This was the more traditional role of the nurse: restoring cleanliness, peace and order. For men who had been removed from their families, sometimes for years, Hallett argues that nurses represented 'home and normality'. The relationship between patient and nurse, she contends, had to be asexual, with the nurse trying to avoid 'both cold, clinical professionalism and romantic attachment' (p. 178). Nurses also had to provide spiritual comfort for the dying, and remain with them to the end. Hallett is aware of the irony, as emphasized in Joanna Bourke's Dismembering the Male: Men's Bodies, Britain and the Great War(2), that the medical duty of repairing bodies and minds had a primary aim of returning men to face mortal danger. Nevertheless, she concentrates on the 'artistry' of the nurse, who had to achieve self-containment in order to perform her work: 'Nurses protected the psyches of their patients by being available to those who were suffering. This sounds simple, but was in reality, incredibly difficult to achieve: being with a severely mutilated and psychologically distressed patient and showing neither horror nor fear took some practice' (p. 158). Experienced nurses were perhaps better able to meet this challenge, but they could help the VADs to meet it also.

This is a fine and moving book. I have two reservations, which do not detract from its value as a historical account. Firstly, Hallett sometimes relaxes her critical approach to her source material. Some of the most interesting accounts are from personal letters, yet these must have been greatly affected, less by the censor, than by the tailoring of news to a particular recipient. If one is looking for sexual attachments in wartime nurses, they are hardly likely to appear in letters to parents. Hallett did not entirely convince me that nurses and officers formed no romantic ties. Traditional footnoting of letters always used to include the recipient as well as sender, and would be particularly desirable in a work like this. Secondly, were there no bad nurses in World War I? Following hints from the diaries of Irene Rathbone and Enid Bagnold, Hallett briefly comments that some nurses' outlook 'probably bordered on the callous' (p. 159). Since the nurse-patient relationship was a mutual one, would soldier's accounts throw further light on this subject? These are quibbles. Christine Hallett's book helps to restore nurses to their rightful place in the front line in coping with the wreckage of war.

1. Davina Allen, The Changing Shape of Nursing Practice. The Role of Nurses in the Hospital Division of Labour (London, 2001), p. 179.Back to (1)

2. Joanna Bourke, Dismembering the Male: Men's Bodies, Britain and the Great War (London, 1999).Back to (2)

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Containing Trauma: Nursing Work in the First World War

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Historians of nursing in Britain have long been fighting for a place in the history of medicine. For example, of the 718 pages of text in Roy Porter's best-selling The Greatest Benefit to Mankind, only five are concerned with nursing, and these, inevitably, with Florence Nightingale and 19th-century hospital reform.

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This particular link takes you to themes but explore more fully for other informaiton. Excellent site.

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Explore the worldwide implications of the war in Origins, outbreak and conclusions; the logistics of military organisation in The war machine; and the realities of warfare in Life of a soldier and in Race, empire and colonial troops.