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"The Legend of Sleepy Hollow" by Washington Irving 

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"The Legend of Sleepy Hollow" by Washington Irving 

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In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. Each year, the districts are forced by the Capitol to send one boy and one girl between the ages of twelve and eighteen to participate in the Hunger Games, a brutal and terrifying fight to the death - televised for all of Panem to see.

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Often, the small horrors we can imagine are more frightening than the big ones we cannot comprehend. There is one such moment in The Handmaid's Tale, where the narrator, Offred, is told why the chandelier in her room was removed: her predecessor, another woman used as a breeding tool by the master of the house, hanged herself from it.

It's a tiny, terrible moment on a spectrum of grander horrors, but it perfectly encapsulates the brutal reality of Gilead, the patriarchal theocracy that takes over America in Margaret Atwood's 1985 novel and the new TV adaptation. In both the show and the book, Offred is a handmaid: one of the few remaining fertile women who are forced to have sex with powerful men and bear their children. This isn't a world where men treat women equally; they just take the chandelier down, to stop the next one from getting away.

While precedent says readers are not wrong to be sceptical of adaptations, it would be a disservice to write off the TV take on Atwood's book: both are masterpieces, in their own ways. But for all the novel's power, it is 30 years old, written by Atwood as she travelled through West Germany and behind the Iron Curtain; and reading it today, it is easy to feel there is a missing piece, a disconnect between where we are now in 2017 and how we would get to our own Gilead. It is telling that The Handmaid's Tale is sometimes miscategorised as science-fiction - we don't like to consider it as a possibility.

Even for those who have read the book, there is something raw and new in seeing Atwood's tale on screen. Even when you know it is coming, it is hard to witness Offred - played marvellously by Elisabeth Moss - silently being raped by the commander, her head gently banging into his wife's lap as she holds her arms down. It is tough to watch the handmaids hurry past lines of bodies hanging from walls, variously damned for being gay, Catholic, an abortion clinic worker. Women have eyes plucked from their heads, endure clitoridectomies as punishment. We are shown exactly how bad such a future would be, if it ever happened.

And, smartly, the adaptation goes off-book, adding all the necessary tweaks to show exactly how it could happen. Atwood's book thrusts the reader right into Gilead, with only small references to what came before. Flashbacks on TV are usually awful, but not here: watching Offred, then called June, being slowly and insidiously punished in an America not far from the one we know, is terrifyingly realisable. She is marched from her office with stunned colleagues because women aren't allowed to earn income. She stares at an ATM screen as it denies her a withdrawal, disbelief all over her slack face. Strangely, these comparably lesser injustices shock almost as much as the sexual violence she endures later; we have jobs, we use ATMs. The small horrors have their own power.

And a scene in a cafe, where she is viciously branded a "slut" by a barista surely smarts for every woman watching who, statistically, will have endured such unsolicited misogyny from a stranger at some point. Even Atwood herself has found the reality of the show disturbing, writing of a scene where the handmaids shame a woman who was gang raped: "I found this scene horribly upsetting. It was way too much like way too much history."

Dana Stevens (@thehighsign)
Women attended legislation sessions at the Texas capitol today dressed in Handsmaid's Tale uniforms. Nice activist photo op 💜 #txlege @PPact pic.twitter.com/bXn8dDRtYV
March 21, 2017

The novelist famously constructed her dystopian world using only historical precedents, digging at America's Puritan roots to build Gilead, then mining other parts from the past - the Nazi party's Lebensborn program, designed to encourage a high birth rate among Aryan women; book burnings; the religious iconography seen in the enforced dress codes; state surveillance in China and East Germany. Some have even praised the show for the timeliness of its adaptation, falling as it has so soon after the election of President Donald Trump. When before has America needed to take such a hard look at itself, and consider the hypocritical, misogynist prurience that seems to drive so many of its political figures? Tellingly, since the show started being promoted in America, women have been attending marches and protests dressed in the red robe and white bonnet made iconic by Atwood's handmaids.

But, arguably, there has also never been a moment since Atwood's book arrived on shelves that this story hasn't been timely. What should be praised is the willingness to translate it for audiences today. We are blessed, in a strange way, that it has the capacity to shock us still.
The Handmaid's Tale starts in the UK on Sunday at 9pm on Channel 4, and continues in the US on Wednesdays on Hulu. Topics

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The Handmaid's Tale on TV: too disturbing even for Margaret Atwood

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Often, the small horrors we can imagine are more frightening than the big ones we cannot comprehend. There is one such moment in The Handmaid's Tale, where the narrator, Offred, is told why the chandelier in her room was removed: her predecessor, another woman used as a breeding tool by the master of the house, hanged herself from it.

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Coming October 16, 2009 If you're interested in making money online, check out my blog. I've reviewed a bunch of sites and listed the Top ones. http://toppaidsites.blogspot.com Director: John Hillcoat Writers: Joe Penhall, Nick Wechsler Cast: Viggo Mortensen, Robert Duvall, Charlize Theron, Guy Pearce, Kodi Smit-McPhee Plot: A father and his son walk alone through burned America.

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"The Devil and Tom Walker" by Washington Irving 

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"The Devil and Tom Walker" by Washington Irving 

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"The Masque of the Red Death" by Edgar A. Poe

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"The Masque of the Red Death" by Edgar A. Poe

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Edgar Allan Poe Librivox Free Audiobook Reading

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The Masque of the Red Death (2007 short film) - Part 1 of 2

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Find PART TWO here: http://youtu.be/GF8TSsQOKq0 A short film of Edgar Allan Poe's classic story 'The Masque of the Red Death'. This film was created during my time as a student at the University of Technology, Sydney for Media Arts and Production.

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Dark Romanticism Characteristics  and Details

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Dark Romanticism Characteristics  and Details

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Repetition
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"Give me liberty or give me death!"
Summary:
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Revolutionaries were writing and giving speeches about __________ in order to _______________.
__________________ are devices or techniques that Revolutionaries used in order to _________________.

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Jonathan Edwards' sermon "Sinners in the Hands of an Angry God" 

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Jonathan Edwards' sermon "Sinners in the Hands of an Angry God" 

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His sermon contained imagery of hell which scared the audience. At the end of the sermon, however, Edwards' tone shifts from ____________ to ______________________.

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Mary Jemison and Mary Rowlandson's Captivity Narratives 

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Mary Jemison and Mary Rowlandson's Captivity Narratives 

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They gave credit to God for keeping them safe in the wilderness with the Native Americans.

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Known for...

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Known for...

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a movement in the arts and literature that originated in the late 18th century, emphasizing inspiration, subjectivity, and the primacy of the individual.

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(1914-1918)

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(1939-1945

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(U.S. involvement 1973-1975)

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Gwendolyn Brooks (poetry)
Robert Hayden (poetry)
Lorraine Hansberry (dramas/plays)
Dr. Martin Luther King Jr. (speeches and essays)

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1954 classic Funny Face star Audrey Hepburn cuts up the dance floor to ACDC music in the famous Gap commercial from 2007.

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blacks and whites worked together to help abolish slavery

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heartrending stories of individuals, families, and communities scarred by slavery.

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record of relations between colonists and Native Americans
(trust/distrust; friendship/ hatred)

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hymns, sermons, journals, autobiographies 

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hymns, sermons, journals, autobiographies 

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(fiction was of the devil!)

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(But only if your a Christian)

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The Age of Reason (also known as The Enlightenment)

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The Age of Reason (also known as The Enlightenment)

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-clear thinking and acceptance of the political situation
-writers knew the importance and the power of words which they used to debate with The British and to persuade the public to join their fight for independence
-The Declaration of Independence is not an outcry or an anarchic demand. It is a reasoned document, a controlled statement of the rational argument for independence.

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The name Mark Twain is a pseudonym of Samuel Langhorne Clemens. Clemens was an American humorist, journalist, lecturer, and novelist who acquired international fame for his travel narratives, especially The Innocents Abroad (1869), Roughing It (1872), and Life on the Mississippi (1883), and for his adventure stories of boyhood, especially The Adventures of Tom Sawyer (1876) and Adventures of Huckleberry Finn (1885). A gifted raconteur, distinctive humorist, and irascible moralist, he transcended the apparent limitations of his origins to become a popular public figure and one of America's best and most beloved writers.

Youth

Samuel Clemens, the sixth child of John Marshall and Jane Moffit Clemens, was born two months prematurely and was in relatively poor health for the first 10 years of his life. His mother tried various allopathic and hydropathic remedies on him during those early years, and his recollections of those instances (along with other memories of his growing up) would eventually find their way into Tom Sawyer and other writings. Because he was sickly, Clemens was often coddled, particularly by his mother, and he developed early the tendency to test her indulgence through mischief, offering only his good nature as bond for the domestic crimes he was apt to commit. When Jane Clemens was in her 80s, Clemens asked her about his poor health in those early years: "I suppose that during that whole time you were uneasy about me?" "Yes, the whole time," she answered. "Afraid I wouldn't live?" "No," she said, "afraid you would."

Insofar as Clemens could be said to have inherited his sense of humour, it would have come from his mother, not his father. John Clemens, by all reports, was a serious man who seldom demonstrated affection. No doubt his temperament was affected by his worries over his financial situation, made all the more distressing by a series of business failures. It was the diminishing fortunes of the Clemens family that led them in 1839 to move 30 miles (50 km) east from Florida, Mo., to the Mississippi River port town of Hannibal, where there were greater opportunities. John Clemens opened a store and eventually became a justice of the peace, which entitled him to be called "Judge" but not to a great deal more. In the meantime, the debts accumulated. Still, John Clemens believed the Tennessee land he had purchased in the late 1820s (some 70,000 acres [28,000 hectares]) might one day make them wealthy, and this prospect cultivated in the children a dreamy hope. Late in his life, Twain reflected on this promise that became a curse:

It put our energies to sleep and made visionaries of us-dreamers and indolent....It is good to begin life poor; it is good to begin life rich-these are wholesome; but to begin it prospectively rich! The man who has not experienced it cannot imagine the curse of it.

Judging from his own speculative ventures in silver mining, business, and publishing, it was a curse that Sam Clemens never quite outgrew.

Perhaps it was the romantic visionary in him that caused Clemens to recall his youth in Hannibal with such fondness. As he remembered it in Old Times on the Mississippi (1875), the village was a "white town drowsing in the sunshine of a summer's morning," until the arrival of a riverboat suddenly made it a hive of activity. The gamblers, stevedores, and pilots, the boisterous raftsmen and elegant travelers, all bound for somewhere surely glamorous and exciting, would have impressed a young boy and stimulated his already active imagination. And the lives he might imagine for these living people could easily be embroidered by the romantic exploits he read in the works of James Fenimore Cooper, Sir Walter Scott, and others. Those same adventures could be reenacted with his companions as well, and Clemens and his friends did play at being pirates, Robin Hood, and other fabled adventurers. Among those companions was Tom Blankenship, an affable but impoverished boy whom Twain later identified as the model for the character Huckleberry Finn. There were local diversions as well-fishing, picnicking, and swimming. A boy might swim or canoe to and explore Glasscock's Island, in the middle of the Mississippi River, or he might visit the labyrinthine McDowell's Cave, about 2 miles (3 km) south of town. The first site evidently became Jackson's Island in Adventures of Huckleberry Finn; the second became McDougal's Cave in The Adventures of Tom Sawyer. In the summers, Clemens visited his uncle John Quarles's farm, near Florida, Mo., where he played with his cousins and listened to stories told by the slave Uncle Daniel, who served, in part, as a model for Jim in Huckleberry Finn.

It is not surprising that the pleasant events of youth, filtered through the softening lens of memory, might outweigh disturbing realities. However, in many ways the childhood of Samuel Clemens was a rough one. Death from disease during this time was common. His sister Margaret died of a fever when Clemens was not yet four years old; three years later his brother Benjamin died. When he was eight, a measles epidemic (potentially lethal in those days) was so frightening to him that he deliberately exposed himself to infection by climbing into bed with his friend Will Bowen in order to relieve the anxiety. A cholera epidemic a few years later killed at least 24 people, a substantial number for a small town. In 1847 Clemens's father died of pneumonia. John Clemens's death contributed further to the family's financial instability. Even before that year, however, continuing debts had forced them to auction off property, to sell their only slave, Jennie, to take in boarders, even to sell their furniture.

Apart from family worries, the social environment was hardly idyllic. Missouri was a slave state, and, though the young Clemens had been reassured that chattel slavery was an institution approved by God, he nevertheless carried with him memories of cruelty and sadness that he would reflect upon in his maturity. Then there was the violence of Hannibal itself. One evening in 1844 Clemens discovered a corpse in his father's office; it was the body of a California emigrant who had been stabbed in a quarrel and was placed there for the inquest. In January 1845 Clemens watched a man die in the street after he had been shot by a local merchant; this incident provided the basis for the Boggs shooting in Huckleberry Finn. Two years later he witnessed the drowning of one of his friends, and only a few days later, when he and some friends were fishing on Sny Island, on the Illinois side of the Mississippi, they discovered the drowned and mutilated body of a fugitive slave. As it turned out, Tom Blankenship's older brother Bence had been secretly taking food to the runaway slave for some weeks before the slave was apparently discovered and killed. Bence's act of courage and kindness served in some measure as a model for Huck's decision to help the fugitive Jim in Huckleberry Finn.

After the death of his father, Sam Clemens worked at several odd jobs in town, and in 1848 he became a printer's apprentice for Joseph P. Ament's Missouri Courier. He lived sparingly in the Ament household but was allowed to continue his schooling and, from time to time, indulge in boyish amusements. Nevertheless, by the time Clemens was 13, his boyhood had effectively come to an end.

Apprenticeships

In 1850 the oldest Clemens boy, Orion, returned from St. Louis, Mo., and began to publish a weekly newspaper. A year later he bought the Hannibal Journal, and Sam and his younger brother Henry worked for him. Sam became more than competent as a typesetter, but he also occasionally contributed sketches and articles to his brother's paper. Some of those early sketches, such as The Dandy Frightening the Squatter (1852), appeared in Eastern newspapers and periodicals. In 1852, acting as the substitute editor while Orion was out of town, Clemens signed a sketch "W. Epaminondas Adrastus Perkins." This was his first known use of a pseudonym, and there would be several more ( Thomas Jefferson Snodgrass, Quintius Curtius Snodgrass, Josh, and others) before he adopted, permanently, the pen name Mark Twain.

Having acquired a trade by age 17, Clemens left Hannibal in 1853 with some degree of self-sufficiency. For almost two decades he would be an itinerant labourer, trying many occupations. It was not until he was 37, he once remarked, that he woke up to discover he had become a "literary person." In the meantime, he was intent on seeing the world and exploring his own possibilities. He worked briefly as a typesetter in St. Louis in 1853 before traveling to New York City to work at a large printing shop. From there he went to Philadelphia and on to Washington, D.C.; then he returned to New York, only to find work hard to come by because of fires that destroyed two publishing houses. During his time in the East, which lasted until early 1854, he read widely and took in the sights of these cities. He was acquiring, if not a worldly air, at least a broader perspective than that offered by his rural background. And Clemens continued to write, though without firm literary ambitions, occasionally publishing letters in his brother's new newspaper. Orion had moved briefly to Muscatine, Iowa, with their mother, where he had established the Muscatine Journal before relocating to Keokuk, Iowa, and opening a printing shop there. Sam Clemens joined his brother in Keokuk in 1855 and was a partner in the business for a little over a year, but he then moved to Cincinnati, Ohio, to work as a typesetter. Still restless and ambitious, he booked passage in 1857 on a steamboat bound for New Orleans, La., planning to find his fortune in South America. Instead, he saw a more immediate opportunity and persuaded the accomplished riverboat captain Horace Bixby to take him on as an apprentice.

Having agreed to pay a $500 apprentice fee, Clemens studied the Mississippi River and the operation of a riverboat under the masterful instruction of Bixby, with an eye toward obtaining a pilot's license. (Clemens paid Bixby $100 down and promised to pay the remainder of the substantial fee in installments, something he evidently never managed to do.) Bixby did indeed "learn"-a word Twain insisted on-him the river, but the young man was an apt pupil as well. Because Bixby was an exceptional pilot and had a license to navigate the Missouri River and the upper as well as the lower Mississippi, lucrative opportunities several times took him upstream. On those occasions, Clemens was transferred to other veteran pilots and thereby learned the profession more quickly and thoroughly than he might have otherwise. The profession of riverboat pilot was, as he confessed many years later in Old Times on the Mississippi, the most congenial one he had ever followed. Not only did a pilot receive good wages and enjoy universal respect, but he was absolutely free and self-sufficient: "a pilot, in those days, was the only unfettered and entirely independent human being that lived in the earth," he wrote. Clemens enjoyed the rank and dignity that came with the position; he belonged, both informally and officially, to a group of men whose acceptance he cherished; and-by virtue of his membership in the Western Boatman's Benevolent Association, obtained soon after he earned his pilot's license in 1859-he participated in a true "meritocracy" of the sort he admired and would dramatize many years later in A Connecticut Yankee in King Arthur's Court (1889).

Clemens's years on the river were eventful in other ways. He met and fell in love with Laura Wright, eight years his junior. The courtship dissolved in a misunderstanding, but she remained the remembered sweetheart of his youth. He also arranged a job for his younger brother Henry on the riverboat Pennsylvania. The boilers exploded, however, and Henry was fatally injured. Clemens was not on board when the accident occurred, but he blamed himself for the tragedy. His experience as a cub and then as a full-fledged pilot gave him a sense of discipline and direction he might never have acquired elsewhere. Before this period his had been a directionless knockabout life; afterward he had a sense of determined possibility. He continued to write occasional pieces throughout these years and, in one satirical sketch, River Intelligence (1859), lampooned the self-important senior pilot Isaiah Sellers, whose observations of the Mississippi were published in a New Orleans newspaper. Clemens and the other "starchy boys," as he once described his fellow riverboat pilots in a letter to his wife, had no particular use for this nonunion man, but Clemens did envy what he later recalled to be Sellers's delicious pen name, Mark Twain.

The Civil War severely curtailed river traffic, and, fearing that he might be impressed as a Union gunboat pilot, Clemens brought his years on the river to a halt a mere two years after he had acquired his license. He returned to Hannibal, where he joined the prosecessionist Marion Rangers, a ragtag lot of about a dozen men. After only two uneventful weeks, during which the soldiers mostly retreated from Union troops rumoured to be in the vicinity, the group disbanded. A few of the men joined other Confederate units, and the rest, along with Clemens, scattered. Twain would recall this experience, a bit fuzzily and with some fictional embellishments, in The Private History of the Campaign That Failed (1885). In that memoir he extenuated his history as a deserter on the grounds that he was not made for soldiering. Like the fictional Huckleberry Finn, whose narrative he was to publish in 1885, Clemens then lit out for the territory. Huck Finn intends to escape to the Indian country, probably Oklahoma; Clemens accompanied his brother Orion to the Nevada Territory.

Clemens's own political sympathies during the war are obscure. It is known at any rate that Orion Clemens was deeply involved in Republican Party politics and in Abraham Lincoln's campaign for the U.S. presidency, and it was as a reward for those efforts that he was appointed territorial secretary of Nevada. Upon their arrival in Carson City, the territorial capital, Sam Clemens's association with Orion did not provide him the sort of livelihood he might have supposed, and, once again, he had to shift for himself-mining and investing in timber and silver and gold stocks, oftentimes "prospectively rich," but that was all. Clemens submitted several letters to the Virginia City Territorial Enterprise, and these attracted the attention of the editor, Joseph Goodman, who offered him a salaried job as a reporter. He was again embarked on an apprenticeship, in the hearty company of a group of writers sometimes called the Sagebrush Bohemians, and again he succeeded.

The Nevada Territory was a rambunctious and violent place during the boom years of the Comstock Lode, from its discovery in 1859 to its peak production in the late 1870s. Nearby Virginia City was known for its gambling and dance halls, its breweries and whiskey mills, its murders, riots, and political corruption. Years later Twain recalled the town in a public lecture: "It was no place for a Presbyterian," he said. Then, after a thoughtful pause, he added, "And I did not remain one very long." Nevertheless, he seems to have retained something of his moral integrity. He was often indignant and prone to expose fraud and corruption when he found them. This was a dangerous indulgence, for violent retribution was not uncommon.

In February 1863 Clemens covered the legislative session in Carson City and wrote three letters for the Enterprise. He signed them "Mark Twain." Apparently the mistranscription of a telegram misled Clemens to believe that the pilot Isaiah Sellers had died and that his cognomen was up for grabs. Clemens seized it. (See Researcher's Note: Origins of the name Mark Twain.) It would be several years before this pen name would acquire the firmness of a full-fledged literary persona, however. In the meantime, he was discovering by degrees what it meant to be a "literary person."

Already he was acquiring a reputation outside the territory. Some of his articles and sketches had appeared in New York papers, and he became the Nevada correspondent for the San Francisco Morning Call. In 1864, after challenging the editor of a rival newspaper to a duel and then fearing the legal consequences for this indiscretion, he left Virginia City for San Francisco and became a full-time reporter for the Call. Finding that work tiresome, he began contributing to the Golden Era and the new literary magazine the Californian, edited by Bret Harte. After he published an article expressing his fiery indignation at police corruption in San Francisco, and after a man with whom he associated was arrested in a brawl, Clemens decided it prudent to leave the city for a time. He went to the Tuolumne foothills to do some mining. It was there that he heard the story of a jumping frog. The story was widely known, but it was new to Clemens, and he took notes for a literary representation of the tale. When the humorist Artemus Ward invited him to contribute something for a book of humorous sketches, Clemens decided to write up the story. Jim Smiley and His Jumping Frog arrived too late to be included in the volume, but it was published in the New York Saturday Press in November 1865 and was subsequently reprinted throughout the country. "Mark Twain" had acquired sudden celebrity, and Sam Clemens was following in his wake.

Literary Maturity

The next few years were important for Clemens. After he had finished writing the jumping-frog story but before it was published, he declared in a letter to Orion that he had a " 'call' to literature of a low order-i.e. humorous. It is nothing to be proud of," he continued, "but it is my strongest suit." However much he might deprecate his calling, it appears that he was committed to making a professional career for himself. He continued to write for newspapers, traveling to Hawaii for the Sacramento Union and also writing for New York newspapers, but he apparently wanted to become something more than a journalist. He went on his first lecture tour, speaking mostly on the Sandwich Islands (Hawaii) in 1866. It was a success, and for the rest of his life, though he found touring grueling, he knew he could take to the lecture platform when he needed money. Meanwhile, he tried, unsuccessfully, to publish a book made up of his letters from Hawaii. His first book was in fact The Celebrated Jumping Frog of Calaveras County and Other Sketches (1867), but it did not sell well. That same year, he moved to New York City, serving as the traveling correspondent for the San Francisco Alta California and for New York newspapers. He had ambitions to enlarge his reputation and his audience, and the announcement of a transatlantic excursion to Europe and the Holy Land provided him with just such an opportunity. The Alta paid the substantial fare in exchange for some 50 letters he would write concerning the trip. Eventually his account of the voyage was published as The Innocents Abroad (1869). It was a great success.

The trip abroad was fortuitous in another way. He met on the boat a young man named Charlie Langdon, who invited Clemens to dine with his family in New York and introduced him to his sister Olivia; the writer fell in love with her. Clemens's courtship of Olivia Langdon, the daughter of a prosperous businessman from Elmira, N.Y., was an ardent one, conducted mostly through correspondence. They were married in February 1870. With financial assistance from Olivia's father, Clemens bought a one-third interest in the Express of Buffalo, N.Y., and began writing a column for a New York City magazine, the Galaxy. A son, Langdon, was born in November 1870, but the boy was frail and would die of diphtheria less than two years later. Clemens came to dislike Buffalo and hoped that he and his family might move to the Nook Farm area of Hartford, Conn. In the meantime, he worked hard on a book about his experiences in the West. Roughing It was published in February 1872 and sold well. The next month, Olivia Susan (Susy) Clemens was born in Elmira. Later that year, Clemens traveled to England. Upon his return, he began work with his friend Charles Dudley Warner on a satirical novel about political and financial corruption in the United States. The Gilded Age (1873) was remarkably well received, and a play based on the most amusing character from the novel, Colonel Sellers, also became quite popular.

The Gilded Age was Twain's first attempt at a novel, and the experience was apparently congenial enough for him to begin writing Tom Sawyer, along with his reminiscences about his days as a riverboat pilot. He also published A True Story, a moving dialect sketch told by a former slave, in the prestigious Atlantic Monthly in 1874. A second daughter, Clara, was born in June, and the Clemenses moved into their still-unfinished house in Nook Farm later the same year, counting among their neighbours Warner and the writer Harriet Beecher Stowe. Old Times on the Mississippi appeared in the Atlantic in installments in 1875. The obscure journalist from the wilds of California and Nevada had arrived: he had settled down in a comfortable house with his family; he was known worldwide; his books sold well, and he was a popular favourite on the lecture tour; and his fortunes had steadily improved over the years. In the process, the journalistic and satirical temperament of the writer had, at times, become retrospective. Old Times, which would later become a portion of Life on the Mississippi, described comically, but a bit ruefully too, a way of life that would never return. The highly episodic narrative of Tom Sawyer, which recounts the mischievous adventures of a boy growing up along the Mississippi River, was coloured by a nostalgia for childhood and simplicity that would permit Twain to characterize the novel as a "hymn" to childhood. The continuing popularity of Tom Sawyer (it sold well from its first publication, in 1876, and has never gone out of print) indicates that Twain could write a novel that appealed to young and old readers alike. The antics and high adventure of Tom Sawyer and his comrades-including pranks in church and at school, the comic courtship of Becky Thatcher, a murder mystery, and a thrilling escape from a cave-continue to delight children, while the book's comedy, narrated by someone who vividly recalls what it was to be a child, amuses adults with similar memories.

In the summer of 1876, while staying with his in-laws Susan and Theodore Crane on Quarry Farm overlooking Elmira, Clemens began writing what he called in a letter to his friend William Dean Howells "Huck Finn's Autobiography." Huck had appeared as a character in Tom Sawyer, and Clemens decided that the untutored boy had his own story to tell. He soon discovered that it had to be told in Huck's own vernacular voice. Huckleberry Finn was written in fits and starts over an extended period and would not be published until 1885. During that interval, Twain often turned his attention to other projects, only to return again and again to the novel's manuscript.

Twain believed he had humiliated himself before Boston's literary worthies when he delivered one of many speeches at a dinner commemorating the 70th birthday of poet and abolitionist John Greenleaf Whittier. Twain's contribution to the occasion fell flat (perhaps because of a failure of delivery or the contents of the speech itself), and some believed he had insulted three literary icons in particular: Henry Wadsworth Longfellow, Ralph Waldo Emerson, and Oliver Wendell Holmes. The embarrassing experience may have in part prompted his removal to Europe for nearly two years. He published A Tramp Abroad (1880), about his travels with his friend Joseph Twichell in the Black Forest and the Swiss Alps, and The Prince and the Pauper (1881), a fanciful tale set in 16th-century England and written for "young people of all ages." In 1882 he traveled up the Mississippi with Horace Bixby, taking notes for the book that became Life on the Mississippi (1883). All the while, he continued to make often ill-advised investments, the most disastrous of which was the continued financial support of an inventor, James W. Paige, who was perfecting an automatic typesetting machine. In 1884 Clemens founded his own publishing company, bearing the name of his nephew and business agent, Charles L. Webster, and embarked on a four-month lecture tour with fellow author George W. Cable, both to raise money for the company and to promote the sales of Huckleberry Finn. Not long after that, Clemens began the first of several Tom-and-Huck sequels. None of them would rival Huckleberry Finn. All the Tom-and-Huck narratives engage in broad comedy and pointed satire, and they show that Twain had not lost his ability to speak in Huck's voice. What distinguishes Huckleberry Finn from the others is the moral dilemma Huck faces in aiding the runaway slave Jim while at the same time escaping from the unwanted influences of so-called civilization. Through Huck, the novel's narrator, Twain was able to address the shameful legacy of chattel slavery prior to the Civil War and the persistent racial discrimination and violence after. That he did so in the voice and consciousness of a 14-year-old boy, a character who shows the signs of having been trained to accept the cruel and indifferent attitudes of a slaveholding culture, gives the novel its affecting power, which can elicit genuine sympathies in readers but can also generate controversy and debate and can affront those who find the book patronizing toward African Americans, if not perhaps much worse. If Huckleberry Finn is a great book of American literature, its greatness may lie in its continuing ability to touch a nerve in the American national consciousness that is still raw and troubling.

For a time, Clemens's prospects seemed rosy. After working closely with Ulysses S. Grant, he watched as his company's publication of the former U.S. president's memoirs in 1885-86 became an overwhelming success. Clemens believed a forthcoming biography of Pope Leo XIII would do even better. The prototype for the Paige typesetter also seemed to be working splendidly. It was in a generally sanguine mood that he began to write A Connecticut Yankee in King Arthur's Court, about the exploits of a practical and democratic factory superintendent who is magically transported to Camelot and attempts to transform the kingdom according to 19th-century republican values and modern technology. So confident was he about prospects for the typesetter that Clemens predicted this novel would be his "swan-song" to literature and that he would live comfortably off the profits of his investment.

Things did not go according to plan, however. His publishing company was floundering, and cash flow problems meant he was drawing on his royalties to provide capital for the business. Clemens was suffering from rheumatism in his right arm, but he continued to write for magazines out of necessity. Still, he was getting deeper and deeper in debt, and by 1891 he had ceased his monthly payments to support work on the Paige typesetter, effectively giving up on an investment that over the years had cost him some $200,000 or more. He closed his beloved house in Hartford, and the family moved to Europe, where they might live more cheaply and, perhaps, where his wife, who had always been frail, might improve her health. Debts continued to mount, and the financial panic of 1893 made it difficult to borrow money. Luckily, he was befriended by a Standard Oil executive, Henry Huttleston Rogers, who undertook to put Clemens's financial house in order. Clemens assigned his property, including his copyrights, to Olivia, announced the failure of his publishing house, and declared personal bankruptcy. In 1894, approaching his 60th year, Samuel Clemens was forced to repair his fortunes and to remake his career.

Old Age

Late in 1894 The Tragedy of Pudd'nhead Wilson and the Comedy of Those Extraordinary Twins was published. Set in the antebellum South, Pudd'nhead Wilson concerns the fates of transposed babies, one white and the other black, and is a fascinating, if ambiguous, exploration of the social and legal construction of race. It also reflects Twain's thoughts on determinism, a subject that would increasingly occupy his thoughts for the remainder of his life. One of the maxims from that novel jocularly expresses his point of view: "Training is everything. The peach was once a bitter almond; cauliflower is nothing but cabbage with a college education." Clearly, despite his reversal of fortunes, Twain had not lost his sense of humour. But he was frustrated too-frustrated by financial difficulties but also by the public's perception of him as a funnyman and nothing more. The persona of Mark Twain had become something of a curse for Samuel Clemens.

Clemens published his next novel, Personal Recollections of Joan of Arc (serialized 1895-96), anonymously in hopes that the public might take it more seriously than a book bearing the Mark Twain name. The strategy did not work, for it soon became generally known that he was the author; when the novel was first published in book form, in 1896, his name appeared on the volume's spine but not on its title page. However, in later years he would publish some works anonymously, and still others he declared could not be published until long after his death, on the largely erroneous assumption that his true views would scandalize the public. Clemens's sense of wounded pride was necessarily compromised by his indebtedness, and he embarked on a lecture tour in July 1895 that would take him across North America to Vancouver, B.C., Can., and from there around the world. He gave lectures in Australia, New Zealand, India, South Africa, and points in-between, arriving in England a little more than a year afterward. Clemens was in London when he was notified of the death of his daughter Susy, of spinal meningitis. A pall settled over the Clemens household; they would not celebrate birthdays or holidays for the next several years. As an antidote to his grief as much as anything else, Clemens threw himself into work. He wrote a great deal he did not intend to publish during those years, but he did publish Following the Equator (1897), a relatively serious account of his world lecture tour. By 1898 the revenue generated from the tour and the subsequent book, along with Henry Huttleston Rogers's shrewd investments of his money, had allowed Clemens to pay his creditors in full. Rogers was shrewd as well in the way he publicized and redeemed the reputation of "Mark Twain" as a man of impeccable moral character. Palpable tokens of public approbation are the three honorary degrees conferred on Clemens in his last years-from Yale University in 1901, from the University of Missouri in 1902, and, the one he most coveted, from Oxford University in 1907. When he traveled to Missouri to receive his honorary Doctor of Laws, he visited old friends in Hannibal along the way. He knew that it would be his last visit to his hometown.

Clemens had acquired the esteem and moral authority he had yearned for only a few years before, and the writer made good use of his reinvigorated position. He began writing The Man That Corrupted Hadleyburg (1899), a devastating satire of venality in small-town America, and the first of three manuscript versions of The Mysterious Stranger. (None of the manuscripts was ever completed, and they were posthumously combined and published in 1916.) He also started What Is Man? (published anonymously in 1906), a dialogue in which a wise "Old Man" converts a resistant "Young Man" to a brand of philosophical determinism. He began to dictate his autobiography, which he would continue to do until a few months before he died. Some of Twain's best work during his late years was not fiction but polemical essays in which his earnestness was not in doubt: an essay against anti-Semitism, Concerning the Jews (1899); a denunciation of imperialism, To the Man Sitting in Darkness (1901); an essay on lynching, The United States of Lyncherdom (posthumously published in 1923); and a pamphlet on the brutal and exploitative Belgian rule in the Congo, King Leopold's Soliloquy (1905).

Clemens's last years have been described as his "bad mood" period. The description may or may not be apt. It is true that in his polemical essays and in much of his fiction during this time he was venting powerful moral feelings and commenting freely on the "damn'd human race." But he had always been against sham and corruption, greed, cruelty, and violence. Even in his California days, he was principally known as the "Moralist of the Main" and only incidentally as the "Wild Humorist of the Pacific Slope." It was not the indignation he was expressing during these last years that was new; what seemed to be new was the frequent absence of the palliative humour that had seasoned the earlier outbursts. At any rate, even though the worst of his financial worries were behind him, there was no particular reason for Clemens to be in a good mood.

The family, including Clemens himself, had suffered from one sort of ailment or another for a very long time. In 1896 his daughter Jean was diagnosed with epilepsy, and the search for a cure, or at least relief, had taken the family to different doctors throughout Europe. By 1901 his wife's health was seriously deteriorating. She was violently ill in 1902, and for a time Clemens was allowed to see her for only five minutes a day. Removing to Italy seemed to improve her condition, but that was only temporary. She died on June 5, 1904. Something of his affection for her and his sense of personal loss after her death is conveyed in the moving piece Eve's Diary (1906). The story chronicles in tenderly comic ways the loving relationship between Adam and Eve. After Eve dies, Adam comments at her grave site, "Wheresoever she was, there was Eden." Clemens had written a commemorative poem on the anniversary of Susy's death, and Eve's Diary serves the equivalent function for the death of his wife. He would have yet another occasion to publish his grief. His daughter Jean died on Dec. 24, 1909. The Death of Jean (1911) was written beside her deathbed. He was writing, he said, "to keep my heart from breaking."

It is true that Clemens was bitter and lonely during his last years. He took some solace in the grandfatherly friendships he established with young schoolgirls he called his "angelfish." His "Angelfish Club" consisted of 10 to 12 girls who were admitted to membership on the basis of their intelligence, sincerity, and good will, and he corresponded with them frequently. In 1906-07 he published selected chapters from his ongoing autobiography in the North American Review. Judging from the tone of the work, writing his autobiography often supplied Clemens with at least a wistful pleasure. These writings and others reveal an imaginative energy and humorous exuberance that do not fit the picture of a wholly bitter and cynical man. He moved into his new house in Redding, Conn., in June 1908, and that too was a comfort. He had wanted to call it "Innocents at Home," but his daughter Clara convinced him to name it "Stormfield," after a story he had written about a sea captain who sailed for heaven but arrived at the wrong port. Extracts from Captain Stormfield's Visit to Heaven was published in installments in Harper's Magazine in 1907-08. It is an uneven but delightfully humorous story, one that critic and journalist H.L. Mencken ranked on a level with Huckleberry Finn and Life on the Mississippi. Little Bessie and Letters from the Earth (both published posthumously) were also written during this period, and, while they are sardonic, they are antically comic as well. Clemens thought Letters from the Earth was so heretical that it could never be published. However, it was published in a book by that name, along with other previously unpublished writings, in 1962, and it reinvigorated public interest in Twain's serious writings. The letters did present unorthodox views-that God was something of a bungling scientist and human beings his failed experiment, that Christ, not Satan, devised hell, and that God was ultimately to blame for human suffering, injustice, and hypocrisy. Twain was speaking candidly in his last years but still with a vitality and ironic detachment that kept his work from being merely the fulminations of an old and angry man.

Clara Clemens married in October 1909 and left for Europe by early December. Jean died later that month. Clemens was too grief-stricken to attend the burial services, and he stopped working on his autobiography. Perhaps as an escape from painful memories, he traveled to Bermuda in January 1910. By early April he was having severe chest pains. His biographer Albert Bigelow Paine joined him, and together they returned to Stormfield. Clemens died on April 21. The last piece of writing he did, evidently, was the short humorous sketch Etiquette for the Afterlife: Advice to Paine (first published in full in 1995). Clearly, Clemens's mind was on final things; just as clearly, he had not altogether lost his sense of humour. Among the pieces of advice he offered Paine, for when his turn to enter heaven arrived, was this: "Leave your dog outside. Heaven goes by favor. If it went by merit, you would stay out and the dog would go in." Clemens was buried in the family plot in Elmira, N.Y., alongside his wife, his son, and two of his daughters. Only Clara survived him.

Reputation and Assessment

Shortly after Clemens's death, Howells published My Mark Twain (1910), in which he pronounced Samuel Clemens "sole, incomparable, the Lincoln of our literature." Twenty-five years later Ernest Hemingway wrote in The Green Hills of Africa (1935), "All modern American literature comes from one book by Mark Twain called Huckleberry Finn." Both compliments are grandiose and a bit obscure. For Howells, Twain's significance was apparently social-the humorist, Howells wrote, spoke to and for the common American man and woman; he emancipated and dignified the speech and manners of a class of people largely neglected by writers (except as objects of fun or disapproval) and largely ignored by genteel America. For Hemingway, Twain's achievement was evidently an aesthetic one principally located in one novel. For later generations, however, the reputation of and controversy surrounding Huckleberry Finn largely eclipsed the vast body of Clemens's substantial literary corpus: the novel has been dropped from some American schools' curricula on the basis of its characterization of the slave Jim, which some regard as demeaning, and its repeated use of an offensive racial epithet.

As a humorist and as a moralist, Twain worked best in short pieces. Roughing It is a rollicking account of his adventures in the American West, but it is also seasoned with such exquisite yarns as Buck Fanshaw's Funeral and The Story of the Old Ram; A Tramp Abroad is for many readers a disappointment, but it does contain the nearly perfect Jim Baker's Blue-Jay Yarn. In A True Story, told in an African American dialect, Twain transformed the resources of the typically American humorous story into something serious and profoundly moving. The Man That Corrupted Hadleyburg is relentless social satire; it is also the most formally controlled piece Twain ever wrote. The originality of the longer works is often to be found more in their conception than in their sustained execution. The Innocents Abroad is perhaps the funniest of all of Twain's books, but it also redefined the genre of the travel narrative by attempting to suggest to the reader, as Twain wrote, "how he would be likely to see Europe and the East if he looked at them with his own eyes." Similarly, in Tom Sawyer, he treated childhood not as the achievement of obedience to adult authority but as a period of mischief-making fun and good-natured affection. Like Miguel de Cervantes's Don Quixote, which he much admired, Huckleberry Finn rang changes on the picaresque novel that are of permanent interest.

Twain was not the first Anglo-American to treat the problems of race and racism in all their complexity, but, along with that of Herman Melville, his treatment remains of vital interest more than a hundred years later. His ability to swiftly and convincingly create a variety of fictional characters rivals that of Charles Dickens. Twain's scalawags, dreamers, stalwarts, and toughs, his solicitous aunts, ambitious politicians, carping widows, false aristocrats, canny but generous slaves, sententious moralists, brave but misguided children, and decent but complicitous bystanders, his loyal lovers and friends, and his fractious rivals-these and many more constitute a virtual census of American types. And his mastery of spoken language, of slang and argot and dialect, gave these figures a voice. Twain's democratic sympathies and his steadfast refusal to condescend to the lowliest of his creations give the whole of his literary production a point of view that is far more expansive, interesting, and challenging than his somewhat crusty philosophical speculations. Howells, who had known most of the important American literary figures of the 19th century and thought them to be more or less like one another, believed that Twain was unique. Twain will always be remembered first and foremost as a humorist, but he was a great deal more-a public moralist, popular entertainer, political philosopher, travel writer, and novelist. Perhaps it is too much to claim, as some have, that Twain invented the American point of view in fiction, but that such a notion might be entertained indicates that his place in American literary culture is secure.

Thomas V. Quirk

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The name Mark Twain is a pseudonym of Samuel Langhorne Clemens. Clemens was an American humorist, journalist, lecturer, and novelist who acquired international fame for his travel narratives, especially The Innocents Abroad (1869), Roughing It (1872), and Life on the Mississippi (1883), and for his adventure stories of boyhood, especially The Adventures of Tom Sawyer (1876) and Adventures of Huckleberry Finn (1885).

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The Harlem Renaissance was the development of the Harlem neighborhood in New York City as a black cultural mecca in the early 20th Century and the subsequent social and artistic explosion that resulted. Lasting roughly from the 1910s through the mid-1930s, the period is considered a golden age in African American culture, manifesting in literature, music, stage performance and art.

Great Migration

The northern Manhattan neighborhood of Harlem was meant to be an upper-class white neighborhood in the 1880s, but rapid overdevelopment led to empty buildings and desperate landlords seeking to fill them.

In the early 1900s, a few middle-class black families from another neighborhood known as Black Bohemia moved to Harlem, and other black families followed. Some white residents initially fought to keep African Americans out of the area, but failing that many whites eventually fled.

Outside factors led to a population boom: From 1910 to 1920, African American populations migrated in large numbers from the South to the North, with prominent figures like W.E.B. Du Bois leading what became known as the Great Migration.

In 1915 and 1916, natural disasters in the south put black workers and sharecroppers out of work. Additionally, during and after World War I, immigration to the United States fell, and northern recruiters headed south to entice black workers to their companies.

By 1920, some 300,000 African Americans from the South had moved north, and Harlem was one of the most popular destinations for these families.

Langston Hughes

This considerable population shift resulted in a Black Pride movement with leaders like Du Bois working to ensure that black Americans got the credit they deserved for cultural areas of life. Two of the earliest breakthroughs were in poetry, with Claude McKay's collection Harlem Shadows in 1922 and Jean Toomer's Crane in 1923.

Novelist and du Bois protege Jessi Redmond Fauset's 1924 novel There Is Confusion explored the idea of black Americans finding a cultural identity in a white-dominated Manhattan. Fauset was literary editor of the NAACP magazine The Crisis and developed a magazine for black children with Du Bois.

The debut event of Fauset's novel was engineered for a larger purpose by sociologist Charles Spurgeon Johnson, who was integral in shaping the Harlem literary scene. Johnson used the novel's debut party to organize resources to create Opportunity, the National Urban League magazine he founded and edited, a success that bolstered writers like Langston Hughes.

Hughes was at that party along with other promising black writers and editors, as well as powerful white New York publishing figures. Soon many writers found their work appearing in mainstream magazines like Harper's.

Zora Neale Hurston

Anthropologist and folklorist Zora Neale Hurston courted controversy through her involvement with a publication called FIRE!!

Helmed by white author and Harlem writers' patron Carl Van Vechten, the magazine exoticized the lives of Harlem residents. Van Vechten's previous fiction stirred up interest among whites to visit Harlem and take advantage of the cultural and night life there.

Though Van Vechten's work was condemned by older luminaries like DuBois, it was embraced by Hurston, Hughes and others.

Louis Armstrong

The music that percolated in and then boomed out of Harlem in the 1920s was jazz, often played at speakeasies offering illegal liquor. Jazz became a great draw for not only Harlem residents, but outside white audiences also.

Some of the most celebrated names in American music regularly performed in Harlem- Louis Armstrong, Duke Ellington, Bessie Smith, Fats Waller and Cab Calloway, often accompanied by elaborate floor shows. Tap dancers like John Bubbles and Bill "Bojangles" Robinson were also popular.

Cotton Club

With the groundbreaking new music came a vibrant nightlife. The Savoy opened in 1927, an integrated ballroom with two bandstands that featured continuous jazz and dancing well past midnight, sometimes in the form of battling bands helmed by Fletcher Henderson, Jimmie Lunceford and King Oliver.

While it was fashionable to frequent Harlem nightlife, entrepreneurs realized that some white people wanted to experience black culture without having to socialize with African Americans and created clubs to cater to them.

The most successful of these was the Cotton Club, which featured frequent performances by Ellington and Calloway. Some in the community derided the existence of such clubs, while others believed they were a sign that black culture was moving towards greater acceptance.

Paul Robeson

The cultural boom in Harlem gave black actors opportunities for stage work that had previously been withheld. Traditionally, if black actors appeared onstage, it was in a minstrel show musical and rarely in a serious drama with non-stereotypical roles.

At the center of this stage revolution was the versatile Paul Robeson, an actor, singer, writer, activist, and more. Robeson first moved to Harlem in 1919 while studying law at Columbia University and continually maintained a social presence in the area, where he was considered an inspirational but approachable figure.

Robeson believed that arts and culture were the best paths forward for Black Americans to overcome racism and make advances in a white-dominated culture.

Josephine Baker

Black musical revues were staples in Harlem, and by the mid-1920s had moved south to Broadway, expanding into the white world. One of the earliest of these was Eubie Blake and Noble Sissle's Shuffle Along, which launched the career of Josephine Baker.

White patron Van Vechten helped bring more serious black stage work to Broadway, though largely the work of white authors and considered to fall short of the potential. It wasn't until 1929 that a black-authored play about black lives, Wallace Thurman and William Rapp's Harlem, played Broadway.

Playwright Willis Richardson offered more serious opportunities for black actors with a several one-act plays written in the 1920s, as well as articles in Opportunity magazine outlining his goals. Stock companies like the Krigwa Players and the Harlem Experimental Theater also gave black actors serious roles.

Aaron Douglas

The visual arts were never welcoming to black artists, with art schools, galleries and museums shutting them out. Sculptor Meta Warrick Fuller, a protege of Auguste Rodin, explored African American themes in her work and influenced Du Bois to champion black visual artists.

The most celebrated Harlem Renaissance artist is Aaron Douglas, often called as "the Father of Black American Art," who adapted African techniques to realize paintings and murals, as well as book illustration.

Sculptor Augusta Savage's 1923 bust of Du Bois garnered considerable attention. She followed that up with small, clay portraits of everyday African Americans, and would later be pivotal enlisting black artists into the Federal Art Project, a division of the Work Progress Administration (WPA).

James VanDerZee 's photography captured Harlem daily life, as well as by commissioned portraits in his studio that he worked to fill with optimism and separate philosophically from the horrors of the past.

Harlem Renaissance Ends

The end of Harlem's creative boom began with the stock market crash of 1929 and wavered until Prohibition ended in 1933, which meant white patrons no longer sought out the illegal alcohol in uptown clubs.

By 1935 many pivotal Harlem residents had moved on seeking work, replaced by the continuous flow of refugees from the South, many requiring public assistance.

That same year, a riot broke out following the arrest of a young shoplifter, resulting in three dead, hundreds injured, and millions of dollars in property damage, as well as serving as a marker of the end of the Harlem Renaissance.

SOURCES

Harlem Stomp! A Cultural History of the Harlem Renaissance. Laban Carrick Hill.
The Harlem Renaissance: Hub of African-American Culture, 1920-1930. Steven Watson.
The Harlem Renaissance: A Historical Dictionary For The Era. Bruce Kellner, Editor.

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The Harlem Renaissance was the development of the Harlem neighborhood in New York City as a black cultural mecca in the early 20th Century and the subsequent social and artistic explosion that resulted. Lasting roughly from the 1910s through the mid-1930s, the period is considered a golden age in African American culture, manifesting in literature, music, stage performance and art.

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Contents

1. Causes of the Civil War

2. Outbreak of the Civil War (1861)

3. The Civil War in Virginia (1862)

4. After the Emancipation Proclamation (1863-4)

5. Toward a Union Victory (1864-65)

6. PHOTO GALLERIES

The Civil War in the United States began in 1861, after decades of simmering tensions between northern and southern states over slavery, states' rights and westward expansion. The election of Abraham Lincoln in 1860 caused seven southern states to secede and form the Confederate States of America; four more states soon joined them. The War Between the States, as the Civil War was also known, ended in Confederate surrender in 1865. The conflict was the costliest and deadliest war ever fought on American soil, with some 620,000 of 2.4 million soldiers killed, millions more injured and much of the South left in ruin.
WATCH: Civil War Journal on HISTORY Vault
Causes of the Civil War

In the mid-19th century, while the United States was experiencing an era of tremendous growth, a fundamental economic difference existed between the country's northern and southern regions.

In the North, manufacturing and industry was well established, and agriculture was mostly limited to small-scale farms, while the South's economy was based on a system of large-scale farming that depended on the labor of Black enslaved people to grow certain crops, especially cotton and tobacco.

Growing abolitionist sentiment in the North after the 1830s and northern opposition to slavery's extension into the new western territories led many southerners to fear that the existence of slavery in America -and thus the backbone of their economy-was in danger.

Did you know? Confederate General Thomas Jonathan Jackson earned his famous nickname, "Stonewall," from his steadfast defensive efforts in the First Battle of Bull Run (First Manassas). At Chancellorsville, Jackson was shot by one of his own men, who mistook him for Union cavalry. His arm was amputated, and he died from pneumonia eight days later.

In 1854, the U.S. Congress passed the Kansas-Nebraska Act, which essentially opened all new territories to slavery by asserting the rule of popular sovereignty over congressional edict. Pro- and anti-slavery forces struggled violently in " Bleeding Kansas," while opposition to the act in the North led to the formation of the Republican Party, a new political entity based on the principle of opposing slavery's extension into the western territories. After the Supreme Court's ruling in the Dred Scott case (1857) confirmed the legality of slavery in the territories, the abolitionist John Brown's raid at Harper's Ferry in 1859 convinced more and more southerners that their northern neighbors were bent on the destruction of the "peculiar institution" that sustained them. Abraham Lincoln's election in November 1860 was the final straw, and within three months seven southern states- South Carolina, Mississippi, Florida, Alabama, Georgia, Louisiana and Texas -had seceded from the United States.
EXPLORE: Ulysses S. Grant: An Interactive Map of His Key Civil War Battles
Outbreak of the Civil War (1861)

Even as Lincoln took office in March 1861, Confederate forces threatened the federal-held Fort Sumter in Charleston, South Carolina. On April 12, after Lincoln ordered a fleet to resupply Sumter, Confederate artillery fired the first shots of the Civil War. Sumter's commander, Major Robert Anderson, surrendered after less than two days of bombardment, leaving the fort in the hands of Confederate forces under Pierre G.T. Beauregard. Four more southern states- Virginia, Arkansas, North Carolina and Tennessee -joined the Confederacy after Fort Sumter. Border slave states like Missouri, Kentucky and Maryland did not secede, but there was much Confederate sympathy among their citizens.

Though on the surface the Civil War may have seemed a lopsided conflict, with the 23 states of the Union enjoying an enormous advantage in population, manufacturing (including arms production) and railroad construction, the Confederates had a strong military tradition, along with some of the best soldiers and commanders in the nation. They also had a cause they believed in: preserving their long-held traditions and institutions, chief among these being slavery.

In the First Battle of Bull Run (known in the South as First Manassas) on July 21, 1861, 35,000 Confederate soldiers under the command of Thomas Jonathan "Stonewall" Jackson forced a greater number of Union forces (or Federals) to retreat towards Washington, D.C., dashing any hopes of a quick Union victory and leading Lincoln to call for 500,000 more recruits. In fact, both sides' initial call for troops had to be widened after it became clear that the war would not be a limited or short conflict.

The Civil War in Virginia (1862)

George B. McClellan-who replaced the aging General Winfield Scott as supreme commander of the Union Army after the first months of the war-was beloved by his troops, but his reluctance to advance frustrated Lincoln. In the spring of 1862, McClellan finally led his Army of the Potomac up the peninsula between the York and James Rivers, capturing Yorktown on May 4. The combined forces of Robert E. Lee and Jackson successfully drove back McClellan's army in the Seven Days' Battles (June 25-July 1), and a cautious McClellan called for yet more reinforcements in order to move against Richmond. Lincoln refused, and instead withdrew the Army of the Potomac to Washington. By mid-1862, McClellan had been replaced as Union general-in-chief by Henry W. Halleck, though he remained in command of the Army of the Potomac.

Lee then moved his troops northwards and split his men, sending Jackson to meet Pope's forces near Manassas, while Lee himself moved separately with the second half of the army. On August 29, Union troops led by John Pope struck Jackson's forces in the Second Battle of Bull Run (Second Manassas). The next day, Lee hit the Federal left flank with a massive assault, driving Pope's men back towards Washington. On the heels of his victory at Manassas, Lee began the first Confederate invasion of the North. Despite contradictory orders from Lincoln and Halleck, McClellan was able to reorganize his army and strike at Lee on September 14 in Maryland, driving the Confederates back to a defensive position along Antietam Creek, near Sharpsburg.

On September 17, the Army of the Potomac hit Lee's forces (reinforced by Jackson's) in what became the war's bloodiest single day of fighting. Total casualties at the Battle of Antietam (also known as the Battle of Sharpsburg) numbered 12,410 of some 69,000 troops on the Union side, and 13,724 of around 52,000 for the Confederates. The Union victory at Antietam would prove decisive, as it halted the Confederate advance in Maryland and forced Lee to retreat into Virginia. Still, McClellan's failure to pursue his advantage earned him the scorn of Lincoln and Halleck, who removed him from command in favor of Ambrose E. Burnside. Burnside's assault on Lee's troops near Fredericksburg on December 13 ended in heavy Union casualties and a Confederate victory; he was promptly replaced by Joseph "Fighting Joe" Hooker, and both armies settled into winter quarters across the Rappahannock River from each other.

After the Emancipation Proclamation (1863-4)

Lincoln had used the occasion of the Union victory at Antietam to issue a preliminary Emancipation Proclamation, which freed all enslaved people in the rebellious states after January 1, 1863. He justified his decision as a wartime measure, and did not go so far as to free the enslaved people in the border states loyal to the Union. Still, the Emancipation Proclamation deprived the Confederacy of the bulk of its labor forces and put international public opinion strongly on the Union side. Some 186,000 Black Civil War soldiers would join the Union Army by the time the war ended in 1865, and 38,000 lost their lives.

In the spring of 1863, Hooker's plans for a Union offensive were thwarted by a surprise attack by the bulk of Lee's forces on May 1, whereupon Hooker pulled his men back to Chancellorsville. The Confederates gained a costly victory in the Battle of Chancellorsville, suffering 13,000 casualties (around 22 percent of their troops); the Union lost 17,000 men (15 percent). Lee launched another invasion of the North in June, attacking Union forces commanded by General George Meade on July 1 near Gettysburg, in southern Pennsylvania. Over three days of fierce fighting, the Confederates were unable to push through the Union center, and suffered casualties of close to 60 percent.

Meade failed to counterattack, however, and Lee's remaining forces were able to escape into Virginia, ending the last Confederate invasion of the North. Also in July 1863, Union forces under Ulysses S. Grant took Vicksburg (Mississippi) in the Siege of Vicksburg, a victory that would prove to be the turning point of the war in the western theater. After a Confederate victory at Chickamauga Creek, Georgia, just south of Chattanooga, Tennessee, in September, Lincoln expanded Grant's command, and he led a reinforced Federal army (including two corps from the Army of the Potomac) to victory in the Battle of Chattanooga in late November.

Toward a Union Victory (1864-65)

In March 1864, Lincoln put Grant in supreme command of the Union armies, replacing Halleck. Leaving William Tecumseh Sherman in control in the West, Grant headed to Washington, where he led the Army of the Potomac towards Lee's troops in northern Virginia. Despite heavy Union casualties in the Battle of the Wilderness and at Spotsylvania (both May 1864), at Cold Harbor (early June) and the key rail center of Petersburg (June), Grant pursued a strategy of attrition, putting Petersburg under siege for the next nine months.

Sherman outmaneuvered Confederate forces to take Atlanta by September, after which he and some 60,000 Union troops began the famous "March to the Sea," devastating Georgia on the way to capturing Savannah on December 21. Columbia and Charleston, South Carolina, fell to Sherman's men by mid-February, and Jefferson Davis belatedly handed over the supreme command to Lee, with the Confederate war effort on its last legs. Sherman pressed on through North Carolina, capturing Fayetteville, Bentonville, Goldsboro and Raleigh by mid-April.

Meanwhile, exhausted by the Union siege of Petersburg and Richmond, Lee's forces made a last attempt at resistance, attacking and captured the Federal-controlled Fort Stedman on March 25. An immediate counterattack reversed the victory, however, and on the night of April 2-3 Lee's forces evacuated Richmond. For most of the next week, Grant and Meade pursued the Confederates along the Appomattox River, finally exhausting their possibilities for escape. Grant accepted Lee's surrender at Appomattox Court House on April 9. On the eve of victory, the Union lost its great leader: The actor and Confederate sympathizer John Wilkes Booth assassinated President Lincoln at Ford's Theatre in Washington on April 14. Sherman received Johnston's surrender at Durham Station, North Carolina on April 26, effectively ending the Civil War.

PHOTO GALLERIES

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The Civil War in the United States began in 1861, after decades of simmering tensions between northern and southern states over slavery, states' rights and westward expansion. Eleven southern states seceded from the Union to form the Confederacy. Ultimately more than 620,000 Americans' lives were lost in the four-year war that ended in a Confederate defeat.

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The Slaves (Africans and later the African Americans) 

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The Slaves (Africans and later the African Americans) 

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As soon as the Puritans began to come in to America, they brought with them their slaves. As time went on and America developed, more and more slaves were continuously brought into the country.

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Universal History Archive/Universal Images Group/Getty Images

Throughout the 17th and 18th centuries, people were kidnapped from the continent of Africa, forced into slavery in the American colonies and exploited to work in the production of crops such as tobacco and cotton. By the mid-19th century, America's westward expansion and the abolition movement provoked a great debate over slavery that would tear the nation apart in the bloody Civil War. Though the Union victory freed the nation's four million enslaved people, the legacy of slavery continued to influence American history, from the Reconstruction to the civil rights movement that emerged a century after emancipation and beyond.

When Did Slavery Start?

Hundreds of thousands of Africans, both free and enslaved, aided the establishment and survival of colonies in the Americas and the New World. However, many consider a significant starting point to slavery in America to be 1619, when the privateer The White Lion brought 20 enslaved African ashore in the British colony of Jamestown, Virginia. The crew had seized the Africans from the Portuguese slave ship Sao Jao Bautista.

Throughout the 17th century, European settlers in North America turned to enslaved Africans as a cheaper, more plentiful labor source than indentured servants, who were mostly poor Europeans.

Though it is impossible to give accurate figures, some historians have estimated that 6 to 7 million enslaved people were imported to the New World during the 18th century alone, depriving the African continent of some of its healthiest and ablest men and women.
READ MORE: The Last Slave Ship Survivor Gave an Interview in the 1930s. It Just Surfaced
In the 17th and 18th centuries, enslaved Africans worked mainly on the tobacco, rice and indigo plantations of the southern coast, from the Chesapeake Bay colonies of Maryland and Virginia south to Georgia.

After the American Revolution, many colonists-particularly in the North, where slavery was relatively unimportant to the agricultural economy-began to link the oppression of enslaved Africans to their own oppression by the British, and to call for slavery's abolition.

Did you know? One of the first martyrs to the cause of American patriotism was Crispus Attucks, a former enslaved man who was killed by British soldiers during the Boston Massacre of 1770. Some 5,000 Black soldiers and sailors fought on the American side during the Revolutionary War.

But after the Revolutionary War, the new U.S. Constitution tacitly acknowledged the institution of slavery, counting each enslaved individual as three-fifths of a person for the purposes of taxation and representation in Congress and guaranteeing the right to repossess any "person held to service or labor" (an obvious euphemism for slavery).

Cotton Gin

In the late 18th century, with the land used to grow tobacco nearly exhausted, the South faced an economic crisis, and the continued growth of slavery in America seemed in doubt.

Around the same time, the mechanization of the textile industry in England led to a huge demand for American cotton, a southern crop whose production was limited by the difficulty of removing the seeds from raw cotton fibers by hand.

But in 1793, a young Yankee schoolteacher named Eli Whitney invented the cotton gin, a simple mechanized device that efficiently removed the seeds. His device was widely copied, and within a few years, the South would transition from the large-scale production of tobacco to that of cotton, a switch that reinforced the region's dependence on enslaved labor.
READ MORE: 40 Years a Slave: The Extraordinary Tale of an African Prince Stolen from His Kingdom
Slavery itself was never widespread in the North, though many of the region's businessmen grew rich on the slave trade and investments in southern plantations. Between 1774 and 1804, most of the northern states abolished slavery or started the process to abolish slavery, but the institution of slavery remained vital to the South.

Though the U.S. Congress outlawed the African slave trade in 1808, the domestic trade flourished, and the enslaved population in the United States nearly tripled over the next 50 years. By 1860 it had reached nearly 4 million, with more than half living in the cotton-producing states of the South.
READ MORE: The Shocking Photo of 'Whipped Peter' That Made Slavery's Brutality Impossible to Deny
History of Slavery

Enslaved people in the antebellum South constituted about one-third of the southern population. Most lived on large plantations or small farms; many masters owned fewer than 50 enslaved people.

Landowners sought to make their enslaved completely dependent on them through a system of restrictive codes. They were usually prohibited from learning to read and write, and their behavior and movement were restricted.

Many masters raped enslaved women, and rewarded obedient behavior with favors, while rebellious enslaved people were brutally punished. A strict hierarchy among the enslaved (from privileged house workers and skilled artisans down to lowly field hands) helped keep them divided and less likely to organize against their masters.

Marriages between enslaved men and women had no legal basis, but many did marry and raise large families; most owners of enslaved workers encouraged this practice, but nonetheless did not usually hesitate to divide families by sale or removal.
READ MORE: Enslaved Couples Faced Wrenching Separations, or Even Choosing Family Over Freedom
Slave Rebellions

Rebellions among enslaved people did occur-notably, ones led by Gabriel Prosser in Richmond in 1800 and by Denmark Vesey in Charleston in 1822-but few were successful.

The revolt that most terrified enslavers was that led by Nat Turner in Southampton County, Virginia, in August 1831. Turner's group, which eventually numbered around 75 Black men, murdered some 55 white people in two days before armed resistance from local white people and the arrival of state militia forces overwhelmed them.

Supporters of slavery pointed to Turner's rebellion as evidence that Black people were inherently inferior barbarians requiring an institution such as slavery to discipline them, and fears of similar insurrections led many southern states to further strengthen their slave codes in order to limit the education, movement and assembly of enslaved people.

Abolitionist Movement

In the North, the increased repression of southern Black people only fanned the flames of the growing abolitionist movement.

From the 1830s to the 1860s, the movement to abolish slavery in America gained strength, led by free Black people such as Frederick Douglass and white supporters such as William Lloyd Garrison, founder of the radical newspaper The Liberator, and Harriet Beecher Stowe, who published the bestselling antislavery novel Uncle Tom's Cabin.

While many abolitionists based their activism on the belief that slaveholding was a sin, others were more inclined to the non-religious "free-labor" argument, which held that slaveholding was regressive, inefficient and made little economic sense.

Free Black people and other antislavery northerners had begun helping enslaved people escape from southern plantations to the North via a loose network of safe houses as early as the 1780s. This practice, known as the Underground Railroad, gained real momentum in the 1830s. Conductors like Harriet Tubmanguided escapees on their journey North, and " stationmasters" included such prominent figures as Frederick Douglass, Secretary of State William H. Seward and Pennsylvania congressman Thaddeus Stevens. Althoughestimates vary widely, it may have helped anywhere from 40,000 to 100,000 enslaved people reach freedom.

The success of the Underground Railroad helped spread abolitionist feelings in the North; it also undoubtedly increased sectional tensions, convincing pro-slavery southerners of their northern countrymen's determination to defeat the institution that sustained them.
READ MORE: How the Underground Railroad Worked
Missouri Compromise
WATCH: Missouri Compromise
America's explosive growth-and its expansion westward in the first half of the 19th century-would provide a larger stage for the growing conflict over slavery in America and its future limitation or expansion.

In 1820, a bitter debate over the federal government's right to restrict slavery over Missouri's application for statehood ended in a compromise: Missouri was admitted to the Union as a slave state, Maine as a free state and all western territories north of Missouri's southern border were to be free soil.

Although the Missouri Compromise was designed to maintain an even balance between slave and free states, it was able to help quell the forces of sectionalism only temporarily.

Kansas-Nebraska Act
WATCH: Kansas-Nebraska Act
In 1850, another tenuous compromise was negotiated to resolve the question of slavery in territories won during the Mexican-American War.

Four years later, however, the Kansas-Nebraska Act opened all new territories to slavery by asserting the rule of popular sovereignty over congressional edict, leading pro- and anti-slavery forces to battle it out-with considerable bloodshed-in the new state of Kansas.

Outrage in the North over the Kansas- Nebraska Act spelled the downfall of the old Whig Party and the birth of a new, all-northern Republican Party. In 1857, the Dred Scott decision by the Supreme Court (involving an enslaved man who sued for his freedom on the grounds that his master had taken him into free territory) effectively repealed the Missouri Compromise by ruling that all territories were open to slavery.

John Brown's Raid on Harper's Ferry

In 1859, two years after the Dred Scott decision, an event occurred that would ignite passions nationwide over the issue of slavery.

John Brown's raid on Harper's Ferry, Virginia-in which the abolitionist and 22 men, including five Black men and three of Brown's sons raided and occupied a federal arsenal-resulted in the deaths of 10 people and Brown's hanging.

The insurrection exposed the growing national rift over slavery: Brown was hailed as a martyred hero by northern abolitionists but was vilified as a mass murderer in the South.

Civil War

The South would reach the breaking point the following year, when Republican candidate Abraham Lincoln was elected as president. Within three months, seven southern states had seceded to form the Confederate States of America; four more would follow after the Civil War began.

Though Lincoln's anti-slavery views were well established, the central Union war aim at first was not to abolish slavery, but to preserve the United States as a nation.

Abolition became a goal only later, due to military necessity, growing anti-slavery sentiment in the North and the self-emancipation of many people who fled enslavement as Union troops swept through the South.
READ MORE: How Many US Presidents Owned Enslaved Workers?
When Did Slavery End?

On September 22, 1862, Lincoln issued a preliminary emancipation proclamation, and on January 1, 1863, he made it official that "slaves within any State, or designated part of a State...in rebellion,...shall be then, thenceforward, and forever free."

By freeing some 3 million enslaved people in the rebel states, the Emancipation Proclamation deprived the Confederacy of the bulk of its labor forces and put international public opinion strongly on the Union side.

Though the Emancipation Proclamation didn't officially end all slavery in America-that would happen with the passage of the 13th Amendment after the Civil War's end in 1865-some 186,000 Black soldiers would join the Union Army, and about 38,000 lost their lives.
READ MORE: What Is Juneteenth?
The Legacy of Slavery
WATCH: The Civil War and Its Legacy
The 13th Amendment, adopted on December 18, 1865, officially abolished slavery, but freed Black peoples' status in the post-war South remained precarious, and significant challenges awaited during the Reconstruction period.

Previously enslaved men and women received the rights of citizenship and the "equal protection" of the Constitution in the 14th Amendment and the right to vote in the 15th Amendment, but these provisions of the Constitution were often ignored or violated, and it was difficult for Black citizens to gain a foothold in the post-war economy thanks to restrictive Black codes and regressive contractual arrangements such as sharecropping.

Despite seeing an unprecedented degree of Black participation in American political life, Reconstruction was ultimately frustrating for African Americans, and the rebirth of white supremacy-including the rise of racist organizations such as the Ku Klux Klan (KKK)-had triumphed in the South by 1877.

Almost a century later, resistance to the lingering racism and discrimination in America that began during the slavery era led to the civil rights movement of the 1960s, which achieved the greatest political and social gains for Black Americans since Reconstruction.
PHOTOS: See America's First Memorial to its 4,400 Lynching Victims

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Slavery in America was the legal institution of enslaving human beings, mainly Africans and African Americans. Slavery existed in the United States from its founding in 1776 and became the main cause behind the country's bloody Civil War. Slavery officially ended in America with the passage of the 13th Amendment following the Civil War's end in 1865.

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The Revolutionaries and their fight for Independence  

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The Revolutionaries and their fight for Independence  

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Benjamin Franklin, Thomas Jefferson, George Washington, etc.
Wanted independence from England (Great Britain)

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The Revolutionary War waged by the American colonies against Britain influenced political ideas and revolutions around the globe, as a small fledgling nation won its freedom from the greatest military force of its time.

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Their Christian faith was the center of their lives.
Wrote many autobiographies about their experiences in the New World (America).
Used many Biblical allusions (references to God or anything else from the Bible)
Wanted to tame nature

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Puritans: A Definition

The roots of Puritanism are to be found in the beginnings of the English Reformation. The name "Puritans" (they were sometimes called "precisionists") was a term of contempt assigned to the movement by its enemies. Although the epithet first emerged in the 1560s, the movement began in the 1530s, when King Henry VIII repudiated papal authority and transformed the Church of Rome into a state Church of England. To Puritans, the Church of England retained too much of the liturgy and ritual of Roman Catholicism.

Did you know? In keeping with their focus on the home, Puritan migration to the New World usually consisted of entire families, rather than the young, single men who comprised many other early European settlements.

Well into the 16th century, many priests were barely literate and often very poor. Employment by more than one parish was common, so they moved often, preventing them from forming deep roots in their communities. Priests were immune to certain penalties of the civil law, further feeding anticlerical hostility and contributing to their isolation from the spiritual needs of the people.

The Church of England

Through the reigns of the Protestant King Edward VI (1547-1553), who introduced the first vernacular prayer book, and the Catholic Mary I (1553-1558), who sent some dissenting clergymen to their deaths and others into exile, the Puritan movement-whether tolerated or suppressed-continued to grow.

Some Puritans favored a presbyterian form of church organization; others, more radical, began to claim autonomy for individual congregations. Still, others were content to remain within the structure of the national church but set themselves against Catholic and episcopal authority.

As they gained strength, Puritans were portrayed by their enemies as hairsplitters who slavishly followed their Bibles as guides to daily life or hypocrites who cheated the very neighbors they judged inadequate Christians.

Yet the Puritan attack on the established church gained popular strength, especially in East Anglia and among the lawyers and merchants of London. The movement found wide support among these new professional classes, who saw in it a mirror for their growing discontent with economic restraints.

During the reign of Queen Elizabeth I, an uneasy peace prevailed within English religious life, but the struggle over the tone and purpose of the church continued. Many men and women were more and more forced to contend with the dislocations-emotional as well as physical-that accompanied the beginnings of a market economy.

Subsistence farmers were called upon to enter the world of production for profit. Under the rule of primogeniture, younger sons tended to enter the professions (especially the law) with increasing frequency and seek their livelihood in the burgeoning cities. The English countryside was plagued by scavengers, highwaymen and vagabonds-a newly visible class of the poor who strained the ancient charity laws and pressed upon the townsfolk new questions of social responsibility.

Puritans in New England

In the early decades of the 17th century, some groups of worshipers began to separate themselves from the main body of their local parish church where preaching was inadequate and to engage an energetic "lecturer," typically a young man with a fresh Cambridge degree, who was a lively speaker and steeped in reform theology. Some congregations went further, declared themselves separated from the national church, and remade themselves into communities of "visible saints," withdrawn from the English City of Man into a self-proclaimed City of God.

One such faction was a group of separatist believers in the Yorkshire village of Scrooby, who, fearing for their safety, moved to Holland in 1608 and then, in 1620, to the place they called Plymouth in New England. We know them now as the Pilgrims of Plymouth Rock.

A decade later, a larger, better-financed group, mostly from East Anglia, migrated to Massachusetts Bay. There, they set up gathered churches on much the same model as the transplanted church at Plymouth (with deacons, preaching elders and, though not right away, a communion restricted to full church members, or "saints").

Differences Between Pilgrims and Puritans

The main difference between the Pilgrims and the Puritans is that the Puritans did not consider themselves separatists. They called themselves "nonseparating congregationalists," by which they meant that they had not repudiated the Church of England as a false church. But in practice they acted-from the point of view of Episcopalians and even Presbyterians at home-exactly as the separatists were acting.

By the 1640s, their enterprise at Massachusetts Bay had grown to about 10,000 people. They soon outgrew the bounds of the original settlement and spread into what would become Connecticut, New Hampshire, Rhode Island and Maine, and eventually beyond the limits of New England.

Who Were the Puritans?

The Puritan migration was overwhelmingly a migration of families (unlike other migrations to early America, which were composed largely of young unattached men). The literacy rate was high, and the intensity of devotional life, as recorded in the many surviving diaries, sermon notes, poems and letters, was seldom to be matched in American life.

The Puritans' ecclesiastical order was as intolerant as the one they had fled. Yet, as a loosely confederated collection of gathered churches, Puritanism contained within itself the seed of its own fragmentation. Following hard upon the arrival in New England, dissident groups within the Puritan sect began to proliferate- Quakers, Antinomians, Baptists-fierce believers who carried the essential Puritan idea of the aloneness of each believer with an inscrutable God so far that even the ministry became an obstruction to faith.

Puritanism in American Life

Puritanism gave Americans a sense of history as a progressive drama under the direction of God, in which they played a role akin to, if not prophetically aligned with, that of the Old Testament Jews as a new chosen people.

Perhaps most important, as Max Weber profoundly understood, was the strength of Puritanism as a way of coping with the contradictory requirements of Christian ethics in a world on the verge of modernity. It supplied ethics that somehow balanced charity and self-discipline. It counseled moderation within psychology that saw worldly prosperity as a sign of divine favor. Such ethics were particularly urgent in a New World where opportunity was rich, but the source of moral authority was obscure.

By the beginning of the 18th century, Puritanism had both declined and shown its tenacity. Though "the New England Way" evolved into a relatively minor system of organizing religious experience within the broader American scene, its central themes recur in the related religious communities of Quakers, Baptists, Presbyterians, Methodists and a whole range of evangelical Protestants.

More recently, the word "Puritan" has once again become a pejorative epithet, meaning prudish, constricted and cold-as in H. L. Mencken's famous remark that a Puritan is one who suspects "somewhere someone is having a good time."

Puritanism, however, had a more significant persistence in American life than as the religion of black-frocked caricatures. It survived, perhaps most conspicuously, in the secular form of self-reliance, moral rigor and political localism that became, by the Age of Enlightenment, virtually the definition of Americanism.

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The Puritans were members of a religious reform movement that arose in the late 16th century and held that the Church of England should eliminate ceremonies and practices not rooted in the Bible.

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Oral Tradition (Their stories were passed down by word of mouth; they had no written literature)
Stores taught moral lessons.
Valued nature
Had to relocate due to Europeans moving in

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Many thousands of years before Christopher Columbus' ships landed in the Bahamas, a different group of people discovered America: the nomadic ancestors of modern Native Americans who hiked over a "land bridge" from Asia to what is now Alaska more than 12,000 years ago. In fact, by the time European adventurers arrived in the 15th century A.D., scholars estimate that more than 50 million people were already living in the Americas. Of these, some 10 million lived in the area that would become the United States. As time passed, these migrants and their descendants pushed south and east, adapting as they went. In order to keep track of these diverse groups, anthropologists and geographers have divided them into "culture areas," or rough groupings of contiguous peoples who shared similar habitats and characteristics. Most scholars break North America-excluding present-day Mexico-into 10 separate culture areas: the Arctic, the Subarctic, the Northeast, the Southeast, the Plains, the Southwest, the Great Basin, California, the Northwest Coast and the Plateau.

The Arctic

The Arctic culture area, a cold, flat, treeless region (actually a frozen desert) near the Arctic Circle in present-day Alaska, Canada and Greenland, was home to the Inuit and the Aleut. Both groups spoke, and continue to speak, dialects descended from what scholars call the Eskimo-Aleut language family. Because it is such an inhospitable landscape, the Arctic's population was comparatively small and scattered. Some of its peoples, especially the Inuit in the northern part of the region, were nomads, following seals, polar bears and other game as they migrated across the tundra. In the southern part of the region, the Aleut were a bit more settled, living in small fishing villages along the shore.

Did you know? According to the U.S. Census Bureau, there are about 4.5 million Native Americans and Alaska Natives in the United States today. That's about 1.5 percent of the population.

The Inuit and Aleut had a great deal in common. Many lived in dome-shaped houses made of sod or timber (or, in the North, ice blocks). They used seal and otter skins to make warm, weatherproof clothing, aerodynamic dogsleds and long, open fishing boats (kayaks in Inuit; baidarkas in Aleut).

By the time the United States purchased Alaska in 1867, decades of oppression and exposure to European diseases had taken their toll: The native population had dropped to just 2,500; the descendants of these survivors still make their home in the area today.

The Subarctic

The Subarctic culture area, mostly composed of swampy, piney forests (taiga) and waterlogged tundra, stretched across much of inland Alaska and Canada. Scholars have divided the region's people into two language groups: the Athabaskan speakers at its western end, among them the Tsattine (Beaver), Gwich'in (or Kuchin) and the Deg Xinag (formerly-and pejoratively-known as the Ingalik), and the Algonquian speakers at its eastern end, including the Cree, the Ojibwa and the Naskapi.

In the Subarctic, travel was difficult-toboggans, snowshoes and lightweight canoes were the primary means of transportation-and population was sparse. In general, the peoples of the Subarctic did not form large permanent settlements; instead, small family groups stuck together as they traipsed after herds of caribou. They lived in small, easy-to-move tents and lean-tos, and when it grew too cold to hunt they hunkered into underground dugouts.

The growth of the fur trade in the 17th and 18th centuries disrupted the Subarctic way of life-now, instead of hunting and gathering for subsistence, the Indians focused on supplying pelts to the European traders-and eventually led to the displacement and extermination of many of the region's native communities.

The Northeast

The Northeast culture area, one of the first to have sustained contact with Europeans, stretched from present-day Canada's Atlantic coast to North Carolina and inland to the Mississippi River valley. Its inhabitants were members of two main groups: Iroquoian speakers (these included the Cayuga, Oneida, Erie, Onondaga, Seneca and Tuscarora), most of whom lived along inland rivers and lakes in fortified, politically stable villages, and the more numerous Algonquian speakers (these included the Pequot, Fox, Shawnee, Wampanoag, Delaware and Menominee) who lived in small farming and fishing villages along the ocean. There, they grew crops like corn, beans and vegetables.

Life in the Northeast culture area was already fraught with conflict-the Iroquoian groups tended to be rather aggressive and warlike, and bands and villages outside of their allied confederacies were never safe from their raids-and it grew more complicated when European colonizers arrived. Colonial wars repeatedly forced the region's natives to take sides, pitting the Iroquois groups against their Algonquian neighbors. Meanwhile, as white settlement pressed westward, it eventually displaced both sets of indigenous people from their lands.

The Southeast

The Southeast culture area, north of the Gulf of Mexico and south of the Northeast, was a humid, fertile agricultural region. Many of its natives were expert farmers-they grew staple crops like maize, beans, squash, tobacco and sunflower-who organized their lives around small ceremonial and market villages known as hamlets. Perhaps the most familiar of the Southeastern indigenous peoples are the Cherokee, Chickasaw, Choctaw, Creek and Seminole, sometimes called the Five Civilized Tribes, some of whom spoke a variant of the Muskogean language.

By the time the U.S. had won its independence from Britain, the Southeast culture area had already lost many of its native people to disease and displacement. In 1830, the federal Indian Removal Act compelled the relocation of what remained of the Five Civilized Tribes so that white settlers could have their land. Between 1830 and 1838, federal officials forced nearly 100,000 Indians out of the southern states and into "Indian Territory" (later Oklahoma) west of the Mississippi. The Cherokee called this frequently deadly trek the Trail of Tears.

The Plains

The Plains culture area comprises the vast prairie region between the Mississippi River and the Rocky Mountains, from present-day Canada to the Gulf of Mexico. Before the arrival of European traders and explorers, its inhabitants-speakers of Siouan, Algonquian, Caddoan, Uto-Aztecan and Athabaskan languages-were relatively settled hunters and farmers. After European contact, and especially after Spanish colonists brought horses to the region in the 18th century, the peoples of the Great Plains became much more nomadic. Groups like the Crow, Blackfeet, Cheyenne, Comanche and Arapaho used horses to pursue great herds of buffalo across the prairie. The most common dwelling for these hunters was the cone-shaped teepee, a bison-skin tent that could be folded up and carried anywhere. Plains Indians are also known for their elaborately feathered war bonnets.

As white traders and settlers moved west across the Plains region, they brought many damaging things with them: commercial goods, like knives and kettles, which native people came to depend on; guns; and disease. By the end of the 19th century, white sport hunters had nearly exterminated the area's buffalo herds. With settlers encroaching on their lands and no way to make money, the Plains natives were forced onto government reservations.

The Southwest

The peoples of the Southwest culture area, a huge desert region in present-day Arizona and New Mexico (along with parts of Colorado, Utah, Texas and Mexico) developed two distinct ways of life.

Sedentary farmers such as the Hopi, the Zuni, the Yaqui and the Yuma grew crops like corn, beans and squash. Many lived in permanent settlements, known as pueblos, built of stone and adobe. These pueblos featured great multistory dwellings that resembled apartment houses. At their centers, many of these villages also had large ceremonial pit houses, or kivas.

Other Southwestern peoples, such as the Navajo and the Apache, were more nomadic. They survived by hunting, gathering and raiding their more established neighbors for their crops. Because these groups were always on the move, their homes were much less permanent than the pueblos. For instance, the Navajo fashioned their iconic eastward-facing round houses, known as hogans, out of materials like mud and bark.

By the time the southwestern territories became a part of the United States after the Mexican War, many of the region's native people had already been exterminated. (Spanish colonists and missionaries had enslaved many of the Pueblo Indians, for example, working them to death on vast Spanish ranches known as encomiendas.) During the second half of the 19th century, the federal government resettled most of the region's remaining natives onto reservations.

The Great Basin

The Great Basin culture area, an expansive bowl formed by the Rocky Mountains to the east, the Sierra Nevadas to the west, the Columbia Plateau to the north, and the Colorado Plateau to the south, was a barren wasteland of deserts, salt flats and brackish lakes. Its people, most of whom spoke Shoshonean or Uto-Aztecan dialects (the Bannock, Paiute and Ute, for example), foraged for roots, seeds and nuts and hunted snakes, lizards and small mammals. Because they were always on the move, they lived in compact, easy-to-build wikiups made of willow poles or saplings, leaves and brush. Their settlements and social groups were impermanent, and communal leadership (what little there was) was informal.

After European contact, some Great Basin groups got horses and formed equestrian hunting and raiding bands that were similar to the ones we associate with the Great Plains natives. After white prospectors discovered gold and silver in the region in the mid-19th century, most of the Great Basin's people lost their land and, frequently, their lives.

California

Before European contact, the temperate, hospitable California culture area had more people-an estimated 300,000 in the mid-16th century-than any other. It was also more diverse: Its estimated 100 different tribes and groups spoke more spoke more than 200 dialects. (These languages derived from the Penutian (the Maidu, Miwok and Yokuts), the Hokan (the Chumash, Pomo, Salinas and Shasta), the Uto-Aztecan (the Tubabulabal, Serrano and Kinatemuk; also, many of the "Mission Indians" who had been driven out of the Southwest by Spanish colonization spoke Uto-Aztecan dialects) and Athapaskan (the Hupa, among others). In fact, as one scholar has pointed out, California's linguistic landscape was more complex than that of Europe.

Despite this great diversity, many native Californians lived very similar lives. They did not practice much agriculture. Instead, they organized themselves into small, family-based bands of hunter-gatherers known as tribelets. Inter-tribelet relationships, based on well-established systems of trade and common rights, were generally peaceful.

Spanish explorers infiltrated the California region in the middle of the 16th century. In 1769, the cleric Junipero Serra established a mission at San Diego, inaugurating a particularly brutal period in which forced labor, disease and assimilation nearly exterminated the culture area's native population.

The Northwest Coast

The Northwest Coast culture area, along the Pacific coast from British Columbia to the top of Northern California, has a mild climate and an abundance of natural resources. In particular, the ocean and the region's rivers provided almost everything its people needed-salmon, especially, but also whales, sea otters, seals and fish and shellfish of all kinds. As a result, unlike many other hunter-gatherers who struggled to eke out a living and were forced to follow animal herds from place to place, the Indians of the Pacific Northwest were secure enough to build permanent villages that housed hundreds of people apiece. Those villages operated according to a rigidly stratified social structure, more sophisticated than any outside of Mexico and Central America. A person's status was determined by his closeness to the village's chief and reinforced by the number of possessions-blankets, shells and skins, canoes and even slaves-he had at his disposal. (Goods like these played an important role in the potlatch, an elaborate gift-giving ceremony designed to affirm these class divisions.)

Prominent groups in the region included the Athapaskan Haida and Tlingit; the Penutian Chinook, Tsimshian and Coos; the Wakashan Kwakiutl and Nuu-chah-nulth (Nootka); and the Salishan Coast Salish.

The Plateau

The Plateau culture area sat in the Columbia and Fraser river basins at the intersection of the Subarctic, the Plains, the Great Basin, the California and the Northwest Coast (present-day Idaho, Montana and eastern Oregon and Washington). Most of its people lived in small, peaceful villages along stream and riverbanks and survived by fishing for salmon and trout, hunting and gathering wild berries, roots and nuts. In the southern Plateau region, the great majority spoke languages derived from the Penutian (the Klamath, Klikitat, Modoc, Nez Perce, Walla Walla and Yakima or Yakama). North of the Columbia River, most (the Skitswish (Coeur d'Alene), Salish (Flathead), Spokane and Columbia) spoke Salishan dialects.

In the 18th century, other native groups brought horses to the Plateau. The region's inhabitants quickly integrated the animals into their economy, expanding the radius of their hunts and acting as traders and emissaries between the Northwest and the Plains. In 1805, the explorers Lewis and Clark passed through the area, drawing increasing numbers of disease-spreading white settlers. By the end of the 19th century, most of the remaining Plateau Indians had been cleared from their lands and resettled in government reservations.

PHOTO GALLERIES

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Native Americans, also known as American Indians and Indigenous Americans, are the indigenous peoples of the United States. By the time European adventurers arrived in the 15th century A.D., scholars estimate that more than 50 million Native Americans were already living in the Americas - 10 million in the area that would become the United States.