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Sydney Theatre Company

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Channel

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"life in day" "kevin macdonald" "ridley scott" youtube

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On July 25, 2020, the world came together to tell the story of a single day on Earth. Responding to a public call for entries, people all over the world filmed their lives on July 25 and shared their footage to be part of a documentary film.

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On July 24, 2010, thousands of people around the world uploaded videos of their lives to YouTube to take part in Life in a Day, a historic cinematic experiment to create a documentary film about a single day on earth. Now, it's time to watch their story unfold on the big screen.

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Report about teens and information society

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Report about teens and information society

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For information running up to piece and programme

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HOW THE APP WORKSTo scan a QR code or barcode simply open the app, point the camera at the code, and you're done! There is no need to take a photo or press a button.

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PostSecret postcards have been mailed from around the globe. Now, many of them are circulating back out into the world into museums, colleges, and galleries. In the past, they have been displayed at the White House, Smithsonian Museums, and the Museum of Modern Art in New York. Now you can see them at the institutions below. Contact Jan Warren <jan.warren1@gmail.com> for more information on how to invite the secrets to your museum, college or university.

Museum of Man, San Diego

National Taiwan Museum of Fine Arts

American Visionary Art Museum

Pauly Friedman Art Gallery

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PostSecret postcards have been mailed from around the globe. Now, many of them are circulating back out into the world into museums, colleges, and galleries. In the past, they have been displayed at the White House, Smithsonian Museums, and the Museum of Modern Art in New York.

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The Wooster Group Hamlet video that doesn't play on the webpage

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The Wooster Group Hamlet video that doesn't play on the webpage

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Inter-textuality and use of live and recorded film

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"HAMLET - flight plan." Watch more videos from HAMLET " In The Wooster Group's HAMLET, Shakespeare's classic tragedy is re-imagined by mixing and repurposing Richard Burton's 1964 Broadway production, directed by John Gielgud.

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What they do

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Since 2000, Punchdrunk has pioneered a game changing form of theatre in which roaming audiences experience epic storytelling inside sensory theatrical worlds. Blending classic texts, physical performance, award-winning design installation and unexpected sites, the company's infectious format rejects the passive obedience usually expected of audiences.

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Immersive Theatre

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In the summer of 2013 the theatre company Punchdrunk transformed an old Paddington sorting office into a labyrinthine film studio full of intrigue and intimate moments. Now, a year after The Drowned Man closed, a new book captures its magic. Maxine Doyle, the show's co-director and choreographer, introduces some of the images from The Drowned Man: A Hollywood Fable, with photographs by Julian Abrams, which is out now

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Punchdrunk's The Drowned Man: return to Temple Studios - in pictures

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In the summer of 2013 the theatre company Punchdrunk transformed an old Paddington sorting office into a labyrinthine film studio full of intrigue and intimate moments. Now, a year after The Drowned Man closed, a new book captures its magic.

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Site Responsive/Site Specific Immersive Theatre

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dreamthinkspeak create site-responsive works that interweave live performance with film and installations to create extraordinary journeys

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Lots of ideas on how to hack the world around us with low tech. Maybe more of a makers space attitude?
User: lowtech
Password: toys

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Umbrellium designs, builds and deploys urban technologies that support citizen empowerment and high-impact engagement in cities.

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"What can be said at all can be said clearly, and what we cannot talk about we must pass over in silence." - Wittgenstein

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Private conversations in public as dozens of microphones and speakers infiltrate a museum

M6, part of a series of projects exploring 'miscommunications' that began in 2000, operates at a number of different levels - part acoustic installation, part architectural conceit, and part hertzian peformance, it inhabits a museum, a supposedly public space, by overlaying several dozen radio-linked microphone/speaker units, each of which is connected, and broadcasting, to one other unit within the museum, sharing 'private' conversations held in 'public' space.

Miscommunications No. 6 at Museum of Modern Art Aalborg, 2010

As people wander round the different spaces of the Museum, perhaps talking amongst themselves, perhaps commenting on the artworks, their voices are picked up by the microphones and broadcast with a delay of several seconds to another space in the museum, temporarily creating an acoustic proximity (because it is as if the spaces are temporarily next to each other) but also blurring the boundaries between public and private - most of the conversations that we have in so-called public space are actually private in nature; and these days 'public' space is usually owned and operated as a 'private' initiative.

Miscommunications No. 6 at Museum of Modern Art Aalborg, 2010

Debates about the distinctions between what is public and what is private on the web often ignore this subtlety - even in the physical world, such concepts are not embedded within the space, but are properties that we attribute to particular contexts, particular moments, particular relationships.

Miscommunications No. 6 at Museum of Modern Art Aalborg, 2010

As a result of the delay, and because a microphone in the remote space will pick up the output of the speaker and broadcast it (again with a delay) to another part of the museum, the sounds that people make will continue to echo softly round the museum long after they have uttered them their voices, their comments, their actions, their contributions, become part of the ongoing experience of the museum. With each hop, however, the voices degrade and quieten, leaving barely a trace of the original utterance.

Miscommunications No. 6 unit

Miscommunications No. 6 unit

The architectural conceit is to create temporary acoustic proximity - it suggests that the experience of architecture is not solely based on the immediate, fixed, immutable structure of a building, but instead that through technology people can alter the fabric of space, and that even remote spaces can be folded in locally. The notion of a neighbourhood becomes less based on geographical location, and more based on a network of relationships between locations that may be near or far.

Meanwhile, somewhere within the building, a single space is carved out to become the focal point for all these radio waves, all these sounds, all these interactions, all these experiences - in there, the Listening Room, visitors can stand and listen, but say nothing back.

Miscommunications No. 6 was commissioned by the Museum of Modern Art Aalborg for the Movin' Space exhibition, 16th October 2010 - 16th January 2011, with special thanks to Gitte Ørskou, Director of the Museum. Photos by Anders Sune Berg. Interview with Usman Haque in Danish.

Miscommunications No. 6 at the Seoul International Media Art Biennale 2012

Miscommunications No. 6 Version 2 was commissioned by Mediacity Seoul 2012 for exhibition from September 11 to November 4, 2012 as part of Spell on You at the Seoul International Media Art Biennale 2012.

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Usman Haque: Private conversations in public as dozens of microphones and speakers infiltrate a museum

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How does it relate? Use of technology and family. Use of screen to show texts and chats

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How does it relate? Use of technology and family. Use of screen to show texts and chats

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Directed by Jason Reitman. With Kaitlyn Dever, Rosemarie DeWitt, Ansel Elgort, Jennifer Garner. A group of high school teenagers and their parents attempt to navigate the many ways the Internet has changed their relationships, their communication, their self-image, and their love lives.

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Lucía - Lucía, Luis y el Lobo, corto, Niels Atallah, Joaquin Cociña e Cristóbal León