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Genre in photography is the different specifics of what or how your photographing

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a still photographic film camera which uses the 35 mm format on 135 film

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a type of camera with two objective lenses of the same focal length. One of the lenses is the photographic objective or "taking lens" (the lens that takes the picture), while the other is used for the viewfinder system, which is usually viewed from above at waist level.

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a darkened box with a convex lens or aperture for projecting the image of an external object onto a screen inside. It is important historically in the development of photography.

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Gelatin process, also called gelatin dry-plate process, photographic process in which gelatin is used as the dispersing vehicle for the light-sensitive silver salts.

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Photo curators collect, exhibit, research and maintain the photo collection at a museum

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a public display of works of art or items of interest, held in an art gallery or museum or at a trade fair.

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a room or building for the display or sale of works of art.

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a building in which objects of historical, scientific, artistic, or cultural interest are stored and exhibited.

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A photographic studio is often a business owned and represented by one or more photographers, possibly accompanied by assistants and pupils, who create and sell their own and sometimes others’ photographs.

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A line may be diagonal, vertical, horizontal, thin or thick. Lines are used to convey movement and depth

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Shapes are two dimensional, Shapes are flat, and can only have height and width. The two different categories of shapes are: geometric and organic

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Color is an element consisting of hues, Hue – the name given to the color (red, blue, yellow, green, etc.) Intensity – the amount of saturation a color has

Value – how light or dark a color is. This refers to tint (adding white) and shade (adding black)

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The use of space can make a flat image look like it has form, use of perspective and depth help with space, use of negative space

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How the object looks or feels, just looking you can know how it feels

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3 dimensional shape, they have an actual form, often have depth

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Value refers to the degree of perceivable lightness of tones within an image, how bright or dark an image is

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The distribution of visual weight of objects, colors, texture, and space

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The part that catches the viewer's attention has  a form of contrast in shape, color, size, texture, etc.

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The path the viewer’s eye takes through the work of art, often to focal areas

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The repeating of an object or symbol all over a work of art

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The feeling of unity created by when all parts (size, amounts, or numbers) relate well with each other

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The use of several elements of design to hold the viewer's attention and to guide the viewer’s eye

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The feeling of harmony between all parts of the works of art, which creates a sense of completeness

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Symmetry around a central axis

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The quality of being made up of exactly similar parts facing each other or around an aixs

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Lack of equality or equivalence between parts or aspects of something

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the fact of two things being seen or placed close together with contrasting effect

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existing in thought or as an idea but not having a physical or concrete existence

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An image gradient is a directional change in the intensity or color in an image

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Cool colors include green, blue, and purple, and variations of those three colors. They are often more subdued than warm colors.

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These colors are called warm colors since they evoke warm feelings in people. Yellow, red, orange and different shades of these colors are warm colors.

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Neutral means without color. Neutrals such as beige, ivory, taupe, black, gray, and shades of white appear to be without color, but in many applications these hues often have undertones

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Complementary color combos tend to be bold. Complementary colors are pairs of colors which, when combined or mixed, cancel each other out by producing a grayscale color like white or black. When placed next to each other, they create the strongest contrast for those two colors. Complementary colors may also be called "opposite colors".

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Monochromatic colors are all the colors of a single hue. Monochromatic color schemes are derived from a single base hue and extended using its shades, tones and tints. Containing or using only one color

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Constructive criticism focuses on providing constructive feedback, supported by specific examples, to help you improve in some area. Constructive criticism should be offered in a friendly manner with good intentions.

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the practice of taking someone else's work or ideas and passing them off as one's own.

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Photography ethics are the principles that guide how we take and share photographs. Photography ethics are subjective, contextual, and fluid, meaning that every person's ethics will be different, because ethics are based on a person's life experience and values

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Objective photography tries to show the world as it really is, while Subjective photography tries to show the world as the photographer herself sees it.

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Copyright protects original work, whereas a trademark protects items that distinguish or identify a particular business from another.

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a composition guideline that places your subject in the left or right third of an image, leaving the other two thirds more open

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lines that appear in a photograph that have been framed and positioned by the photographer to draw the viewer's eye towards a specific point of interest.

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The golden ratio is a ratio of approximately 1.618 to 1. Artists have used this ratio for centuries to create works of art from paintings to architecture.

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Negative space, in art, is the space around and between the subject of an image.

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Positive space refers to the subject or areas of interest in an artwork, such as a person's face or figure in a portrait, the objects in a still life painting, or the trees in a landscape painting.

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emphasizes the depth behind the subject and gives images a greater sense of place. Dramatic effect. Backlighting can produce a dramatic contrast between the subject and the background. This can be an especially effective technique when shooting outdoor portraits

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Diffused lighting is most commonly used in portrait photography. The even light is flattering for subjects because it eliminates shadows, softens the face, and allows the subject to relax without squinting.

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Ambient light can be defined as any form of light that you didn't add to your photo. This can include both natural and artificial lighting. It's important to note that any light that you as the photographer added to, or modified for the shoot is not considered ambient light.

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an effect of contrasted light and shadow created by light falling unevenly or from a particular direction on something.

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A silhouette is a solid, dark image of a subject against a brighter background. Silhouette pictures usually show the subject in profile. ... Silhouette photography shows the dark outlines of subjects in front of contrasting, bright scenes such as sunsets or studio backdrops.

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The diptych—two images combined into a single frame or presented together—originated in art as a drawing or painting in two parts

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Triptych photography might involve taking one picture and splitting it into three different parts or shooting three separate photos that are related

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Orthographic views are two-dimensional views of three-dimensional objects. Orthographic views are created by projecting a view of an object onto a plane which is usually positioned so that it is parallel to one of the planes of the object

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a type of distortion wherein lines that are straight in real life appear to curve inwards

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a lens effect that causes images to become pinched in the center.

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a camera setting that will brighten or darken a photo. As you increase your ISO number, your photos will grow progressively brighter.

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an arbitrary rating of film speed; that is, the sensitivity of the film to light. If everything else is kept constant, the required exposure time is inversely proportional to the ASA rating

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An image sensor or imager is a sensor that detects and conveys information used to make an image. It does so by converting the variable attenuation of light waves into signals, small bursts of current that convey the information. The waves can be light or other electromagnetic radiation.

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Film grain or granularity is the random optical texture of processed photographic film due to the presence of small particles of a metallic silver, or dye clouds, developed from silver halide that have received enough photons.

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Image noise is random variation of brightness or color information in images, and is usually an aspect of electronic noise. It can be produced by the image sensor and circuitry of a scanner or digital camera. Image noise can also originate in film grain and in the unavoidable shot noise of an ideal photon detector.

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an aperture is a hole or an opening through which light travels. More specifically, the aperture and focal length of an optical system determine the cone angle of a bundle of rays that come to a focus in the image plane.

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the f-number of an optical system such as a camera lens is the ratio of the system's focal length to the diameter of the entrance pupil. It is also known as the focal ratio, f-ratio, or f-stop, and is very important in photography

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The focal length of a lens is determined when the lens is focused at infinity. Lens focal length tells us the angle of view—how much of the scene will be captured—and the magnification—how large individual elements will be. The longer the focal length, the narrower the angle of view and the higher the magnification

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For many cameras, depth of field is the distance between the nearest and the farthest objects that are in acceptably sharp focus in an image. The depth of field can be calculated based on focal length, distance to subject, the acceptable circle of confusion size, and aperture.

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bokeh is the aesthetic quality of the blur produced in out-of-focus parts of an image. Bokeh has also been defined as "the way the lens renders out-of-focus points of light". Differences in lens aberrations and aperture shape cause very different bokeh effects

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automatic Exposure is when the camera chooses the optimum shutter speed, aperture, ISO and flash settings for your shot.

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What you need to know to become the world’s next best blogger.

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manually set both the aperture and the shutter speed to any value you want – the camera lets you fully take over the exposure controls

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a setting on some cameras that allows the user to set a specific aperture value (f-number) while the camera selects a shutter speed to match it that will result in proper exposure based on the lighting conditions

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a semi-automatic shooting mode in cameras. It allows the user to select a shutter speed while the camera automatically adjusts the aperture to get the correct exposure.

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means that the camera still sets the exposure for you. It chooses the correct aperture and shutter speed for the light available, so your shot is correctly exposed. Program mode also unlocks other functions that give you more creative control over your images

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It's the speed at which the shutter of the camera closes. A fast shutter speed creates a shorter exposure — the amount of light the camera takes in — and a slow shutter speed gives the photographer a longer exposure.

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The Bulb setting on camera shutters is a momentary-action mode that holds shutters open for as long as a photographer depresses the shutter-release button.

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motion blur is the purposeful streaking or blurring of an object in motion in a photo for visual effect. It's a great technique for capturing movement in a still image, and is often used in both nature photography and sports

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a tripod and monopod are accessories designed to support a camera — where the two differ are the legs. A tripod has three legs (that's the “tri”). A monopod is a camera support that has one leg (that's the “mono”)

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Camera shake is visible whenever your shutter speed is slow compared to the speed of unintended camera motion

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a technique that takes advantage of slow shutter speeds to create creative and unique looking imagery.

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Time-lapse photography is a technique in which the frequency at which film frames are captured is much lower than the frequency used to view the sequence. When played at normal speed, time appears to be moving faster and thus lapsing.

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Sometimes called light drawing or light graffiti, light painting is the photographic technique of using a moving light source—such as a flashlight, glow stick, light brush, or even a smartphone—to alter an image while taking a long exposure photograph.

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swiveling a still or video camera horizontally from a fixed position. This motion is similar to the motion of a person when they turn their head on their neck from left to right.

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also called continuous shooting mode, sports mode, continuous mode, or burst shot, is a shooting mode in still cameras. In burst mode, the photographer captures several photos in quick succession by either pressing the shutter button or holding it down.

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Light meters, cameras and pictures are often calibrated using an 18% gray card or a color reference card such as a ColorChecker. On the assumption that 18% is similar to the average reflectance of a scene, a grey card can be used to estimate the required exposure of film.

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Spot metering allows the camera to measure the light reflected from the person's face and expose properly for that, instead of adjusting exposure for the much brighter light around the hairline.

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Partial metering is one of four modes found mostly on Canon cameras to help measure a subject’s brightness.  This enables the photographer to take a correct exposure depending on the lighting conditions at hand.

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Center-weighted average metering works on the assumption that the most important part of the image is probably in the center. It measures the whole scene but places extra emphasis on the light values in the middle. Center-weighted averaging is a bit of a throwback.

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Evaluative metering is the default metering mode on most cameras. It ensures that the camera will automatically adjust to the right exposure setting even when the ambient lighting shows greater contrast.

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Shadow photography is also defined as the manipulation of the light source, exposure of the shadow to add or remove darkness from the image, and the increased dramatic depth of a photo.

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A mid-tone is precisely that – all luminance values that are not dark or light are considered to be mid-tones. Most of the time our camera meter will attempt to expose for this average brightness when in 'Automatic Mode.

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Highlights are the lightest elements in an image, whereas shadows are the darkest areas. Dynamic range is the ratio between those vivid highlights and dark shadows, from bright white to pure black. That range is key to an image's depth and drama. If a photo has poor dynamic range, the image can appear flat or gray.

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A vignette is a darker border - sometimes as a blur or a shadow - at the periphery of photos. It can be an intentional effect to highlight certain aspects of the image or as a result of using the wrong settings, equipment or lens when taking a photo.

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Sepia photography is similar to black-and-white photography in that it's monochromatic, meaning one tone or one color. ... While traditional black-and-white photographs use a standard grayscale to create highlights and shadows, sepia-toned photos use a reddish-brown tone to create that spectrum.

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a specific part of the frame where the camera is able to focus on something. When looking through the viewfinder, these points are denoted by small squares clustered around the centre of the frame.

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Bracketing is a technique where a photographer takes shots of the same image using different camera settings. This gives the photographer multiple variations of the same image to choose from or combine to ensure that they get the perfect shot.

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It shows you what you have set in terms of exposure compensation and/or auto exposure bracketing. It is only shown in exposure modes that use exposure compensation or auto exposure bracketing.

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Exposure compensation is used to alter exposure from the value selected by the camera, making photographs brighter or darker.

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A white balance card (or gray card) helps you adjust the white balance and exposure settings of images by providing a reference point.

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A Display that shows the different workspaces that you can be in while on photoshop

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Where the many tools for photoshop are held

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groups of tools used to edit and manipulate your image. Photoshop contains over two dozen palettes that can be shown or hidden by using the Window menu and selecting the palette you wish to reveal

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a narrow section across the screen in a computer program and that shows the names of available operations.

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used to choose settings for each tool (e.g., opacity, fade distance, blending mode). Options on the bar change depending on which tool is currently chosen, and your choices will remain in effect until you change them