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Giotto, The Lamentation, Arena (Scrovegni) Chapel, Padua, 1305-06

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This piece utilizes the color pallet to emphasize important aspects of the piece as well as using colors to create a halo effect.

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Codex Féjervary-Mayer, 15th century, f. 1

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This piece did a good job of using pictorial space as well as strong symbolism.

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This piece is linear and has a strong mathematical perspective.

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This piece utilizes scale through depth.

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Leonardo da Vinci, The last Supper, c. 1495-98

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The use of saturated color and linear perspective is well represented in this piece.

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This piece uses lighting and symbolism throughout it to highlight the overall uniting theme of the Aztecs goddess, Coatlicue, the earths creator and destroyer.

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Giovanni Bellini, San Zaccaria Altarpiece, 1505

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This piece utilizes intricate and small details as well as the positioning of the subject to showcase important details in the piece.

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Matthias Grunewald, The Isenheim Altarpiece, c. 1510-15

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The use of vibrant colors was portrayed in this piece.

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Parmigianino, Madonna with  the Long Neck, c. 1535

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This is a good example of using pictorial space.

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I.: Bramante, plan, 1505; R: Michelangelo, plan, dome, apse, 1564; St. Peter's Basilica, Vatican City, ca 1500-1660. 

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The use of patterns was utilized to create a strong illusion.

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Peter Paul Rubens, Elevation of the Cross, 1610

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This piece has a good use of light and composition.

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Anthony van Dyck, Charles I Dismounted, c. 1635

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The use of lighting was incorporated to emphasize the over arching power that King Charles 1 had.

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Charles le Brun, et al., Palace of Versailles, France, 1669-85

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The use of symmetry and placement of this piece is key into recognizing the intricate thought and details that went into the preparation, design, and development of this piece.

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Willem Kalf, Still Life with a Late Ming Ginger Jar, 1669

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The use of symbolism is well established throughout this piece to highlight the sort of costly wares that was present throughout the Netherlands heyday trade center.

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Antoine Watteau, Return from Cythera, 1717-19

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The use of vibrant colors helped create depth in this composition.

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Balthasar Neumann, Church of Vierzehnheiligen, near Staffelstein, 1743-72

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This piece utilizes color and the structure of the sculpture is very realistic.

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Jacques- Louis David, Oath of the Horatii, 1784

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The use of tone and lighting were exemplified in this piece.

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Thomas Gainsborough, Mrs. Richard Brinsley Sheridan, 1787

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This piece utilizes painterly brush stroke. The lighting was used to highlight the subject matter.

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Casper David Friedrich, Monk on the Ocean, 1809-10

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This beautiful piece uses a selective color pallet and painterly brush stroke throughout to articulate the over all message to it's general audience.

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Francisco Goya, The Third of May 1808, 1814

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The use of vibrant and saturated color allowed for a better piece that is more eye-appealing to Goyas' intended audience.

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The use of painterly brush stroke is noticed throughout this piece as well as focusing on nature and the beauty within nature.

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The use of gray scale and texture was portrayed nicely in this piece.

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This piece uses a selective color pallet as well as strong symbolism and abstract concepts.

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George Seurat, Sunday Afternoon on the Island of La Grande Jutte, 1844-1886

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This piece uses a wide scale of colors to create the illusion of a realistic piece.

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Claude Monet, Saint-Lazare Train Saturation, 1877

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This use of vibrant colors and linear techniques helps create depth in this composition.

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Louis Sullivan, Carson, Pirie, Scott Building, Chicago, Illinois, 1904

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The use of linear illusions and the use of scale is very well represented in these images.

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Henri Matisse, Harmony in Red (Red Room), 1908-09

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There is a vibrant use of color in this piece.

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Pablo Picasso, Les Demoiselles d'Avignon, 1907

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The use of color and pictorial space were able to balance the portrait.

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Umberto Boccioni, Unique Forms of Continuity in Space, 1913

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The use of space and aerodynamics is exemplified throughout this piece to demonstrate the new up rise and interest in new inventions.

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Kasimir Malevich, Suprematist Composition: Airplane Flying, 1915

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The use of geometric shapes and placement was used throughout this piece to demonstrate and act as another recognition of the progress made in space travel.

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Jean Arp, Collage Arranged According to the Laws of Chance, 1916-17

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The use of color and texture was exemplified throughout this piece.

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Vladimir Tatlin, Project for Monument to the Third International, 1919-20

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This piece was constructed and utilized the use f diagonals in the original design to showcase how far architecture had come and that the possibilities are endless.

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Piet Mondrian, Composition in Red, Blue, and Yellow, 1930

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This piece utilizes its selective color pallet while simultaneously using thick heavy brush strokes to highlight the geometric shapes and figures created.

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Salvador Dali, The Persistence of Memory, 1931

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The use of symbolism, lighting, and color were all demonstrated beautifully throughout this piece as it depicts a dream world in which the everyday common objects that are highly recognizable are in fact deformed.

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Boats and boating--Equipment and supplies

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This piece has an extraordinary gray scale and illusion of depth through tone.

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Otto Pentewa, Katsina figurine, New Oraibi, Arizona, before 1959

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The use of patterns and intricate details found in the added materials was added to the carved cottonwood root. This entire figure was used to act as sacred symbolism in Native American art.

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I. M. Pei, Mesa Laboratory, Boulder, Colorado, 1961-66

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The use of geometric shapes was highlighted throughout the design and implemented into development of this piece.

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This image has a great use of color and gray scale.

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This piece exemplifies linear composition.

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Joseph Kosuth, One and Three Chairs, 1965

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This piece incorporates a multitude of elements into it to demonstrate the meaning and existence of ones true value and individuality that they express to the world.

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Charles Moore, Piazza d’Italia, New Orleans, 1976-80

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As this piece acts as a functional building to the general public, the use of columns and lighting was highlighted throughout the design. This piece was meant to reflect similar architectural design elements that are prevalent in Italian architecture to act as a monument to the Italian American community.

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This piece was extremely unique and different for its time as it showcased the importance of feminine voice and opinions in community, and how powerful woman truly are. This piece was one of the very first pieces to highlight female empowerment and acts as a strong and symbolic figure in history.

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This piece incorporated the significance of using natural elements while simultaneously showcasing the beauty in nature. This piece attributed to the idea that the imagination of artists minds is infinite.

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Cliff Whiting (Te Whanau-A-Apanui), Tawhiri-Matea (God of the Winds), 1984 

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The use of color and texture was utilized throughout this piece to highlight important elements and symbols throughout the piece. The artist carefully sculpted small important details to add to the overall and greater message behind their work.

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Tony Abeyta, Untitled (Five Kachina-like Figures), 1991

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The use of color and perspective was highlighted throughout this piece to showcase the over arching message that the artist was attempting to convey that their is power beyond what one can see.

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This piece is used to signify the birth of Christ and the connection we all have to the birth of Christ. The use of color to act as symbolism truly attributes to the overall message and theme of this beautiful piece.

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The use of color and geometry is used to attribute to the overarching message and strongly suggests the enhancement of one as they come unto Christ anyone is able to be perfected.